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Color name
HEX #95F5C5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95F5C5 it is the complementary color #6A0A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95F5C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95F5C5 shade: #9AF5C0, #ABFFD3, #BCFFE6, #CDFFF9 and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95F5C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95F5C5 shade: #95F5C5, #84E3B2, #73D19F, #62BF8C and #51AD79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95F5C5 shade: #93F5C4, #93F5AA, #97F593, #B1F593 and #CCF593

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95F5C5 shade: #93F5C4, #93F5DE, #93F1F5, #93D6F5 and #93BCF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95F5C5 shade matches the following richer shades: #93F5C4 and #8AFEC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95F5C5 shade: #93F5C4, #9DEBC4, #A6E2C4, #B0D8C4 and #B9CFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95F5C5 shade: #96F593, #93F5AA, #93F5C4, #93F5DE and #93F1F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95F5C5 shade: #48EE9B, #6DF1AF, #93F5C4, #B9F8D8 and #DFFCED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95F5C5 shade: #95F5C5, #93B0F5 and #F59D93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95F5C5 shade: #95F5C5, #C493F5 and #F5C493

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95F5C5 shade: #95F5C5, #93B0F5, #F593C4 and #F5D793

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95F5C5 shade: #95F5C5, #9393F5, #F593C4 and #F5F593

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 20 / 4

HEX #95F5C5

RGB 149 245 197

HSL 150, 0.83%, 0.77%

LAB 89.73, -38.77, 14.3

 

Complementary color

CMYK 0 / 91 / 45 / 58

HEX #6A0A3A

RGB 106 10 58

HSL 330, 0.83%, 0.23%

LAB 22.26, 42.84, -2.34

 

CMYK 37 / 0 / 22 / 4

HEX #9AF5C0

RGB 154 245 192

HSL 145.05, 0.82%, 0.78%

LAB 89.85, -38.35, 17.08

 

CMYK 33 / 0 / 17 / 0

HEX #ABFFD3

RGB 171 255 211

HSL 148.57, 1%, 0.84%

LAB 93.83, -34.46, 13.03

 

CMYK 26 / 0 / 10 / 0

HEX #BCFFE6

RGB 188 255 230

HSL 157.61, 1%, 0.87%

LAB 95.13, -25.8, 5.23

 

CMYK 20 / 0 / 2 / 0

HEX #CDFFF9

RGB 205 255 249

HSL 172.8, 1%, 0.9%

LAB 96.55, -16.94, -2.37

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 39 / 0 / 20 / 4

HEX #95F5C5

RGB 149 245 197

HSL 150, 0.83%, 0.77%

LAB 89.73, -38.77, 14.3

 

CMYK 42 / 0 / 22 / 11

HEX #84E3B2

RGB 132 227 178

HSL 149.05, 0.63%, 0.7%

LAB 83.47, -39, 15.26

 

CMYK 45 / 0 / 24 / 18

HEX #73D19F

RGB 115 209 159

HSL 148.09, 0.51%, 0.64%

LAB 77.13, -39.23, 16.28

 

CMYK 49 / 0 / 27 / 25

HEX #62BF8C

RGB 98 191 140

HSL 147.1, 0.42%, 0.57%

LAB 70.7, -39.43, 17.38

 

CMYK 53 / 0 / 30 / 32

HEX #51AD79

RGB 81 173 121

HSL 146.09, 0.36%, 0.5%

LAB 64.17, -39.57, 18.58

 

CMYK 40 / 0 / 20 / 4

HEX #93F5C4

RGB 147 245 196

HSL 150, 0.83%, 0.77%

LAB 89.62, -39.51, 14.65

 

CMYK 40 / 0 / 31 / 4

HEX #93F5AA

RGB 147 245 170

HSL 134.08, 0.83%, 0.77%

LAB 89.12, -44.3, 27.29

 

CMYK 38 / 0 / 40 / 4

HEX #97F593

RGB 151 245 147

HSL 117.55, 0.83%, 0.77%

LAB 88.92, -46.78, 38.6

 

CMYK 28 / 0 / 40 / 4

HEX #B1F593

RGB 177 245 147

HSL 101.63, 0.83%, 0.77%

LAB 90.21, -38.51, 40.52

 

CMYK 17 / 0 / 40 / 4

HEX #CCF593

RGB 204 245 147

HSL 85.1, 0.83%, 0.77%

LAB 91.8, -29.1, 42.88

 

CMYK 40 / 0 / 20 / 4

HEX #93F5C4

RGB 147 245 196

HSL 150, 0.83%, 0.77%

LAB 89.62, -39.51, 14.65

 

CMYK 40 / 0 / 9 / 4

HEX #93F5DE

RGB 147 245 222

HSL 165.92, 0.83%, 0.77%

LAB 90.22, -34.07, 2.01

 

CMYK 40 / 2 / 0 / 4

HEX #93F1F5

RGB 147 241 245

HSL 182.45, 0.83%, 0.77%

LAB 89.72, -26.86, -10.71

 

CMYK 40 / 13 / 0 / 4

HEX #93D6F5

RGB 147 214 245

HSL 198.98, 0.83%, 0.77%

LAB 82.32, -13.39, -21.84

 

CMYK 40 / 23 / 0 / 4

HEX #93BCF5

RGB 147 188 245

HSL 214.9, 0.83%, 0.77%

LAB 75.3, 0.43, -32.58

 

CMYK 40 / 0 / 20 / 4

HEX #93F5C4

RGB 147 245 196

HSL 150, 0.83%, 0.77%

LAB 89.62, -39.51, 14.65

 

CMYK 46 / 0 / 23 / 0

HEX #8AFEC4

RGB 138 254 196

HSL 150, 0.98%, 0.77%

LAB 91.81, -45.8, 17.67

 

CMYK 40 / 0 / 20 / 4

HEX #93F5C4

RGB 147 245 196

HSL 150, 0.83%, 0.77%

LAB 89.62, -39.51, 14.65

 

CMYK 33 / 0 / 17 / 8

HEX #9DEBC4

RGB 157 235 196

HSL 150, 0.66%, 0.77%

LAB 87.28, -32.12, 11.39

 

CMYK 27 / 0 / 13 / 11

HEX #A6E2C4

RGB 166 226 196

HSL 150, 0.51%, 0.77%

LAB 85.24, -25.15, 8.55

 

CMYK 19 / 0 / 9 / 15

HEX #B0D8C4

RGB 176 216 196

HSL 150, 0.34%, 0.77%

LAB 83.09, -17.05, 5.52

 

CMYK 11 / 0 / 5 / 19

HEX #B9CFC4

RGB 185 207 196

HSL 150, 0.19%, 0.77%

LAB 81.25, -9.5, 2.94

 

CMYK 39 / 0 / 40 / 4

HEX #96F593

RGB 150 245 147

HSL 118.16, 0.83%, 0.77%

LAB 88.87, -47.08, 38.53

 

CMYK 40 / 0 / 31 / 4

HEX #93F5AA

RGB 147 245 170

HSL 134.08, 0.83%, 0.77%

LAB 89.12, -44.3, 27.29

 

CMYK 40 / 0 / 20 / 4

HEX #93F5C4

RGB 147 245 196

HSL 150, 0.83%, 0.77%

LAB 89.62, -39.51, 14.65

 

CMYK 40 / 0 / 9 / 4

HEX #93F5DE

RGB 147 245 222

HSL 165.92, 0.83%, 0.77%

LAB 90.22, -34.07, 2.01

 

CMYK 40 / 2 / 0 / 4

HEX #93F1F5

RGB 147 241 245

HSL 182.45, 0.83%, 0.77%

LAB 89.72, -26.86, -10.71

 

CMYK 70 / 0 / 35 / 7

HEX #48EE9B

RGB 72 238 155

HSL 150, 0.83%, 0.61%

LAB 84.43, -60.82, 28.18

 

CMYK 55 / 0 / 27 / 5

HEX #6DF1AF

RGB 109 241 175

HSL 150, 0.83%, 0.69%

LAB 86.63, -51.24, 21.09

 

CMYK 40 / 0 / 20 / 4

HEX #93F5C4

RGB 147 245 196

HSL 150, 0.83%, 0.77%

LAB 89.62, -39.51, 14.65

 

CMYK 25 / 0 / 13 / 3

HEX #B9F8D8

RGB 185 248 216

HSL 149.52, 0.82%, 0.85%

LAB 92.75, -26.07, 9.02

 

CMYK 12 / 0 / 6 / 1

HEX #DFFCED

RGB 223 252 237

HSL 148.97, 0.83%, 0.93%

LAB 96.58, -12.15, 4

 

CMYK 39 / 0 / 20 / 4

HEX #95F5C5

RGB 149 245 197

HSL 150, 0.83%, 0.77%

LAB 89.73, -38.77, 14.3

 

CMYK 40 / 28 / 0 / 4

HEX #93B0F5

RGB 147 176 245

HSL 222.24, 0.83%, 0.77%

LAB 72.13, 7.05, -37.5

 

CMYK 0 / 36 / 40 / 4

HEX #F59D93

RGB 245 157 147

HSL 6.12, 0.83%, 0.77%

LAB 73.31, 31.66, 18.94

 

CMYK 39 / 0 / 20 / 4

HEX #95F5C5

RGB 149 245 197

HSL 150, 0.83%, 0.77%

LAB 89.73, -38.77, 14.3

 

CMYK 20 / 40 / 0 / 4

HEX #C493F5

RGB 196 147 245

HSL 270, 0.83%, 0.77%

LAB 68.89, 36.85, -42.25

 

CMYK 0 / 20 / 40 / 4

HEX #F5C493

RGB 245 196 147

HSL 30, 0.83%, 0.77%

LAB 82.38, 11.13, 31.23

 

CMYK 39 / 0 / 20 / 4

HEX #95F5C5

RGB 149 245 197

HSL 150, 0.83%, 0.77%

LAB 89.73, -38.77, 14.3

 

CMYK 40 / 28 / 0 / 4

HEX #93B0F5

RGB 147 176 245

HSL 222.24, 0.83%, 0.77%

LAB 72.13, 7.05, -37.5

 

CMYK 0 / 40 / 20 / 4

HEX #F593C4

RGB 245 147 196

HSL 330, 0.83%, 0.77%

LAB 72.41, 43.17, -9.43

 

CMYK 0 / 12 / 40 / 4

HEX #F5D793

RGB 245 215 147

HSL 41.63, 0.83%, 0.77%

LAB 87.06, 1.28, 37.37

 

CMYK 39 / 0 / 20 / 4

HEX #95F5C5

RGB 149 245 197

HSL 150, 0.83%, 0.77%

LAB 89.73, -38.77, 14.3

 

CMYK 40 / 40 / 0 / 4

HEX #9393F5

RGB 147 147 245

HSL 240, 0.83%, 0.77%

LAB 64.69, 23.56, -49.15

 

CMYK 0 / 40 / 20 / 4

HEX #F593C4

RGB 245 147 196

HSL 330, 0.83%, 0.77%

LAB 72.41, 43.17, -9.43

 

CMYK 0 / 0 / 40 / 4

HEX #F5F593

RGB 245 245 147

HSL 60, 0.83%, 0.77%

LAB 94.66, -13.78, 47.11

 

Description

Color code: HEX #95F5C5 | qconv.com Color code: HEX #95F5C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 245 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 245 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 20% 4% C M Y K

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Provide designers and agencies with accurate color values.

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