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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958418 it is the complementary color #6A7BE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958418. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958418 shade: #9A8413, #AB9626, #BCA839, #CDBA4C and #DECC5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958418. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958418 shade: #958418, #847205, #736000, #624E00 and #513C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958418 shade: #958418, #956218, #954018, #951F18 and #951818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958418 shade: #958418, #849518, #629518, #419518 and #1F9518

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958418 shade matches the following richer shades: #958418 and #A38E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958418 shade: #958418, #877926, #796F34, #6B6542 and #5D5B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958418 shade: #953F18, #956118, #958218, #869518 and #659518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958418 shade: #4E450C, #716412, #958418, #B8A31E and #DBC224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958418 shade: #958418, #18951E and #501895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958418 shade: #958418, #189582 and #821895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958418 shade: #958418, #18951E, #182B95 and #95188E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958418 shade: #958418, #189543, #182B95 and #951869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

Complementary color

CMYK 54 / 47 / 0 / 9

HEX #6A7BE7

RGB 106 123 231

HSL 231.84, 0.72%, 0.66%

LAB 55.07, 24.16, -56.87

 

CMYK 0 / 14 / 88 / 40

HEX #9A8413

RGB 154 132 19

HSL 50.22, 0.78%, 0.34%

LAB 55.5, -2.63, 56.83

 

CMYK 0 / 12 / 78 / 33

HEX #AB9626

RGB 171 150 38

HSL 50.53, 0.64%, 0.41%

LAB 62.18, -4.08, 57.58

 

CMYK 0 / 11 / 70 / 26

HEX #BCA839

RGB 188 168 57

HSL 50.84, 0.53%, 0.48%

LAB 68.75, -5.27, 57.32

 

CMYK 0 / 9 / 63 / 20

HEX #CDBA4C

RGB 205 186 76

HSL 51.16, 0.56%, 0.55%

LAB 75.21, -6.25, 56.56

 

CMYK 0 / 8 / 57 / 13

HEX #DECC5F

RGB 222 204 95

HSL 51.5, 0.66%, 0.62%

LAB 81.59, -7.08, 55.55

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 0 / 14 / 96 / 48

HEX #847205

RGB 132 114 5

HSL 51.5, 0.93%, 0.27%

LAB 48.2, -3.19, 53.13

 

CMYK 0 / 17 / 100 / 55

HEX #736000

RGB 115 96 0

HSL 50.09, 1%, 0.23%

LAB 41.23, -1.18, 48.44

 

CMYK 0 / 20 / 100 / 62

HEX #624E00

RGB 98 78 0

HSL 47.76, 1%, 0.19%

LAB 34.08, 1.07, 42.54

 

CMYK 0 / 26 / 100 / 68

HEX #513C00

RGB 81 60 0

HSL 44.44, 1%, 0.16%

LAB 26.68, 3.49, 36.03

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 0 / 34 / 84 / 42

HEX #956218

RGB 149 98 24

HSL 35.52, 0.72%, 0.34%

LAB 45.89, 14.52, 46.96

 

CMYK 0 / 57 / 84 / 42

HEX #954018

RGB 149 64 24

HSL 19.2, 0.72%, 0.34%

LAB 38.06, 33.48, 39.92

 

CMYK 0 / 79 / 84 / 42

HEX #951F18

RGB 149 31 24

HSL 3.36, 0.72%, 0.34%

LAB 32.78, 47.69, 35

 

CMYK 0 / 84 / 84 / 42

HEX #951818

RGB 149 24 24

HSL 0, 0.72%, 0.34%

LAB 32.05, 49.73, 34.3

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 11 / 0 / 84 / 42

HEX #849518

RGB 132 149 24

HSL 68.16, 0.72%, 0.34%

LAB 58.48, -21.52, 57.29

 

CMYK 34 / 0 / 84 / 42

HEX #629518

RGB 98 149 24

HSL 84.48, 0.72%, 0.34%

LAB 56.25, -35.62, 54.47

 

CMYK 56 / 0 / 84 / 42

HEX #419518

RGB 65 149 24

HSL 100.32, 0.72%, 0.34%

LAB 54.75, -46.72, 52.56

 

CMYK 79 / 0 / 84 / 42

HEX #1F9518

RGB 31 149 24

HSL 116.64, 0.72%, 0.34%

LAB 53.87, -54.03, 51.43

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 0 / 13 / 94 / 36

HEX #A38E0A

RGB 163 142 10

HSL 51.76, 0.88%, 0.34%

LAB 59.12, -4.14, 61.83

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 0 / 10 / 72 / 47

HEX #877926

RGB 135 121 38

HSL 51.34, 0.56%, 0.34%

LAB 50.65, -4.57, 45.31

 

CMYK 0 / 8 / 57 / 53

HEX #796F34

RGB 121 111 52

HSL 51.3, 0.4%, 0.34%

LAB 46.55, -4.39, 33.8

 

CMYK 0 / 6 / 38 / 58

HEX #6B6542

RGB 107 101 66

HSL 51.22, 0.24%, 0.34%

LAB 42.5, -3.43, 20.69

 

CMYK 0 / 2 / 14 / 64

HEX #5D5B50

RGB 93 91 80

HSL 50.77, 0.08%, 0.34%

LAB 38.53, -1.36, 6.63

 

CMYK 0 / 58 / 84 / 42

HEX #953F18

RGB 149 63 24

HSL 18.72, 0.72%, 0.34%

LAB 37.86, 34, 39.74

 

CMYK 0 / 35 / 84 / 42

HEX #956118

RGB 149 97 24

HSL 35.04, 0.72%, 0.34%

LAB 45.64, 15.1, 46.73

 

CMYK 0 / 13 / 84 / 42

HEX #958218

RGB 149 130 24

HSL 50.88, 0.72%, 0.34%

LAB 54.47, -3.7, 54.42

 

CMYK 10 / 0 / 84 / 42

HEX #869518

RGB 134 149 24

HSL 67.2, 0.72%, 0.34%

LAB 58.63, -20.64, 57.48

 

CMYK 32 / 0 / 84 / 42

HEX #659518

RGB 101 149 24

HSL 83.04, 0.72%, 0.34%

LAB 56.41, -34.46, 54.69

 

CMYK 0 / 12 / 85 / 69

HEX #4E450C

RGB 78 69 12

HSL 51.82, 0.73%, 0.18%

LAB 29.17, -3.22, 33.29

 

CMYK 0 / 12 / 84 / 56

HEX #716412

RGB 113 100 18

HSL 51.79, 0.73%, 0.26%

LAB 42.26, -3.99, 44.27

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 0 / 11 / 84 / 28

HEX #B8A31E

RGB 184 163 30

HSL 51.82, 0.72%, 0.42%

LAB 66.88, -5.49, 64.64

 

CMYK 0 / 11 / 84 / 14

HEX #DBC224

RGB 219 194 36

HSL 51.8, 0.72%, 0.5%

LAB 78.33, -6.15, 74.01

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 84 / 0 / 80 / 42

HEX #18951E

RGB 24 149 30

HSL 122.88, 0.72%, 0.34%

LAB 53.8, -54.56, 49.52

 

CMYK 46 / 84 / 0 / 42

HEX #501895

RGB 80 24 149

HSL 266.88, 0.72%, 0.34%

LAB 25.35, 50.18, -57.14

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 84 / 0 / 13 / 42

HEX #189582

RGB 24 149 130

HSL 170.88, 0.72%, 0.34%

LAB 55.38, -36.56, 0.9

 

CMYK 13 / 84 / 0 / 42

HEX #821895

RGB 130 24 149

HSL 290.88, 0.72%, 0.34%

LAB 33.07, 58.44, -44.24

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 84 / 0 / 80 / 42

HEX #18951E

RGB 24 149 30

HSL 122.88, 0.72%, 0.34%

LAB 53.8, -54.56, 49.52

 

CMYK 84 / 71 / 0 / 42

HEX #182B95

RGB 24 43 149

HSL 230.88, 0.72%, 0.34%

LAB 23.97, 33.89, -59.57

 

CMYK 0 / 84 / 5 / 42

HEX #95188E

RGB 149 24 142

HSL 303.36, 0.72%, 0.34%

LAB 35.98, 60.97, -35.1

 

CMYK 0 / 11 / 84 / 42

HEX #958418

RGB 149 132 24

HSL 51.84, 0.72%, 0.34%

LAB 55.03, -4.8, 54.9

 

CMYK 84 / 0 / 55 / 42

HEX #189543

RGB 24 149 67

HSL 140.64, 0.72%, 0.34%

LAB 54.13, -50.49, 34

 

CMYK 84 / 71 / 0 / 42

HEX #182B95

RGB 24 43 149

HSL 230.88, 0.72%, 0.34%

LAB 23.97, 33.89, -59.57

 

CMYK 0 / 84 / 30 / 42

HEX #951869

RGB 149 24 105

HSL 321.12, 0.72%, 0.34%

LAB 34.11, 55.81, -14.82

 

Description

Color code: HEX #958418 | qconv.com Color code: HEX #958418 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 132 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 132 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 84 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 84% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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