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Color name
HEX #959212

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #959212 it is the complementary color #6A6DED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #959212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #959212 shade: #9A920D, #ABA420, #BCB633, #CDC846 and #DEDA59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #959212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #959212 shade: #959212, #848000, #736E00, #625C00 and #514A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #959212 shade: #959212, #956F12, #954B12, #952812 and #951212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #959212 shade: #959212, #759512, #519512, #2E9512 and #129519

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #959212 shade matches the following richer shades: #959212 and #A39F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #959212 shade: #959212, #888520, #7A782D, #6C6B3B and #5F5E48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #959212 shade: #954B12, #956E12, #959112, #779512 and #549512

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #959212 shade: #4C4A09, #716E0D, #959212, #BAB617 and #DFDA1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #959212 shade: #959212, #129528 and #5C1295

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #959212 shade: #959212, #129591 and #911295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #959212 shade: #959212, #129528, #121695 and #95127F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #959212 shade: #959212, #12954F, #121695 and #951258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

Complementary color

CMYK 55 / 54 / 0 / 7

HEX #6A6DED

RGB 106 109 237

HSL 238.63, 0.78%, 0.67%

LAB 51.97, 34.49, -65.22

 

CMYK 0 / 5 / 92 / 40

HEX #9A920D

RGB 154 146 13

HSL 56.6, 0.84%, 0.33%

LAB 59.39, -10.37, 61.19

 

CMYK 0 / 4 / 81 / 33

HEX #ABA420

RGB 171 164 32

HSL 56.98, 0.68%, 0.4%

LAB 65.99, -11.73, 62.86

 

CMYK 0 / 3 / 73 / 26

HEX #BCB633

RGB 188 182 51

HSL 57.37, 0.57%, 0.47%

LAB 72.49, -12.85, 63.26

 

CMYK 0 / 2 / 66 / 20

HEX #CDC846

RGB 205 200 70

HSL 57.78, 0.57%, 0.54%

LAB 78.89, -13.78, 62.93

 

CMYK 0 / 2 / 60 / 13

HEX #DEDA59

RGB 222 218 89

HSL 58.2, 0.67%, 0.61%

LAB 85.2, -14.55, 62.2

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 0 / 3 / 100 / 48

HEX #848000

RGB 132 128 0

HSL 58.18, 1%, 0.26%

LAB 52.22, -11.06, 57.1

 

CMYK 0 / 4 / 100 / 55

HEX #736E00

RGB 115 110 0

HSL 57.39, 1%, 0.23%

LAB 45.35, -9.2, 51.4

 

CMYK 0 / 6 / 100 / 62

HEX #625C00

RGB 98 92 0

HSL 56.33, 1%, 0.19%

LAB 38.29, -7.26, 45.54

 

CMYK 0 / 9 / 100 / 68

HEX #514A00

RGB 81 74 0

HSL 54.81, 1%, 0.16%

LAB 30.99, -5.22, 39.48

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 0 / 26 / 88 / 42

HEX #956F12

RGB 149 111 18

HSL 42.6, 0.78%, 0.33%

LAB 49.26, 6.86, 51.77

 

CMYK 0 / 50 / 88 / 42

HEX #954B12

RGB 149 75 18

HSL 26.11, 0.78%, 0.33%

LAB 40.35, 27.42, 44.45

 

CMYK 0 / 73 / 88 / 42

HEX #952812

RGB 149 40 18

HSL 10.08, 0.78%, 0.33%

LAB 33.88, 44.34, 39.06

 

CMYK 0 / 88 / 88 / 42

HEX #951212

RGB 149 18 18

HSL 0, 0.78%, 0.33%

LAB 31.5, 51.01, 37.06

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 21 / 0 / 88 / 42

HEX #759512

RGB 117 149 18

HSL 74.66, 0.78%, 0.33%

LAB 57.39, -28.17, 57.38

 

CMYK 46 / 0 / 88 / 42

HEX #519512

RGB 81 149 18

HSL 91.15, 0.78%, 0.33%

LAB 55.37, -42, 54.85

 

CMYK 69 / 0 / 88 / 42

HEX #2E9512

RGB 46 149 18

HSL 107.18, 0.78%, 0.33%

LAB 54.15, -51.67, 53.32

 

CMYK 88 / 0 / 83 / 42

HEX #129519

RGB 18 149 25

HSL 123.21, 0.78%, 0.33%

LAB 53.7, -55.5, 50.93

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 0 / 2 / 98 / 36

HEX #A39F04

RGB 163 159 4

HSL 58.49, 0.95%, 0.33%

LAB 63.83, -13.29, 66.23

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 0 / 2 / 76 / 47

HEX #888520

RGB 136 133 32

HSL 58.27, 0.62%, 0.33%

LAB 54.15, -11.03, 51.07

 

CMYK 0 / 2 / 63 / 52

HEX #7A782D

RGB 122 120 45

HSL 58.44, 0.46%, 0.33%

LAB 49.2, -9.56, 40.29

 

CMYK 0 / 1 / 45 / 58

HEX #6C6B3B

RGB 108 107 59

HSL 58.78, 0.29%, 0.33%

LAB 44.26, -7.31, 26.96

 

CMYK 0 / 1 / 24 / 63

HEX #5F5E48

RGB 95 94 72

HSL 57.39, 0.14%, 0.33%

LAB 39.42, -3.7, 12.8

 

CMYK 0 / 50 / 88 / 42

HEX #954B12

RGB 149 75 18

HSL 26.11, 0.78%, 0.33%

LAB 40.35, 27.42, 44.45

 

CMYK 0 / 26 / 88 / 42

HEX #956E12

RGB 149 110 18

HSL 42.14, 0.78%, 0.33%

LAB 48.99, 7.43, 51.55

 

CMYK 0 / 3 / 88 / 42

HEX #959112

RGB 149 145 18

HSL 58.17, 0.78%, 0.33%

LAB 58.68, -12.01, 59.46

 

CMYK 20 / 0 / 88 / 42

HEX #779512

RGB 119 149 18

HSL 73.74, 0.78%, 0.33%

LAB 57.52, -27.32, 57.54

 

CMYK 44 / 0 / 88 / 42

HEX #549512

RGB 84 149 18

HSL 89.77, 0.78%, 0.33%

LAB 55.51, -40.97, 55.03

 

CMYK 0 / 3 / 88 / 70

HEX #4C4A09

RGB 76 74 9

HSL 58.21, 0.79%, 0.17%

LAB 30.53, -7.42, 35.53

 

CMYK 0 / 3 / 88 / 56

HEX #716E0D

RGB 113 110 13

HSL 58.2, 0.79%, 0.25%

LAB 45.21, -9.84, 48.24

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 0 / 2 / 88 / 27

HEX #BAB617

RGB 186 182 23

HSL 58.53, 0.78%, 0.41%

LAB 72.2, -14.65, 70.68

 

CMYK 0 / 2 / 88 / 13

HEX #DFDA1B

RGB 223 218 27

HSL 58.47, 0.78%, 0.49%

LAB 84.95, -16.71, 81.41

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 88 / 0 / 73 / 42

HEX #129528

RGB 18 149 40

HSL 130.08, 0.78%, 0.33%

LAB 53.79, -54.38, 45.9

 

CMYK 38 / 88 / 0 / 42

HEX #5C1295

RGB 92 18 149

HSL 273.89, 0.78%, 0.33%

LAB 26.38, 53.78, -55.37

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 88 / 0 / 3 / 42

HEX #129591

RGB 18 149 145

HSL 178.17, 0.78%, 0.33%

LAB 55.75, -32.59, -7.16

 

CMYK 3 / 88 / 0 / 42

HEX #911295

RGB 145 18 149

HSL 298.17, 0.78%, 0.33%

LAB 35.25, 62.57, -40.6

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 88 / 0 / 73 / 42

HEX #129528

RGB 18 149 40

HSL 130.08, 0.78%, 0.33%

LAB 53.79, -54.38, 45.9

 

CMYK 88 / 85 / 0 / 42

HEX #121695

RGB 18 22 149

HSL 238.17, 0.78%, 0.33%

LAB 19.53, 45.53, -66.95

 

CMYK 0 / 88 / 15 / 42

HEX #95127F

RGB 149 18 127

HSL 310.08, 0.78%, 0.33%

LAB 34.71, 60.01, -27.8

 

CMYK 0 / 2 / 88 / 42

HEX #959212

RGB 149 146 18

HSL 58.63, 0.78%, 0.33%

LAB 58.97, -12.54, 59.69

 

CMYK 88 / 0 / 47 / 42

HEX #12954F

RGB 18 149 79

HSL 147.94, 0.78%, 0.33%

LAB 54.23, -49.05, 27.86

 

CMYK 88 / 85 / 0 / 42

HEX #121695

RGB 18 22 149

HSL 238.17, 0.78%, 0.33%

LAB 19.53, 45.53, -66.95

 

CMYK 0 / 88 / 41 / 42

HEX #951258

RGB 149 18 88

HSL 327.94, 0.78%, 0.33%

LAB 32.98, 55.27, -5.57

 

Description

Color code: HEX #959212 | qconv.com Color code: HEX #959212 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 146 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 146 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 88 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 88% 42% C M Y K

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