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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95CFA5 it is the complementary color #6A305A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95CFA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95CFA5 shade: #9ACFA0, #ABE1B3, #BCF3C6, #CDFFD9 and #DEFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95CFA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95CFA5 shade: #95CFA5, #84BD92, #73AB7F, #62996C and #518759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95CFA5 shade: #95CFA5, #95CF95, #A4CF95, #B4CF95 and #C4CF95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95CFA5 shade: #95CFA5, #95CFB5, #95CFC4, #95CACF and #95BACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95CFA5 shade matches the following richer shades: #95CFA5, #89DB9F, #7CE89A and #70F494

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95CFA5 shade: #95CFA5, #A1C3AB, #AEB6B0, #BAAAB6 and #C69EBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95CFA5 shade: #A4CF95, #95CF95, #95CFA4, #95CFB4 and #95CFC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95CFA5 shade: #5CB575, #78C28D, #95CFA5, #B1DCBD and #CEE9D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95CFA5 shade: #95CFA5, #95B4CF and #CF959D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95CFA5 shade: #95CFA5, #A495CF and #CFA495

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95CFA5 shade: #95CFA5, #95B4CF, #CF95C0 and #CFB095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95CFA5 shade: #95CFA5, #95A2CF, #CF95C0 and #CFC295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

Complementary color

CMYK 0 / 55 / 15 / 58

HEX #6A305A

RGB 106 48 90

HSL 316.55, 0.38%, 0.3%

LAB 29.2, 31.76, -13.34

 

CMYK 26 / 0 / 23 / 19

HEX #9ACFA0

RGB 154 207 160

HSL 126.79, 0.36%, 0.71%

LAB 78.48, -26.46, 17.92

 

CMYK 24 / 0 / 20 / 12

HEX #ABE1B3

RGB 171 225 179

HSL 128.89, 0.47%, 0.78%

LAB 84.88, -26.25, 16.99

 

CMYK 23 / 0 / 19 / 5

HEX #BCF3C6

RGB 188 243 198

HSL 130.91, 0.7%, 0.85%

LAB 91.18, -26.05, 16.1

 

CMYK 20 / 0 / 15 / 0

HEX #CDFFD9

RGB 205 255 217

HSL 134.4, 1%, 0.9%

LAB 95.79, -23.01, 12.99

 

CMYK 13 / 0 / 7 / 0

HEX #DEFFEC

RGB 222 255 236

HSL 145.45, 1%, 0.94%

LAB 97.27, -14.14, 5.49

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 30 / 0 / 23 / 26

HEX #84BD92

RGB 132 189 146

HSL 134.74, 0.3%, 0.63%

LAB 71.81, -27.42, 15.93

 

CMYK 33 / 0 / 26 / 33

HEX #73AB7F

RGB 115 171 127

HSL 132.86, 0.25%, 0.56%

LAB 65.2, -27.68, 16.95

 

CMYK 36 / 0 / 29 / 40

HEX #62996C

RGB 98 153 108

HSL 130.91, 0.22%, 0.49%

LAB 58.47, -27.96, 18.06

 

CMYK 40 / 0 / 34 / 47

HEX #518759

RGB 81 135 89

HSL 128.89, 0.25%, 0.42%

LAB 51.61, -28.24, 19.25

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 28 / 0 / 28 / 19

HEX #95CF95

RGB 149 207 149

HSL 120, 0.38%, 0.7%

LAB 77.98, -30, 23

 

CMYK 21 / 0 / 28 / 19

HEX #A4CF95

RGB 164 207 149

HSL 104.48, 0.38%, 0.7%

LAB 78.86, -24.91, 24.34

 

CMYK 13 / 0 / 28 / 19

HEX #B4CF95

RGB 180 207 149

HSL 87.93, 0.38%, 0.7%

LAB 79.9, -19.2, 25.92

 

CMYK 5 / 0 / 28 / 19

HEX #C4CF95

RGB 196 207 149

HSL 71.38, 0.38%, 0.7%

LAB 81.03, -13.27, 27.65

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 28 / 0 / 13 / 19

HEX #95CFB5

RGB 149 207 181

HSL 153.1, 0.38%, 0.7%

LAB 78.67, -24.07, 6.95

 

CMYK 28 / 0 / 5 / 19

HEX #95CFC4

RGB 149 207 196

HSL 168.62, 0.38%, 0.7%

LAB 79.04, -20.92, -0.55

 

CMYK 28 / 2 / 0 / 19

HEX #95CACF

RGB 149 202 207

HSL 185.17, 0.38%, 0.7%

LAB 77.95, -15.92, -8.06

 

CMYK 28 / 10 / 0 / 19

HEX #95BACF

RGB 149 186 207

HSL 201.72, 0.38%, 0.7%

LAB 73.55, -7.55, -14.64

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 37 / 0 / 27 / 14

HEX #89DB9F

RGB 137 219 159

HSL 136.1, 0.53%, 0.7%

LAB 81.01, -37.58, 21.8

 

CMYK 47 / 0 / 34 / 9

HEX #7CE89A

RGB 124 232 154

HSL 136.67, 0.7%, 0.7%

LAB 84.14, -47.79, 28.55

 

CMYK 54 / 0 / 39 / 4

HEX #70F494

RGB 112 244 148

HSL 136.36, 0.86%, 0.7%

LAB 87.14, -56.66, 35.49

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 17 / 0 / 12 / 24

HEX #A1C3AB

RGB 161 195 171

HSL 137.65, 0.22%, 0.7%

LAB 75.79, -16.13, 8.3

 

CMYK 4 / 0 / 3 / 29

HEX #AEB6B0

RGB 174 182 176

HSL 135, 0.05%, 0.7%

LAB 73.28, -3.92, 2.07

 

CMYK 0 / 9 / 2 / 27

HEX #BAAAB6

RGB 186 170 182

HSL 315, 0.1%, 0.7%

LAB 71.26, 7.92, -4.06

 

CMYK 0 / 20 / 6 / 22

HEX #C69EBB

RGB 198 158 187

HSL 316.5, 0.26%, 0.7%

LAB 69.5, 19.66, -9.31

 

CMYK 21 / 0 / 28 / 19

HEX #A4CF95

RGB 164 207 149

HSL 104.48, 0.38%, 0.7%

LAB 78.86, -24.91, 24.34

 

CMYK 28 / 0 / 28 / 19

HEX #95CF95

RGB 149 207 149

HSL 120, 0.38%, 0.7%

LAB 77.98, -30, 23

 

CMYK 28 / 0 / 21 / 19

HEX #95CFA4

RGB 149 207 164

HSL 135.52, 0.38%, 0.7%

LAB 78.28, -27.36, 15.48

 

CMYK 28 / 0 / 13 / 19

HEX #95CFB4

RGB 149 207 180

HSL 152.07, 0.38%, 0.7%

LAB 78.64, -24.27, 7.45

 

CMYK 28 / 0 / 6 / 19

HEX #95CFC3

RGB 149 207 195

HSL 167.59, 0.38%, 0.7%

LAB 79.02, -21.13, -0.05

 

CMYK 49 / 0 / 35 / 29

HEX #5CB575

RGB 92 181 117

HSL 136.85, 0.38%, 0.54%

LAB 66.98, -41, 24.61

 

CMYK 38 / 0 / 27 / 24

HEX #78C28D

RGB 120 194 141

HSL 137.03, 0.38%, 0.62%

LAB 72.56, -34.46, 19.57

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 20 / 0 / 14 / 14

HEX #B1DCBD

RGB 177 220 189

HSL 136.74, 0.38%, 0.78%

LAB 84.07, -20.04, 10.65

 

CMYK 12 / 0 / 9 / 9

HEX #CEE9D5

RGB 206 233 213

HSL 135.56, 0.38%, 0.86%

LAB 89.95, -12.59, 6.72

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 28 / 13 / 0 / 19

HEX #95B4CF

RGB 149 180 207

HSL 207.93, 0.38%, 0.7%

LAB 71.92, -4.33, -17.1

 

CMYK 0 / 28 / 24 / 19

HEX #CF959D

RGB 207 149 157

HSL 351.72, 0.38%, 0.7%

LAB 67.42, 22.96, 4.48

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 21 / 28 / 0 / 19

HEX #A495CF

RGB 164 149 207

HSL 255.52, 0.38%, 0.7%

LAB 64.88, 17.52, -27.75

 

CMYK 0 / 21 / 28 / 19

HEX #CFA495

RGB 207 164 149

HSL 15.52, 0.38%, 0.7%

LAB 70.86, 13.65, 13.81

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 28 / 13 / 0 / 19

HEX #95B4CF

RGB 149 180 207

HSL 207.93, 0.38%, 0.7%

LAB 71.92, -4.33, -17.1

 

CMYK 0 / 28 / 7 / 19

HEX #CF95C0

RGB 207 149 192

HSL 315.52, 0.38%, 0.7%

LAB 68.44, 28.6, -13.59

 

CMYK 0 / 15 / 28 / 19

HEX #CFB095

RGB 207 176 149

HSL 27.93, 0.38%, 0.7%

LAB 73.86, 7.17, 18

 

CMYK 28 / 0 / 20 / 19

HEX #95CFA5

RGB 149 207 165

HSL 136.55, 0.38%, 0.7%

LAB 78.31, -27.17, 14.98

 

CMYK 28 / 22 / 0 / 19

HEX #95A2CF

RGB 149 162 207

HSL 226.55, 0.38%, 0.7%

LAB 67.08, 5.59, -24.47

 

CMYK 0 / 28 / 7 / 19

HEX #CF95C0

RGB 207 149 192

HSL 315.52, 0.38%, 0.7%

LAB 68.44, 28.6, -13.59

 

CMYK 0 / 6 / 28 / 19

HEX #CFC295

RGB 207 194 149

HSL 46.55, 0.38%, 0.7%

LAB 78.47, -2.38, 24.33

 

Description

Color code: HEX #95CFA5 | qconv.com Color code: HEX #95CFA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 207 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 207 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 20 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 20% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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