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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #960078 it is the complementary color #69FF87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #960078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #960078 shade: #9B0073, #AC1286, #BD2499, #CE36AC and #DF48BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #960078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #960078 shade: #960078, #850065, #740052, #63003F and #52002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #960078 shade: #930076, #93004E, #930026 and #930000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #960078 shade: #930076, #890093, #610093, #390093 and #110093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #960078 shade matches the following richer shades: #930076

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #960078 shade: #930076, #870B6F, #7B1767, #702360 and #642F59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #960078 shade: #620093, #8A0093, #930076, #93004E and #930027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #960078 shade: #410034, #6A0055, #930076, #BD0097 and #E600B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #960078 shade: #960078, #933B00 and #009376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #960078 shade: #960078, #769300 and #007693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #960078 shade: #960078, #933B00, #00931D and #005893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #960078 shade: #960078, #936700, #00931D and #002C93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

Complementary color

CMYK 59 / 0 / 47 / 0

HEX #69FF87

RGB 105 255 135

HSL 132, 1%, 0.71%

LAB 89.99, -64.39, 45.44

 

CMYK 0 / 100 / 26 / 39

HEX #9B0073

RGB 155 0 115

HSL 315.48, 1%, 0.3%

LAB 34.41, 62.27, -20.63

 

CMYK 0 / 90 / 22 / 33

HEX #AC1286

RGB 172 18 134

HSL 314.81, 0.81%, 0.37%

LAB 39.45, 65.78, -24.41

 

CMYK 0 / 81 / 19 / 26

HEX #BD2499

RGB 189 36 153

HSL 314.12, 0.68%, 0.44%

LAB 44.77, 68.21, -27.45

 

CMYK 0 / 74 / 17 / 19

HEX #CE36AC

RGB 206 54 172

HSL 313.42, 0.61%, 0.51%

LAB 50.38, 69.58, -29.79

 

CMYK 0 / 68 / 14 / 13

HEX #DF48BF

RGB 223 72 191

HSL 312.72, 0.7%, 0.58%

LAB 56.17, 70.21, -31.61

 

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

CMYK 0 / 100 / 24 / 48

HEX #850065

RGB 133 0 101

HSL 314.44, 1%, 0.26%

LAB 29.23, 56.05, -20.06

 

CMYK 0 / 100 / 29 / 55

HEX #740052

RGB 116 0 82

HSL 317.59, 1%, 0.23%

LAB 24.71, 50.08, -14.81

 

CMYK 0 / 100 / 36 / 61

HEX #63003F

RGB 99 0 63

HSL 321.82, 1%, 0.19%

LAB 20.09, 44, -9.23

 

CMYK 0 / 100 / 46 / 68

HEX #52002C

RGB 82 0 44

HSL 327.8, 1%, 0.16%

LAB 15.36, 37.79, -3.2

 

CMYK 0 / 100 / 20 / 42

HEX #930076

RGB 147 0 118

HSL 311.84, 1%, 0.29%

LAB 32.94, 61.04, -24.94

 

CMYK 0 / 100 / 47 / 42

HEX #93004E

RGB 147 0 78

HSL 328.16, 1%, 0.29%

LAB 31.24, 56.67, -1.63

 

CMYK 0 / 100 / 74 / 42

HEX #930026

RGB 147 0 38

HSL 344.49, 1%, 0.29%

LAB 30.26, 54.07, 23.64

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 20 / 42

HEX #930076

RGB 147 0 118

HSL 311.84, 1%, 0.29%

LAB 32.94, 61.04, -24.94

 

CMYK 7 / 100 / 0 / 42

HEX #890093

RGB 137 0 147

HSL 295.92, 1%, 0.29%

LAB 32.76, 63.51, -43.45

 

CMYK 34 / 100 / 0 / 42

HEX #610093

RGB 97 0 147

HSL 279.59, 1%, 0.29%

LAB 25.71, 57.8, -55.22

 

CMYK 61 / 100 / 0 / 42

HEX #390093

RGB 57 0 147

HSL 263.27, 1%, 0.29%

LAB 19.95, 54.17, -64.92

 

CMYK 88 / 100 / 0 / 42

HEX #110093

RGB 17 0 147

HSL 246.94, 1%, 0.29%

LAB 16.63, 52.72, -70.54

 

CMYK 0 / 100 / 20 / 42

HEX #930076

RGB 147 0 118

HSL 311.84, 1%, 0.29%

LAB 32.94, 61.04, -24.94

 

CMYK 0 / 100 / 20 / 42

HEX #930076

RGB 147 0 118

HSL 311.84, 1%, 0.29%

LAB 32.94, 61.04, -24.94

 

CMYK 0 / 92 / 18 / 47

HEX #870B6F

RGB 135 11 111

HSL 311.61, 0.85%, 0.29%

LAB 30.73, 56.06, -24.12

 

CMYK 0 / 81 / 16 / 52

HEX #7B1767

RGB 123 23 103

HSL 312, 0.68%, 0.29%

LAB 28.91, 49.51, -21.99

 

CMYK 0 / 69 / 14 / 56

HEX #702360

RGB 112 35 96

HSL 312.47, 0.52%, 0.29%

LAB 28.09, 41.13, -18.88

 

CMYK 0 / 53 / 11 / 61

HEX #642F59

RGB 100 47 89

HSL 312.45, 0.36%, 0.29%

LAB 28.02, 30.08, -14.58

 

CMYK 33 / 100 / 0 / 42

HEX #620093

RGB 98 0 147

HSL 280, 1%, 0.29%

LAB 25.87, 57.92, -54.94

 

CMYK 6 / 100 / 0 / 42

HEX #8A0093

RGB 138 0 147

HSL 296.33, 1%, 0.29%

LAB 32.94, 63.67, -43.14

 

CMYK 0 / 100 / 20 / 42

HEX #930076

RGB 147 0 118

HSL 311.84, 1%, 0.29%

LAB 32.94, 61.04, -24.94

 

CMYK 0 / 100 / 47 / 42

HEX #93004E

RGB 147 0 78

HSL 328.16, 1%, 0.29%

LAB 31.24, 56.67, -1.63

 

CMYK 0 / 100 / 73 / 42

HEX #930027

RGB 147 0 39

HSL 344.08, 1%, 0.29%

LAB 30.28, 54.11, 23.01

 

CMYK 0 / 100 / 20 / 75

HEX #410034

RGB 65 0 52

HSL 312, 1%, 0.13%

LAB 11.77, 34.73, -14.89

 

CMYK 0 / 100 / 20 / 58

HEX #6A0055

RGB 106 0 85

HSL 311.89, 1%, 0.21%

LAB 22.72, 48.34, -20.07

 

CMYK 0 / 100 / 20 / 42

HEX #930076

RGB 147 0 118

HSL 311.84, 1%, 0.29%

LAB 32.94, 61.04, -24.94

 

CMYK 0 / 100 / 20 / 26

HEX #BD0097

RGB 189 0 151

HSL 312.06, 1%, 0.37%

LAB 42.84, 73.3, -29.26

 

CMYK 0 / 100 / 20 / 10

HEX #E600B8

RGB 230 0 184

HSL 312, 1%, 0.45%

LAB 52.16, 84.89, -33.73

 

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

CMYK 0 / 60 / 100 / 42

HEX #933B00

RGB 147 59 0

HSL 24.08, 1%, 0.29%

LAB 36.61, 34.71, 47.68

 

CMYK 100 / 0 / 20 / 42

HEX #009376

RGB 0 147 118

HSL 168.16, 1%, 0.29%

LAB 54.21, -40.46, 6.06

 

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

CMYK 20 / 0 / 100 / 42

HEX #769300

RGB 118 147 0

HSL 71.84, 1%, 0.29%

LAB 56.8, -27.17, 60

 

CMYK 100 / 20 / 0 / 42

HEX #007693

RGB 0 118 147

HSL 191.84, 1%, 0.29%

LAB 45.72, -17, -23.57

 

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

CMYK 0 / 60 / 100 / 42

HEX #933B00

RGB 147 59 0

HSL 24.08, 1%, 0.29%

LAB 36.61, 34.71, 47.68

 

CMYK 100 / 0 / 80 / 42

HEX #00931D

RGB 0 147 29

HSL 131.84, 1%, 0.29%

LAB 52.9, -55.9, 48.91

 

CMYK 100 / 40 / 0 / 42

HEX #005893

RGB 0 88 147

HSL 204.08, 1%, 0.29%

LAB 36.15, 1.04, -38.61

 

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

CMYK 0 / 30 / 100 / 42

HEX #936700

RGB 147 103 0

HSL 42.04, 1%, 0.29%

LAB 46.85, 10.17, 54.05

 

CMYK 100 / 0 / 80 / 42

HEX #00931D

RGB 0 147 29

HSL 131.84, 1%, 0.29%

LAB 52.9, -55.9, 48.91

 

CMYK 100 / 70 / 0 / 42

HEX #002C93

RGB 0 44 147

HSL 222.04, 1%, 0.29%

LAB 23.36, 31.24, -59.36

 

Description

Color code: HEX #960078 | qconv.com Color code: HEX #960078 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, none green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 0 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 20 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 20% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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