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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95EA7A it is the complementary color #6A1585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95EA7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95EA7A shade: #9AEA75, #ABFC88, #BCFF9B, #CDFFAE and #DEFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95EA7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95EA7A shade: #95EA7A, #84D867, #73C654, #62B441 and #51A22E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95EA7A shade: #95EA7A, #B3EA7A, #D1EA7A, #EAE47A and #EAC67A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95EA7A shade: #95EA7A, #7AEA7D, #7AEA9B, #7AEABA and #7AEAD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95EA7A shade matches the following richer shades: #95EA7A and #8FF66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95EA7A shade: #95EA7A, #9BDD87, #A2D193, #A8C59F and #AFB8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95EA7A shade: #D2EA7A, #B4EA7A, #96EA7A, #7AEA7C and #7AEA9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95EA7A shade: #5CDF33, #79E456, #95EA7A, #B2EF9E and #CEF5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95EA7A shade: #95EA7A, #7AEAE4 and #EA7AC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95EA7A shade: #95EA7A, #7A96EA and #EA7A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95EA7A shade: #95EA7A, #7AEAE4, #CE7AEA and #EA7A80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95EA7A shade: #95EA7A, #7ACEEA, #CE7AEA and #EA967A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

Complementary color

CMYK 20 / 84 / 0 / 48

HEX #6A1585

RGB 106 21 133

HSL 285.54, 0.73%, 0.3%

LAB 27.56, 51.76, -43.43

 

CMYK 34 / 0 / 50 / 8

HEX #9AEA75

RGB 154 234 117

HSL 101.03, 0.74%, 0.69%

LAB 85.5, -45.07, 48.83

 

CMYK 32 / 0 / 46 / 1

HEX #ABFC88

RGB 171 252 136

HSL 101.9, 0.95%, 0.76%

LAB 91.71, -44.98, 47.68

 

CMYK 26 / 0 / 39 / 0

HEX #BCFF9B

RGB 188 255 155

HSL 100.2, 1%, 0.8%

LAB 93.7, -38.25, 41.22

 

CMYK 20 / 0 / 32 / 0

HEX #CDFFAE

RGB 205 255 174

HSL 97.04, 1%, 0.84%

LAB 94.97, -29.88, 33.68

 

CMYK 13 / 0 / 24 / 0

HEX #DEFFC1

RGB 222 255 193

HSL 91.94, 1%, 0.88%

LAB 96.37, -21.27, 26.19

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 39 / 0 / 52 / 15

HEX #84D867

RGB 132 216 103

HSL 104.6, 0.59%, 0.63%

LAB 79.04, -46.16, 47.36

 

CMYK 42 / 0 / 58 / 22

HEX #73C654

RGB 115 198 84

HSL 103.68, 0.5%, 0.55%

LAB 72.68, -46.14, 48.49

 

CMYK 46 / 0 / 64 / 29

HEX #62B441

RGB 98 180 65

HSL 102.78, 0.47%, 0.48%

LAB 66.23, -45.99, 49.48

 

CMYK 50 / 0 / 72 / 36

HEX #51A22E

RGB 81 162 46

HSL 101.9, 0.56%, 0.41%

LAB 59.7, -45.63, 50.15

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 24 / 0 / 48 / 8

HEX #B3EA7A

RGB 179 234 122

HSL 89.46, 0.73%, 0.7%

LAB 86.92, -35.91, 48.5

 

CMYK 11 / 0 / 48 / 8

HEX #D1EA7A

RGB 209 234 122

HSL 73.39, 0.73%, 0.7%

LAB 88.83, -24.78, 51.27

 

CMYK 0 / 3 / 48 / 8

HEX #EAE47A

RGB 234 228 122

HSL 56.79, 0.73%, 0.7%

LAB 89.1, -12.09, 52.04

 

CMYK 0 / 15 / 48 / 8

HEX #EAC67A

RGB 234 198 122

HSL 40.71, 0.73%, 0.7%

LAB 81.45, 3.18, 42.65

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 48 / 0 / 47 / 8

HEX #7AEA7D

RGB 122 234 125

HSL 121.61, 0.73%, 0.7%

LAB 84.21, -53.67, 43.1

 

CMYK 48 / 0 / 34 / 8

HEX #7AEA9B

RGB 122 234 155

HSL 137.68, 0.73%, 0.7%

LAB 84.66, -48.97, 28.74

 

CMYK 48 / 0 / 21 / 8

HEX #7AEABA

RGB 122 234 186

HSL 154.29, 0.73%, 0.7%

LAB 85.27, -43.04, 13.54

 

CMYK 48 / 0 / 8 / 8

HEX #7AEAD8

RGB 122 234 216

HSL 170.36, 0.73%, 0.7%

LAB 85.98, -36.35, -1.16

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 42 / 0 / 55 / 4

HEX #8FF66E

RGB 143 246 110

HSL 105.44, 0.88%, 0.7%

LAB 88.39, -54.29, 55.37

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 30 / 0 / 39 / 13

HEX #9BDD87

RGB 155 221 135

HSL 106.05, 0.56%, 0.7%

LAB 82.07, -36.68, 35.73

 

CMYK 22 / 0 / 30 / 18

HEX #A2D193

RGB 162 209 147

HSL 105.48, 0.4%, 0.7%

LAB 79.26, -26.88, 25.91

 

CMYK 15 / 0 / 19 / 23

HEX #A8C59F

RGB 168 197 159

HSL 105.79, 0.25%, 0.7%

LAB 76.53, -16.89, 15.87

 

CMYK 5 / 0 / 7 / 28

HEX #AFB8AC

RGB 175 184 172

HSL 105, 0.08%, 0.7%

LAB 73.79, -5.37, 5

 

CMYK 10 / 0 / 48 / 8

HEX #D2EA7A

RGB 210 234 122

HSL 72.86, 0.73%, 0.7%

LAB 88.9, -24.4, 51.37

 

CMYK 23 / 0 / 48 / 8

HEX #B4EA7A

RGB 180 234 122

HSL 88.93, 0.73%, 0.7%

LAB 86.97, -35.55, 48.59

 

CMYK 36 / 0 / 48 / 8

HEX #96EA7A

RGB 150 234 122

HSL 105, 0.73%, 0.7%

LAB 85.37, -45.76, 46.25

 

CMYK 48 / 0 / 47 / 8

HEX #7AEA7C

RGB 122 234 124

HSL 121.07, 0.73%, 0.7%

LAB 84.19, -53.81, 43.57

 

CMYK 48 / 0 / 34 / 8

HEX #7AEA9A

RGB 122 234 154

HSL 137.14, 0.73%, 0.7%

LAB 84.65, -49.15, 29.22

 

CMYK 59 / 0 / 77 / 13

HEX #5CDF33

RGB 92 223 51

HSL 105.7, 0.73%, 0.54%

LAB 79.21, -64.74, 67.87

 

CMYK 47 / 0 / 62 / 11

HEX #79E456

RGB 121 228 86

HSL 105.21, 0.72%, 0.62%

LAB 81.96, -56.15, 58.2

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 26 / 0 / 34 / 6

HEX #B2EF9E

RGB 178 239 158

HSL 105.19, 0.72%, 0.78%

LAB 88.76, -33.91, 33.16

 

CMYK 16 / 0 / 21 / 4

HEX #CEF5C2

RGB 206 245 194

HSL 105.88, 0.72%, 0.86%

LAB 92.72, -21.76, 20.47

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 48 / 0 / 3 / 8

HEX #7AEAE4

RGB 122 234 228

HSL 176.79, 0.73%, 0.7%

LAB 86.3, -33.44, -7

 

CMYK 0 / 48 / 17 / 8

HEX #EA7AC3

RGB 234 122 195

HSL 320.89, 0.73%, 0.7%

LAB 66.02, 52.07, -18.61

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 48 / 36 / 0 / 8

HEX #7A96EA

RGB 122 150 234

HSL 225, 0.73%, 0.7%

LAB 63.25, 12.58, -45.48

 

CMYK 0 / 48 / 36 / 8

HEX #EA7A96

RGB 234 122 150

HSL 345, 0.73%, 0.7%

LAB 64.65, 46.04, 4.86

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 48 / 0 / 3 / 8

HEX #7AEAE4

RGB 122 234 228

HSL 176.79, 0.73%, 0.7%

LAB 86.3, -33.44, -7

 

CMYK 12 / 48 / 0 / 8

HEX #CE7AEA

RGB 206 122 234

HSL 285, 0.73%, 0.7%

LAB 64.15, 50.67, -43.57

 

CMYK 0 / 48 / 45 / 8

HEX #EA7A80

RGB 234 122 128

HSL 356.79, 0.73%, 0.7%

LAB 64.14, 43.67, 16.64

 

CMYK 36 / 0 / 48 / 8

HEX #95EA7A

RGB 149 234 122

HSL 105.54, 0.73%, 0.7%

LAB 85.32, -46.08, 46.18

 

CMYK 48 / 12 / 0 / 8

HEX #7ACEEA

RGB 122 206 234

HSL 195, 0.73%, 0.7%

LAB 78.59, -18.17, -21.74

 

CMYK 12 / 48 / 0 / 8

HEX #CE7AEA

RGB 206 122 234

HSL 285, 0.73%, 0.7%

LAB 64.15, 50.67, -43.57

 

CMYK 0 / 36 / 48 / 8

HEX #EA967A

RGB 234 150 122

HSL 15, 0.73%, 0.7%

LAB 69.97, 28.57, 27.88

 

Description

Color code: HEX #95EA7A | qconv.com Color code: HEX #95EA7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 234 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 234 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 48 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 48% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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