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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9611A6 it is the complementary color #69EE59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9611A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9611A6 shade: #9B11A1, #AC23B4, #BD35C7, #CE47DA and #DF59ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9611A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9611A6 shade: #9611A6, #850093, #740080, #63006D and #52005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9611A6 shade: #9611A6, #A6118E, #A61165, #A6113D and #A61115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9611A6 shade: #9611A6, #6E11A6, #4511A6, #1D11A6 and #1111A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9611A6 shade matches the following richer shades: #9611A6 and #A102B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9611A6 shade: #9611A6, #8A2097, #7E2F88, #733E79 and #674C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9611A6 shade: #4511A6, #6D11A6, #9411A6, #A6118F and #A61168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9611A6 shade: #52095B, #740D80, #9611A6, #B715CB and #D222E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9611A6 shade: #9611A6, #A61D11 and #11A659

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9611A6 shade: #9611A6, #A69411 and #11A694

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9611A6 shade: #9611A6, #A61D11, #22A611 and #1199A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9611A6 shade: #9611A6, #A64A11, #22A611 and #116DA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

Complementary color

CMYK 56 / 0 / 63 / 7

HEX #69EE59

RGB 105 238 89

HSL 113.56, 0.81%, 0.64%

LAB 84.42, -63.84, 59.52

 

CMYK 4 / 89 / 0 / 37

HEX #9B11A1

RGB 155 17 161

HSL 297.5, 0.81%, 0.35%

LAB 37.74, 66.51, -43.79

 

CMYK 4 / 81 / 0 / 29

HEX #AC23B4

RGB 172 35 180

HSL 296.69, 0.67%, 0.42%

LAB 43.16, 68.94, -46.28

 

CMYK 5 / 73 / 0 / 22

HEX #BD35C7

RGB 189 53 199

HSL 295.89, 0.58%, 0.49%

LAB 48.87, 70.27, -48.1

 

CMYK 6 / 67 / 0 / 15

HEX #CE47DA

RGB 206 71 218

HSL 295.1, 0.67%, 0.57%

LAB 54.75, 70.86, -49.45

 

CMYK 6 / 62 / 0 / 7

HEX #DF59ED

RGB 223 89 237

HSL 294.32, 0.8%, 0.64%

LAB 60.73, 70.95, -50.48

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 10 / 100 / 0 / 42

HEX #850093

RGB 133 0 147

HSL 294.29, 1%, 0.29%

LAB 32.02, 62.86, -44.67

 

CMYK 9 / 100 / 0 / 50

HEX #740080

RGB 116 0 128

HSL 294.38, 1%, 0.25%

LAB 27.49, 56.91, -40.3

 

CMYK 9 / 100 / 0 / 57

HEX #63006D

RGB 99 0 109

HSL 294.5, 1%, 0.21%

LAB 22.85, 50.8, -35.79

 

CMYK 9 / 100 / 0 / 65

HEX #52005A

RGB 82 0 90

HSL 294.67, 1%, 0.18%

LAB 18.06, 44.5, -31.15

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 0 / 90 / 14 / 35

HEX #A6118E

RGB 166 17 142

HSL 309.66, 0.81%, 0.36%

LAB 38.66, 65.76, -30.65

 

CMYK 0 / 90 / 39 / 35

HEX #A61165

RGB 166 17 101

HSL 326.17, 0.81%, 0.36%

LAB 36.83, 60.86, -7.83

 

CMYK 0 / 90 / 63 / 35

HEX #A6113D

RGB 166 17 61

HSL 342.28, 0.81%, 0.36%

LAB 35.68, 57.65, 16.37

 

CMYK 0 / 90 / 87 / 35

HEX #A61115

RGB 166 17 21

HSL 358.39, 0.81%, 0.36%

LAB 35.13, 56.06, 40.04

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 34 / 90 / 0 / 35

HEX #6E11A6

RGB 110 17 166

HSL 277.45, 0.81%, 0.36%

LAB 30.57, 60.25, -58.79

 

CMYK 58 / 90 / 0 / 35

HEX #4511A6

RGB 69 17 166

HSL 260.94, 0.81%, 0.36%

LAB 25.01, 55.57, -68.13

 

CMYK 83 / 90 / 0 / 35

HEX #1D11A6

RGB 29 17 166

HSL 244.83, 0.81%, 0.36%

LAB 21.64, 53.09, -73.84

 

CMYK 90 / 90 / 0 / 35

HEX #1111A6

RGB 17 17 166

HSL 240, 0.81%, 0.36%

LAB 21.11, 52.73, -74.73

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 11 / 99 / 0 / 29

HEX #A102B5

RGB 161 2 181

HSL 293.3, 0.98%, 0.36%

LAB 39.51, 72.59, -52.85

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 9 / 79 / 0 / 41

HEX #8A2097

RGB 138 32 151

HSL 293.45, 0.65%, 0.36%

LAB 35.34, 58.09, -41.73

 

CMYK 7 / 65 / 0 / 47

HEX #7E2F88

RGB 126 47 136

HSL 293.26, 0.49%, 0.36%

LAB 34.49, 46.83, -34

 

CMYK 5 / 49 / 0 / 53

HEX #733E79

RGB 115 62 121

HSL 293.9, 0.32%, 0.36%

LAB 34.94, 32.93, -24.08

 

CMYK 3 / 28 / 0 / 58

HEX #674C6A

RGB 103 76 106

HSL 294, 0.16%, 0.36%

LAB 36.16, 17.18, -12.95

 

CMYK 58 / 90 / 0 / 35

HEX #4511A6

RGB 69 17 166

HSL 260.94, 0.81%, 0.36%

LAB 25.01, 55.57, -68.13

 

CMYK 34 / 90 / 0 / 35

HEX #6D11A6

RGB 109 17 166

HSL 277.05, 0.81%, 0.36%

LAB 30.41, 60.11, -59.05

 

CMYK 11 / 90 / 0 / 35

HEX #9411A6

RGB 148 17 166

HSL 292.75, 0.81%, 0.36%

LAB 36.84, 66.12, -48.32

 

CMYK 0 / 90 / 14 / 35

HEX #A6118F

RGB 166 17 143

HSL 309.26, 0.81%, 0.36%

LAB 38.71, 65.9, -31.19

 

CMYK 0 / 90 / 37 / 35

HEX #A61168

RGB 166 17 104

HSL 324.97, 0.81%, 0.36%

LAB 36.94, 61.17, -9.57

 

CMYK 10 / 90 / 0 / 64

HEX #52095B

RGB 82 9 91

HSL 293.41, 0.82%, 0.2%

LAB 18.99, 42.17, -30.32

 

CMYK 9 / 90 / 0 / 50

HEX #740D80

RGB 116 13 128

HSL 293.74, 0.82%, 0.28%

LAB 28.27, 54.61, -39.04

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 10 / 90 / 0 / 20

HEX #B715CB

RGB 183 21 203

HSL 293.41, 0.81%, 0.44%

LAB 45.52, 77.43, -55.84

 

CMYK 9 / 85 / 0 / 9

HEX #D222E7

RGB 210 34 231

HSL 293.6, 0.8%, 0.52%

LAB 52.53, 84.18, -60.34

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 0 / 83 / 90 / 35

HEX #A61D11

RGB 166 29 17

HSL 4.83, 0.81%, 0.36%

LAB 36.03, 53.31, 42.69

 

CMYK 90 / 0 / 46 / 35

HEX #11A659

RGB 17 166 89

HSL 148.99, 0.81%, 0.36%

LAB 59.99, -53.38, 29.95

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 0 / 11 / 90 / 35

HEX #A69411

RGB 166 148 17

HSL 52.75, 0.81%, 0.36%

LAB 61.07, -5.89, 62.23

 

CMYK 90 / 0 / 11 / 35

HEX #11A694

RGB 17 166 148

HSL 172.75, 0.81%, 0.36%

LAB 61.25, -39.52, -0.76

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 0 / 83 / 90 / 35

HEX #A61D11

RGB 166 29 17

HSL 4.83, 0.81%, 0.36%

LAB 36.03, 53.31, 42.69

 

CMYK 80 / 0 / 90 / 35

HEX #22A611

RGB 34 166 17

HSL 113.15, 0.81%, 0.36%

LAB 59.57, -59.22, 58.16

 

CMYK 90 / 8 / 0 / 35

HEX #1199A6

RGB 17 153 166

HSL 185.23, 0.81%, 0.36%

LAB 57.71, -27.91, -16.22

 

CMYK 10 / 90 / 0 / 35

HEX #9611A6

RGB 150 17 166

HSL 293.56, 0.81%, 0.36%

LAB 37.18, 66.46, -47.74

 

CMYK 0 / 55 / 90 / 35

HEX #A64A11

RGB 166 74 17

HSL 22.95, 0.81%, 0.36%

LAB 42.83, 35.01, 47.93

 

CMYK 80 / 0 / 90 / 35

HEX #22A611

RGB 34 166 17

HSL 113.15, 0.81%, 0.36%

LAB 59.57, -59.22, 58.16

 

CMYK 90 / 34 / 0 / 35

HEX #116DA6

RGB 17 109 166

HSL 202.95, 0.81%, 0.36%

LAB 43.96, -3.61, -37.53

 

Description

Color code: HEX #9611A6 | qconv.com Color code: HEX #9611A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 17 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 17 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 90 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 90% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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