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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95CCE3 it is the complementary color #6A331C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95CCE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95CCE3 shade: #9ACCDE, #ABDEF1, #BCF0FF, #CDFFFF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95CCE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95CCE3 shade: #95CCE3, #84BAD0, #73A8BD, #6296AA and #518497

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95CCE3 shade: #96CCE3, #96B7E3, #96A2E3, #9E96E3 and #B296E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95CCE3 shade: #96CCE3, #96B7E3, #96A2E3 and #9696E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95CCE3 shade matches the following richer shades: #96CCE3, #8BD0ED and #80D5F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95CCE3 shade: #96CCE3, #A0C8D8, #ABC3CD, #B6BFC2 and #C1BAB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95CCE3 shade: #96E3CF, #96E1E3, #96CDE3, #96B8E3 and #96A4E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95CCE3 shade: #55ADD1, #75BCDA, #96CCE3, #B6DCEB and #D7EBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95CCE3 shade: #95CCE3, #BB96E3 and #E3DA96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95CCE3 shade: #95CCE3, #E396CD and #CDE396

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95CCE3 shade: #95CCE3, #BB96E3, #E3AC96 and #BDE396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95CCE3 shade: #95CCE3, #D296E3, #E3AC96 and #A6E396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 10 / 0 / 11

HEX #95CCE3

RGB 149 204 227

HSL 197.69, 0.58%, 0.74%

LAB 79.11, -12.2, -17.08

 

Complementary color

CMYK 0 / 52 / 74 / 58

HEX #6A331C

RGB 106 51 28

HSL 17.69, 0.58%, 0.26%

LAB 28.16, 22.57, 25.4

 

CMYK 31 / 8 / 0 / 13

HEX #9ACCDE

RGB 154 204 222

HSL 195.88, 0.51%, 0.74%

LAB 79.23, -12.02, -14.19

 

CMYK 29 / 8 / 0 / 5

HEX #ABDEF1

RGB 171 222 241

HSL 196.29, 0.71%, 0.81%

LAB 85.63, -12.04, -14.6

 

CMYK 26 / 6 / 0 / 0

HEX #BCF0FF

RGB 188 240 255

HSL 193.43, 1%, 0.87%

LAB 91.79, -13.18, -12.63

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 34 / 10 / 0 / 11

HEX #95CCE3

RGB 149 204 227

HSL 197.69, 0.58%, 0.74%

LAB 79.11, -12.2, -17.08

 

CMYK 37 / 11 / 0 / 18

HEX #84BAD0

RGB 132 186 208

HSL 197.37, 0.45%, 0.67%

LAB 72.61, -12.13, -16.7

 

CMYK 39 / 11 / 0 / 26

HEX #73A8BD

RGB 115 168 189

HSL 197.03, 0.36%, 0.6%

LAB 66, -12.04, -16.31

 

CMYK 42 / 12 / 0 / 33

HEX #6296AA

RGB 98 150 170

HSL 196.67, 0.3%, 0.53%

LAB 59.26, -11.93, -15.92

 

CMYK 46 / 13 / 0 / 41

HEX #518497

RGB 81 132 151

HSL 196.29, 0.3%, 0.45%

LAB 52.38, -11.77, -15.52

 

CMYK 34 / 10 / 0 / 11

HEX #96CCE3

RGB 150 204 227

HSL 197.92, 0.58%, 0.74%

LAB 79.17, -11.92, -16.99

 

CMYK 34 / 19 / 0 / 11

HEX #96B7E3

RGB 150 183 227

HSL 214.29, 0.58%, 0.74%

LAB 73.48, -0.73, -25.63

 

CMYK 34 / 29 / 0 / 11

HEX #96A2E3

RGB 150 162 227

HSL 230.65, 0.58%, 0.74%

LAB 67.93, 10.95, -34.19

 

CMYK 30 / 34 / 0 / 11

HEX #9E96E3

RGB 158 150 227

HSL 246.23, 0.58%, 0.74%

LAB 65.46, 20.03, -37.98

 

CMYK 22 / 34 / 0 / 11

HEX #B296E3

RGB 178 150 227

HSL 261.82, 0.58%, 0.74%

LAB 67.14, 25.85, -35.22

 

CMYK 34 / 10 / 0 / 11

HEX #96CCE3

RGB 150 204 227

HSL 197.92, 0.58%, 0.74%

LAB 79.17, -11.92, -16.99

 

CMYK 34 / 19 / 0 / 11

HEX #96B7E3

RGB 150 183 227

HSL 214.29, 0.58%, 0.74%

LAB 73.48, -0.73, -25.63

 

CMYK 34 / 29 / 0 / 11

HEX #96A2E3

RGB 150 162 227

HSL 230.65, 0.58%, 0.74%

LAB 67.93, 10.95, -34.19

 

CMYK 34 / 34 / 0 / 11

HEX #9696E3

RGB 150 150 227

HSL 240, 0.58%, 0.74%

LAB 64.84, 17.79, -38.99

 

CMYK 34 / 10 / 0 / 11

HEX #96CCE3

RGB 150 204 227

HSL 197.92, 0.58%, 0.74%

LAB 79.17, -11.92, -16.99

 

CMYK 41 / 12 / 0 / 7

HEX #8BD0ED

RGB 139 208 237

HSL 197.76, 0.73%, 0.74%

LAB 80.02, -14.35, -21.11

 

CMYK 48 / 14 / 0 / 3

HEX #80D5F8

RGB 128 213 248

HSL 197.5, 0.9%, 0.74%

LAB 81.27, -16.6, -25.12

 

CMYK 34 / 10 / 0 / 11

HEX #96CCE3

RGB 150 204 227

HSL 197.92, 0.58%, 0.74%

LAB 79.17, -11.92, -16.99

 

CMYK 26 / 7 / 0 / 15

HEX #A0C8D8

RGB 160 200 216

HSL 197.14, 0.42%, 0.74%

LAB 78.31, -9.59, -12.31

 

CMYK 17 / 5 / 0 / 20

HEX #ABC3CD

RGB 171 195 205

HSL 197.65, 0.25%, 0.74%

LAB 77.34, -6.01, -7.75

 

CMYK 6 / 2 / 0 / 24

HEX #B6BFC2

RGB 182 191 194

HSL 195, 0.09%, 0.74%

LAB 76.74, -2.51, -2.59

 

CMYK 0 / 4 / 5 / 24

HEX #C1BAB8

RGB 193 186 184

HSL 13.33, 0.07%, 0.74%

LAB 76.02, 2.1, 1.88

 

CMYK 34 / 0 / 9 / 11

HEX #96E3CF

RGB 150 227 207

HSL 164.42, 0.58%, 0.74%

LAB 84.96, -28.05, 2.24

 

CMYK 34 / 1 / 0 / 11

HEX #96E1E3

RGB 150 225 227

HSL 181.56, 0.58%, 0.74%

LAB 84.94, -22.57, -8.36

 

CMYK 34 / 10 / 0 / 11

HEX #96CDE3

RGB 150 205 227

HSL 197.14, 0.58%, 0.74%

LAB 79.44, -12.44, -16.58

 

CMYK 34 / 19 / 0 / 11

HEX #96B8E3

RGB 150 184 227

HSL 213.51, 0.58%, 0.74%

LAB 73.75, -1.28, -25.22

 

CMYK 34 / 28 / 0 / 11

HEX #96A4E3

RGB 150 164 227

HSL 229.09, 0.58%, 0.74%

LAB 68.45, 9.82, -33.38

 

CMYK 59 / 17 / 0 / 18

HEX #55ADD1

RGB 85 173 209

HSL 197.42, 0.57%, 0.58%

LAB 66.84, -15.89, -26.23

 

CMYK 46 / 14 / 0 / 15

HEX #75BCDA

RGB 117 188 218

HSL 197.82, 0.58%, 0.66%

LAB 72.77, -14.36, -21.98

 

CMYK 34 / 10 / 0 / 11

HEX #96CCE3

RGB 150 204 227

HSL 197.92, 0.58%, 0.74%

LAB 79.17, -11.92, -16.99

 

CMYK 23 / 6 / 0 / 8

HEX #B6DCEB

RGB 182 220 235

HSL 196.98, 0.57%, 0.82%

LAB 85.57, -9.17, -11.46

 

CMYK 12 / 4 / 0 / 4

HEX #D7EBF4

RGB 215 235 244

HSL 198.62, 0.57%, 0.9%

LAB 91.86, -4.82, -6.61

 

CMYK 34 / 10 / 0 / 11

HEX #95CCE3

RGB 149 204 227

HSL 197.69, 0.58%, 0.74%

LAB 79.11, -12.2, -17.08

 

CMYK 18 / 34 / 0 / 11

HEX #BB96E3

RGB 187 150 227

HSL 268.83, 0.58%, 0.74%

LAB 67.96, 28.55, -33.89

 

CMYK 0 / 4 / 34 / 11

HEX #E3DA96

RGB 227 218 150

HSL 52.99, 0.58%, 0.74%

LAB 86.34, -6.91, 34.63

 

CMYK 34 / 10 / 0 / 11

HEX #95CCE3

RGB 149 204 227

HSL 197.69, 0.58%, 0.74%

LAB 79.11, -12.2, -17.08

 

CMYK 0 / 34 / 10 / 11

HEX #E396CD

RGB 227 150 205

HSL 317.14, 0.58%, 0.74%

LAB 71.25, 37.03, -16.36

 

CMYK 10 / 0 / 34 / 11

HEX #CDE396

RGB 205 227 150

HSL 77.14, 0.58%, 0.74%

LAB 87.06, -19.74, 35.25

 

CMYK 34 / 10 / 0 / 11

HEX #95CCE3

RGB 149 204 227

HSL 197.69, 0.58%, 0.74%

LAB 79.11, -12.2, -17.08

 

CMYK 18 / 34 / 0 / 11

HEX #BB96E3

RGB 187 150 227

HSL 268.83, 0.58%, 0.74%

LAB 67.96, 28.55, -33.89

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 17 / 0 / 34 / 11

HEX #BDE396

RGB 189 227 150

HSL 89.61, 0.58%, 0.74%

LAB 85.99, -25.58, 33.65

 

CMYK 34 / 10 / 0 / 11

HEX #95CCE3

RGB 149 204 227

HSL 197.69, 0.58%, 0.74%

LAB 79.11, -12.2, -17.08

 

CMYK 7 / 34 / 0 / 11

HEX #D296E3

RGB 210 150 227

HSL 286.75, 0.58%, 0.74%

LAB 70.22, 35.6, -30.22

 

CMYK 0 / 24 / 34 / 11

HEX #E3AC96

RGB 227 172 150

HSL 17.14, 0.58%, 0.74%

LAB 74.85, 17.18, 19.13

 

CMYK 27 / 0 / 34 / 11

HEX #A6E396

RGB 166 227 150

HSL 107.53, 0.58%, 0.74%

LAB 84.61, -33.57, 31.58

 

Description

Color code: HEX #95CCE3 | qconv.com Color code: HEX #95CCE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 204 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 204 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 10 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 10% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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