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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95B00E it is the complementary color #6A4FF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95B00E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95B00E shade: #9AB009, #ABC21C, #BCD42F, #CDE642 and #DEF855

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95B00E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95B00E shade: #95B00E, #849E00, #738C00, #627A00 and #516800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95B00E shade: #93AE0E, #AE9E0E, #AE720E, #AE470E and #AE1C0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95B00E shade: #93AE0E, #68AE0E, #3DAE0E, #12AE0E and #0EAE35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95B00E shade matches the following richer shades: #93AE0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95B00E shade: #93AE0E, #899F1D, #7F902C, #75803B and #6B714B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95B00E shade: #AE730E, #AE9E0E, #93AE0E, #69AE0E and #3EAE0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95B00E shade: #536207, #73880B, #93AE0E, #B4D411 and #CBED22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95B00E shade: #95B00E, #0EAE48 and #890EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95B00E shade: #95B00E, #0E93AE and #AE0E93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95B00E shade: #95B00E, #0EAE48, #280EAE and #AE0E73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95B00E shade: #95B00E, #0EAE79, #280EAE and #AE0E43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 92 / 31

HEX #95B00E

RGB 149 176 14

HSL 70, 0.85%, 0.37%

LAB 67.63, -27.78, 67.36

 

Complementary color

CMYK 56 / 67 / 0 / 5

HEX #6A4FF1

RGB 106 79 241

HSL 250, 0.85%, 0.63%

LAB 45.64, 53.01, -77.74

 

CMYK 13 / 0 / 95 / 31

HEX #9AB009

RGB 154 176 9

HSL 67.9, 0.9%, 0.36%

LAB 67.98, -25.74, 68.43

 

CMYK 12 / 0 / 86 / 24

HEX #ABC21C

RGB 171 194 28

HSL 68.31, 0.75%, 0.44%

LAB 74.4, -26.89, 70.99

 

CMYK 11 / 0 / 78 / 17

HEX #BCD42F

RGB 188 212 47

HSL 68.73, 0.66%, 0.51%

LAB 80.73, -27.83, 72.18

 

CMYK 11 / 0 / 71 / 10

HEX #CDE642

RGB 205 230 66

HSL 69.15, 0.77%, 0.58%

LAB 86.98, -28.6, 72.48

 

CMYK 10 / 0 / 66 / 3

HEX #DEF855

RGB 222 248 85

HSL 69.57, 0.92%, 0.65%

LAB 93.15, -29.23, 72.22

 

CMYK 15 / 0 / 92 / 31

HEX #95B00E

RGB 149 176 14

HSL 70, 0.85%, 0.37%

LAB 67.63, -27.78, 67.36

 

CMYK 16 / 0 / 100 / 38

HEX #849E00

RGB 132 158 0

HSL 69.87, 1%, 0.31%

LAB 61.1, -26.52, 63.67

 

CMYK 18 / 0 / 100 / 45

HEX #738C00

RGB 115 140 0

HSL 70.71, 1%, 0.27%

LAB 54.45, -25.03, 58.14

 

CMYK 20 / 0 / 100 / 52

HEX #627A00

RGB 98 122 0

HSL 71.8, 1%, 0.24%

LAB 47.64, -23.52, 52.47

 

CMYK 22 / 0 / 100 / 59

HEX #516800

RGB 81 104 0

HSL 73.27, 1%, 0.2%

LAB 40.65, -21.98, 46.65

 

CMYK 16 / 0 / 92 / 32

HEX #93AE0E

RGB 147 174 14

HSL 70.13, 0.85%, 0.37%

LAB 66.91, -27.66, 66.72

 

CMYK 0 / 9 / 92 / 32

HEX #AE9E0E

RGB 174 158 14

HSL 54, 0.85%, 0.37%

LAB 64.55, -7.67, 65.81

 

CMYK 0 / 34 / 92 / 32

HEX #AE720E

RGB 174 114 14

HSL 37.5, 0.85%, 0.37%

LAB 53.02, 16.55, 57.02

 

CMYK 0 / 59 / 92 / 32

HEX #AE470E

RGB 174 71 14

HSL 21.38, 0.85%, 0.37%

LAB 43.56, 39.61, 50.05

 

CMYK 0 / 84 / 92 / 32

HEX #AE1C0E

RGB 174 28 14

HSL 5.25, 0.85%, 0.37%

LAB 37.59, 55.87, 45.85

 

CMYK 16 / 0 / 92 / 32

HEX #93AE0E

RGB 147 174 14

HSL 70.13, 0.85%, 0.37%

LAB 66.91, -27.66, 66.72

 

CMYK 40 / 0 / 92 / 32

HEX #68AE0E

RGB 104 174 14

HSL 86.25, 0.85%, 0.37%

LAB 64.36, -44.47, 63.6

 

CMYK 65 / 0 / 92 / 32

HEX #3DAE0E

RGB 61 174 14

HSL 102.38, 0.85%, 0.37%

LAB 62.76, -56.99, 61.62

 

CMYK 90 / 0 / 92 / 32

HEX #12AE0E

RGB 18 174 14

HSL 118.5, 0.85%, 0.37%

LAB 62.03, -63.35, 60.71

 

CMYK 92 / 0 / 70 / 32

HEX #0EAE35

RGB 14 174 53

HSL 134.63, 0.85%, 0.37%

LAB 62.19, -61.17, 49.54

 

CMYK 16 / 0 / 92 / 32

HEX #93AE0E

RGB 147 174 14

HSL 70.13, 0.85%, 0.37%

LAB 66.91, -27.66, 66.72

 

CMYK 16 / 0 / 92 / 32

HEX #93AE0E

RGB 147 174 14

HSL 70.13, 0.85%, 0.37%

LAB 66.91, -27.66, 66.72

 

CMYK 14 / 0 / 82 / 38

HEX #899F1D

RGB 137 159 29

HSL 70.15, 0.69%, 0.37%

LAB 61.83, -24.18, 59.01

 

CMYK 12 / 0 / 69 / 44

HEX #7F902C

RGB 127 144 44

HSL 70.2, 0.53%, 0.37%

LAB 56.72, -20.19, 48.74

 

CMYK 9 / 0 / 54 / 50

HEX #75803B

RGB 117 128 59

HSL 69.57, 0.37%, 0.37%

LAB 51.31, -14.94, 35.65

 

CMYK 5 / 0 / 34 / 56

HEX #6B714B

RGB 107 113 75

HSL 69.47, 0.2%, 0.37%

LAB 46.24, -9.08, 20.38

 

CMYK 0 / 34 / 92 / 32

HEX #AE730E

RGB 174 115 14

HSL 37.88, 0.85%, 0.37%

LAB 53.27, 15.99, 57.21

 

CMYK 0 / 9 / 92 / 32

HEX #AE9E0E

RGB 174 158 14

HSL 54, 0.85%, 0.37%

LAB 64.55, -7.67, 65.81

 

CMYK 16 / 0 / 92 / 32

HEX #93AE0E

RGB 147 174 14

HSL 70.13, 0.85%, 0.37%

LAB 66.91, -27.66, 66.72

 

CMYK 40 / 0 / 92 / 32

HEX #69AE0E

RGB 105 174 14

HSL 85.88, 0.85%, 0.37%

LAB 64.41, -44.12, 63.66

 

CMYK 64 / 0 / 92 / 32

HEX #3EAE0E

RGB 62 174 14

HSL 102, 0.85%, 0.37%

LAB 62.78, -56.76, 61.65

 

CMYK 15 / 0 / 93 / 62

HEX #536207

RGB 83 98 7

HSL 69.89, 0.87%, 0.21%

LAB 38.88, -17.68, 43.44

 

CMYK 15 / 0 / 92 / 47

HEX #73880B

RGB 115 136 11

HSL 70.08, 0.85%, 0.29%

LAB 53.25, -22.8, 55.31

 

CMYK 16 / 0 / 92 / 32

HEX #93AE0E

RGB 147 174 14

HSL 70.13, 0.85%, 0.37%

LAB 66.91, -27.66, 66.72

 

CMYK 15 / 0 / 92 / 17

HEX #B4D411

RGB 180 212 17

HSL 69.85, 0.85%, 0.45%

LAB 80.08, -31.91, 77.71

 

CMYK 14 / 0 / 86 / 7

HEX #CBED22

RGB 203 237 34

HSL 70.05, 0.85%, 0.53%

LAB 88.63, -33.82, 82.5

 

CMYK 15 / 0 / 92 / 31

HEX #95B00E

RGB 149 176 14

HSL 70, 0.85%, 0.37%

LAB 67.63, -27.78, 67.36

 

CMYK 92 / 0 / 59 / 32

HEX #0EAE48

RGB 14 174 72

HSL 141.75, 0.85%, 0.37%

LAB 62.37, -58.94, 41.37

 

CMYK 21 / 92 / 0 / 32

HEX #890EAE

RGB 137 14 174

HSL 286.13, 0.85%, 0.37%

LAB 35.38, 66.28, -55.57

 

CMYK 15 / 0 / 92 / 31

HEX #95B00E

RGB 149 176 14

HSL 70, 0.85%, 0.37%

LAB 67.63, -27.78, 67.36

 

CMYK 92 / 16 / 0 / 32

HEX #0E93AE

RGB 14 147 174

HSL 190.13, 0.85%, 0.37%

LAB 56.1, -22.32, -23.23

 

CMYK 0 / 92 / 16 / 32

HEX #AE0E93

RGB 174 14 147

HSL 310.13, 0.85%, 0.37%

LAB 40.28, 68.45, -31.06

 

CMYK 15 / 0 / 92 / 31

HEX #95B00E

RGB 149 176 14

HSL 70, 0.85%, 0.37%

LAB 67.63, -27.78, 67.36

 

CMYK 92 / 0 / 59 / 32

HEX #0EAE48

RGB 14 174 72

HSL 141.75, 0.85%, 0.37%

LAB 62.37, -58.94, 41.37

 

CMYK 77 / 92 / 0 / 32

HEX #280EAE

RGB 40 14 174

HSL 249.75, 0.85%, 0.37%

LAB 23.07, 56.68, -76.26

 

CMYK 0 / 92 / 34 / 32

HEX #AE0E73

RGB 174 14 115

HSL 322.13, 0.85%, 0.37%

LAB 38.81, 64.6, -13.54

 

CMYK 15 / 0 / 92 / 31

HEX #95B00E

RGB 149 176 14

HSL 70, 0.85%, 0.37%

LAB 67.63, -27.78, 67.36

 

CMYK 92 / 0 / 30 / 32

HEX #0EAE79

RGB 14 174 121

HSL 160.13, 0.85%, 0.37%

LAB 63.13, -49.93, 16.93

 

CMYK 77 / 92 / 0 / 32

HEX #280EAE

RGB 40 14 174

HSL 249.75, 0.85%, 0.37%

LAB 23.07, 56.68, -76.26

 

CMYK 0 / 92 / 61 / 32

HEX #AE0E43

RGB 174 14 67

HSL 340.13, 0.85%, 0.37%

LAB 37.33, 60.54, 14.99

 

Description

Color code: HEX #95B00E | qconv.com Color code: HEX #95B00E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 176 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 176 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 92 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 92% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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