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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95822C it is the complementary color #6A7DD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95822C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95822C shade: #9A8227, #AB943A, #BCA64D, #CDB860 and #DECA73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95822C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95822C shade: #95822C, #847019, #735E06, #624C00 and #513A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95822C shade: #95822C, #95662C, #95492C, #952D2C and #952C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95822C shade: #95822C, #8B952C, #6F952C, #53952C and #37952C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95822C shade matches the following richer shades: #95822C, #A48C1C and #B4960D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95822C shade: #95822C, #85783C, #756E4B, #66645B and #565A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95822C shade: #954A2C, #95662C, #95822C, #8C952C and #70952C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95822C shade: #554A19, #756623, #95822C, #B49E36 and #C9B24B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95822C shade: #95822C, #2C952E and #582C95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95822C shade: #95822C, #2C9582 and #822C95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95822C shade: #95822C, #2C952E, #2C3F95 and #952C93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95822C shade: #95822C, #2C954D, #2C3F95 and #952C74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

Complementary color

CMYK 50 / 41 / 0 / 17

HEX #6A7DD3

RGB 106 125 211

HSL 229.14, 0.54%, 0.62%

LAB 54.49, 16.7, -46.56

 

CMYK 0 / 16 / 75 / 40

HEX #9A8227

RGB 154 130 39

HSL 47.48, 0.6%, 0.38%

LAB 55.05, -0.79, 49.88

 

CMYK 0 / 13 / 66 / 33

HEX #AB943A

RGB 171 148 58

HSL 47.79, 0.49%, 0.45%

LAB 61.78, -1.97, 49.17

 

CMYK 0 / 12 / 59 / 26

HEX #BCA64D

RGB 188 166 77

HSL 48.11, 0.45%, 0.52%

LAB 68.39, -2.93, 48.11

 

CMYK 0 / 10 / 53 / 20

HEX #CDB860

RGB 205 184 96

HSL 48.44, 0.52%, 0.59%

LAB 74.89, -3.73, 46.92

 

CMYK 0 / 9 / 48 / 13

HEX #DECA73

RGB 222 202 115

HSL 48.79, 0.62%, 0.66%

LAB 81.3, -4.4, 45.7

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 0 / 15 / 81 / 48

HEX #847019

RGB 132 112 25

HSL 48.79, 0.68%, 0.31%

LAB 47.71, -1.51, 47.48

 

CMYK 0 / 18 / 95 / 55

HEX #735E06

RGB 115 94 6

HSL 48.44, 0.9%, 0.24%

LAB 40.68, 0.15, 46.41

 

CMYK 0 / 22 / 100 / 62

HEX #624C00

RGB 98 76 0

HSL 46.53, 1%, 0.19%

LAB 33.49, 2.29, 42.13

 

CMYK 0 / 28 / 100 / 68

HEX #513A00

RGB 81 58 0

HSL 42.96, 1%, 0.16%

LAB 26.09, 4.77, 35.49

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 0 / 32 / 70 / 42

HEX #95662C

RGB 149 102 44

HSL 33.14, 0.54%, 0.38%

LAB 47.07, 13.13, 39.3

 

CMYK 0 / 51 / 70 / 42

HEX #95492C

RGB 149 73 44

HSL 16.57, 0.54%, 0.38%

LAB 40.14, 29.6, 31.62

 

CMYK 0 / 70 / 70 / 42

HEX #952D2C

RGB 149 45 44

HSL 0.57, 0.54%, 0.38%

LAB 34.9, 43.32, 25.48

 

CMYK 0 / 70 / 70 / 42

HEX #952C2C

RGB 149 44 44

HSL 0, 0.54%, 0.38%

LAB 34.75, 43.74, 25.3

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 7 / 0 / 70 / 42

HEX #8B952C

RGB 139 149 44

HSL 65.71, 0.54%, 0.38%

LAB 59.13, -17.53, 51.47

 

CMYK 26 / 0 / 70 / 42

HEX #6F952C

RGB 111 149 44

HSL 81.71, 0.54%, 0.38%

LAB 57.13, -29.38, 48.8

 

CMYK 44 / 0 / 70 / 42

HEX #53952C

RGB 83 149 44

HSL 97.71, 0.54%, 0.38%

LAB 55.6, -39.81, 46.74

 

CMYK 63 / 0 / 70 / 42

HEX #37952C

RGB 55 149 44

HSL 113.71, 0.54%, 0.38%

LAB 54.54, -47.92, 45.3

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 0 / 15 / 83 / 36

HEX #A48C1C

RGB 164 140 28

HSL 49.41, 0.71%, 0.38%

LAB 58.73, -2.17, 57.48

 

CMYK 0 / 17 / 93 / 29

HEX #B4960D

RGB 180 150 13

HSL 49.22, 0.87%, 0.38%

LAB 62.97, -0.69, 65.01

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 0 / 10 / 55 / 48

HEX #85783C

RGB 133 120 60

HSL 49.32, 0.38%, 0.38%

LAB 50.39, -3.32, 34.39

 

CMYK 0 / 6 / 36 / 54

HEX #756E4B

RGB 117 110 75

HSL 50, 0.22%, 0.38%

LAB 46.23, -3.05, 20.54

 

CMYK 0 / 2 / 11 / 60

HEX #66645B

RGB 102 100 91

HSL 49.09, 0.06%, 0.38%

LAB 42.3, -0.98, 5.38

 

CMYK 20 / 16 / 0 / 58

HEX #565A6B

RGB 86 90 107

HSL 228.57, 0.11%, 0.38%

LAB 38.47, 2.43, -10.23

 

CMYK 0 / 50 / 70 / 42

HEX #954A2C

RGB 149 74 44

HSL 17.14, 0.54%, 0.38%

LAB 40.36, 29.05, 31.87

 

CMYK 0 / 32 / 70 / 42

HEX #95662C

RGB 149 102 44

HSL 33.14, 0.54%, 0.38%

LAB 47.07, 13.13, 39.3

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 6 / 0 / 70 / 42

HEX #8C952C

RGB 140 149 44

HSL 65.14, 0.54%, 0.38%

LAB 59.21, -17.09, 51.57

 

CMYK 25 / 0 / 70 / 42

HEX #70952C

RGB 112 149 44

HSL 81.14, 0.54%, 0.38%

LAB 57.19, -28.98, 48.88

 

CMYK 0 / 13 / 71 / 67

HEX #554A19

RGB 85 74 25

HSL 49, 0.55%, 0.22%

LAB 31.58, -1.97, 30.01

 

CMYK 0 / 13 / 70 / 54

HEX #756623

RGB 117 102 35

HSL 49.02, 0.54%, 0.3%

LAB 43.37, -2.37, 38.62

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 0 / 12 / 70 / 29

HEX #B49E36

RGB 180 158 54

HSL 49.52, 0.54%, 0.46%

LAB 65.3, -3.62, 54.82

 

CMYK 0 / 11 / 63 / 21

HEX #C9B24B

RGB 201 178 75

HSL 49.05, 0.54%, 0.54%

LAB 72.74, -3.85, 54.21

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 70 / 0 / 69 / 42

HEX #2C952E

RGB 44 149 46

HSL 121.14, 0.54%, 0.38%

LAB 54.27, -50.11, 44.09

 

CMYK 41 / 70 / 0 / 42

HEX #582C95

RGB 88 44 149

HSL 265.14, 0.54%, 0.38%

LAB 29.53, 42.52, -50.26

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 70 / 0 / 13 / 42

HEX #2C9582

RGB 44 149 130

HSL 169.14, 0.54%, 0.38%

LAB 55.73, -34.16, 1.45

 

CMYK 13 / 70 / 0 / 42

HEX #822C95

RGB 130 44 149

HSL 289.14, 0.54%, 0.38%

LAB 35.43, 51.66, -40.44

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 70 / 0 / 69 / 42

HEX #2C952E

RGB 44 149 46

HSL 121.14, 0.54%, 0.38%

LAB 54.27, -50.11, 44.09

 

CMYK 70 / 58 / 0 / 42

HEX #2C3F95

RGB 44 63 149

HSL 229.14, 0.54%, 0.38%

LAB 30.06, 22.77, -49.57

 

CMYK 0 / 70 / 1 / 42

HEX #952C93

RGB 149 44 147

HSL 301.14, 0.54%, 0.38%

LAB 38.37, 55.73, -34.36

 

CMYK 0 / 13 / 70 / 42

HEX #95822C

RGB 149 130 44

HSL 49.14, 0.54%, 0.38%

LAB 54.59, -2.81, 47.18

 

CMYK 70 / 0 / 48 / 42

HEX #2C954D

RGB 44 149 77

HSL 138.86, 0.54%, 0.38%

LAB 54.62, -45.97, 29.51

 

CMYK 70 / 58 / 0 / 42

HEX #2C3F95

RGB 44 63 149

HSL 229.14, 0.54%, 0.38%

LAB 30.06, 22.77, -49.57

 

CMYK 0 / 70 / 22 / 42

HEX #952C74

RGB 149 44 116

HSL 318.86, 0.54%, 0.38%

LAB 36.84, 50.87, -17.6

 

Description

Color code: HEX #95822C | qconv.com Color code: HEX #95822C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 130 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 130 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 70 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 70% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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