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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95C46D it is the complementary color #6A3B92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95C46D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95C46D shade: #9AC468, #ABD67B, #BCE88E, #CDFAA1 and #DEFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95C46D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95C46D shade: #95C46D, #84B25A, #73A047, #628E34 and #517C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95C46D shade: #95C36E, #ACC36E, #C3C36E, #C3AC6E and #C3956E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95C46D shade: #95C36E, #7EC36E, #6EC374, #6EC38C and #6EC3A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95C46D shade matches the following richer shades: #95C36E, #94D45D, #92E44D and #91F53C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95C46D shade: #95C36E, #96B37E, #98A28F, #99929F and #9A81B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95C46D shade: #C3C36E, #ACC36E, #96C36E, #7FC36E and #6EC373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95C46D shade: #6B9E40, #80B750, #95C36E, #AACF8B and #C0DBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95C46D shade: #95C46D, #6EC3AC and #C36EB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95C46D shade: #95C46D, #6E96C3 and #C36E96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95C46D shade: #95C46D, #6EC3AC, #9B6EC3 and #C36E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95C46D shade: #95C46D, #6EC0C3, #9B6EC3 and #C3716E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 44 / 23

HEX #95C46D

RGB 149 196 109

HSL 92.41, 0.42%, 0.6%

LAB 74.17, -30.65, 38.65

 

Complementary color

CMYK 27 / 60 / 0 / 43

HEX #6A3B92

RGB 106 59 146

HSL 272.41, 0.42%, 0.4%

LAB 34.53, 37.77, -40.24

 

CMYK 21 / 0 / 47 / 23

HEX #9AC468

RGB 154 196 104

HSL 87.39, 0.44%, 0.59%

LAB 74.41, -29.41, 41.51

 

CMYK 20 / 0 / 43 / 16

HEX #ABD67B

RGB 171 214 123

HSL 88.35, 0.53%, 0.66%

LAB 80.84, -29.41, 40.35

 

CMYK 19 / 0 / 39 / 9

HEX #BCE88E

RGB 188 232 142

HSL 89.33, 0.66%, 0.73%

LAB 87.17, -29.37, 39.2

 

CMYK 18 / 0 / 36 / 2

HEX #CDFAA1

RGB 205 250 161

HSL 90.34, 0.9%, 0.81%

LAB 93.42, -29.32, 38.09

 

CMYK 13 / 0 / 29 / 0

HEX #DEFFB4

RGB 222 255 180

HSL 86.4, 1%, 0.85%

LAB 96.14, -23.13, 32.43

 

CMYK 24 / 0 / 44 / 23

HEX #95C46D

RGB 149 196 109

HSL 92.41, 0.42%, 0.6%

LAB 74.17, -30.65, 38.65

 

CMYK 26 / 0 / 49 / 30

HEX #84B25A

RGB 132 178 90

HSL 91.36, 0.36%, 0.53%

LAB 67.64, -30.69, 39.84

 

CMYK 28 / 0 / 56 / 37

HEX #73A047

RGB 115 160 71

HSL 90.34, 0.39%, 0.45%

LAB 60.99, -30.67, 41

 

CMYK 31 / 0 / 63 / 44

HEX #628E34

RGB 98 142 52

HSL 89.33, 0.46%, 0.38%

LAB 54.23, -30.54, 42.03

 

CMYK 35 / 0 / 73 / 51

HEX #517C21

RGB 81 124 33

HSL 88.35, 0.58%, 0.31%

LAB 47.33, -30.25, 42.67

 

CMYK 24 / 0 / 44 / 24

HEX #95C36E

RGB 149 195 110

HSL 92.47, 0.41%, 0.6%

LAB 73.9, -30.05, 37.81

 

CMYK 12 / 0 / 44 / 24

HEX #ACC36E

RGB 172 195 110

HSL 76.24, 0.41%, 0.6%

LAB 75.41, -21.36, 40.02

 

CMYK 0 / 0 / 44 / 24

HEX #C3C36E

RGB 195 195 110

HSL 60, 0.41%, 0.6%

LAB 77.14, -12.23, 42.55

 

CMYK 0 / 12 / 44 / 24

HEX #C3AC6E

RGB 195 172 110

HSL 43.76, 0.41%, 0.6%

LAB 71.03, -0.21, 34.88

 

CMYK 0 / 24 / 44 / 24

HEX #C3956E

RGB 195 149 110

HSL 27.53, 0.41%, 0.6%

LAB 65.14, 12.25, 27.24

 

CMYK 24 / 0 / 44 / 24

HEX #95C36E

RGB 149 195 110

HSL 92.47, 0.41%, 0.6%

LAB 73.9, -30.05, 37.81

 

CMYK 35 / 0 / 44 / 24

HEX #7EC36E

RGB 126 195 110

HSL 108.71, 0.41%, 0.6%

LAB 72.62, -38.06, 35.92

 

CMYK 44 / 0 / 41 / 24

HEX #6EC374

RGB 110 195 116

HSL 124.24, 0.41%, 0.6%

LAB 71.96, -42.17, 31.85

 

CMYK 44 / 0 / 28 / 24

HEX #6EC38C

RGB 110 195 140

HSL 141.18, 0.41%, 0.6%

LAB 72.39, -38, 19.79

 

CMYK 44 / 0 / 16 / 24

HEX #6EC3A3

RGB 110 195 163

HSL 157.41, 0.41%, 0.6%

LAB 72.89, -33.29, 8.1

 

CMYK 24 / 0 / 44 / 24

HEX #95C36E

RGB 149 195 110

HSL 92.47, 0.41%, 0.6%

LAB 73.9, -30.05, 37.81

 

CMYK 30 / 0 / 56 / 17

HEX #94D45D

RGB 148 212 93

HSL 92.27, 0.58%, 0.6%

LAB 78.56, -40.12, 51.62

 

CMYK 36 / 0 / 66 / 11

HEX #92E44D

RGB 146 228 77

HSL 92.58, 0.74%, 0.6%

LAB 82.98, -49.06, 63.27

 

CMYK 41 / 0 / 76 / 4

HEX #91F53C

RGB 145 245 60

HSL 92.43, 0.9%, 0.6%

LAB 87.8, -57.3, 74.03

 

CMYK 24 / 0 / 44 / 24

HEX #95C36E

RGB 149 195 110

HSL 92.47, 0.41%, 0.6%

LAB 73.9, -30.05, 37.81

 

CMYK 16 / 0 / 30 / 30

HEX #96B37E

RGB 150 179 126

HSL 92.83, 0.26%, 0.6%

LAB 69.63, -19.6, 23.89

 

CMYK 6 / 0 / 12 / 36

HEX #98A28F

RGB 152 162 143

HSL 91.58, 0.09%, 0.6%

LAB 65.36, -7.14, 8.67

 

CMYK 4 / 8 / 0 / 38

HEX #99929F

RGB 153 146 159

HSL 272.31, 0.06%, 0.6%

LAB 61.51, 5.1, -5.92

 

CMYK 13 / 27 / 0 / 31

HEX #9A81B0

RGB 154 129 176

HSL 271.91, 0.23%, 0.6%

LAB 57.76, 18.74, -21.26

 

CMYK 0 / 0 / 44 / 24

HEX #C3C36E

RGB 195 195 110

HSL 60, 0.41%, 0.6%

LAB 77.14, -12.23, 42.55

 

CMYK 12 / 0 / 44 / 24

HEX #ACC36E

RGB 172 195 110

HSL 76.24, 0.41%, 0.6%

LAB 75.41, -21.36, 40.02

 

CMYK 23 / 0 / 44 / 24

HEX #96C36E

RGB 150 195 110

HSL 91.76, 0.41%, 0.6%

LAB 73.96, -29.69, 37.89

 

CMYK 35 / 0 / 44 / 24

HEX #7FC36E

RGB 127 195 110

HSL 108, 0.41%, 0.6%

LAB 72.67, -37.73, 36

 

CMYK 44 / 0 / 41 / 24

HEX #6EC373

RGB 110 195 115

HSL 123.53, 0.41%, 0.6%

LAB 71.95, -42.33, 32.35

 

CMYK 32 / 0 / 59 / 38

HEX #6B9E40

RGB 107 158 64

HSL 92.55, 0.42%, 0.44%

LAB 59.84, -33.45, 42.9

 

CMYK 30 / 0 / 56 / 28

HEX #80B750

RGB 128 183 80

HSL 92.04, 0.42%, 0.52%

LAB 68.78, -35.59, 45.98

 

CMYK 24 / 0 / 44 / 24

HEX #95C36E

RGB 149 195 110

HSL 92.47, 0.41%, 0.6%

LAB 73.9, -30.05, 37.81

 

CMYK 18 / 0 / 33 / 19

HEX #AACF8B

RGB 170 207 139

HSL 92.65, 0.41%, 0.68%

LAB 79.06, -24.28, 29.89

 

CMYK 12 / 0 / 23 / 14

HEX #C0DBA8

RGB 192 219 168

HSL 91.76, 0.41%, 0.76%

LAB 84.33, -17.98, 22.17

 

CMYK 24 / 0 / 44 / 23

HEX #95C46D

RGB 149 196 109

HSL 92.41, 0.42%, 0.6%

LAB 74.17, -30.65, 38.65

 

CMYK 44 / 0 / 12 / 24

HEX #6EC3AC

RGB 110 195 172

HSL 163.76, 0.41%, 0.6%

LAB 73.1, -31.26, 3.54

 

CMYK 0 / 44 / 6 / 24

HEX #C36EB8

RGB 195 110 184

HSL 307.76, 0.41%, 0.6%

LAB 58.24, 44.2, -24.71

 

CMYK 24 / 0 / 44 / 23

HEX #95C46D

RGB 149 196 109

HSL 92.41, 0.42%, 0.6%

LAB 74.17, -30.65, 38.65

 

CMYK 44 / 23 / 0 / 24

HEX #6E96C3

RGB 110 150 195

HSL 211.76, 0.41%, 0.6%

LAB 60.84, -1.77, -27.57

 

CMYK 0 / 44 / 23 / 24

HEX #C36E96

RGB 195 110 150

HSL 331.76, 0.41%, 0.6%

LAB 57.03, 38.7, -6.92

 

CMYK 24 / 0 / 44 / 23

HEX #95C46D

RGB 149 196 109

HSL 92.41, 0.42%, 0.6%

LAB 74.17, -30.65, 38.65

 

CMYK 44 / 0 / 12 / 24

HEX #6EC3AC

RGB 110 195 172

HSL 163.76, 0.41%, 0.6%

LAB 73.1, -31.26, 3.54

 

CMYK 21 / 44 / 0 / 24

HEX #9B6EC3

RGB 155 110 195

HSL 271.76, 0.41%, 0.6%

LAB 54.09, 34.27, -37.82

 

CMYK 0 / 44 / 32 / 24

HEX #C36E85

RGB 195 110 133

HSL 343.76, 0.41%, 0.6%

LAB 56.53, 36.33, 2.25

 

CMYK 24 / 0 / 44 / 23

HEX #95C46D

RGB 149 196 109

HSL 92.41, 0.42%, 0.6%

LAB 74.17, -30.65, 38.65

 

CMYK 44 / 2 / 0 / 24

HEX #6EC0C3

RGB 110 192 195

HSL 182.12, 0.41%, 0.6%

LAB 72.86, -24.2, -9.34

 

CMYK 21 / 44 / 0 / 24

HEX #9B6EC3

RGB 155 110 195

HSL 271.76, 0.41%, 0.6%

LAB 54.09, 34.27, -37.82

 

CMYK 0 / 42 / 44 / 24

HEX #C3716E

RGB 195 113 110

HSL 2.12, 0.41%, 0.6%

LAB 56.62, 31.98, 15.77

 

Description

Color code: HEX #95C46D | qconv.com Color code: HEX #95C46D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 196 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 196 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 44 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 44% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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