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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #962E2B it is the complementary color #69D1D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #962E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #962E2B shade: #9B2E26, #AC4039, #BD524C, #CE645F and #DF7672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #962E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #962E2B shade: #962E2B, #851C18, #740A05, #630000 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #962E2B shade: #962E2B and #962B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #962E2B shade: #962E2B, #964B2B, #96682B, #96842B and #8A962B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #962E2B shade matches the following richer shades: #962E2B, #A51F1B and #B5100C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #962E2B shade: #962E2B, #863D3B, #764C4A, #675A5A and #57696A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #962E2B shade: #962B62, #962B46, #962D2B, #96492B and #96662B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #962E2B shade: #561A19, #762422, #962E2B, #B63834 and #CA4D49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #962E2B shade: #962E2B, #7F962B and #2B5496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #962E2B shade: #962E2B, #2B962D and #2D2B96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #962E2B shade: #962E2B, #7F962B, #2B9496 and #422B96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #962E2B shade: #962E2B, #5F962B, #2B9496 and #622B96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

Complementary color

CMYK 50 / 1 / 0 / 17

HEX #69D1D4

RGB 105 209 212

HSL 181.68, 0.55%, 0.62%

LAB 78.09, -29.26, -10.77

 

CMYK 0 / 70 / 75 / 39

HEX #9B2E26

RGB 155 46 38

HSL 4.1, 0.61%, 0.38%

LAB 36.1, 44.68, 30.8

 

CMYK 0 / 63 / 67 / 33

HEX #AC4039

RGB 172 64 57

HSL 3.65, 0.5%, 0.45%

LAB 42.36, 43.78, 27.61

 

CMYK 0 / 57 / 60 / 26

HEX #BD524C

RGB 189 82 76

HSL 3.19, 0.46%, 0.52%

LAB 48.73, 42.66, 24.94

 

CMYK 0 / 51 / 54 / 19

HEX #CE645F

RGB 206 100 95

HSL 2.7, 0.53%, 0.59%

LAB 55.14, 41.49, 22.71

 

CMYK 0 / 47 / 49 / 13

HEX #DF7672

RGB 223 118 114

HSL 2.2, 0.63%, 0.66%

LAB 61.53, 40.34, 20.79

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 0 / 79 / 82 / 48

HEX #851C18

RGB 133 28 24

HSL 2.2, 0.69%, 0.31%

LAB 29.12, 43.55, 30.28

 

CMYK 0 / 91 / 96 / 55

HEX #740A05

RGB 116 10 5

HSL 2.7, 0.92%, 0.24%

LAB 23.48, 42.75, 33.07

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 0 / 71 / 71 / 41

HEX #962B2B

RGB 150 43 43

HSL 0, 0.55%, 0.38%

LAB 34.77, 44.43, 26

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 0 / 50 / 71 / 41

HEX #964B2B

RGB 150 75 43

HSL 17.94, 0.55%, 0.38%

LAB 40.72, 28.86, 32.88

 

CMYK 0 / 31 / 71 / 41

HEX #96682B

RGB 150 104 43

HSL 34.21, 0.55%, 0.38%

LAB 47.7, 12.37, 40.5

 

CMYK 0 / 12 / 71 / 41

HEX #96842B

RGB 150 132 43

HSL 49.91, 0.55%, 0.38%

LAB 55.24, -3.52, 48.29

 

CMYK 8 / 0 / 71 / 41

HEX #8A962B

RGB 138 150 43

HSL 66.73, 0.55%, 0.38%

LAB 59.33, -18.54, 52.03

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 0 / 81 / 84 / 35

HEX #A51F1B

RGB 165 31 27

HSL 1.74, 0.72%, 0.38%

LAB 36.1, 52.7, 37.66

 

CMYK 0 / 91 / 93 / 29

HEX #B5100C

RGB 181 16 12

HSL 1.42, 0.88%, 0.38%

LAB 38.24, 60.15, 47.76

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 0 / 54 / 56 / 47

HEX #863D3B

RGB 134 61 59

HSL 1.6, 0.39%, 0.38%

LAB 35.44, 31.1, 16.26

 

CMYK 0 / 36 / 37 / 54

HEX #764C4A

RGB 118 76 74

HSL 2.73, 0.23%, 0.38%

LAB 36.96, 17.53, 8.53

 

CMYK 0 / 13 / 13 / 60

HEX #675A5A

RGB 103 90 90

HSL 0, 0.07%, 0.38%

LAB 39.47, 5.27, 1.93

 

CMYK 18 / 1 / 0 / 58

HEX #57696A

RGB 87 105 106

HSL 183.16, 0.1%, 0.38%

LAB 43.02, -6.49, -2.82

 

CMYK 0 / 71 / 35 / 41

HEX #962B62

RGB 150 43 98

HSL 329.16, 0.55%, 0.38%

LAB 36.16, 49.18, -7.23

 

CMYK 0 / 71 / 53 / 41

HEX #962B46

RGB 150 43 70

HSL 344.86, 0.55%, 0.38%

LAB 35.31, 46.29, 9.51

 

CMYK 0 / 70 / 71 / 41

HEX #962D2B

RGB 150 45 43

HSL 1.12, 0.55%, 0.38%

LAB 35.07, 43.61, 26.35

 

CMYK 0 / 51 / 71 / 41

HEX #96492B

RGB 150 73 43

HSL 16.82, 0.55%, 0.38%

LAB 40.28, 29.95, 32.39

 

CMYK 0 / 32 / 71 / 41

HEX #96662B

RGB 150 102 43

HSL 33.08, 0.55%, 0.38%

LAB 47.19, 13.53, 39.95

 

CMYK 0 / 70 / 71 / 66

HEX #561A19

RGB 86 26 25

HSL 0.98, 0.55%, 0.22%

LAB 19.17, 27.69, 15.8

 

CMYK 0 / 69 / 71 / 54

HEX #762422

RGB 118 36 34

HSL 1.43, 0.55%, 0.3%

LAB 27.38, 35.66, 21.32

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 0 / 69 / 71 / 29

HEX #B63834

RGB 182 56 52

HSL 1.85, 0.56%, 0.46%

LAB 42.8, 50.4, 31.52

 

CMYK 0 / 62 / 64 / 21

HEX #CA4D49

RGB 202 77 73

HSL 1.86, 0.55%, 0.54%

LAB 49.91, 49.43, 28.65

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 15 / 0 / 71 / 41

HEX #7F962B

RGB 127 150 43

HSL 72.9, 0.55%, 0.38%

LAB 58.51, -23.29, 50.94

 

CMYK 71 / 44 / 0 / 41

HEX #2B5496

RGB 43 84 150

HSL 217.01, 0.55%, 0.38%

LAB 36.09, 8.89, -40.46

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 71 / 0 / 70 / 41

HEX #2B962D

RGB 43 150 45

HSL 121.12, 0.55%, 0.38%

LAB 54.57, -50.75, 44.83

 

CMYK 70 / 71 / 0 / 41

HEX #2D2B96

RGB 45 43 150

HSL 241.12, 0.55%, 0.38%

LAB 25.22, 36.31, -58.09

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 15 / 0 / 71 / 41

HEX #7F962B

RGB 127 150 43

HSL 72.9, 0.55%, 0.38%

LAB 58.51, -23.29, 50.94

 

CMYK 71 / 1 / 0 / 41

HEX #2B9496

RGB 43 148 150

HSL 181.12, 0.55%, 0.38%

LAB 55.98, -28.06, -9.64

 

CMYK 56 / 71 / 0 / 41

HEX #422B96

RGB 66 43 150

HSL 252.9, 0.55%, 0.38%

LAB 26.98, 39.33, -55.13

 

CMYK 0 / 69 / 71 / 41

HEX #962E2B

RGB 150 46 43

HSL 1.68, 0.55%, 0.38%

LAB 35.23, 43.19, 26.54

 

CMYK 37 / 0 / 71 / 41

HEX #5F962B

RGB 95 150 43

HSL 90.84, 0.55%, 0.38%

LAB 56.51, -36.09, 48.26

 

CMYK 71 / 1 / 0 / 41

HEX #2B9496

RGB 43 148 150

HSL 181.12, 0.55%, 0.38%

LAB 55.98, -28.06, -9.64

 

CMYK 35 / 71 / 0 / 41

HEX #622B96

RGB 98 43 150

HSL 270.84, 0.55%, 0.38%

LAB 30.7, 45.31, -48.91

 

Description

Color code: HEX #962E2B | qconv.com Color code: HEX #962E2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 46 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 46 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 71 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 71% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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