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Color name
HEX #962F25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #962F25 it is the complementary color #69D0DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #962F25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #962F25 shade: #9B2F20, #AC4133, #BD5346, #CE6559 and #DF776C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #962F25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #962F25 shade: #962F25, #851D12, #740B00, #630000 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #962F25 shade: #962F25 and #962525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #962F25 shade: #962F25, #964E25, #966C25, #968B25 and #849625

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #962F25 shade matches the following richer shades: #962F25, #A62316 and #B51607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #962F25 shade: #962F25, #873C35, #784844, #695553 and #596262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #962F25 shade: #962558, #96253A, #962F25, #964D25 and #966B25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #962F25 shade: #541A15, #75251D, #962F25, #B73A2D and #CF4C3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #962F25 shade: #962F25, #769625 and #254996

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #962F25 shade: #962F25, #25962F and #2F2596

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #962F25 shade: #962F25, #769625, #258D96 and #452596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #962F25 shade: #962F25, #549625, #258D96 and #672596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

Complementary color

CMYK 52 / 5 / 0 / 15

HEX #69D0DA

RGB 105 208 218

HSL 185.31, 0.6%, 0.63%

LAB 77.98, -27.18, -14.15

 

CMYK 0 / 70 / 79 / 39

HEX #9B2F20

RGB 155 47 32

HSL 7.32, 0.66%, 0.37%

LAB 36.19, 44.02, 34.34

 

CMYK 0 / 62 / 70 / 33

HEX #AC4133

RGB 172 65 51

HSL 6.94, 0.54%, 0.44%

LAB 42.45, 42.98, 31.25

 

CMYK 0 / 56 / 63 / 26

HEX #BD5346

RGB 189 83 70

HSL 6.55, 0.47%, 0.51%

LAB 48.82, 41.76, 28.57

 

CMYK 0 / 51 / 57 / 19

HEX #CE6559

RGB 206 101 89

HSL 6.15, 0.54%, 0.58%

LAB 55.23, 40.5, 26.29

 

CMYK 0 / 47 / 52 / 13

HEX #DF776C

RGB 223 119 108

HSL 5.74, 0.64%, 0.65%

LAB 61.62, 39.28, 24.32

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 0 / 78 / 86 / 48

HEX #851D12

RGB 133 29 18

HSL 5.74, 0.76%, 0.3%

LAB 29.18, 43.02, 33.71

 

CMYK 0 / 91 / 100 / 55

HEX #740B00

RGB 116 11 0

HSL 5.69, 1%, 0.23%

LAB 23.51, 42.43, 35.15

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 0 / 75 / 75 / 41

HEX #962525

RGB 150 37 37

HSL 0, 0.6%, 0.37%

LAB 33.86, 46.44, 28.61

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 0 / 48 / 75 / 41

HEX #964E25

RGB 150 78 37

HSL 21.77, 0.6%, 0.37%

LAB 41.32, 26.89, 36.76

 

CMYK 0 / 28 / 75 / 41

HEX #966C25

RGB 150 108 37

HSL 37.7, 0.6%, 0.37%

LAB 48.69, 9.75, 44.31

 

CMYK 0 / 7 / 75 / 41

HEX #968B25

RGB 150 139 37

HSL 54.16, 0.6%, 0.37%

LAB 57.16, -7.66, 52.54

 

CMYK 12 / 0 / 75 / 41

HEX #849625

RGB 132 150 37

HSL 69.56, 0.6%, 0.37%

LAB 58.84, -21.48, 53.61

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 0 / 79 / 87 / 35

HEX #A62316

RGB 166 35 22

HSL 5.42, 0.77%, 0.37%

LAB 36.68, 51.69, 40.85

 

CMYK 0 / 88 / 96 / 29

HEX #B51607

RGB 181 22 7

HSL 5.17, 0.93%, 0.37%

LAB 38.57, 59.07, 49.72

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 0 / 56 / 61 / 47

HEX #873C35

RGB 135 60 53

HSL 5.12, 0.44%, 0.37%

LAB 35.28, 31.52, 19.83

 

CMYK 0 / 40 / 43 / 53

HEX #784844

RGB 120 72 68

HSL 4.62, 0.28%, 0.37%

LAB 36.07, 20, 11.1

 

CMYK 0 / 19 / 21 / 59

HEX #695553

RGB 105 85 83

HSL 5.45, 0.12%, 0.37%

LAB 38.07, 7.9, 4.27

 

CMYK 9 / 0 / 0 / 62

HEX #596262

RGB 89 98 98

HSL 180, 0.05%, 0.37%

LAB 40.8, -3.47, -1.2

 

CMYK 0 / 75 / 41 / 41

HEX #962558

RGB 150 37 88

HSL 332.92, 0.6%, 0.37%

LAB 35.03, 50.26, -2.51

 

CMYK 0 / 75 / 61 / 41

HEX #96253A

RGB 150 37 58

HSL 348.85, 0.6%, 0.37%

LAB 34.22, 47.63, 15.78

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 0 / 49 / 75 / 41

HEX #964D25

RGB 150 77 37

HSL 21.24, 0.6%, 0.37%

LAB 41.1, 27.45, 36.52

 

CMYK 0 / 29 / 75 / 41

HEX #966B25

RGB 150 107 37

HSL 37.17, 0.6%, 0.37%

LAB 48.43, 10.33, 44.05

 

CMYK 0 / 69 / 75 / 67

HEX #541A15

RGB 84 26 21

HSL 4.76, 0.6%, 0.21%

LAB 18.7, 26.63, 17.85

 

CMYK 0 / 68 / 75 / 54

HEX #75251D

RGB 117 37 29

HSL 5.45, 0.6%, 0.29%

LAB 27.28, 34.56, 24.32

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 0 / 68 / 75 / 28

HEX #B73A2D

RGB 183 58 45

HSL 5.65, 0.61%, 0.45%

LAB 43.19, 49.61, 36.05

 

CMYK 0 / 63 / 70 / 19

HEX #CF4C3F

RGB 207 76 63

HSL 5.42, 0.6%, 0.53%

LAB 50.44, 51.03, 35.25

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 21 / 0 / 75 / 41

HEX #769625

RGB 118 150 37

HSL 76.99, 0.6%, 0.37%

LAB 57.84, -27.43, 52.31

 

CMYK 75 / 51 / 0 / 41

HEX #254996

RGB 37 73 150

HSL 220.88, 0.6%, 0.37%

LAB 32.61, 15.37, -46.06

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 75 / 0 / 69 / 41

HEX #25962F

RGB 37 150 47

HSL 125.31, 0.6%, 0.37%

LAB 54.46, -51.61, 43.83

 

CMYK 69 / 75 / 0 / 41

HEX #2F2596

RGB 47 37 150

HSL 245.31, 0.6%, 0.37%

LAB 24.09, 40.09, -59.94

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 21 / 0 / 75 / 41

HEX #769625

RGB 118 150 37

HSL 76.99, 0.6%, 0.37%

LAB 57.84, -27.43, 52.31

 

CMYK 75 / 6 / 0 / 41

HEX #258D96

RGB 37 141 150

HSL 184.78, 0.6%, 0.37%

LAB 53.65, -25.33, -13.16

 

CMYK 54 / 75 / 0 / 41

HEX #452596

RGB 69 37 150

HSL 256.99, 0.6%, 0.37%

LAB 26.13, 43.06, -56.52

 

CMYK 0 / 69 / 75 / 41

HEX #962F25

RGB 150 47 37

HSL 5.31, 0.6%, 0.37%

LAB 35.3, 42.47, 30.23

 

CMYK 44 / 0 / 75 / 41

HEX #549625

RGB 84 150 37

HSL 95.04, 0.6%, 0.37%

LAB 55.92, -40.41, 49.78

 

CMYK 75 / 6 / 0 / 41

HEX #258D96

RGB 37 141 150

HSL 184.78, 0.6%, 0.37%

LAB 53.65, -25.33, -13.16

 

CMYK 31 / 75 / 0 / 41

HEX #672596

RGB 103 37 150

HSL 275.04, 0.6%, 0.37%

LAB 30.42, 49.06, -49.34

 

Description

Color code: HEX #962F25 | qconv.com Color code: HEX #962F25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 47 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 47 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 75 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 75% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - ModMaximus.net - Гла...
Link: http://modmaximus.net

33% - onDarion Portfolio
Link: http://ondarion.es

Verification of their color palette as a manufacturer!

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