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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95839D it is the complementary color #6A7C62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95839D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95839D shade: #9A8398, #AB95AB, #BCA7BE, #CDB9D1 and #DECBE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95839D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95839D shade: #95839D, #84718A, #735F77, #624D64 and #513B51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95839D shade: #93819C, #9B819C, #9C8196, #9C818E and #9C8187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95839D shade: #93819C, #8C819C, #85819C and #81819C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95839D shade matches the following richer shades: #93819C, #9A6FAE, #A15DC0, #A84AD2 and #AF38E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95839D shade: #93819C, #8C938A, #86A577, #7FB765 and #78C953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95839D shade: #85819C, #8C819C, #93819C, #9A819C and #9C8196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95839D shade: #6A5971, #7F6B88, #93819C, #A798AE and #BBAFC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95839D shade: #95839D, #9C8184 and #819C88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95839D shade: #95839D, #9C9381 and #819C93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95839D shade: #95839D, #9C8184, #899C81 and #819C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95839D shade: #95839D, #9C8681, #899C81 and #81979C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 17 / 0 / 38

HEX #95839D

RGB 149 131 157

HSL 281.54, 0.12%, 0.56%

LAB 57.13, 11.82, -11.35

 

Complementary color

CMYK 15 / 0 / 21 / 51

HEX #6A7C62

RGB 106 124 98

HSL 101.54, 0.12%, 0.44%

LAB 49.93, -11.86, 12.04

 

CMYK 0 / 15 / 1 / 40

HEX #9A8398

RGB 154 131 152

HSL 305.22, 0.1%, 0.56%

LAB 57.43, 12.61, -7.97

 

CMYK 0 / 13 / 0 / 33

HEX #AB95AB

RGB 171 149 171

HSL 300, 0.12%, 0.63%

LAB 64.24, 12.17, -8.48

 

CMYK 1 / 12 / 0 / 25

HEX #BCA7BE

RGB 188 167 190

HSL 294.78, 0.15%, 0.7%

LAB 70.9, 11.77, -8.98

 

CMYK 2 / 11 / 0 / 18

HEX #CDB9D1

RGB 205 185 209

HSL 290, 0.21%, 0.77%

LAB 77.45, 11.41, -9.47

 

CMYK 3 / 11 / 0 / 11

HEX #DECBE4

RGB 222 203 228

HSL 285.6, 0.32%, 0.85%

LAB 83.88, 11.07, -9.95

 

CMYK 5 / 17 / 0 / 38

HEX #95839D

RGB 149 131 157

HSL 281.54, 0.12%, 0.56%

LAB 57.13, 11.82, -11.35

 

CMYK 4 / 18 / 0 / 46

HEX #84718A

RGB 132 113 138

HSL 285.6, 0.1%, 0.49%

LAB 50.16, 12.27, -10.92

 

CMYK 3 / 20 / 0 / 53

HEX #735F77

RGB 115 95 119

HSL 290, 0.11%, 0.42%

LAB 43.01, 12.79, -10.48

 

CMYK 2 / 23 / 0 / 61

HEX #624D64

RGB 98 77 100

HSL 294.78, 0.13%, 0.35%

LAB 35.64, 13.37, -10.03

 

CMYK 0 / 27 / 0 / 68

HEX #513B51

RGB 81 59 81

HSL 300, 0.16%, 0.27%

LAB 28.04, 14.05, -9.55

 

CMYK 6 / 17 / 0 / 39

HEX #93819C

RGB 147 129 156

HSL 280, 0.12%, 0.56%

LAB 56.39, 12.06, -11.9

 

CMYK 1 / 17 / 0 / 39

HEX #9B819C

RGB 155 129 156

HSL 297.78, 0.12%, 0.56%

LAB 57.14, 14.9, -10.7

 

CMYK 0 / 17 / 4 / 39

HEX #9C8196

RGB 156 129 150

HSL 313.33, 0.12%, 0.56%

LAB 57.05, 14.09, -7.37

 

CMYK 0 / 17 / 9 / 39

HEX #9C818E

RGB 156 129 142

HSL 331.11, 0.12%, 0.56%

LAB 56.8, 12.6, -3.11

 

CMYK 0 / 17 / 13 / 39

HEX #9C8187

RGB 156 129 135

HSL 346.67, 0.12%, 0.56%

LAB 56.6, 11.36, 0.64

 

CMYK 6 / 17 / 0 / 39

HEX #93819C

RGB 147 129 156

HSL 280, 0.12%, 0.56%

LAB 56.39, 12.06, -11.9

 

CMYK 10 / 17 / 0 / 39

HEX #8C819C

RGB 140 129 156

HSL 264.44, 0.12%, 0.56%

LAB 55.76, 9.61, -12.91

 

CMYK 15 / 17 / 0 / 39

HEX #85819C

RGB 133 129 156

HSL 248.89, 0.12%, 0.56%

LAB 55.16, 7.19, -13.88

 

CMYK 17 / 17 / 0 / 39

HEX #81819C

RGB 129 129 156

HSL 240, 0.12%, 0.56%

LAB 54.83, 5.83, -14.41

 

CMYK 6 / 17 / 0 / 39

HEX #93819C

RGB 147 129 156

HSL 280, 0.12%, 0.56%

LAB 56.39, 12.06, -11.9

 

CMYK 11 / 36 / 0 / 32

HEX #9A6FAE

RGB 154 111 174

HSL 280.95, 0.28%, 0.56%

LAB 53.27, 28.68, -27.02

 

CMYK 16 / 52 / 0 / 25

HEX #A15DC0

RGB 161 93 192

HSL 281.21, 0.44%, 0.56%

LAB 50.93, 44.69, -41.02

 

CMYK 20 / 65 / 0 / 18

HEX #A84AD2

RGB 168 74 210

HSL 281.47, 0.6%, 0.56%

LAB 49.34, 59.64, -53.84

 

CMYK 23 / 75 / 0 / 11

HEX #AF38E4

RGB 175 56 228

HSL 281.51, 0.76%, 0.56%

LAB 48.94, 71.86, -64.7

 

CMYK 6 / 17 / 0 / 39

HEX #93819C

RGB 147 129 156

HSL 280, 0.12%, 0.56%

LAB 56.39, 12.06, -11.9

 

CMYK 5 / 0 / 6 / 42

HEX #8C938A

RGB 140 147 138

HSL 106.67, 0.04%, 0.56%

LAB 60.14, -4.29, 3.88

 

CMYK 19 / 0 / 28 / 35

HEX #86A577

RGB 134 165 119

HSL 100.43, 0.2%, 0.56%

LAB 64.41, -19.48, 20.43

 

CMYK 31 / 0 / 45 / 28

HEX #7FB765

RGB 127 183 101

HSL 100.98, 0.36%, 0.56%

LAB 68.98, -33.47, 35.9

 

CMYK 40 / 0 / 59 / 21

HEX #78C953

RGB 120 201 83

HSL 101.19, 0.52%, 0.56%

LAB 73.8, -45.9, 50.29

 

CMYK 15 / 17 / 0 / 39

HEX #85819C

RGB 133 129 156

HSL 248.89, 0.12%, 0.56%

LAB 55.16, 7.19, -13.88

 

CMYK 10 / 17 / 0 / 39

HEX #8C819C

RGB 140 129 156

HSL 264.44, 0.12%, 0.56%

LAB 55.76, 9.61, -12.91

 

CMYK 6 / 17 / 0 / 39

HEX #93819C

RGB 147 129 156

HSL 280, 0.12%, 0.56%

LAB 56.39, 12.06, -11.9

 

CMYK 1 / 17 / 0 / 39

HEX #9A819C

RGB 154 129 156

HSL 295.56, 0.12%, 0.56%

LAB 57.05, 14.54, -10.85

 

CMYK 0 / 17 / 4 / 39

HEX #9C8196

RGB 156 129 150

HSL 313.33, 0.12%, 0.56%

LAB 57.05, 14.09, -7.37

 

CMYK 6 / 21 / 0 / 56

HEX #6A5971

RGB 106 89 113

HSL 282.5, 0.12%, 0.4%

LAB 40.25, 11.8, -11.06

 

CMYK 7 / 21 / 0 / 47

HEX #7F6B88

RGB 127 107 136

HSL 281.38, 0.12%, 0.48%

LAB 48.01, 13.61, -13.01

 

CMYK 6 / 17 / 0 / 39

HEX #93819C

RGB 147 129 156

HSL 280, 0.12%, 0.56%

LAB 56.39, 12.06, -11.9

 

CMYK 4 / 13 / 0 / 32

HEX #A798AE

RGB 167 152 174

HSL 280.91, 0.12%, 0.64%

LAB 64.75, 9.67, -9.45

 

CMYK 3 / 9 / 0 / 25

HEX #BBAFC0

RGB 187 175 192

HSL 282.35, 0.12%, 0.72%

LAB 72.91, 7.43, -7.11

 

CMYK 5 / 17 / 0 / 38

HEX #95839D

RGB 149 131 157

HSL 281.54, 0.12%, 0.56%

LAB 57.13, 11.82, -11.35

 

CMYK 0 / 17 / 15 / 39

HEX #9C8184

RGB 156 129 132

HSL 353.33, 0.12%, 0.56%

LAB 56.52, 10.84, 2.26

 

CMYK 17 / 0 / 13 / 39

HEX #819C88

RGB 129 156 136

HSL 135.56, 0.12%, 0.56%

LAB 61.84, -13.54, 7.35

 

CMYK 5 / 17 / 0 / 38

HEX #95839D

RGB 149 131 157

HSL 281.54, 0.12%, 0.56%

LAB 57.13, 11.82, -11.35

 

CMYK 0 / 6 / 17 / 39

HEX #9C9381

RGB 156 147 129

HSL 40, 0.12%, 0.56%

LAB 61.24, 0.19, 10.72

 

CMYK 17 / 0 / 6 / 39

HEX #819C93

RGB 129 156 147

HSL 160, 0.12%, 0.56%

LAB 62.13, -11.31, 1.56

 

CMYK 5 / 17 / 0 / 38

HEX #95839D

RGB 149 131 157

HSL 281.54, 0.12%, 0.56%

LAB 57.13, 11.82, -11.35

 

CMYK 0 / 17 / 15 / 39

HEX #9C8184

RGB 156 129 132

HSL 353.33, 0.12%, 0.56%

LAB 56.52, 10.84, 2.26

 

CMYK 12 / 0 / 17 / 39

HEX #899C81

RGB 137 156 129

HSL 102.22, 0.12%, 0.56%

LAB 62.24, -11.96, 11.92

 

CMYK 17 / 0 / 2 / 39

HEX #819C99

RGB 129 156 153

HSL 173.33, 0.12%, 0.56%

LAB 62.29, -10.03, -1.58

 

CMYK 5 / 17 / 0 / 38

HEX #95839D

RGB 149 131 157

HSL 281.54, 0.12%, 0.56%

LAB 57.13, 11.82, -11.35

 

CMYK 0 / 14 / 17 / 39

HEX #9C8681

RGB 156 134 129

HSL 11.11, 0.12%, 0.56%

LAB 57.75, 7.49, 5.77

 

CMYK 12 / 0 / 17 / 39

HEX #899C81

RGB 137 156 129

HSL 102.22, 0.12%, 0.56%

LAB 62.24, -11.96, 11.92

 

CMYK 17 / 3 / 0 / 39

HEX #81979C

RGB 129 151 156

HSL 191.11, 0.12%, 0.56%

LAB 60.96, -6.64, -5.24

 

Description

Color code: HEX #95839D | qconv.com Color code: HEX #95839D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 131 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 131 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 17 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 17% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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