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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95B6CD it is the complementary color #6A4932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95B6CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95B6CD shade: #9AB6C8, #ABC8DB, #BCDAEE, #CDECFF and #DEFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95B6CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95B6CD shade: #95B6CD, #84A4BA, #7392A7, #628094 and #516E81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95B6CD shade: #93B5CC, #93A5CC, #9396CC, #9F93CC and #AF93CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95B6CD shade: #93B5CC, #93A5CC, #9396CC and #9393CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95B6CD shade matches the following richer shades: #93B5CC, #86B7D9, #79B9E5 and #6DBBF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95B6CD shade: #93B5CC, #A0B2BF, #ADB0B2, #B9AEA6 and #C6AB99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95B6CD shade: #93CCC4, #93C4CC, #93B5CC, #93A6CC and #9397CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95B6CD shade: #5B8EB2, #77A1BF, #93B5CC, #AFC8D9 and #CBDBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95B6CD shade: #95B6CD, #B593CC and #CCCC93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95B6CD shade: #95B6CD, #CC93B5 and #B5CC93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95B6CD shade: #95B6CD, #B593CC, #CCAA93 and #AACC93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95B6CD shade: #95B6CD, #C693CC, #CCAA93 and #99CC93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 11 / 0 / 20

HEX #95B6CD

RGB 149 182 205

HSL 204.64, 0.36%, 0.69%

LAB 72.4, -5.89, -15.28

 

Complementary color

CMYK 0 / 31 / 53 / 58

HEX #6A4932

RGB 106 73 50

HSL 24.64, 0.36%, 0.31%

LAB 34.11, 11.09, 19.33

 

CMYK 23 / 9 / 0 / 22

HEX #9AB6C8

RGB 154 182 200

HSL 203.48, 0.29%, 0.69%

LAB 72.56, -5.53, -12.28

 

CMYK 22 / 9 / 0 / 14

HEX #ABC8DB

RGB 171 200 219

HSL 203.75, 0.4%, 0.76%

LAB 79.09, -5.6, -12.69

 

CMYK 21 / 8 / 0 / 7

HEX #BCDAEE

RGB 188 218 238

HSL 204, 0.6%, 0.84%

LAB 85.51, -5.67, -13.1

 

CMYK 20 / 7 / 0 / 0

HEX #CDECFF

RGB 205 236 255

HSL 202.8, 1%, 0.9%

LAB 91.77, -6.17, -12.55

 

CMYK 13 / 0 / 0 / 0

HEX #DEFEFF

RGB 222 254 255

HSL 181.82, 1%, 0.94%

LAB 97.48, -10.06, -3.96

 

CMYK 27 / 11 / 0 / 20

HEX #95B6CD

RGB 149 182 205

HSL 204.64, 0.36%, 0.69%

LAB 72.4, -5.89, -15.28

 

CMYK 29 / 12 / 0 / 27

HEX #84A4BA

RGB 132 164 186

HSL 204.44, 0.28%, 0.62%

LAB 65.75, -5.79, -14.92

 

CMYK 31 / 13 / 0 / 35

HEX #7392A7

RGB 115 146 167

HSL 204.23, 0.23%, 0.55%

LAB 58.97, -5.69, -14.56

 

CMYK 34 / 14 / 0 / 42

HEX #628094

RGB 98 128 148

HSL 204, 0.2%, 0.48%

LAB 52.03, -5.57, -14.21

 

CMYK 37 / 15 / 0 / 49

HEX #516E81

RGB 81 110 129

HSL 203.75, 0.23%, 0.41%

LAB 44.92, -5.43, -13.87

 

CMYK 28 / 11 / 0 / 20

HEX #93B5CC

RGB 147 181 204

HSL 204.21, 0.36%, 0.69%

LAB 71.97, -6.18, -15.4

 

CMYK 28 / 19 / 0 / 20

HEX #93A5CC

RGB 147 165 204

HSL 221.05, 0.36%, 0.69%

LAB 67.63, 2.58, -21.97

 

CMYK 28 / 26 / 0 / 20

HEX #9396CC

RGB 147 150 204

HSL 236.84, 0.36%, 0.69%

LAB 63.65, 11.04, -28.08

 

CMYK 22 / 28 / 0 / 20

HEX #9F93CC

RGB 159 147 204

HSL 252.63, 0.36%, 0.69%

LAB 63.83, 16.41, -27.72

 

CMYK 14 / 28 / 0 / 20

HEX #AF93CC

RGB 175 147 204

HSL 269.47, 0.36%, 0.69%

LAB 65.23, 21.44, -25.45

 

CMYK 28 / 11 / 0 / 20

HEX #93B5CC

RGB 147 181 204

HSL 204.21, 0.36%, 0.69%

LAB 71.97, -6.18, -15.4

 

CMYK 28 / 19 / 0 / 20

HEX #93A5CC

RGB 147 165 204

HSL 221.05, 0.36%, 0.69%

LAB 67.63, 2.58, -21.97

 

CMYK 28 / 26 / 0 / 20

HEX #9396CC

RGB 147 150 204

HSL 236.84, 0.36%, 0.69%

LAB 63.65, 11.04, -28.08

 

CMYK 28 / 28 / 0 / 20

HEX #9393CC

RGB 147 147 204

HSL 240, 0.36%, 0.69%

LAB 62.87, 12.76, -29.28

 

CMYK 28 / 11 / 0 / 20

HEX #93B5CC

RGB 147 181 204

HSL 204.21, 0.36%, 0.69%

LAB 71.97, -6.18, -15.4

 

CMYK 38 / 16 / 0 / 15

HEX #86B7D9

RGB 134 183 217

HSL 204.58, 0.52%, 0.69%

LAB 72.19, -7.67, -22.23

 

CMYK 47 / 19 / 0 / 10

HEX #79B9E5

RGB 121 185 229

HSL 204.44, 0.68%, 0.69%

LAB 72.51, -8.76, -28.34

 

CMYK 55 / 23 / 0 / 5

HEX #6DBBF2

RGB 109 187 242

HSL 204.81, 0.84%, 0.69%

LAB 73.03, -8.71, -34.63

 

CMYK 28 / 11 / 0 / 20

HEX #93B5CC

RGB 147 181 204

HSL 204.21, 0.36%, 0.69%

LAB 71.97, -6.18, -15.4

 

CMYK 16 / 7 / 0 / 25

HEX #A0B2BF

RGB 160 178 191

HSL 205.16, 0.19%, 0.69%

LAB 71.61, -3.48, -8.72

 

CMYK 3 / 1 / 0 / 30

HEX #ADB0B2

RGB 173 176 178

HSL 204, 0.03%, 0.69%

LAB 71.66, -0.67, -1.4

 

CMYK 0 / 6 / 10 / 27

HEX #B9AEA6

RGB 185 174 166

HSL 25.26, 0.12%, 0.69%

LAB 71.78, 2.54, 5.5

 

CMYK 0 / 14 / 23 / 22

HEX #C6AB99

RGB 198 171 153

HSL 24, 0.28%, 0.69%

LAB 71.85, 6.97, 12.88

 

CMYK 28 / 0 / 4 / 20

HEX #93CCC4

RGB 147 204 196

HSL 171.58, 0.36%, 0.69%

LAB 78.1, -20, -1.94

 

CMYK 28 / 4 / 0 / 20

HEX #93C4CC

RGB 147 196 204

HSL 188.42, 0.36%, 0.69%

LAB 76.1, -14.11, -9.22

 

CMYK 28 / 11 / 0 / 20

HEX #93B5CC

RGB 147 181 204

HSL 204.21, 0.36%, 0.69%

LAB 71.97, -6.18, -15.4

 

CMYK 28 / 19 / 0 / 20

HEX #93A6CC

RGB 147 166 204

HSL 220, 0.36%, 0.69%

LAB 67.9, 2.02, -21.56

 

CMYK 28 / 26 / 0 / 20

HEX #9397CC

RGB 147 151 204

HSL 235.79, 0.36%, 0.69%

LAB 63.91, 10.47, -27.67

 

CMYK 49 / 20 / 0 / 30

HEX #5B8EB2

RGB 91 142 178

HSL 204.83, 0.36%, 0.53%

LAB 56.86, -6.97, -24.16

 

CMYK 38 / 16 / 0 / 25

HEX #77A1BF

RGB 119 161 191

HSL 205, 0.36%, 0.61%

LAB 64.3, -6.62, -19.98

 

CMYK 28 / 11 / 0 / 20

HEX #93B5CC

RGB 147 181 204

HSL 204.21, 0.36%, 0.69%

LAB 71.97, -6.18, -15.4

 

CMYK 19 / 8 / 0 / 15

HEX #AFC8D9

RGB 175 200 217

HSL 204.29, 0.36%, 0.77%

LAB 79.29, -4.81, -11.28

 

CMYK 12 / 5 / 0 / 10

HEX #CBDBE6

RGB 203 219 230

HSL 204.44, 0.35%, 0.85%

LAB 86.54, -3.18, -7.22

 

CMYK 27 / 11 / 0 / 20

HEX #95B6CD

RGB 149 182 205

HSL 204.64, 0.36%, 0.69%

LAB 72.4, -5.89, -15.28

 

CMYK 11 / 28 / 0 / 20

HEX #B593CC

RGB 181 147 204

HSL 275.79, 0.36%, 0.69%

LAB 65.79, 23.37, -24.55

 

CMYK 0 / 0 / 28 / 20

HEX #CCCC93

RGB 204 204 147

HSL 60, 0.36%, 0.69%

LAB 80.81, -8.98, 28.5

 

CMYK 27 / 11 / 0 / 20

HEX #95B6CD

RGB 149 182 205

HSL 204.64, 0.36%, 0.69%

LAB 72.4, -5.89, -15.28

 

CMYK 0 / 28 / 11 / 20

HEX #CC93B5

RGB 204 147 181

HSL 324.21, 0.36%, 0.69%

LAB 67.31, 26.75, -9.17

 

CMYK 11 / 0 / 28 / 20

HEX #B5CC93

RGB 181 204 147

HSL 84.21, 0.36%, 0.69%

LAB 79.11, -17.63, 25.91

 

CMYK 27 / 11 / 0 / 20

HEX #95B6CD

RGB 149 182 205

HSL 204.64, 0.36%, 0.69%

LAB 72.4, -5.89, -15.28

 

CMYK 11 / 28 / 0 / 20

HEX #B593CC

RGB 181 147 204

HSL 275.79, 0.36%, 0.69%

LAB 65.79, 23.37, -24.55

 

CMYK 0 / 17 / 28 / 20

HEX #CCAA93

RGB 204 170 147

HSL 24.21, 0.36%, 0.69%

LAB 72.02, 8.96, 16.49

 

CMYK 17 / 0 / 28 / 20

HEX #AACC93

RGB 170 204 147

HSL 95.79, 0.36%, 0.69%

LAB 78.37, -21.62, 24.78

 

CMYK 27 / 11 / 0 / 20

HEX #95B6CD

RGB 149 182 205

HSL 204.64, 0.36%, 0.69%

LAB 72.4, -5.89, -15.28

 

CMYK 3 / 28 / 0 / 20

HEX #C693CC

RGB 198 147 204

HSL 293.68, 0.36%, 0.69%

LAB 67.45, 28.9, -21.85

 

CMYK 0 / 17 / 28 / 20

HEX #CCAA93

RGB 204 170 147

HSL 24.21, 0.36%, 0.69%

LAB 72.02, 8.96, 16.49

 

CMYK 25 / 0 / 28 / 20

HEX #99CC93

RGB 153 204 147

HSL 113.68, 0.36%, 0.69%

LAB 77.32, -27.56, 23.18

 

Description

Color code: HEX #95B6CD | qconv.com Color code: HEX #95B6CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 182 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 182 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 11 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 11% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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