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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95F4BB it is the complementary color #6A0B44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95F4BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95F4BB shade: #9AF4B6, #ABFFC9, #BCFFDC, #CDFFEF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95F4BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95F4BB shade: #95F4BB, #84E2A8, #73D095, #62BE82 and #51AC6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95F4BB shade: #94F3BA, #94F3A1, #A2F394, #BBF394 and #D5F394

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95F4BB shade: #94F3BA, #94F3D4, #94F3EE, #94DFF3 and #94C6F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95F4BB shade matches the following richer shades: #94F3BA and #8BFDB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95F4BB shade: #94F3BA, #9EEABC, #A7E0BE, #B1D7C0 and #BACDC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95F4BB shade: #A1F394, #94F3A1, #94F3BA, #94F3D4 and #94F3ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95F4BB shade: #4AEC8A, #6FEFA2, #94F3BA, #BAF7D2 and #DFFBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95F4BB shade: #95F4BB, #94BAF3 and #F39494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95F4BB shade: #95F4BB, #BA94F3 and #F3BA94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95F4BB shade: #95F4BB, #94BAF3, #F394CD and #F3CD94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95F4BB shade: #95F4BB, #949EF3, #F394CD and #F3EA94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 23 / 4

HEX #95F4BB

RGB 149 244 187

HSL 144, 0.81%, 0.77%

LAB 89.24, -40.25, 18.77

 

Complementary color

CMYK 0 / 90 / 36 / 58

HEX #6A0B44

RGB 106 11 68

HSL 324, 0.81%, 0.23%

LAB 22.73, 43.72, -8.54

 

CMYK 37 / 0 / 25 / 4

HEX #9AF4B6

RGB 154 244 182

HSL 138.67, 0.8%, 0.78%

LAB 89.37, -39.75, 21.55

 

CMYK 33 / 0 / 21 / 0

HEX #ABFFC9

RGB 171 255 201

HSL 141.43, 1%, 0.84%

LAB 93.62, -36.33, 17.86

 

CMYK 26 / 0 / 14 / 0

HEX #BCFFDC

RGB 188 255 220

HSL 148.66, 1%, 0.87%

LAB 94.9, -27.73, 10.05

 

CMYK 20 / 0 / 6 / 0

HEX #CDFFEF

RGB 205 255 239

HSL 160.8, 1%, 0.9%

LAB 96.3, -18.92, 2.41

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 39 / 0 / 23 / 4

HEX #95F4BB

RGB 149 244 187

HSL 144, 0.81%, 0.77%

LAB 89.24, -40.25, 18.77

 

CMYK 42 / 0 / 26 / 11

HEX #84E2A8

RGB 132 226 168

HSL 142.98, 0.62%, 0.7%

LAB 82.98, -40.49, 19.8

 

CMYK 45 / 0 / 28 / 18

HEX #73D095

RGB 115 208 149

HSL 141.94, 0.5%, 0.63%

LAB 76.63, -40.73, 20.89

 

CMYK 48 / 0 / 32 / 25

HEX #62BE82

RGB 98 190 130

HSL 140.87, 0.41%, 0.56%

LAB 70.2, -40.94, 22.06

 

CMYK 53 / 0 / 35 / 33

HEX #51AC6F

RGB 81 172 111

HSL 139.78, 0.36%, 0.5%

LAB 63.67, -41.08, 23.33

 

CMYK 39 / 0 / 23 / 5

HEX #94F3BA

RGB 148 243 186

HSL 144, 0.8%, 0.77%

LAB 88.9, -40.26, 18.8

 

CMYK 39 / 0 / 34 / 5

HEX #94F3A1

RGB 148 243 161

HSL 128.21, 0.8%, 0.77%

LAB 88.43, -44.65, 30.94

 

CMYK 33 / 0 / 39 / 5

HEX #A2F394

RGB 162 243 148

HSL 111.16, 0.8%, 0.77%

LAB 88.88, -42.38, 38.16

 

CMYK 23 / 0 / 39 / 5

HEX #BBF394

RGB 187 243 148

HSL 95.37, 0.8%, 0.77%

LAB 90.23, -34.07, 40.17

 

CMYK 12 / 0 / 39 / 5

HEX #D5F394

RGB 213 243 148

HSL 78.95, 0.8%, 0.77%

LAB 91.86, -24.76, 42.58

 

CMYK 39 / 0 / 23 / 5

HEX #94F3BA

RGB 148 243 186

HSL 144, 0.8%, 0.77%

LAB 88.9, -40.26, 18.8

 

CMYK 39 / 0 / 13 / 5

HEX #94F3D4

RGB 148 243 212

HSL 160.42, 0.8%, 0.77%

LAB 89.46, -35.05, 6.12

 

CMYK 39 / 0 / 2 / 5

HEX #94F3EE

RGB 148 243 238

HSL 176.84, 0.8%, 0.77%

LAB 90.12, -29.24, -6.46

 

CMYK 39 / 8 / 0 / 5

HEX #94DFF3

RGB 148 223 243

HSL 192.63, 0.8%, 0.77%

LAB 84.76, -18.23, -17.09

 

CMYK 39 / 19 / 0 / 5

HEX #94C6F3

RGB 148 198 243

HSL 208.42, 0.8%, 0.77%

LAB 77.97, -5.25, -27.4

 

CMYK 39 / 0 / 23 / 5

HEX #94F3BA

RGB 148 243 186

HSL 144, 0.8%, 0.77%

LAB 88.9, -40.26, 18.8

 

CMYK 45 / 0 / 27 / 1

HEX #8BFDB8

RGB 139 253 184

HSL 143.68, 0.97%, 0.77%

LAB 91.32, -47.41, 23.14

 

CMYK 39 / 0 / 23 / 5

HEX #94F3BA

RGB 148 243 186

HSL 144, 0.8%, 0.77%

LAB 88.9, -40.26, 18.8

 

CMYK 32 / 0 / 20 / 8

HEX #9EEABC

RGB 158 234 188

HSL 143.68, 0.64%, 0.77%

LAB 86.87, -32.91, 14.99

 

CMYK 25 / 0 / 15 / 12

HEX #A7E0BE

RGB 167 224 190

HSL 144.21, 0.48%, 0.77%

LAB 84.61, -25.02, 10.81

 

CMYK 18 / 0 / 11 / 16

HEX #B1D7C0

RGB 177 215 192

HSL 143.68, 0.32%, 0.77%

LAB 82.78, -16.99, 7.21

 

CMYK 9 / 0 / 5 / 20

HEX #BACDC2

RGB 186 205 194

HSL 145.26, 0.16%, 0.77%

LAB 80.74, -8.51, 3.27

 

CMYK 34 / 0 / 39 / 5

HEX #A1F394

RGB 161 243 148

HSL 111.79, 0.8%, 0.77%

LAB 88.84, -42.69, 38.09

 

CMYK 39 / 0 / 34 / 5

HEX #94F3A1

RGB 148 243 161

HSL 128.21, 0.8%, 0.77%

LAB 88.43, -44.65, 30.94

 

CMYK 39 / 0 / 23 / 5

HEX #94F3BA

RGB 148 243 186

HSL 144, 0.8%, 0.77%

LAB 88.9, -40.26, 18.8

 

CMYK 39 / 0 / 13 / 5

HEX #94F3D4

RGB 148 243 212

HSL 160.42, 0.8%, 0.77%

LAB 89.46, -35.05, 6.12

 

CMYK 39 / 0 / 2 / 5

HEX #94F3ED

RGB 148 243 237

HSL 176.21, 0.8%, 0.77%

LAB 90.1, -29.47, -5.98

 

CMYK 69 / 0 / 42 / 7

HEX #4AEC8A

RGB 74 236 138

HSL 143.7, 0.81%, 0.61%

LAB 83.59, -62.85, 35.64

 

CMYK 54 / 0 / 32 / 6

HEX #6FEFA2

RGB 111 239 162

HSL 143.91, 0.8%, 0.69%

LAB 85.87, -52.46, 26.73

 

CMYK 39 / 0 / 23 / 5

HEX #94F3BA

RGB 148 243 186

HSL 144, 0.8%, 0.77%

LAB 88.9, -40.26, 18.8

 

CMYK 25 / 0 / 15 / 3

HEX #BAF7D2

RGB 186 247 210

HSL 143.61, 0.79%, 0.85%

LAB 92.4, -26.42, 11.62

 

CMYK 11 / 0 / 7 / 2

HEX #DFFBEA

RGB 223 251 234

HSL 143.57, 0.78%, 0.93%

LAB 96.25, -12.2, 5.06

 

CMYK 39 / 0 / 23 / 4

HEX #95F4BB

RGB 149 244 187

HSL 144, 0.81%, 0.77%

LAB 89.24, -40.25, 18.77

 

CMYK 39 / 23 / 0 / 5

HEX #94BAF3

RGB 148 186 243

HSL 216, 0.8%, 0.77%

LAB 74.75, 1.25, -32.34

 

CMYK 0 / 39 / 39 / 5

HEX #F39494

RGB 243 148 148

HSL 0, 0.8%, 0.77%

LAB 71.13, 35.73, 15.33

 

CMYK 39 / 0 / 23 / 4

HEX #95F4BB

RGB 149 244 187

HSL 144, 0.81%, 0.77%

LAB 89.24, -40.25, 18.77

 

CMYK 23 / 39 / 0 / 5

HEX #BA94F3

RGB 186 148 243

HSL 264, 0.8%, 0.77%

LAB 68.09, 32.99, -42.49

 

CMYK 0 / 23 / 39 / 5

HEX #F3BA94

RGB 243 186 148

HSL 24, 0.8%, 0.77%

LAB 79.79, 15.71, 27.2

 

CMYK 39 / 0 / 23 / 4

HEX #95F4BB

RGB 149 244 187

HSL 144, 0.81%, 0.77%

LAB 89.24, -40.25, 18.77

 

CMYK 39 / 23 / 0 / 5

HEX #94BAF3

RGB 148 186 243

HSL 216, 0.8%, 0.77%

LAB 74.75, 1.25, -32.34

 

CMYK 0 / 39 / 16 / 5

HEX #F394CD

RGB 243 148 205

HSL 324, 0.8%, 0.77%

LAB 72.66, 43.35, -14.06

 

CMYK 0 / 16 / 39 / 5

HEX #F3CD94

RGB 243 205 148

HSL 36, 0.8%, 0.77%

LAB 84.41, 5.76, 33.36

 

CMYK 39 / 0 / 23 / 4

HEX #95F4BB

RGB 149 244 187

HSL 144, 0.81%, 0.77%

LAB 89.24, -40.25, 18.77

 

CMYK 39 / 35 / 0 / 5

HEX #949EF3

RGB 148 158 243

HSL 233.68, 0.8%, 0.77%

LAB 67.44, 16.95, -43.72

 

CMYK 0 / 39 / 16 / 5

HEX #F394CD

RGB 243 148 205

HSL 324, 0.8%, 0.77%

LAB 72.66, 43.35, -14.06

 

CMYK 0 / 4 / 39 / 5

HEX #F3EA94

RGB 243 234 148

HSL 54.32, 0.8%, 0.77%

LAB 91.7, -9.01, 42.83

 

Description

Color code: HEX #95F4BB | qconv.com Color code: HEX #95F4BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 244 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 244 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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