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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95C491 it is the complementary color #6A3B6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95C491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95C491 shade: #9AC48C, #ABD69F, #BCE8B2, #CDFAC5 and #DEFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95C491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95C491 shade: #95C491, #84B27E, #73A06B, #628E58 and #517C45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95C491 shade: #95C491, #A3C491, #B0C491, #BEC491 and #C4BC91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95C491 shade: #95C491, #91C49B, #91C4A8, #91C4B6 and #91C4C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95C491 shade matches the following richer shades: #95C491, #8AD183, #7EDF76, #73EC68 and #67FA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95C491 shade: #95C491, #A1B69F, #ACA8AC, #B89BBA and #C38DC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95C491 shade: #B0C491, #A3C491, #95C491, #91C49A and #91C4A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95C491 shade: #61A75B, #7BB576, #95C491, #AFD2AC and #C9E0C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95C491 shade: #95C491, #91BEC4 and #C491AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95C491 shade: #95C491, #9195C4 and #C49195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95C491 shade: #95C491, #91BEC4, #BF91C4 and #C49791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95C491 shade: #95C491, #91AFC4, #BF91C4 and #C4A691

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

Complementary color

CMYK 4 / 46 / 0 / 57

HEX #6A3B6E

RGB 106 59 110

HSL 295.29, 0.3%, 0.33%

LAB 32.52, 29.41, -21.04

 

CMYK 21 / 0 / 29 / 23

HEX #9AC48C

RGB 154 196 140

HSL 105, 0.32%, 0.66%

LAB 74.98, -24.45, 23.71

 

CMYK 20 / 0 / 26 / 16

HEX #ABD69F

RGB 171 214 159

HSL 106.91, 0.4%, 0.73%

LAB 81.43, -24.3, 22.68

 

CMYK 19 / 0 / 23 / 9

HEX #BCE8B2

RGB 188 232 178

HSL 108.89, 0.54%, 0.8%

LAB 87.78, -24.15, 21.71

 

CMYK 18 / 0 / 21 / 2

HEX #CDFAC5

RGB 205 250 197

HSL 110.94, 0.84%, 0.88%

LAB 94.05, -24.01, 20.78

 

CMYK 13 / 0 / 15 / 0

HEX #DEFFD8

RGB 222 255 216

HSL 110.77, 1%, 0.92%

LAB 96.82, -17.63, 15.11

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 26 / 0 / 29 / 30

HEX #84B27E

RGB 132 178 126

HSL 113.08, 0.25%, 0.6%

LAB 68.21, -25.57, 21.77

 

CMYK 28 / 0 / 33 / 37

HEX #73A06B

RGB 115 160 107

HSL 110.94, 0.22%, 0.52%

LAB 61.52, -25.79, 22.89

 

CMYK 31 / 0 / 38 / 44

HEX #628E58

RGB 98 142 88

HSL 108.89, 0.23%, 0.45%

LAB 54.71, -26.01, 24.1

 

CMYK 35 / 0 / 44 / 51

HEX #517C45

RGB 81 124 69

HSL 106.91, 0.28%, 0.38%

LAB 47.74, -26.21, 25.38

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 17 / 0 / 26 / 23

HEX #A3C491

RGB 163 196 145

HSL 98.82, 0.3%, 0.67%

LAB 75.64, -20.46, 22.06

 

CMYK 10 / 0 / 26 / 23

HEX #B0C491

RGB 176 196 145

HSL 83.53, 0.3%, 0.67%

LAB 76.53, -15.73, 23.41

 

CMYK 3 / 0 / 26 / 23

HEX #BEC491

RGB 190 196 145

HSL 67.06, 0.3%, 0.67%

LAB 77.56, -10.48, 24.98

 

CMYK 0 / 4 / 26 / 23

HEX #C4BC91

RGB 196 188 145

HSL 50.59, 0.3%, 0.67%

LAB 75.91, -4.02, 22.82

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 26 / 0 / 21 / 23

HEX #91C49B

RGB 145 196 155

HSL 131.76, 0.3%, 0.67%

LAB 74.74, -24.95, 15.29

 

CMYK 26 / 0 / 14 / 23

HEX #91C4A8

RGB 145 196 168

HSL 147.06, 0.3%, 0.67%

LAB 75.03, -22.47, 8.7

 

CMYK 26 / 0 / 7 / 23

HEX #91C4B6

RGB 145 196 182

HSL 163.53, 0.3%, 0.67%

LAB 75.37, -19.6, 1.62

 

CMYK 26 / 0 / 0 / 23

HEX #91C4C4

RGB 145 196 196

HSL 180, 0.3%, 0.67%

LAB 75.75, -16.53, -5.41

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 34 / 0 / 37 / 18

HEX #8AD183

RGB 138 209 131

HSL 114.62, 0.46%, 0.67%

LAB 77.66, -37.4, 31.84

 

CMYK 43 / 0 / 47 / 13

HEX #7EDF76

RGB 126 223 118

HSL 115.43, 0.62%, 0.67%

LAB 81.03, -49.03, 42.55

 

CMYK 51 / 0 / 56 / 7

HEX #73EC68

RGB 115 236 104

HSL 115, 0.78%, 0.67%

LAB 84.3, -58.98, 52.98

 

CMYK 59 / 0 / 64 / 2

HEX #67FA5B

RGB 103 250 91

HSL 115.47, 0.94%, 0.67%

LAB 87.97, -68.33, 62.62

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 12 / 0 / 13 / 29

HEX #A1B69F

RGB 161 182 159

HSL 114.78, 0.14%, 0.67%

LAB 71.92, -11.64, 9.28

 

CMYK 0 / 2 / 0 / 33

HEX #ACA8AC

RGB 172 168 172

HSL 300, 0.02%, 0.67%

LAB 69.29, 2.18, -1.56

 

CMYK 1 / 17 / 0 / 27

HEX #B89BBA

RGB 184 155 186

HSL 296.13, 0.18%, 0.67%

LAB 67.41, 16.26, -12.02

 

CMYK 3 / 30 / 0 / 22

HEX #C38DC8

RGB 195 141 200

HSL 294.92, 0.35%, 0.67%

LAB 65.61, 30.44, -22.46

 

CMYK 10 / 0 / 26 / 23

HEX #B0C491

RGB 176 196 145

HSL 83.53, 0.3%, 0.67%

LAB 76.53, -15.73, 23.41

 

CMYK 17 / 0 / 26 / 23

HEX #A3C491

RGB 163 196 145

HSL 98.82, 0.3%, 0.67%

LAB 75.64, -20.46, 22.06

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 26 / 0 / 21 / 23

HEX #91C49A

RGB 145 196 154

HSL 130.59, 0.3%, 0.67%

LAB 74.72, -25.13, 15.8

 

CMYK 26 / 0 / 14 / 23

HEX #91C4A8

RGB 145 196 168

HSL 147.06, 0.3%, 0.67%

LAB 75.03, -22.47, 8.7

 

CMYK 42 / 0 / 46 / 35

HEX #61A75B

RGB 97 167 91

HSL 115.26, 0.3%, 0.51%

LAB 62.45, -37.64, 32.47

 

CMYK 32 / 0 / 35 / 29

HEX #7BB576

RGB 123 181 118

HSL 115.24, 0.3%, 0.59%

LAB 68.44, -31.41, 26.28

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 17 / 0 / 18 / 18

HEX #AFD2AC

RGB 175 210 172

HSL 115.26, 0.3%, 0.75%

LAB 80.84, -18.77, 15.05

 

CMYK 10 / 0 / 11 / 12

HEX #C9E0C7

RGB 201 224 199

HSL 115.2, 0.29%, 0.83%

LAB 86.92, -12.23, 9.66

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 26 / 3 / 0 / 23

HEX #91BEC4

RGB 145 190 196

HSL 187.06, 0.3%, 0.67%

LAB 74.08, -13.42, -7.88

 

CMYK 0 / 26 / 13 / 23

HEX #C491AA

RGB 196 145 170

HSL 330.59, 0.3%, 0.67%

LAB 65.66, 23.16, -5.54

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 26 / 24 / 0 / 23

HEX #9195C4

RGB 145 149 196

HSL 235.29, 0.3%, 0.67%

LAB 62.93, 9.03, -24.73

 

CMYK 0 / 26 / 24 / 23

HEX #C49195

RGB 196 145 149

HSL 355.29, 0.3%, 0.67%

LAB 65.09, 19.85, 5.45

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 26 / 3 / 0 / 23

HEX #91BEC4

RGB 145 190 196

HSL 187.06, 0.3%, 0.67%

LAB 74.08, -13.42, -7.88

 

CMYK 3 / 26 / 0 / 23

HEX #BF91C4

RGB 191 145 196

HSL 294.12, 0.3%, 0.67%

LAB 65.99, 26.14, -19.68

 

CMYK 0 / 23 / 26 / 23

HEX #C49791

RGB 196 151 145

HSL 7.06, 0.3%, 0.67%

LAB 66.45, 15.96, 9.65

 

CMYK 24 / 0 / 26 / 23

HEX #95C491

RGB 149 196 145

HSL 115.29, 0.3%, 0.67%

LAB 74.77, -25.36, 20.72

 

CMYK 26 / 11 / 0 / 23

HEX #91AFC4

RGB 145 175 196

HSL 204.71, 0.3%, 0.67%

LAB 69.94, -5.45, -14.07

 

CMYK 3 / 26 / 0 / 23

HEX #BF91C4

RGB 191 145 196

HSL 294.12, 0.3%, 0.67%

LAB 65.99, 26.14, -19.68

 

CMYK 0 / 15 / 26 / 23

HEX #C4A691

RGB 196 166 145

HSL 24.71, 0.3%, 0.67%

LAB 70.21, 7.75, 14.95

 

Description

Color code: HEX #95C491 | qconv.com Color code: HEX #95C491 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 196 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 196 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 26 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 26% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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