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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9591CD it is the complementary color #6A6E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9591CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9591CD shade: #9A91C8, #ABA3DB, #BCB5EE, #CDC7FF and #DED9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9591CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9591CD shade: #9591CD, #847FBA, #736DA7, #625B94 and #514981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9591CD shade: #9591CD, #A691CD, #B691CD, #C691CD and #CD91C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9591CD shade: #9591CD and #9191CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9591CD shade matches the following richer shades: #9591CD, #8A85DA, #7F78E7 and #746BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9591CD shade: #9591CD, #A19EC1, #ACABB4, #B7B8A7 and #C2C59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9591CD shade: #91ADCD, #919DCD, #9591CD, #A591CD and #B591CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9591CD shade: #5F58B4, #7A75C1, #9591CD, #B1AEDA and #CCCAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9591CD shade: #9591CD, #CD91BD and #A5CD91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9591CD shade: #9591CD, #CD9591 and #91CD95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9591CD shade: #9591CD, #CD91BD, #C9CD91 and #91CDA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9591CD shade: #9591CD, #CD91AB, #C9CD91 and #91CDB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

Complementary color

CMYK 4 / 0 / 55 / 57

HEX #6A6E32

RGB 106 110 50

HSL 64, 0.38%, 0.31%

LAB 44.87, -10.86, 32.53

 

CMYK 23 / 28 / 0 / 22

HEX #9A91C8

RGB 154 145 200

HSL 249.82, 0.33%, 0.68%

LAB 62.75, 15.06, -27.18

 

CMYK 22 / 26 / 0 / 14

HEX #ABA3DB

RGB 171 163 219

HSL 248.57, 0.44%, 0.75%

LAB 69.45, 14.58, -27.31

 

CMYK 21 / 24 / 0 / 7

HEX #BCB5EE

RGB 188 181 238

HSL 247.37, 0.63%, 0.82%

LAB 76.02, 14.14, -27.47

 

CMYK 20 / 22 / 0 / 0

HEX #CDC7FF

RGB 205 199 255

HSL 246.43, 1%, 0.89%

LAB 82.4, 13.29, -26.69

 

CMYK 13 / 15 / 0 / 0

HEX #DED9FF

RGB 222 217 255

HSL 247.89, 1%, 0.93%

LAB 88.15, 8.95, -17.86

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 29 / 32 / 0 / 27

HEX #847FBA

RGB 132 127 186

HSL 245.08, 0.3%, 0.61%

LAB 55.71, 15.33, -30.29

 

CMYK 31 / 35 / 0 / 35

HEX #736DA7

RGB 115 109 167

HSL 246.21, 0.25%, 0.54%

LAB 48.73, 15.98, -30.3

 

CMYK 34 / 39 / 0 / 42

HEX #625B94

RGB 98 91 148

HSL 247.37, 0.24%, 0.47%

LAB 41.56, 16.73, -30.37

 

CMYK 37 / 43 / 0 / 49

HEX #514981

RGB 81 73 129

HSL 248.57, 0.28%, 0.4%

LAB 34.19, 17.63, -30.5

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 19 / 29 / 0 / 20

HEX #A691CD

RGB 166 145 205

HSL 261, 0.38%, 0.69%

LAB 63.97, 19.96, -28.01

 

CMYK 11 / 29 / 0 / 20

HEX #B691CD

RGB 182 145 205

HSL 277, 0.38%, 0.69%

LAB 65.44, 25.02, -25.63

 

CMYK 3 / 29 / 0 / 20

HEX #C691CD

RGB 198 145 205

HSL 293, 0.38%, 0.69%

LAB 67.02, 30.19, -23.06

 

CMYK 0 / 29 / 4 / 20

HEX #CD91C5

RGB 205 145 197

HSL 308, 0.38%, 0.69%

LAB 67.47, 31, -17.86

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 29 / 29 / 0 / 20

HEX #9191CD

RGB 145 145 205

HSL 240, 0.38%, 0.69%

LAB 62.24, 13.57, -30.84

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 37 / 39 / 0 / 15

HEX #8A85DA

RGB 138 133 218

HSL 243.53, 0.53%, 0.69%

LAB 59.2, 21.98, -42.9

 

CMYK 45 / 48 / 0 / 9

HEX #7F78E7

RGB 127 120 231

HSL 243.78, 0.7%, 0.69%

LAB 55.8, 30.54, -55.62

 

CMYK 52 / 56 / 0 / 4

HEX #746BF4

RGB 116 107 244

HSL 243.94, 0.86%, 0.69%

LAB 52.69, 39.73, -67.93

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 17 / 18 / 0 / 24

HEX #A19EC1

RGB 161 158 193

HSL 245.14, 0.22%, 0.69%

LAB 66.43, 8.3, -17.6

 

CMYK 4 / 5 / 0 / 29

HEX #ACABB4

RGB 172 171 180

HSL 246.67, 0.06%, 0.69%

LAB 70.31, 2.09, -4.49

 

CMYK 1 / 0 / 9 / 28

HEX #B7B8A7

RGB 183 184 167

HSL 63.53, 0.11%, 0.69%

LAB 74.28, -3.39, 8.51

 

CMYK 2 / 0 / 22 / 23

HEX #C2C59A

RGB 194 197 154

HSL 64.19, 0.27%, 0.69%

LAB 78.31, -8.19, 21.28

 

CMYK 29 / 16 / 0 / 20

HEX #91ADCD

RGB 145 173 205

HSL 212, 0.38%, 0.69%

LAB 69.69, -2.19, -19.4

 

CMYK 29 / 23 / 0 / 20

HEX #919DCD

RGB 145 157 205

HSL 228, 0.38%, 0.69%

LAB 65.39, 6.72, -25.97

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 20 / 29 / 0 / 20

HEX #A591CD

RGB 165 145 205

HSL 260, 0.38%, 0.69%

LAB 63.88, 19.64, -28.16

 

CMYK 12 / 29 / 0 / 20

HEX #B591CD

RGB 181 145 205

HSL 276, 0.38%, 0.69%

LAB 65.34, 24.7, -25.78

 

CMYK 47 / 51 / 0 / 29

HEX #5F58B4

RGB 95 88 180

HSL 244.57, 0.38%, 0.53%

LAB 42.32, 27.25, -48.17

 

CMYK 37 / 39 / 0 / 24

HEX #7A75C1

RGB 122 117 193

HSL 243.95, 0.38%, 0.61%

LAB 52.63, 20.26, -39.18

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 12 / 13 / 0 / 9

HEX #CCCAE7

RGB 204 202 231

HSL 244.14, 0.38%, 0.85%

LAB 82.3, 6.28, -14.07

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BD

RGB 205 145 189

HSL 316, 0.38%, 0.69%

LAB 67.2, 29.57, -13.79

 

CMYK 20 / 0 / 29 / 20

HEX #A5CD91

RGB 165 205 145

HSL 100, 0.38%, 0.69%

LAB 78.29, -24.2, 25.67

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 0 / 27 / 29 / 20

HEX #CD9591

RGB 205 149 145

HSL 4, 0.38%, 0.69%

LAB 66.91, 20.51, 10.44

 

CMYK 29 / 0 / 27 / 20

HEX #91CD95

RGB 145 205 149

HSL 124, 0.38%, 0.69%

LAB 77.19, -30.36, 21.88

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BD

RGB 205 145 189

HSL 316, 0.38%, 0.69%

LAB 67.2, 29.57, -13.79

 

CMYK 2 / 0 / 29 / 20

HEX #C9CD91

RGB 201 205 145

HSL 64, 0.38%, 0.69%

LAB 80.81, -10.9, 29.49

 

CMYK 29 / 0 / 21 / 20

HEX #91CDA1

RGB 145 205 161

HSL 136, 0.38%, 0.69%

LAB 77.43, -28.22, 15.85

 

CMYK 27 / 29 / 0 / 20

HEX #9591CD

RGB 149 145 205

HSL 244, 0.38%, 0.69%

LAB 62.55, 14.76, -30.33

 

CMYK 0 / 29 / 17 / 20

HEX #CD91AB

RGB 205 145 171

HSL 334, 0.38%, 0.69%

LAB 66.65, 26.55, -4.53

 

CMYK 2 / 0 / 29 / 20

HEX #C9CD91

RGB 201 205 145

HSL 64, 0.38%, 0.69%

LAB 80.81, -10.9, 29.49

 

CMYK 29 / 0 / 13 / 20

HEX #91CDB3

RGB 145 205 179

HSL 154, 0.38%, 0.69%

LAB 77.84, -24.71, 6.8

 

Description

Color code: HEX #9591CD | qconv.com Color code: HEX #9591CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 145 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 145 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 29 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 29% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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