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Color name
HEX #960C8B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #960C8B it is the complementary color #69F374. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #960C8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #960C8B shade: #9B0C86, #AC1E99, #BD30AC, #CE42BF and #DF54D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #960C8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #960C8B shade: #960C8B, #850078, #740065, #630052 and #52003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #960C8B shade: #960C8B, #960C66, #960C41, #960C1B and #960C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #960C8B shade: #960C8B, #7C0C96, #570C96, #310C96 and #0C0C96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #960C8B shade matches the following richer shades: #960C8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #960C8B shade: #960C8B, #891980, #7C2675, #6F336A and #62415F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #960C8B shade: #560C96, #7B0C96, #960C8D, #960C68 and #960C43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #960C8B shade: #4A0645, #700968, #960C8B, #BD0FAF and #E312D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #960C8B shade: #960C8B, #96310C and #0C9668

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #960C8B shade: #960C8B, #8D960C and #0C8D96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #960C8B shade: #960C8B, #96310C, #0C9615 and #0C7196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #960C8B shade: #960C8B, #965A0C, #0C9615 and #0C4896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

Complementary color

CMYK 57 / 0 / 52 / 5

HEX #69F374

RGB 105 243 116

HSL 124.78, 0.85%, 0.68%

LAB 86.19, -62.59, 49.68

 

CMYK 0 / 92 / 14 / 39

HEX #9B0C86

RGB 155 12 134

HSL 308.81, 0.86%, 0.33%

LAB 35.89, 63.2, -30.22

 

CMYK 0 / 83 / 11 / 33

HEX #AC1E99

RGB 172 30 153

HSL 308.03, 0.7%, 0.4%

LAB 41.21, 65.99, -33.25

 

CMYK 0 / 75 / 9 / 26

HEX #BD30AC

RGB 189 48 172

HSL 307.23, 0.59%, 0.46%

LAB 46.86, 67.55, -35.51

 

CMYK 0 / 68 / 7 / 19

HEX #CE42BF

RGB 206 66 191

HSL 306.43, 0.59%, 0.53%

LAB 52.71, 68.29, -37.23

 

CMYK 0 / 62 / 6 / 13

HEX #DF54D2

RGB 223 84 210

HSL 305.61, 0.68%, 0.6%

LAB 58.68, 68.48, -38.55

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 100 / 10 / 48

HEX #850078

RGB 133 0 120

HSL 305.86, 1%, 0.26%

LAB 30.26, 58.63, -30.62

 

CMYK 0 / 100 / 13 / 55

HEX #740065

RGB 116 0 101

HSL 307.76, 1%, 0.23%

LAB 25.72, 52.63, -25.8

 

CMYK 0 / 100 / 17 / 61

HEX #630052

RGB 99 0 82

HSL 310.3, 1%, 0.19%

LAB 21.06, 46.47, -20.77

 

CMYK 0 / 100 / 23 / 68

HEX #52003F

RGB 82 0 63

HSL 313.9, 1%, 0.16%

LAB 16.27, 40.13, -15.44

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 92 / 32 / 41

HEX #960C66

RGB 150 12 102

HSL 320.87, 0.85%, 0.32%

LAB 33.36, 58.07, -14.03

 

CMYK 0 / 92 / 57 / 41

HEX #960C41

RGB 150 12 65

HSL 336.96, 0.85%, 0.32%

LAB 32.1, 54.61, 8.3

 

CMYK 0 / 92 / 82 / 41

HEX #960C1B

RGB 150 12 27

HSL 353.48, 0.85%, 0.32%

LAB 31.41, 52.66, 32

 

CMYK 0 / 92 / 92 / 41

HEX #960C0C

RGB 150 12 12

HSL 0, 0.85%, 0.32%

LAB 31.29, 52.31, 39.9

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 17 / 92 / 0 / 41

HEX #7C0C96

RGB 124 12 150

HSL 288.7, 0.85%, 0.32%

LAB 31.23, 60.15, -47.87

 

CMYK 42 / 92 / 0 / 41

HEX #570C96

RGB 87 12 150

HSL 272.61, 0.85%, 0.32%

LAB 25.23, 54.86, -57.91

 

CMYK 67 / 92 / 0 / 41

HEX #310C96

RGB 49 12 150

HSL 256.09, 0.85%, 0.32%

LAB 20.51, 51.24, -65.87

 

CMYK 92 / 92 / 0 / 41

HEX #0C0C96

RGB 12 12 150

HSL 240, 0.85%, 0.32%

LAB 18.11, 49.68, -69.92

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 82 / 7 / 46

HEX #891980

RGB 137 25 128

HSL 304.82, 0.69%, 0.32%

LAB 33.08, 56, -31.15

 

CMYK 0 / 69 / 6 / 51

HEX #7C2675

RGB 124 38 117

HSL 304.88, 0.53%, 0.32%

LAB 31.71, 46.7, -26.55

 

CMYK 0 / 54 / 5 / 56

HEX #6F336A

RGB 111 51 106

HSL 305, 0.37%, 0.32%

LAB 31.32, 34.73, -20.32

 

CMYK 0 / 34 / 3 / 62

HEX #62415F

RGB 98 65 95

HSL 305.45, 0.2%, 0.32%

LAB 32.27, 19.79, -11.98

 

CMYK 43 / 92 / 0 / 41

HEX #560C96

RGB 86 12 150

HSL 272.17, 0.85%, 0.32%

LAB 25.09, 54.74, -58.15

 

CMYK 18 / 92 / 0 / 41

HEX #7B0C96

RGB 123 12 150

HSL 288.26, 0.85%, 0.32%

LAB 31.06, 59.99, -48.16

 

CMYK 0 / 92 / 6 / 41

HEX #960C8D

RGB 150 12 141

HSL 303.91, 0.85%, 0.32%

LAB 35.34, 63.24, -35.48

 

CMYK 0 / 92 / 31 / 41

HEX #960C68

RGB 150 12 104

HSL 320, 0.85%, 0.32%

LAB 33.45, 58.3, -15.18

 

CMYK 0 / 92 / 55 / 41

HEX #960C43

RGB 150 12 67

HSL 336.09, 0.85%, 0.32%

LAB 32.15, 54.75, 7.05

 

CMYK 0 / 92 / 7 / 71

HEX #4A0645

RGB 74 6 69

HSL 304.41, 0.85%, 0.16%

LAB 15.57, 37.31, -20.87

 

CMYK 0 / 92 / 7 / 56

HEX #700968

RGB 112 9 104

HSL 304.66, 0.85%, 0.24%

LAB 25.68, 50.56, -27.87

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 92 / 7 / 26

HEX #BD0FAF

RGB 189 15 175

HSL 304.83, 0.85%, 0.4%

LAB 44.6, 75, -40.86

 

CMYK 0 / 92 / 7 / 11

HEX #E312D2

RGB 227 18 210

HSL 304.88, 0.85%, 0.48%

LAB 53.4, 86.25, -46.83

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 67 / 92 / 41

HEX #96310C

RGB 150 49 12

HSL 16.09, 0.85%, 0.32%

LAB 35.41, 40.81, 42.89

 

CMYK 92 / 0 / 31 / 41

HEX #0C9668

RGB 12 150 104

HSL 160, 0.85%, 0.32%

LAB 54.96, -44.62, 15.07

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 6 / 0 / 92 / 41

HEX #8D960C

RGB 141 150 12

HSL 63.91, 0.85%, 0.32%

LAB 59.44, -18.36, 60.92

 

CMYK 92 / 6 / 0 / 41

HEX #0C8D96

RGB 12 141 150

HSL 183.91, 0.85%, 0.32%

LAB 53.31, -27.46, -13.71

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 67 / 92 / 41

HEX #96310C

RGB 150 49 12

HSL 16.09, 0.85%, 0.32%

LAB 35.41, 40.81, 42.89

 

CMYK 92 / 0 / 86 / 41

HEX #0C9615

RGB 12 150 21

HSL 123.91, 0.85%, 0.32%

LAB 53.97, -56.51, 52.24

 

CMYK 92 / 25 / 0 / 41

HEX #0C7196

RGB 12 113 150

HSL 196.09, 0.85%, 0.32%

LAB 44.36, -12.44, -27.45

 

CMYK 0 / 92 / 7 / 41

HEX #960C8B

RGB 150 12 139

HSL 304.78, 0.85%, 0.32%

LAB 35.22, 62.94, -34.43

 

CMYK 0 / 40 / 92 / 41

HEX #965A0C

RGB 150 90 12

HSL 33.91, 0.85%, 0.32%

LAB 43.98, 19.27, 49.3

 

CMYK 92 / 0 / 86 / 41

HEX #0C9615

RGB 12 150 21

HSL 123.91, 0.85%, 0.32%

LAB 53.97, -56.51, 52.24

 

CMYK 92 / 52 / 0 / 41

HEX #0C4896

RGB 12 72 150

HSL 213.91, 0.85%, 0.32%

LAB 31.61, 13.66, -47.72

 

Description

Color code: HEX #960C8B | qconv.com Color code: HEX #960C8B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 12 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 12 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 7% 41% C M Y K

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