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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95957D it is the complementary color #6A6A82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95957D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95957D shade: #9A9578, #ABA78B, #BCB99E, #CDCBB1 and #DEDDC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95957D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95957D shade: #95957D, #84836A, #737157, #625F44 and #514D31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95957D shade: #95957D, #958F7D, #95887D, #95827D and #957D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95957D shade: #95957D, #8F957D, #88957D, #82957D and #7D957F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95957D shade matches the following richer shades: #95957D, #A8A86A, #BBBB58, #CECE45 and #E1E132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95957D shade: #95957D, #828290, #6F6FA3, #5C5CB6 and #4949C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95957D shade: #95887D, #958F7D, #95957D, #8F957D and #88957D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95957D shade: #6A6A56, #808069, #95957D, #A7A794 and #BABAAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95957D shade: #95957D, #7D9582 and #8C7D95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95957D shade: #95957D, #7D9595 and #957D95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95957D shade: #95957D, #7D9582, #7D7D95 and #957D90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95957D shade: #95957D, #7D9589, #7D7D95 and #957D89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

Complementary color

CMYK 18 / 18 / 0 / 49

HEX #6A6A82

RGB 106 106 130

HSL 240, 0.1%, 0.46%

LAB 45.61, 5.39, -13.25

 

CMYK 0 / 3 / 22 / 40

HEX #9A9578

RGB 154 149 120

HSL 51.18, 0.14%, 0.54%

LAB 61.41, -3.12, 16.01

 

CMYK 0 / 2 / 19 / 33

HEX #ABA78B

RGB 171 167 139

HSL 52.5, 0.16%, 0.61%

LAB 68.14, -3.35, 15.02

 

CMYK 0 / 2 / 16 / 26

HEX #BCB99E

RGB 188 185 158

HSL 54, 0.18%, 0.68%

LAB 74.74, -3.55, 14.1

 

CMYK 0 / 1 / 14 / 20

HEX #CDCBB1

RGB 205 203 177

HSL 55.71, 0.22%, 0.75%

LAB 81.22, -3.73, 13.23

 

CMYK 0 / 0 / 12 / 13

HEX #DEDDC4

RGB 222 221 196

HSL 57.69, 0.28%, 0.82%

LAB 87.6, -3.89, 12.4

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 0 / 1 / 20 / 48

HEX #84836A

RGB 132 131 106

HSL 57.69, 0.11%, 0.47%

LAB 54.22, -4.11, 13.69

 

CMYK 0 / 2 / 24 / 55

HEX #737157

RGB 115 113 87

HSL 55.71, 0.14%, 0.4%

LAB 47.16, -3.89, 14.75

 

CMYK 0 / 3 / 31 / 62

HEX #625F44

RGB 98 95 68

HSL 54, 0.18%, 0.33%

LAB 39.91, -3.61, 15.92

 

CMYK 0 / 5 / 40 / 68

HEX #514D31

RGB 81 77 49

HSL 52.5, 0.25%, 0.25%

LAB 32.43, -3.24, 17.23

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 0 / 4 / 16 / 42

HEX #958F7D

RGB 149 143 125

HSL 45, 0.1%, 0.54%

LAB 59.45, -0.97, 10.38

 

CMYK 0 / 9 / 16 / 42

HEX #95887D

RGB 149 136 125

HSL 27.5, 0.1%, 0.54%

LAB 57.54, 2.96, 7.67

 

CMYK 0 / 13 / 16 / 42

HEX #95827D

RGB 149 130 125

HSL 12.5, 0.1%, 0.54%

LAB 55.92, 6.36, 5.36

 

CMYK 0 / 16 / 16 / 42

HEX #957D7D

RGB 149 125 125

HSL 0, 0.1%, 0.54%

LAB 54.59, 9.23, 3.44

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 4 / 0 / 16 / 42

HEX #8F957D

RGB 143 149 125

HSL 75, 0.1%, 0.54%

LAB 60.62, -6.61, 11.95

 

CMYK 9 / 0 / 16 / 42

HEX #88957D

RGB 136 149 125

HSL 92.5, 0.1%, 0.54%

LAB 60.08, -9.27, 11.11

 

CMYK 13 / 0 / 16 / 42

HEX #82957D

RGB 130 149 125

HSL 107.5, 0.1%, 0.54%

LAB 59.64, -11.51, 10.43

 

CMYK 16 / 0 / 15 / 42

HEX #7D957F

RGB 125 149 127

HSL 125, 0.1%, 0.54%

LAB 59.33, -12.96, 8.82

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 0 / 0 / 37 / 34

HEX #A8A86A

RGB 168 168 106

HSL 60, 0.26%, 0.54%

LAB 67.55, -9.61, 32.06

 

CMYK 0 / 0 / 53 / 27

HEX #BBBB58

RGB 187 187 88

HSL 60, 0.42%, 0.54%

LAB 74.07, -13.45, 49.4

 

CMYK 0 / 0 / 67 / 19

HEX #CECE45

RGB 206 206 69

HSL 60, 0.58%, 0.54%

LAB 80.57, -16.42, 65.06

 

CMYK 0 / 0 / 78 / 12

HEX #E1E132

RGB 225 225 50

HSL 60, 0.74%, 0.54%

LAB 87.04, -18.7, 78.03

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 10 / 10 / 0 / 44

HEX #828290

RGB 130 130 144

HSL 240, 0.06%, 0.54%

LAB 54.79, 2.91, -7.51

 

CMYK 32 / 32 / 0 / 36

HEX #6F6FA3

RGB 111 111 163

HSL 240, 0.22%, 0.54%

LAB 48.75, 12.49, -27.94

 

CMYK 49 / 49 / 0 / 29

HEX #5C5CB6

RGB 92 92 182

HSL 240, 0.38%, 0.54%

LAB 43.22, 24.69, -47.9

 

CMYK 64 / 64 / 0 / 21

HEX #4949C9

RGB 73 73 201

HSL 240, 0.54%, 0.54%

LAB 38.55, 39.06, -66.61

 

CMYK 0 / 9 / 16 / 42

HEX #95887D

RGB 149 136 125

HSL 27.5, 0.1%, 0.54%

LAB 57.54, 2.96, 7.67

 

CMYK 0 / 4 / 16 / 42

HEX #958F7D

RGB 149 143 125

HSL 45, 0.1%, 0.54%

LAB 59.45, -0.97, 10.38

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 4 / 0 / 16 / 42

HEX #8F957D

RGB 143 149 125

HSL 75, 0.1%, 0.54%

LAB 60.62, -6.61, 11.95

 

CMYK 9 / 0 / 16 / 42

HEX #88957D

RGB 136 149 125

HSL 92.5, 0.1%, 0.54%

LAB 60.08, -9.27, 11.11

 

CMYK 0 / 0 / 19 / 58

HEX #6A6A56

RGB 106 106 86

HSL 60, 0.1%, 0.38%

LAB 44.3, -3.76, 11.26

 

CMYK 0 / 0 / 18 / 50

HEX #808069

RGB 128 128 105

HSL 60, 0.1%, 0.46%

LAB 53, -4.19, 12.52

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 0 / 0 / 11 / 35

HEX #A7A794

RGB 167 167 148

HSL 60, 0.1%, 0.62%

LAB 68.01, -3.4, 9.83

 

CMYK 0 / 0 / 8 / 27

HEX #BABAAB

RGB 186 186 171

HSL 60, 0.1%, 0.7%

LAB 75.14, -2.68, 7.6

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 16 / 0 / 13 / 42

HEX #7D9582

RGB 125 149 130

HSL 132.5, 0.1%, 0.54%

LAB 59.4, -12.38, 7.22

 

CMYK 6 / 16 / 0 / 42

HEX #8C7D95

RGB 140 125 149

HSL 277.5, 0.1%, 0.54%

LAB 54.46, 10.43, -10.81

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 16 / 0 / 0 / 42

HEX #7D9595

RGB 125 149 149

HSL 180, 0.1%, 0.54%

LAB 59.91, -8.43, -2.84

 

CMYK 0 / 16 / 0 / 42

HEX #957D95

RGB 149 125 149

HSL 300, 0.1%, 0.54%

LAB 55.31, 13.66, -9.46

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 16 / 0 / 13 / 42

HEX #7D9582

RGB 125 149 130

HSL 132.5, 0.1%, 0.54%

LAB 59.4, -12.38, 7.22

 

CMYK 16 / 16 / 0 / 42

HEX #7D7D95

RGB 125 125 149

HSL 240, 0.1%, 0.54%

LAB 53.16, 5.18, -12.9

 

CMYK 0 / 16 / 3 / 42

HEX #957D90

RGB 149 125 144

HSL 312.5, 0.1%, 0.54%

LAB 55.14, 12.68, -6.8

 

CMYK 0 / 0 / 16 / 42

HEX #95957D

RGB 149 149 125

HSL 60, 0.1%, 0.54%

LAB 61.1, -4.29, 12.7

 

CMYK 16 / 0 / 8 / 42

HEX #7D9589

RGB 125 149 137

HSL 150, 0.1%, 0.54%

LAB 59.58, -10.98, 3.5

 

CMYK 16 / 16 / 0 / 42

HEX #7D7D95

RGB 125 125 149

HSL 240, 0.1%, 0.54%

LAB 53.16, 5.18, -12.9

 

CMYK 0 / 16 / 8 / 42

HEX #957D89

RGB 149 125 137

HSL 330, 0.1%, 0.54%

LAB 54.93, 11.36, -3.05

 

Description

Color code: HEX #95957D | qconv.com Color code: HEX #95957D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 149 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 149 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 16 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 16% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Losenge-Grey
Link: http://www.nof2015.kurt-singer.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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