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Color name
HEX #962F2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #962F2E it is the complementary color #69D0D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #962F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #962F2E shade: #9B2F29, #AC413C, #BD534F, #CE6562 and #DF7775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #962F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #962F2E shade: #962F2E, #851D1B, #740B08, #630000 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #962F2E shade: #942E2D and #942D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #962F2E shade: #942E2D, #944A2D, #94652D, #94812D and #8B942D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #962F2E shade matches the following richer shades: #942E2D, #A31F1D and #B30F0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #962F2E shade: #942E2D, #843D3D, #744D4C, #655C5C and #556C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #962F2E shade: #942D64, #942D48, #942D2D, #94482D and #94642D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #962F2E shade: #551A1A, #742423, #942E2D, #B33837 and #C84D4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #962F2E shade: #962F2E, #7F942D and #2D5694

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #962F2E shade: #962F2E, #2D942D and #2D2D94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #962F2E shade: #962F2E, #7F942D, #2D9494 and #422D94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #962F2E shade: #962F2E, #60942D, #2D9494 and #602D94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 69 / 41

HEX #962F2E

RGB 150 47 46

HSL 0.58, 0.53%, 0.38%

LAB 35.43, 42.93, 24.93

 

Complementary color

CMYK 50 / 0 / 0 / 18

HEX #69D0D1

RGB 105 208 209

HSL 180.58, 0.53%, 0.62%

LAB 77.71, -29.56, -9.72

 

CMYK 0 / 70 / 74 / 39

HEX #9B2F29

RGB 155 47 41

HSL 3.16, 0.58%, 0.38%

LAB 36.29, 44.4, 29.23

 

CMYK 0 / 62 / 65 / 33

HEX #AC413C

RGB 172 65 60

HSL 2.68, 0.48%, 0.45%

LAB 42.58, 43.5, 26.09

 

CMYK 0 / 56 / 58 / 26

HEX #BD534F

RGB 189 83 79

HSL 2.18, 0.45%, 0.53%

LAB 48.97, 42.4, 23.48

 

CMYK 0 / 51 / 52 / 19

HEX #CE6562

RGB 206 101 98

HSL 1.67, 0.52%, 0.6%

LAB 55.39, 41.24, 21.3

 

CMYK 0 / 47 / 48 / 13

HEX #DF7775

RGB 223 119 117

HSL 1.13, 0.62%, 0.67%

LAB 61.8, 40.11, 19.45

 

CMYK 0 / 69 / 69 / 41

HEX #962F2E

RGB 150 47 46

HSL 0.58, 0.53%, 0.38%

LAB 35.43, 42.93, 24.93

 

CMYK 0 / 78 / 80 / 48

HEX #851D1B

RGB 133 29 27

HSL 1.13, 0.66%, 0.31%

LAB 29.27, 43.32, 28.65

 

CMYK 0 / 91 / 93 / 55

HEX #740B08

RGB 116 11 8

HSL 1.67, 0.87%, 0.24%

LAB 23.57, 42.61, 31.95

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 69 / 70 / 42

HEX #942E2D

RGB 148 46 45

HSL 0.58, 0.53%, 0.38%

LAB 34.88, 42.61, 24.8

 

CMYK 0 / 70 / 70 / 42

HEX #942D2D

RGB 148 45 45

HSL 0, 0.53%, 0.38%

LAB 34.73, 43.03, 24.61

 

CMYK 0 / 69 / 70 / 42

HEX #942E2D

RGB 148 46 45

HSL 0.58, 0.53%, 0.38%

LAB 34.88, 42.61, 24.8

 

CMYK 0 / 50 / 70 / 42

HEX #944A2D

RGB 148 74 45

HSL 16.89, 0.53%, 0.38%

LAB 40.22, 28.69, 31.1

 

CMYK 0 / 32 / 70 / 42

HEX #94652D

RGB 148 101 45

HSL 32.62, 0.53%, 0.38%

LAB 46.7, 13.31, 38.36

 

CMYK 0 / 13 / 70 / 42

HEX #94812D

RGB 148 129 45

HSL 48.93, 0.53%, 0.38%

LAB 54.22, -2.66, 46.33

 

CMYK 6 / 0 / 70 / 42

HEX #8B942D

RGB 139 148 45

HSL 65.24, 0.53%, 0.38%

LAB 58.84, -16.95, 50.78

 

CMYK 0 / 69 / 70 / 42

HEX #942E2D

RGB 148 46 45

HSL 0.58, 0.53%, 0.38%

LAB 34.88, 42.61, 24.8

 

CMYK 0 / 81 / 82 / 36

HEX #A31F1D

RGB 163 31 29

HSL 0.9, 0.7%, 0.38%

LAB 35.7, 52.15, 36.04

 

CMYK 0 / 92 / 92 / 30

HEX #B30F0E

RGB 179 15 14

HSL 0.36, 0.85%, 0.38%

LAB 37.77, 59.79, 46.47

 

CMYK 0 / 69 / 70 / 42

HEX #942E2D

RGB 148 46 45

HSL 0.58, 0.53%, 0.38%

LAB 34.88, 42.61, 24.8

 

CMYK 0 / 54 / 54 / 48

HEX #843D3D

RGB 132 61 61

HSL 0, 0.37%, 0.38%

LAB 35.16, 30.49, 14.56

 

CMYK 0 / 34 / 34 / 55

HEX #744D4C

RGB 116 77 76

HSL 1.5, 0.21%, 0.38%

LAB 37.01, 16.36, 7.31

 

CMYK 0 / 9 / 9 / 60

HEX #655C5C

RGB 101 92 92

HSL 0, 0.05%, 0.38%

LAB 39.9, 3.62, 1.31

 

CMYK 21 / 0 / 0 / 58

HEX #556C6C

RGB 85 108 108

HSL 180, 0.12%, 0.38%

LAB 43.86, -8.46, -2.81

 

CMYK 0 / 70 / 32 / 42

HEX #942D64

RGB 148 45 100

HSL 327.96, 0.53%, 0.38%

LAB 36.16, 48.05, -8.54

 

CMYK 0 / 70 / 51 / 42

HEX #942D48

RGB 148 45 72

HSL 344.27, 0.53%, 0.38%

LAB 35.28, 45.01, 8.13

 

CMYK 0 / 70 / 70 / 42

HEX #942D2D

RGB 148 45 45

HSL 0, 0.53%, 0.38%

LAB 34.73, 43.03, 24.61

 

CMYK 0 / 51 / 70 / 42

HEX #94482D

RGB 148 72 45

HSL 15.73, 0.53%, 0.38%

LAB 39.78, 29.78, 30.6

 

CMYK 0 / 32 / 70 / 42

HEX #94642D

RGB 148 100 45

HSL 32.04, 0.53%, 0.38%

LAB 46.44, 13.89, 38.08

 

CMYK 0 / 69 / 69 / 67

HEX #551A1A

RGB 85 26 26

HSL 0, 0.53%, 0.22%

LAB 18.99, 27.37, 14.85

 

CMYK 0 / 69 / 70 / 55

HEX #742423

RGB 116 36 35

HSL 0.74, 0.54%, 0.3%

LAB 27.01, 34.99, 20.13

 

CMYK 0 / 69 / 70 / 42

HEX #942E2D

RGB 148 46 45

HSL 0.58, 0.53%, 0.38%

LAB 34.88, 42.61, 24.8

 

CMYK 0 / 69 / 69 / 30

HEX #B33837

RGB 179 56 55

HSL 0.48, 0.53%, 0.46%

LAB 42.29, 49.55, 29.01

 

CMYK 0 / 62 / 62 / 22

HEX #C84D4C

RGB 200 77 76

HSL 0.48, 0.53%, 0.54%

LAB 49.63, 48.93, 26.46

 

CMYK 0 / 69 / 69 / 41

HEX #962F2E

RGB 150 47 46

HSL 0.58, 0.53%, 0.38%

LAB 35.43, 42.93, 24.93

 

CMYK 14 / 0 / 70 / 42

HEX #7F942D

RGB 127 148 45

HSL 72.23, 0.53%, 0.38%

LAB 57.92, -22.16, 49.56

 

CMYK 70 / 42 / 0 / 42

HEX #2D5694

RGB 45 86 148

HSL 216.12, 0.53%, 0.38%

LAB 36.65, 7.15, -38.35

 

CMYK 0 / 69 / 69 / 41

HEX #962F2E

RGB 150 47 46

HSL 0.58, 0.53%, 0.38%

LAB 35.43, 42.93, 24.93

 

CMYK 70 / 0 / 70 / 42

HEX #2D942D

RGB 45 148 45

HSL 120, 0.53%, 0.38%

LAB 53.95, -49.66, 44.18

 

CMYK 70 / 70 / 0 / 42

HEX #2D2D94

RGB 45 45 148

HSL 240, 0.53%, 0.38%

LAB 25.48, 34.37, -56.43

 

CMYK 0 / 69 / 69 / 41

HEX #962F2E

RGB 150 47 46

HSL 0.58, 0.53%, 0.38%

LAB 35.43, 42.93, 24.93

 

CMYK 14 / 0 / 70 / 42

HEX #7F942D

RGB 127 148 45

HSL 72.23, 0.53%, 0.38%

LAB 57.92, -22.16, 49.56

 

CMYK 70 / 0 / 0 / 42

HEX #2D9494

RGB 45 148 148

HSL 180, 0.53%, 0.38%

LAB 55.96, -28.38, -8.52

 

CMYK 55 / 70 / 0 / 42

HEX #422D94

RGB 66 45 148

HSL 252.23, 0.53%, 0.38%

LAB 27.22, 37.56, -53.51

 

CMYK 0 / 69 / 69 / 41

HEX #962F2E

RGB 150 47 46

HSL 0.58, 0.53%, 0.38%

LAB 35.43, 42.93, 24.93

 

CMYK 35 / 0 / 70 / 42

HEX #60942D

RGB 96 148 45

HSL 90.29, 0.53%, 0.38%

LAB 55.94, -34.67, 46.89

 

CMYK 70 / 0 / 0 / 42

HEX #2D9494

RGB 45 148 148

HSL 180, 0.53%, 0.38%

LAB 55.96, -28.38, -8.52

 

CMYK 35 / 70 / 0 / 42

HEX #602D94

RGB 96 45 148

HSL 269.71, 0.53%, 0.38%

LAB 30.64, 43.4, -47.79

 

Description

Color code: HEX #962F2E | qconv.com Color code: HEX #962F2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 47 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 47 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 69 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 69% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Automark Magazine
Link: http://automark.pk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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