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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96297E it is the complementary color #69D681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96297E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96297E shade: #9B2979, #AC3B8C, #BD4D9F, #CE5FB2 and #DF71C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96297E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96297E shade: #96297E, #85176B, #740558, #630045 and #520032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96297E shade: #94287C, #94285F, #942842 and #942828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96297E shade: #94287C, #8E2894, #712894, #542894 and #372894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96297E shade matches the following richer shades: #94287C, #A31984 and #B20A8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96297E shade: #94287C, #843773, #75476B, #665662 and #57655A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96297E shade: #722894, #8E2894, #94287C, #942860 and #942843

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96297E shade: #531646, #731F61, #94287C, #B43197 and #CB43AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96297E shade: #96297E, #945528 and #289480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96297E shade: #96297E, #7C9428 and #287C94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96297E shade: #96297E, #945528, #28943F and #286794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96297E shade: #96297E, #947528, #28943F and #284794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 16 / 41

HEX #96297E

RGB 150 41 126

HSL 313.21, 0.57%, 0.37%

LAB 37.07, 53.71, -23.47

 

Complementary color

CMYK 51 / 0 / 40 / 16

HEX #69D681

RGB 105 214 129

HSL 133.21, 0.57%, 0.63%

LAB 77.69, -49.46, 32.62

 

CMYK 0 / 74 / 22 / 39

HEX #9B2979

RGB 155 41 121

HSL 317.89, 0.58%, 0.38%

LAB 37.73, 54.28, -19.27

 

CMYK 0 / 66 / 19 / 33

HEX #AC3B8C

RGB 172 59 140

HSL 316.99, 0.49%, 0.45%

LAB 43.93, 54.64, -21.13

 

CMYK 0 / 59 / 16 / 26

HEX #BD4D9F

RGB 189 77 159

HSL 316.07, 0.46%, 0.52%

LAB 50.25, 54.48, -22.54

 

CMYK 0 / 54 / 14 / 19

HEX #CE5FB2

RGB 206 95 178

HSL 315.14, 0.53%, 0.59%

LAB 56.61, 54.03, -23.65

 

CMYK 0 / 49 / 12 / 13

HEX #DF71C5

RGB 223 113 197

HSL 314.18, 0.63%, 0.66%

LAB 62.95, 53.43, -24.56

 

CMYK 0 / 73 / 16 / 41

HEX #96297E

RGB 150 41 126

HSL 313.21, 0.57%, 0.37%

LAB 37.07, 53.71, -23.47

 

CMYK 0 / 83 / 20 / 48

HEX #85176B

RGB 133 23 107

HSL 314.18, 0.71%, 0.31%

LAB 31.02, 52.49, -21.13

 

CMYK 0 / 96 / 24 / 55

HEX #740558

RGB 116 5 88

HSL 315.14, 0.92%, 0.24%

LAB 25.34, 49.86, -17.84

 

CMYK 0 / 100 / 30 / 61

HEX #630045

RGB 99 0 69

HSL 318.18, 1%, 0.19%

LAB 20.37, 44.72, -12.96

 

CMYK 0 / 100 / 39 / 68

HEX #520032

RGB 82 0 50

HSL 323.41, 1%, 0.16%

LAB 15.61, 38.45, -7.18

 

CMYK 0 / 73 / 16 / 42

HEX #94287C

RGB 148 40 124

HSL 313.33, 0.57%, 0.37%

LAB 36.5, 53.26, -23.14

 

CMYK 0 / 73 / 36 / 42

HEX #94285F

RGB 148 40 95

HSL 329.44, 0.57%, 0.37%

LAB 35.28, 49.38, -6.67

 

CMYK 0 / 73 / 55 / 42

HEX #942842

RGB 148 40 66

HSL 345.56, 0.57%, 0.37%

LAB 34.41, 46.49, 10.79

 

CMYK 0 / 73 / 73 / 42

HEX #942828

RGB 148 40 40

HSL 0, 0.57%, 0.37%

LAB 33.91, 44.79, 26.74

 

CMYK 0 / 73 / 16 / 42

HEX #94287C

RGB 148 40 124

HSL 313.33, 0.57%, 0.37%

LAB 36.5, 53.26, -23.14

 

CMYK 4 / 73 / 0 / 42

HEX #8E2894

RGB 142 40 148

HSL 296.67, 0.57%, 0.37%

LAB 36.76, 55.74, -37.61

 

CMYK 24 / 73 / 0 / 42

HEX #712894

RGB 113 40 148

HSL 280.56, 0.57%, 0.37%

LAB 32.18, 49.36, -45.19

 

CMYK 43 / 73 / 0 / 42

HEX #542894

RGB 84 40 148

HSL 264.44, 0.57%, 0.37%

LAB 28.22, 43.53, -51.8

 

CMYK 63 / 73 / 0 / 42

HEX #372894

RGB 55 40 148

HSL 248.33, 0.57%, 0.37%

LAB 25.16, 38.74, -56.93

 

CMYK 0 / 73 / 16 / 42

HEX #94287C

RGB 148 40 124

HSL 313.33, 0.57%, 0.37%

LAB 36.5, 53.26, -23.14

 

CMYK 0 / 85 / 19 / 36

HEX #A31984

RGB 163 25 132

HSL 313.48, 0.73%, 0.37%

LAB 38.11, 62.27, -25.4

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8D

RGB 178 10 141

HSL 313.21, 0.89%, 0.37%

LAB 40.58, 68.93, -26.86

 

CMYK 0 / 73 / 16 / 42

HEX #94287C

RGB 148 40 124

HSL 313.33, 0.57%, 0.37%

LAB 36.5, 53.26, -23.14

 

CMYK 0 / 58 / 13 / 48

HEX #843773

RGB 132 55 115

HSL 313.25, 0.41%, 0.37%

LAB 35.74, 40.88, -18.89

 

CMYK 0 / 39 / 9 / 54

HEX #75476B

RGB 117 71 107

HSL 313.04, 0.24%, 0.37%

LAB 36.65, 25.58, -12.68

 

CMYK 0 / 16 / 4 / 60

HEX #665662

RGB 102 86 98

HSL 315, 0.09%, 0.37%

LAB 38.48, 8.9, -4.48

 

CMYK 14 / 0 / 11 / 60

HEX #57655A

RGB 87 101 90

HSL 132.86, 0.07%, 0.37%

LAB 41.33, -7.74, 4.43

 

CMYK 23 / 73 / 0 / 42

HEX #722894

RGB 114 40 148

HSL 281.11, 0.57%, 0.37%

LAB 32.33, 49.58, -44.94

 

CMYK 4 / 73 / 0 / 42

HEX #8E2894

RGB 142 40 148

HSL 296.67, 0.57%, 0.37%

LAB 36.76, 55.74, -37.61

 

CMYK 0 / 73 / 16 / 42

HEX #94287C

RGB 148 40 124

HSL 313.33, 0.57%, 0.37%

LAB 36.5, 53.26, -23.14

 

CMYK 0 / 73 / 35 / 42

HEX #942860

RGB 148 40 96

HSL 328.89, 0.57%, 0.37%

LAB 35.32, 49.5, -7.26

 

CMYK 0 / 73 / 55 / 42

HEX #942843

RGB 148 40 67

HSL 345, 0.57%, 0.37%

LAB 34.43, 46.57, 10.18

 

CMYK 0 / 73 / 16 / 67

HEX #531646

RGB 83 22 70

HSL 312.79, 0.58%, 0.21%

LAB 19.45, 34.02, -15.33

 

CMYK 0 / 73 / 16 / 55

HEX #731F61

RGB 115 31 97

HSL 312.86, 0.58%, 0.29%

LAB 28.08, 43.79, -19.5

 

CMYK 0 / 73 / 16 / 42

HEX #94287C

RGB 148 40 124

HSL 313.33, 0.57%, 0.37%

LAB 36.5, 53.26, -23.14

 

CMYK 0 / 73 / 16 / 29

HEX #B43197

RGB 180 49 151

HSL 313.28, 0.57%, 0.45%

LAB 44.42, 62.06, -26.91

 

CMYK 0 / 67 / 15 / 20

HEX #CB43AD

RGB 203 67 173

HSL 313.24, 0.57%, 0.53%

LAB 51.53, 64.49, -28.63

 

CMYK 0 / 73 / 16 / 41

HEX #96297E

RGB 150 41 126

HSL 313.21, 0.57%, 0.37%

LAB 37.07, 53.71, -23.47

 

CMYK 0 / 43 / 73 / 42

HEX #945528

RGB 148 85 40

HSL 25, 0.57%, 0.37%

LAB 42.68, 22.24, 36.56

 

CMYK 73 / 0 / 14 / 42

HEX #289480

RGB 40 148 128

HSL 168.89, 0.57%, 0.37%

LAB 55.27, -34.83, 1.91

 

CMYK 0 / 73 / 16 / 41

HEX #96297E

RGB 150 41 126

HSL 313.21, 0.57%, 0.37%

LAB 37.07, 53.71, -23.47

 

CMYK 16 / 0 / 73 / 42

HEX #7C9428

RGB 124 148 40

HSL 73.33, 0.57%, 0.37%

LAB 57.67, -23.75, 51.19

 

CMYK 73 / 16 / 0 / 42

HEX #287C94

RGB 40 124 148

HSL 193.33, 0.57%, 0.37%

LAB 48.27, -16.6, -20.19

 

CMYK 0 / 73 / 16 / 41

HEX #96297E

RGB 150 41 126

HSL 313.21, 0.57%, 0.37%

LAB 37.07, 53.71, -23.47

 

CMYK 0 / 43 / 73 / 42

HEX #945528

RGB 148 85 40

HSL 25, 0.57%, 0.37%

LAB 42.68, 22.24, 36.56

 

CMYK 73 / 0 / 57 / 42

HEX #28943F

RGB 40 148 63

HSL 132.78, 0.57%, 0.37%

LAB 54.02, -48.46, 35.93

 

CMYK 73 / 30 / 0 / 42

HEX #286794

RGB 40 103 148

HSL 205, 0.57%, 0.37%

LAB 41.67, -4.41, -30.42

 

CMYK 0 / 73 / 16 / 41

HEX #96297E

RGB 150 41 126

HSL 313.21, 0.57%, 0.37%

LAB 37.07, 53.71, -23.47

 

CMYK 0 / 21 / 73 / 42

HEX #947528

RGB 148 117 40

HSL 42.78, 0.57%, 0.37%

LAB 50.89, 3.83, 45.12

 

CMYK 73 / 0 / 57 / 42

HEX #28943F

RGB 40 148 63

HSL 132.78, 0.57%, 0.37%

LAB 54.02, -48.46, 35.93

 

CMYK 73 / 52 / 0 / 42

HEX #284794

RGB 40 71 148

HSL 222.78, 0.57%, 0.37%

LAB 32.02, 16.36, -45.79

 

Description

Color code: HEX #96297E | qconv.com Color code: HEX #96297E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 41 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 41 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 16 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 16% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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