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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957E5A it is the complementary color #6A81A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957E5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957E5A shade: #9A7E55, #AB9068, #BCA27B, #CDB48E and #DEC6A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957E5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957E5A shade: #957E5A, #846C47, #735A34, #624821 and #51360E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957E5A shade: #957E59, #956E59, #955E59 and #955959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957E5A shade: #957E59, #958E59, #8C9559, #7C9559 and #6C9559

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957E5A shade matches the following richer shades: #957E59, #A98246, #BC8633, #CF8B1F and #E38F0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957E5A shade: #957E59, #827A6D, #6F7580, #5B7194 and #486DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957E5A shade: #955D59, #956D59, #957D59, #958D59 and #8D9559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957E5A shade: #62523A, #7C684A, #957E59, #A9926F and #B8A689

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957E5A shade: #957E5A, #659559 and #655995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957E5A shade: #957E5A, #59957D and #7D5995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957E5A shade: #957E5A, #659559, #597195 and #895995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957E5A shade: #957E5A, #59955F, #597195 and #95598F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 40 / 42

HEX #957E5A

RGB 149 126 90

HSL 36.61, 0.25%, 0.47%

LAB 54.08, 3.53, 22.89

 

Complementary color

CMYK 36 / 22 / 0 / 35

HEX #6A81A5

RGB 106 129 165

HSL 216.61, 0.25%, 0.53%

LAB 53.47, 0.82, -21.84

 

CMYK 0 / 18 / 45 / 40

HEX #9A7E55

RGB 154 126 85

HSL 35.65, 0.29%, 0.47%

LAB 54.5, 5.09, 26.34

 

CMYK 0 / 16 / 39 / 33

HEX #AB9068

RGB 171 144 104

HSL 35.82, 0.29%, 0.54%

LAB 61.31, 4.4, 25.04

 

CMYK 0 / 14 / 35 / 26

HEX #BCA27B

RGB 188 162 123

HSL 36, 0.33%, 0.61%

LAB 67.99, 3.81, 23.83

 

CMYK 0 / 12 / 31 / 20

HEX #CDB48E

RGB 205 180 142

HSL 36.19, 0.39%, 0.68%

LAB 74.56, 3.32, 22.7

 

CMYK 0 / 11 / 27 / 13

HEX #DEC6A1

RGB 222 198 161

HSL 36.39, 0.48%, 0.75%

LAB 81.01, 2.88, 21.65

 

CMYK 0 / 15 / 40 / 42

HEX #957E5A

RGB 149 126 90

HSL 36.61, 0.25%, 0.47%

LAB 54.08, 3.53, 22.89

 

CMYK 0 / 18 / 46 / 48

HEX #846C47

RGB 132 108 71

HSL 36.39, 0.3%, 0.4%

LAB 47.09, 4.24, 24.24

 

CMYK 0 / 22 / 55 / 55

HEX #735A34

RGB 115 90 52

HSL 36.19, 0.38%, 0.33%

LAB 39.92, 5.14, 25.7

 

CMYK 0 / 27 / 66 / 62

HEX #624821

RGB 98 72 33

HSL 36, 0.5%, 0.26%

LAB 32.57, 6.32, 27.25

 

CMYK 0 / 33 / 83 / 68

HEX #51360E

RGB 81 54 14

HSL 35.82, 0.71%, 0.19%

LAB 25.01, 7.93, 28.61

 

CMYK 0 / 15 / 40 / 42

HEX #957E59

RGB 149 126 89

HSL 37, 0.25%, 0.47%

LAB 54.06, 3.41, 23.43

 

CMYK 0 / 26 / 40 / 42

HEX #956E59

RGB 149 110 89

HSL 21, 0.25%, 0.47%

LAB 49.81, 12.59, 17.76

 

CMYK 0 / 37 / 40 / 42

HEX #955E59

RGB 149 94 89

HSL 5, 0.25%, 0.47%

LAB 45.79, 21.84, 12.25

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 0 / 15 / 40 / 42

HEX #957E59

RGB 149 126 89

HSL 37, 0.25%, 0.47%

LAB 54.06, 3.41, 23.43

 

CMYK 0 / 5 / 40 / 42

HEX #958E59

RGB 149 142 89

HSL 53, 0.25%, 0.47%

LAB 58.47, -5.52, 29.16

 

CMYK 6 / 0 / 40 / 42

HEX #8C9559

RGB 140 149 89

HSL 69, 0.25%, 0.47%

LAB 59.7, -13.07, 30.58

 

CMYK 17 / 0 / 40 / 42

HEX #7C9559

RGB 124 149 89

HSL 85, 0.25%, 0.47%

LAB 58.51, -19.55, 28.82

 

CMYK 28 / 0 / 40 / 42

HEX #6C9559

RGB 108 149 89

HSL 101, 0.25%, 0.47%

LAB 57.47, -25.68, 27.27

 

CMYK 0 / 15 / 40 / 42

HEX #957E59

RGB 149 126 89

HSL 37, 0.25%, 0.47%

LAB 54.06, 3.41, 23.43

 

CMYK 0 / 23 / 59 / 34

HEX #A98246

RGB 169 130 70

HSL 36.36, 0.41%, 0.47%

LAB 56.92, 7.95, 37.81

 

CMYK 0 / 29 / 73 / 26

HEX #BC8633

RGB 188 134 51

HSL 36.35, 0.57%, 0.47%

LAB 59.87, 12.88, 50.85

 

CMYK 0 / 33 / 85 / 19

HEX #CF8B1F

RGB 207 139 31

HSL 36.82, 0.74%, 0.47%

LAB 63.2, 17.72, 62.25

 

CMYK 0 / 37 / 95 / 11

HEX #E38F0C

RGB 227 143 12

HSL 36.56, 0.9%, 0.47%

LAB 66.52, 23.83, 70.16

 

CMYK 0 / 15 / 40 / 42

HEX #957E59

RGB 149 126 89

HSL 37, 0.25%, 0.47%

LAB 54.06, 3.41, 23.43

 

CMYK 0 / 6 / 16 / 49

HEX #827A6D

RGB 130 122 109

HSL 37.14, 0.09%, 0.47%

LAB 51.58, 0.7, 8.21

 

CMYK 13 / 9 / 0 / 50

HEX #6F7580

RGB 111 117 128

HSL 218.82, 0.07%, 0.47%

LAB 49.08, 0.15, -6.81

 

CMYK 39 / 24 / 0 / 42

HEX #5B7194

RGB 91 113 148

HSL 216.84, 0.24%, 0.47%

LAB 47.2, 1.14, -21.63

 

CMYK 57 / 35 / 0 / 35

HEX #486DA7

RGB 72 109 167

HSL 216.63, 0.4%, 0.47%

LAB 45.78, 4.61, -35.13

 

CMYK 0 / 38 / 40 / 42

HEX #955D59

RGB 149 93 89

HSL 4, 0.25%, 0.47%

LAB 45.55, 22.42, 11.91

 

CMYK 0 / 27 / 40 / 42

HEX #956D59

RGB 149 109 89

HSL 20, 0.25%, 0.47%

LAB 49.55, 13.17, 17.41

 

CMYK 0 / 16 / 40 / 42

HEX #957D59

RGB 149 125 89

HSL 36, 0.25%, 0.47%

LAB 53.79, 3.98, 23.07

 

CMYK 0 / 5 / 40 / 42

HEX #958D59

RGB 149 141 89

HSL 52, 0.25%, 0.47%

LAB 58.19, -4.97, 28.8

 

CMYK 5 / 0 / 40 / 42

HEX #8D9559

RGB 141 149 89

HSL 68, 0.25%, 0.47%

LAB 59.78, -12.66, 30.7

 

CMYK 0 / 16 / 41 / 62

HEX #62523A

RGB 98 82 58

HSL 36, 0.26%, 0.31%

LAB 35.86, 2.81, 16.56

 

CMYK 0 / 16 / 40 / 51

HEX #7C684A

RGB 124 104 74

HSL 36, 0.25%, 0.39%

LAB 45.19, 3.39, 19.87

 

CMYK 0 / 15 / 40 / 42

HEX #957E59

RGB 149 126 89

HSL 37, 0.25%, 0.47%

LAB 54.06, 3.41, 23.43

 

CMYK 0 / 14 / 34 / 34

HEX #A9926F

RGB 169 146 111

HSL 36.21, 0.25%, 0.55%

LAB 61.78, 3.33, 21.75

 

CMYK 0 / 10 / 26 / 28

HEX #B8A689

RGB 184 166 137

HSL 37.02, 0.25%, 0.63%

LAB 68.95, 1.93, 17.41

 

CMYK 0 / 15 / 40 / 42

HEX #957E5A

RGB 149 126 90

HSL 36.61, 0.25%, 0.47%

LAB 54.08, 3.53, 22.89

 

CMYK 32 / 0 / 40 / 42

HEX #659559

RGB 101 149 89

HSL 108, 0.25%, 0.47%

LAB 57.06, -28.22, 26.66

 

CMYK 32 / 40 / 0 / 42

HEX #655995

RGB 101 89 149

HSL 252, 0.25%, 0.47%

LAB 41.35, 19.15, -31.28

 

CMYK 0 / 15 / 40 / 42

HEX #957E5A

RGB 149 126 90

HSL 36.61, 0.25%, 0.47%

LAB 54.08, 3.53, 22.89

 

CMYK 40 / 0 / 16 / 42

HEX #59957D

RGB 89 149 125

HSL 156, 0.25%, 0.47%

LAB 57.17, -25.27, 6.59

 

CMYK 16 / 40 / 0 / 42

HEX #7D5995

RGB 125 89 149

HSL 276, 0.25%, 0.47%

LAB 43.76, 26.6, -27.32

 

CMYK 0 / 15 / 40 / 42

HEX #957E5A

RGB 149 126 90

HSL 36.61, 0.25%, 0.47%

LAB 54.08, 3.53, 22.89

 

CMYK 32 / 0 / 40 / 42

HEX #659559

RGB 101 149 89

HSL 108, 0.25%, 0.47%

LAB 57.06, -28.22, 26.66

 

CMYK 40 / 24 / 0 / 42

HEX #597195

RGB 89 113 149

HSL 216, 0.25%, 0.47%

LAB 47.11, 0.85, -22.37

 

CMYK 8 / 40 / 0 / 42

HEX #895995

RGB 137 89 149

HSL 288, 0.25%, 0.47%

LAB 45.13, 30.47, -25.1

 

CMYK 0 / 15 / 40 / 42

HEX #957E5A

RGB 149 126 90

HSL 36.61, 0.25%, 0.47%

LAB 54.08, 3.53, 22.89

 

CMYK 40 / 0 / 36 / 42

HEX #59955F

RGB 89 149 95

HSL 126, 0.25%, 0.47%

LAB 56.53, -31.29, 22.56

 

CMYK 40 / 24 / 0 / 42

HEX #597195

RGB 89 113 149

HSL 216, 0.25%, 0.47%

LAB 47.11, 0.85, -22.37

 

CMYK 0 / 40 / 4 / 42

HEX #95598F

RGB 149 89 143

HSL 306, 0.25%, 0.47%

LAB 46.33, 33.22, -19.53

 

Description

Color code: HEX #957E5A | qconv.com Color code: HEX #957E5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 126 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 126 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 40 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 40% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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