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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958EDB it is the complementary color #6A7124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958EDB shade: #9A8ED6, #ABA0E9, #BCB2FC, #CDC4FF and #DED6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958EDB shade: #958EDB, #847CC8, #736AB5, #6258A2 and #51468F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958EDB shade: #958EDB, #AA8EDB, #BF8EDB, #D38EDB and #DB8ECE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958EDB shade: #958EDB and #8E8EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958EDB shade matches the following richer shades: #958EDB, #8B82E7 and #8176F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958EDB shade: #958EDB, #9F9ACF, #A9A6C3, #B2B2B7 and #BCBEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958EDB shade: #8EB1DB, #8E9CDB, #958EDB, #A98EDB and #BE8EDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958EDB shade: #5A4FC7, #786FD1, #958EDB, #B2ADE5 and #D0CDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958EDB shade: #958EDB, #DB8EC5 and #A6DB8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958EDB shade: #958EDB, #DB958E and #8EDB95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958EDB shade: #958EDB, #DB8EC5, #D5DB8E and #8EDBA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958EDB shade: #958EDB, #DB8EAE, #D5DB8E and #8EDBBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

Complementary color

CMYK 6 / 0 / 68 / 56

HEX #6A7124

RGB 106 113 36

HSL 65.45, 0.52%, 0.29%

LAB 45.64, -13.68, 40.21

 

CMYK 28 / 34 / 0 / 16

HEX #9A8ED6

RGB 154 142 214

HSL 250, 0.47%, 0.7%

LAB 62.57, 20.2, -35.29

 

CMYK 27 / 31 / 0 / 9

HEX #ABA0E9

RGB 171 160 233

HSL 249.04, 0.62%, 0.77%

LAB 69.24, 19.58, -35.31

 

CMYK 25 / 29 / 0 / 1

HEX #BCB2FC

RGB 188 178 252

HSL 248.11, 0.93%, 0.84%

LAB 75.8, 19.02, -35.35

 

CMYK 20 / 23 / 0 / 0

HEX #CDC4FF

RGB 205 196 255

HSL 249.15, 1%, 0.88%

LAB 81.66, 14.91, -27.82

 

CMYK 13 / 16 / 0 / 0

HEX #DED6FF

RGB 222 214 255

HSL 251.71, 1%, 0.92%

LAB 87.41, 10.53, -18.97

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 34 / 38 / 0 / 22

HEX #847CC8

RGB 132 124 200

HSL 246.32, 0.41%, 0.64%

LAB 55.57, 20.78, -38.49

 

CMYK 36 / 41 / 0 / 29

HEX #736AB5

RGB 115 106 181

HSL 247.2, 0.34%, 0.56%

LAB 48.62, 21.62, -38.62

 

CMYK 40 / 46 / 0 / 36

HEX #6258A2

RGB 98 88 162

HSL 248.11, 0.3%, 0.49%

LAB 41.51, 22.61, -38.81

 

CMYK 43 / 51 / 0 / 44

HEX #51468F

RGB 81 70 143

HSL 249.04, 0.34%, 0.42%

LAB 34.22, 23.78, -39.07

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 22 / 35 / 0 / 14

HEX #AA8EDB

RGB 170 142 219

HSL 261.82, 0.52%, 0.71%

LAB 64.17, 26.12, -35.48

 

CMYK 13 / 35 / 0 / 14

HEX #BF8EDB

RGB 191 142 219

HSL 278.18, 0.52%, 0.71%

LAB 66.16, 32.47, -32.22

 

CMYK 4 / 35 / 0 / 14

HEX #D38EDB

RGB 211 142 219

HSL 293.77, 0.52%, 0.71%

LAB 68.25, 38.66, -28.84

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECE

RGB 219 142 206

HSL 310.13, 0.52%, 0.71%

LAB 68.65, 38.82, -20.93

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 35 / 35 / 0 / 14

HEX #8E8EDB

RGB 142 142 219

HSL 240, 0.52%, 0.71%

LAB 61.84, 18.09, -39.3

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 40 / 44 / 0 / 9

HEX #8B82E7

RGB 139 130 231

HSL 245.35, 0.68%, 0.71%

LAB 59.18, 27.56, -50.18

 

CMYK 47 / 51 / 0 / 5

HEX #8176F3

RGB 129 118 243

HSL 245.28, 0.84%, 0.71%

LAB 56.18, 35.65, -61.68

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 23 / 26 / 0 / 19

HEX #9F9ACF

RGB 159 154 207

HSL 245.66, 0.36%, 0.71%

LAB 65.74, 13.14, -26.46

 

CMYK 13 / 15 / 0 / 24

HEX #A9A6C3

RGB 169 166 195

HSL 246.21, 0.19%, 0.71%

LAB 69.22, 6.9, -14.43

 

CMYK 3 / 3 / 0 / 28

HEX #B2B2B7

RGB 178 178 183

HSL 240, 0.03%, 0.71%

LAB 72.71, 0.95, -2.55

 

CMYK 1 / 0 / 10 / 25

HEX #BCBEAB

RGB 188 190 171

HSL 66.32, 0.13%, 0.71%

LAB 76.35, -4.07, 9.35

 

CMYK 35 / 19 / 0 / 14

HEX #8EB1DB

RGB 142 177 219

HSL 212.73, 0.52%, 0.71%

LAB 71.08, -1.72, -24.98

 

CMYK 35 / 29 / 0 / 14

HEX #8E9CDB

RGB 142 156 219

HSL 229.09, 0.52%, 0.71%

LAB 65.47, 10.03, -33.63

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 23 / 35 / 0 / 14

HEX #A98EDB

RGB 169 142 219

HSL 261.04, 0.52%, 0.71%

LAB 64.08, 25.82, -35.63

 

CMYK 13 / 35 / 0 / 14

HEX #BE8EDB

RGB 190 142 219

HSL 277.4, 0.52%, 0.71%

LAB 66.06, 32.16, -32.39

 

CMYK 55 / 60 / 0 / 22

HEX #5A4FC7

RGB 90 79 199

HSL 245.5, 0.52%, 0.55%

LAB 41.04, 37.62, -61.34

 

CMYK 43 / 47 / 0 / 18

HEX #786FD1

RGB 120 111 209

HSL 245.51, 0.52%, 0.63%

LAB 51.8, 27.86, -49.64

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 22 / 24 / 0 / 10

HEX #B2ADE5

RGB 178 173 229

HSL 245.36, 0.52%, 0.79%

LAB 72.9, 13.45, -27.44

 

CMYK 13 / 14 / 0 / 6

HEX #D0CDEF

RGB 208 205 239

HSL 245.29, 0.52%, 0.87%

LAB 83.6, 7.61, -16.34

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 0 / 35 / 10 / 14

HEX #DB8EC5

RGB 219 142 197

HSL 317.14, 0.52%, 0.71%

LAB 68.34, 37.28, -16.39

 

CMYK 24 / 0 / 35 / 14

HEX #A6DB8E

RGB 166 219 142

HSL 101.3, 0.52%, 0.71%

LAB 82.23, -31.01, 32.5

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 0 / 32 / 35 / 14

HEX #DB958E

RGB 219 149 142

HSL 5.45, 0.52%, 0.71%

LAB 68.39, 25.48, 14.42

 

CMYK 35 / 0 / 32 / 14

HEX #8EDB95

RGB 142 219 149

HSL 125.45, 0.52%, 0.71%

LAB 81.06, -37.8, 27.12

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 0 / 35 / 10 / 14

HEX #DB8EC5

RGB 219 142 197

HSL 317.14, 0.52%, 0.71%

LAB 68.34, 37.28, -16.39

 

CMYK 3 / 0 / 35 / 14

HEX #D5DB8E

RGB 213 219 142

HSL 64.68, 0.52%, 0.71%

LAB 85.38, -13.74, 37.23

 

CMYK 35 / 0 / 25 / 14

HEX #8EDBA4

RGB 142 219 164

HSL 137.14, 0.52%, 0.71%

LAB 81.34, -35.19, 19.69

 

CMYK 32 / 35 / 0 / 14

HEX #958EDB

RGB 149 142 219

HSL 245.45, 0.52%, 0.71%

LAB 62.38, 20.03, -38.4

 

CMYK 0 / 35 / 21 / 14

HEX #DB8EAE

RGB 219 142 174

HSL 335.06, 0.52%, 0.71%

LAB 67.62, 33.61, -4.6

 

CMYK 3 / 0 / 35 / 14

HEX #D5DB8E

RGB 213 219 142

HSL 64.68, 0.52%, 0.71%

LAB 85.38, -13.74, 37.23

 

CMYK 35 / 0 / 15 / 14

HEX #8EDBBB

RGB 142 219 187

HSL 155.06, 0.52%, 0.71%

LAB 81.84, -30.71, 8.26

 

Description

Color code: HEX #958EDB | qconv.com Color code: HEX #958EDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 142 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 142 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 35 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 35% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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