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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #959ABF it is the complementary color #6A6540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #959ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #959ABF shade: #9A9ABA, #ABACCD, #BCBEE0, #CDD0F3 and #DEE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #959ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #959ABF shade: #959ABF, #8488AC, #737699, #626486 and #515273

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #959ABF shade: #959ABF, #9C95BF, #A795BF, #B295BF and #BE95BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #959ABF shade: #959ABF and #9595BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #959ABF shade matches the following richer shades: #959ABF, #8890CD, #7A86DB, #6C7BE8 and #5F71F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #959ABF shade: #959ABF, #A3A5B2, #B1AFA4, #BEB997 and #CCC489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #959ABF shade: #95B1BF, #95A6BF, #959BBF, #9B95BF and #A695BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #959ABF shade: #6269A0, #7C82B0, #959ABF, #AFB3CF and #C9CBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #959ABF shade: #959ABF, #BF95BD and #ACBF95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #959ABF shade: #959ABF, #BF959B and #9BBF95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #959ABF shade: #959ABF, #BF95BD, #BFBA95 and #95BF98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #959ABF shade: #959ABF, #BF95B0, #BFBA95 and #95BFA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

Complementary color

CMYK 0 / 5 / 40 / 58

HEX #6A6540

RGB 106 101 64

HSL 52.86, 0.25%, 0.33%

LAB 42.37, -4.14, 21.67

 

CMYK 17 / 17 / 0 / 27

HEX #9A9ABA

RGB 154 154 186

HSL 240, 0.19%, 0.67%

LAB 64.58, 6.7, -16.53

 

CMYK 17 / 16 / 0 / 20

HEX #ABACCD

RGB 171 172 205

HSL 238.24, 0.25%, 0.74%

LAB 71.26, 6.41, -16.85

 

CMYK 16 / 15 / 0 / 12

HEX #BCBEE0

RGB 188 190 224

HSL 236.67, 0.37%, 0.81%

LAB 77.82, 6.14, -17.17

 

CMYK 16 / 14 / 0 / 5

HEX #CDD0F3

RGB 205 208 243

HSL 235.26, 0.61%, 0.88%

LAB 84.26, 5.9, -17.5

 

CMYK 13 / 11 / 0 / 0

HEX #DEE2FF

RGB 222 226 255

HSL 232.73, 1%, 0.94%

LAB 90.39, 4.23, -14.5

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 23 / 21 / 0 / 33

HEX #8488AC

RGB 132 136 172

HSL 234, 0.19%, 0.6%

LAB 57.55, 6.56, -19.46

 

CMYK 25 / 23 / 0 / 40

HEX #737699

RGB 115 118 153

HSL 235.26, 0.16%, 0.53%

LAB 50.57, 6.93, -19.25

 

CMYK 27 / 25 / 0 / 47

HEX #626486

RGB 98 100 134

HSL 236.67, 0.16%, 0.45%

LAB 43.41, 7.34, -19.08

 

CMYK 30 / 29 / 0 / 55

HEX #515273

RGB 81 82 115

HSL 238.24, 0.17%, 0.38%

LAB 36.03, 7.83, -18.96

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 18 / 22 / 0 / 25

HEX #9C95BF

RGB 156 149 191

HSL 250, 0.25%, 0.67%

LAB 63.61, 11.31, -20.8

 

CMYK 13 / 22 / 0 / 25

HEX #A795BF

RGB 167 149 191

HSL 265.71, 0.25%, 0.67%

LAB 64.54, 14.9, -19.3

 

CMYK 7 / 22 / 0 / 25

HEX #B295BF

RGB 178 149 191

HSL 281.43, 0.25%, 0.67%

LAB 65.53, 18.56, -17.7

 

CMYK 1 / 22 / 0 / 25

HEX #BE95BF

RGB 190 149 191

HSL 298.57, 0.25%, 0.67%

LAB 66.68, 22.62, -15.86

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 22 / 22 / 0 / 25

HEX #9595BF

RGB 149 149 191

HSL 240, 0.25%, 0.67%

LAB 63.05, 9.07, -21.71

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 34 / 30 / 0 / 20

HEX #8890CD

RGB 136 144 205

HSL 233.04, 0.41%, 0.67%

LAB 61.3, 11.53, -32.34

 

CMYK 44 / 39 / 0 / 14

HEX #7A86DB

RGB 122 134 219

HSL 232.58, 0.57%, 0.67%

LAB 58.32, 17.55, -44.92

 

CMYK 53 / 47 / 0 / 9

HEX #6C7BE8

RGB 108 123 232

HSL 232.74, 0.73%, 0.67%

LAB 55.26, 24.88, -57.12

 

CMYK 61 / 54 / 0 / 4

HEX #5F71F6

RGB 95 113 246

HSL 232.85, 0.89%, 0.67%

LAB 52.84, 33.02, -68.86

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 8 / 7 / 0 / 30

HEX #A3A5B2

RGB 163 165 178

HSL 232, 0.09%, 0.67%

LAB 67.96, 1.87, -6.94

 

CMYK 0 / 1 / 7 / 31

HEX #B1AFA4

RGB 177 175 164

HSL 50.77, 0.08%, 0.67%

LAB 71.34, -1.27, 5.88

 

CMYK 0 / 3 / 21 / 25

HEX #BEB997

RGB 190 185 151

HSL 52.31, 0.23%, 0.67%

LAB 74.75, -3.87, 17.92

 

CMYK 0 / 4 / 33 / 20

HEX #CCC489

RGB 204 196 137

HSL 52.84, 0.4%, 0.67%

LAB 78.53, -6.13, 30.68

 

CMYK 22 / 7 / 0 / 25

HEX #95B1BF

RGB 149 177 191

HSL 200, 0.25%, 0.67%

LAB 70.59, -6.45, -10.31

 

CMYK 22 / 13 / 0 / 25

HEX #95A6BF

RGB 149 166 191

HSL 215.71, 0.25%, 0.67%

LAB 67.59, -0.46, -14.81

 

CMYK 22 / 19 / 0 / 25

HEX #959BBF

RGB 149 155 191

HSL 231.43, 0.25%, 0.67%

LAB 64.64, 5.68, -19.28

 

CMYK 19 / 22 / 0 / 25

HEX #9B95BF

RGB 155 149 191

HSL 248.57, 0.25%, 0.67%

LAB 63.53, 10.99, -20.93

 

CMYK 13 / 22 / 0 / 25

HEX #A695BF

RGB 166 149 191

HSL 264.29, 0.25%, 0.67%

LAB 64.45, 14.57, -19.44

 

CMYK 39 / 34 / 0 / 37

HEX #6269A0

RGB 98 105 160

HSL 233.23, 0.25%, 0.51%

LAB 45.96, 11.49, -30.61

 

CMYK 30 / 26 / 0 / 31

HEX #7C82B0

RGB 124 130 176

HSL 233.08, 0.25%, 0.59%

LAB 55.47, 8.56, -25

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 15 / 14 / 0 / 19

HEX #AFB3CF

RGB 175 179 207

HSL 232.5, 0.25%, 0.75%

LAB 73.45, 4.3, -14.61

 

CMYK 9 / 9 / 0 / 13

HEX #C9CBDE

RGB 201 203 222

HSL 234.29, 0.24%, 0.83%

LAB 82.06, 2.96, -9.64

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 0 / 22 / 1 / 25

HEX #BF95BD

RGB 191 149 189

HSL 302.86, 0.25%, 0.67%

LAB 66.71, 22.58, -14.69

 

CMYK 10 / 0 / 22 / 25

HEX #ACBF95

RGB 172 191 149

HSL 87.14, 0.25%, 0.67%

LAB 74.95, -14.03, 19.07

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 0 / 22 / 19 / 25

HEX #BF959B

RGB 191 149 155

HSL 351.43, 0.25%, 0.67%

LAB 65.7, 16.67, 2.9

 

CMYK 19 / 0 / 22 / 25

HEX #9BBF95

RGB 155 191 149

HSL 111.43, 0.25%, 0.67%

LAB 73.8, -20.13, 17.3

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 0 / 22 / 1 / 25

HEX #BF95BD

RGB 191 149 189

HSL 302.86, 0.25%, 0.67%

LAB 66.71, 22.58, -14.69

 

CMYK 0 / 3 / 22 / 25

HEX #BFBA95

RGB 191 186 149

HSL 52.86, 0.25%, 0.67%

LAB 75.05, -4.31, 19.43

 

CMYK 22 / 0 / 20 / 25

HEX #95BF98

RGB 149 191 152

HSL 124.29, 0.25%, 0.67%

LAB 73.49, -21.67, 15.19

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 0 / 22 / 8 / 25

HEX #BF95B0

RGB 191 149 176

HSL 321.43, 0.25%, 0.67%

LAB 66.29, 20.19, -8.02

 

CMYK 0 / 3 / 22 / 25

HEX #BFBA95

RGB 191 186 149

HSL 52.86, 0.25%, 0.67%

LAB 75.05, -4.31, 19.43

 

CMYK 22 / 0 / 14 / 25

HEX #95BFA5

RGB 149 191 165

HSL 142.86, 0.25%, 0.67%

LAB 73.78, -19.25, 8.57

 

Description

Color code: HEX #959ABF | qconv.com Color code: HEX #959ABF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 154 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 154 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 19 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 19% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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