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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958687 it is the complementary color #6A7978. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958687. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958687 shade: #9A8682, #AB9895, #BCAAA8, #CDBCBB and #DECECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958687. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958687 shade: #958687, #847474, #736261, #62504E and #513E3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958687 shade: #948485 and #948484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958687 shade: #948485, #948489, #94848D, #948492 and #918494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958687 shade matches the following richer shades: #948485, #A67175, #B95F65, #CB4C55 and #DE3944

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958687 shade: #948485, #819695, #6FA9A5, #5CBBB5 and #4ACEC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958687 shade: #94848D, #948489, #948485, #948784 and #948B84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958687 shade: #695C5C, #7F6F70, #948485, #A79A9B and #BAB0B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958687 shade: #958687, #929484 and #848B94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958687 shade: #958687, #859484 and #848594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958687 shade: #958687, #929484, #849493 and #868494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958687 shade: #958687, #8D9484, #849493 and #8B8494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 9 / 42

HEX #958687

RGB 149 134 135

HSL 356, 0.07%, 0.55%

LAB 57.26, 5.83, 1.52

 

Complementary color

CMYK 12 / 0 / 1 / 53

HEX #6A7978

RGB 106 121 120

HSL 176, 0.07%, 0.45%

LAB 49.61, -5.75, -1.34

 

CMYK 0 / 13 / 16 / 40

HEX #9A8682

RGB 154 134 130

HSL 10, 0.11%, 0.56%

LAB 57.59, 6.88, 4.93

 

CMYK 0 / 11 / 13 / 33

HEX #AB9895

RGB 171 152 149

HSL 8.18, 0.12%, 0.63%

LAB 64.39, 6.49, 4.13

 

CMYK 0 / 10 / 11 / 26

HEX #BCAAA8

RGB 188 170 168

HSL 6, 0.13%, 0.7%

LAB 71.06, 6.15, 3.38

 

CMYK 0 / 8 / 9 / 20

HEX #CDBCBB

RGB 205 188 187

HSL 3.33, 0.15%, 0.77%

LAB 77.6, 5.84, 2.67

 

CMYK 0 / 7 / 7 / 13

HEX #DECECE

RGB 222 206 206

HSL 0, 0.2%, 0.84%

LAB 84.03, 5.55, 1.99

 

CMYK 0 / 10 / 9 / 42

HEX #958687

RGB 149 134 135

HSL 356, 0.07%, 0.55%

LAB 57.26, 5.83, 1.52

 

CMYK 0 / 12 / 12 / 48

HEX #847474

RGB 132 116 116

HSL 0, 0.06%, 0.49%

LAB 50.28, 6.2, 2.27

 

CMYK 0 / 15 / 16 / 55

HEX #736261

RGB 115 98 97

HSL 3.33, 0.08%, 0.42%

LAB 43.13, 6.63, 3.09

 

CMYK 0 / 18 / 20 / 62

HEX #62504E

RGB 98 80 78

HSL 6, 0.11%, 0.35%

LAB 35.76, 7.14, 3.99

 

CMYK 0 / 23 / 27 / 68

HEX #513E3B

RGB 81 62 59

HSL 8.18, 0.16%, 0.27%

LAB 28.14, 7.77, 5.02

 

CMYK 0 / 11 / 10 / 42

HEX #948485

RGB 148 132 133

HSL 356.25, 0.07%, 0.55%

LAB 56.58, 6.23, 1.67

 

CMYK 0 / 11 / 11 / 42

HEX #948484

RGB 148 132 132

HSL 0, 0.07%, 0.55%

LAB 56.55, 6.05, 2.2

 

CMYK 0 / 11 / 10 / 42

HEX #948485

RGB 148 132 133

HSL 356.25, 0.07%, 0.55%

LAB 56.58, 6.23, 1.67

 

CMYK 0 / 11 / 7 / 42

HEX #948489

RGB 148 132 137

HSL 341.25, 0.07%, 0.55%

LAB 56.69, 6.96, -0.48

 

CMYK 0 / 11 / 5 / 42

HEX #94848D

RGB 148 132 141

HSL 326.25, 0.07%, 0.55%

LAB 56.8, 7.71, -2.62

 

CMYK 0 / 11 / 1 / 42

HEX #948492

RGB 148 132 146

HSL 307.5, 0.07%, 0.55%

LAB 56.95, 8.67, -5.29

 

CMYK 2 / 11 / 0 / 42

HEX #918494

RGB 145 132 148

HSL 288.75, 0.07%, 0.55%

LAB 56.74, 7.98, -6.78

 

CMYK 0 / 11 / 10 / 42

HEX #948485

RGB 148 132 133

HSL 356.25, 0.07%, 0.55%

LAB 56.58, 6.23, 1.67

 

CMYK 0 / 32 / 30 / 35

HEX #A67175

RGB 166 113 117

HSL 355.47, 0.23%, 0.55%

LAB 53.17, 21.54, 6.31

 

CMYK 0 / 49 / 45 / 27

HEX #B95F65

RGB 185 95 101

HSL 356, 0.39%, 0.55%

LAB 51.2, 36.79, 13.33

 

CMYK 0 / 63 / 58 / 20

HEX #CB4C55

RGB 203 76 85

HSL 355.75, 0.55%, 0.55%

LAB 50.12, 51.03, 21.86

 

CMYK 0 / 74 / 69 / 13

HEX #DE3944

RGB 222 57 68

HSL 356, 0.71%, 0.55%

LAB 50.54, 63.3, 33.13

 

CMYK 0 / 11 / 10 / 42

HEX #948485

RGB 148 132 133

HSL 356.25, 0.07%, 0.55%

LAB 56.58, 6.23, 1.67

 

CMYK 14 / 0 / 1 / 41

HEX #819695

RGB 129 150 149

HSL 177.14, 0.09%, 0.55%

LAB 60.47, -7.62, -1.99

 

CMYK 34 / 0 / 2 / 34

HEX #6FA9A5

RGB 111 169 165

HSL 175.86, 0.25%, 0.55%

LAB 65.34, -19.74, -3.95

 

CMYK 51 / 0 / 3 / 27

HEX #5CBBB5

RGB 92 187 181

HSL 176.21, 0.41%, 0.55%

LAB 70.28, -29.5, -5.59

 

CMYK 64 / 0 / 4 / 19

HEX #4ACEC5

RGB 74 206 197

HSL 175.91, 0.57%, 0.55%

LAB 75.84, -37.58, -6.13

 

CMYK 0 / 11 / 5 / 42

HEX #94848D

RGB 148 132 141

HSL 326.25, 0.07%, 0.55%

LAB 56.8, 7.71, -2.62

 

CMYK 0 / 11 / 7 / 42

HEX #948489

RGB 148 132 137

HSL 341.25, 0.07%, 0.55%

LAB 56.69, 6.96, -0.48

 

CMYK 0 / 11 / 10 / 42

HEX #948485

RGB 148 132 133

HSL 356.25, 0.07%, 0.55%

LAB 56.58, 6.23, 1.67

 

CMYK 0 / 9 / 11 / 42

HEX #948784

RGB 148 135 132

HSL 11.25, 0.07%, 0.55%

LAB 57.36, 4.34, 3.37

 

CMYK 0 / 6 / 11 / 42

HEX #948B84

RGB 148 139 132

HSL 26.25, 0.07%, 0.55%

LAB 58.44, 2.08, 4.94

 

CMYK 0 / 12 / 12 / 59

HEX #695C5C

RGB 105 92 92

HSL 0, 0.07%, 0.39%

LAB 40.3, 5.25, 1.92

 

CMYK 0 / 13 / 12 / 50

HEX #7F6F70

RGB 127 111 112

HSL 356.25, 0.07%, 0.47%

LAB 48.32, 6.44, 1.74

 

CMYK 0 / 11 / 10 / 42

HEX #948485

RGB 148 132 133

HSL 356.25, 0.07%, 0.55%

LAB 56.58, 6.23, 1.67

 

CMYK 0 / 8 / 7 / 35

HEX #A79A9B

RGB 167 154 155

HSL 355.38, 0.07%, 0.63%

LAB 64.72, 4.94, 1.19

 

CMYK 0 / 5 / 5 / 27

HEX #BAB0B1

RGB 186 176 177

HSL 354, 0.07%, 0.71%

LAB 72.67, 3.74, 0.76

 

CMYK 0 / 10 / 9 / 42

HEX #958687

RGB 149 134 135

HSL 356, 0.07%, 0.55%

LAB 57.26, 5.83, 1.52

 

CMYK 1 / 0 / 11 / 42

HEX #929484

RGB 146 148 132

HSL 67.5, 0.07%, 0.55%

LAB 60.74, -3.7, 8.21

 

CMYK 11 / 6 / 0 / 42

HEX #848B94

RGB 132 139 148

HSL 213.75, 0.07%, 0.55%

LAB 57.57, -0.66, -5.67

 

CMYK 0 / 10 / 9 / 42

HEX #958687

RGB 149 134 135

HSL 356, 0.07%, 0.55%

LAB 57.26, 5.83, 1.52

 

CMYK 10 / 0 / 11 / 42

HEX #859484

RGB 133 148 132

HSL 116.25, 0.07%, 0.55%

LAB 59.74, -8.56, 6.64

 

CMYK 11 / 10 / 0 / 42

HEX #848594

RGB 132 133 148

HSL 236.25, 0.07%, 0.55%

LAB 55.91, 2.76, -8.14

 

CMYK 0 / 10 / 9 / 42

HEX #958687

RGB 149 134 135

HSL 356, 0.07%, 0.55%

LAB 57.26, 5.83, 1.52

 

CMYK 1 / 0 / 11 / 42

HEX #929484

RGB 146 148 132

HSL 67.5, 0.07%, 0.55%

LAB 60.74, -3.7, 8.21

 

CMYK 11 / 0 / 1 / 42

HEX #849493

RGB 132 148 147

HSL 176.25, 0.07%, 0.55%

LAB 60.06, -5.91, -1.43

 

CMYK 9 / 11 / 0 / 42

HEX #868494

RGB 134 132 148

HSL 247.5, 0.07%, 0.55%

LAB 55.8, 4.04, -8.29

 

CMYK 0 / 10 / 9 / 42

HEX #958687

RGB 149 134 135

HSL 356, 0.07%, 0.55%

LAB 57.26, 5.83, 1.52

 

CMYK 5 / 0 / 11 / 42

HEX #8D9484

RGB 141 148 132

HSL 86.25, 0.07%, 0.55%

LAB 60.35, -5.59, 7.59

 

CMYK 11 / 0 / 1 / 42

HEX #849493

RGB 132 148 147

HSL 176.25, 0.07%, 0.55%

LAB 60.06, -5.91, -1.43

 

CMYK 6 / 11 / 0 / 42

HEX #8B8494

RGB 139 132 148

HSL 266.25, 0.07%, 0.55%

LAB 56.22, 5.82, -7.62

 

Description

Color code: HEX #958687 | qconv.com Color code: HEX #958687 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 134 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 134 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 9 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 9% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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