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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95821C it is the complementary color #6A7DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95821C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95821C shade: #9A8217, #AB942A, #BCA63D, #CDB850 and #DECA63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95821C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95821C shade: #95821C, #847009, #735E00, #624C00 and #513A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95821C shade: #95821C, #95621C, #95411C, #95201C and #951C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95821C shade: #95821C, #88951C, #67951C, #46951C and #26951C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95821C shade matches the following richer shades: #95821C and #A48C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95821C shade: #95821C, #87782B, #796F39, #6A6547 and #5C5B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95821C shade: #95401C, #95611C, #95811C, #89951C and #69951C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95821C shade: #50460F, #736415, #95821C, #B8A123 and #D7BC2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95821C shade: #95821C, #1C9520 and #511C95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95821C shade: #95821C, #1C9581 and #811C95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95821C shade: #95821C, #1C9520, #1C3095 and #951C91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95821C shade: #95821C, #1C9545, #1C3095 and #951C6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

Complementary color

CMYK 53 / 45 / 0 / 11

HEX #6A7DE3

RGB 106 125 227

HSL 230.58, 0.68%, 0.65%

LAB 55.36, 21.69, -54.18

 

CMYK 0 / 16 / 85 / 40

HEX #9A8217

RGB 154 130 23

HSL 49.01, 0.74%, 0.35%

LAB 54.97, -1.41, 55.33

 

CMYK 0 / 13 / 75 / 33

HEX #AB942A

RGB 171 148 42

HSL 49.3, 0.61%, 0.42%

LAB 61.66, -2.83, 55.66

 

CMYK 0 / 12 / 68 / 26

HEX #BCA63D

RGB 188 166 61

HSL 49.61, 0.51%, 0.49%

LAB 68.24, -3.99, 55.16

 

CMYK 0 / 10 / 61 / 20

HEX #CDB850

RGB 205 184 80

HSL 49.92, 0.56%, 0.56%

LAB 74.72, -4.95, 54.25

 

CMYK 0 / 9 / 55 / 13

HEX #DECA63

RGB 222 202 99

HSL 50.24, 0.65%, 0.63%

LAB 81.11, -5.75, 53.16

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 0 / 15 / 93 / 48

HEX #847009

RGB 132 112 9

HSL 50.24, 0.87%, 0.28%

LAB 47.64, -1.97, 51.87

 

CMYK 0 / 18 / 100 / 55

HEX #735E00

RGB 115 94 0

HSL 49.04, 1%, 0.23%

LAB 40.65, -0, 48.04

 

CMYK 0 / 22 / 100 / 62

HEX #624C00

RGB 98 76 0

HSL 46.53, 1%, 0.19%

LAB 33.49, 2.29, 42.13

 

CMYK 0 / 28 / 100 / 68

HEX #513A00

RGB 81 58 0

HSL 42.96, 1%, 0.16%

LAB 26.09, 4.77, 35.49

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 0 / 34 / 81 / 42

HEX #95621C

RGB 149 98 28

HSL 34.71, 0.68%, 0.35%

LAB 45.92, 14.67, 45.43

 

CMYK 0 / 56 / 81 / 42

HEX #95411C

RGB 149 65 28

HSL 18.35, 0.68%, 0.35%

LAB 38.29, 33.1, 38.21

 

CMYK 0 / 79 / 81 / 42

HEX #95201C

RGB 149 32 28

HSL 1.98, 0.68%, 0.35%

LAB 32.93, 47.49, 32.9

 

CMYK 0 / 81 / 81 / 42

HEX #951C1C

RGB 149 28 28

HSL 0, 0.68%, 0.35%

LAB 32.49, 48.74, 32.44

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 9 / 0 / 81 / 42

HEX #88951C

RGB 136 149 28

HSL 66.45, 0.68%, 0.35%

LAB 58.8, -19.62, 56.58

 

CMYK 31 / 0 / 81 / 42

HEX #67951C

RGB 103 149 28

HSL 82.81, 0.68%, 0.35%

LAB 56.55, -33.5, 53.71

 

CMYK 53 / 0 / 81 / 42

HEX #46951C

RGB 70 149 28

HSL 99.17, 0.68%, 0.35%

LAB 54.95, -45.05, 51.65

 

CMYK 74 / 0 / 81 / 42

HEX #26951C

RGB 38 149 28

HSL 115.04, 0.68%, 0.35%

LAB 54.02, -52.67, 50.44

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 0 / 15 / 91 / 36

HEX #A48C0E

RGB 164 140 14

HSL 50.4, 0.84%, 0.35%

LAB 58.68, -2.52, 60.86

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 0 / 11 / 68 / 47

HEX #87782B

RGB 135 120 43

HSL 50.22, 0.52%, 0.35%

LAB 50.4, -3.71, 42.86

 

CMYK 0 / 8 / 53 / 53

HEX #796F39

RGB 121 111 57

HSL 50.63, 0.36%, 0.35%

LAB 46.62, -3.92, 31.21

 

CMYK 0 / 5 / 33 / 58

HEX #6A6547

RGB 106 101 71

HSL 51.43, 0.2%, 0.35%

LAB 42.5, -3.19, 17.73

 

CMYK 0 / 1 / 7 / 64

HEX #5C5B56

RGB 92 91 86

HSL 50, 0.03%, 0.35%

LAB 38.6, -0.62, 3.02

 

CMYK 0 / 57 / 81 / 42

HEX #95401C

RGB 149 64 28

HSL 17.85, 0.68%, 0.35%

LAB 38.09, 33.62, 38.02

 

CMYK 0 / 35 / 81 / 42

HEX #95611C

RGB 149 97 28

HSL 34.21, 0.68%, 0.35%

LAB 45.67, 15.24, 45.19

 

CMYK 0 / 13 / 81 / 42

HEX #95811C

RGB 149 129 28

HSL 50.08, 0.68%, 0.35%

LAB 54.21, -3, 52.94

 

CMYK 8 / 0 / 81 / 42

HEX #89951C

RGB 137 149 28

HSL 65.95, 0.68%, 0.35%

LAB 58.88, -19.18, 56.68

 

CMYK 30 / 0 / 81 / 42

HEX #69951C

RGB 105 149 28

HSL 81.82, 0.68%, 0.35%

LAB 56.67, -32.71, 53.86

 

CMYK 0 / 13 / 81 / 69

HEX #50460F

RGB 80 70 15

HSL 50.77, 0.68%, 0.19%

LAB 29.71, -2.66, 32.65

 

CMYK 0 / 13 / 82 / 55

HEX #736415

RGB 115 100 21

HSL 50.43, 0.69%, 0.27%

LAB 42.48, -2.9, 43.51

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 0 / 13 / 81 / 28

HEX #B8A123

RGB 184 161 35

HSL 50.74, 0.68%, 0.43%

LAB 66.37, -4.27, 62.78

 

CMYK 0 / 13 / 79 / 16

HEX #D7BC2D

RGB 215 188 45

HSL 50.47, 0.68%, 0.51%

LAB 76.44, -4.51, 69.75

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 81 / 0 / 79 / 42

HEX #1C9520

RGB 28 149 32

HSL 121.98, 0.68%, 0.35%

LAB 53.86, -53.93, 48.94

 

CMYK 46 / 81 / 0 / 42

HEX #511C95

RGB 81 28 149

HSL 266.28, 0.68%, 0.35%

LAB 26.01, 48.77, -56.05

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 81 / 0 / 13 / 42

HEX #1C9581

RGB 28 149 129

HSL 170.08, 0.68%, 0.35%

LAB 55.41, -36.46, 1.52

 

CMYK 13 / 81 / 0 / 42

HEX #811C95

RGB 129 28 149

HSL 290.08, 0.68%, 0.35%

LAB 33.28, 57.14, -43.9

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 81 / 0 / 79 / 42

HEX #1C9520

RGB 28 149 32

HSL 121.98, 0.68%, 0.35%

LAB 53.86, -53.93, 48.94

 

CMYK 81 / 68 / 0 / 42

HEX #1C3095

RGB 28 48 149

HSL 230.08, 0.68%, 0.35%

LAB 25.35, 30.94, -57.29

 

CMYK 0 / 81 / 3 / 42

HEX #951C91

RGB 149 28 145

HSL 301.98, 0.68%, 0.35%

LAB 36.49, 60.47, -36.13

 

CMYK 0 / 13 / 81 / 42

HEX #95821C

RGB 149 130 28

HSL 50.58, 0.68%, 0.35%

LAB 54.49, -3.56, 53.19

 

CMYK 81 / 0 / 54 / 42

HEX #1C9545

RGB 28 149 69

HSL 140.33, 0.68%, 0.35%

LAB 54.21, -49.71, 33.09

 

CMYK 81 / 68 / 0 / 42

HEX #1C3095

RGB 28 48 149

HSL 230.08, 0.68%, 0.35%

LAB 25.35, 30.94, -57.29

 

CMYK 0 / 81 / 27 / 42

HEX #951C6D

RGB 149 28 109

HSL 319.83, 0.68%, 0.35%

LAB 34.65, 55.27, -16.55

 

Description

Color code: HEX #95821C | qconv.com Color code: HEX #95821C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 130 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 130 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 81 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 81% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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