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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96339D it is the complementary color #69CC62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96339D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96339D shade: #9B3398, #AC45AB, #BD57BE, #CE69D1 and #DF7BE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96339D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96339D shade: #96339D, #85218A, #740F77, #630064 and #520051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96339D shade: #96339D, #9D3388, #9D336B, #9D334E and #9D3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96339D shade: #96339D, #7A339D, #5D339D, #40339D and #33339D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96339D shade matches the following richer shades: #96339D, #A522AE, #B411BF and #C200D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96339D shade: #96339D, #88448C, #79557C, #6A656B and #5C765A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96339D shade: #5D339D, #7A339D, #96339D, #9D3388 and #9D336C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96339D shade: #5B1F5F, #79297E, #96339D, #B43DBD and #C25AC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96339D shade: #96339D, #9D4133 and #339D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96339D shade: #96339D, #9D9633 and #339D96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96339D shade: #96339D, #9D4133, #3A9D33 and #338F9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96339D shade: #96339D, #9D6133, #3A9D33 and #336F9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

Complementary color

CMYK 49 / 0 / 52 / 20

HEX #69CC62

RGB 105 204 98

HSL 116.04, 0.51%, 0.59%

LAB 74.24, -49.94, 43.66

 

CMYK 0 / 67 / 2 / 39

HEX #9B3398

RGB 155 51 152

HSL 301.73, 0.5%, 0.4%

LAB 40.58, 55.34, -33.84

 

CMYK 0 / 60 / 1 / 33

HEX #AC45AB

RGB 172 69 171

HSL 300.58, 0.43%, 0.47%

LAB 46.93, 55.35, -34.99

 

CMYK 1 / 54 / 0 / 25

HEX #BD57BE

RGB 189 87 190

HSL 299.42, 0.44%, 0.54%

LAB 53.33, 55, -35.84

 

CMYK 1 / 50 / 0 / 18

HEX #CE69D1

RGB 206 105 209

HSL 298.27, 0.53%, 0.62%

LAB 59.73, 54.44, -36.5

 

CMYK 2 / 46 / 0 / 11

HEX #DF7BE4

RGB 223 123 228

HSL 297.14, 0.66%, 0.69%

LAB 66.1, 53.78, -37.04

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 4 / 76 / 0 / 46

HEX #85218A

RGB 133 33 138

HSL 297.14, 0.61%, 0.34%

LAB 33.79, 54.39, -36.28

 

CMYK 3 / 87 / 0 / 53

HEX #740F77

RGB 116 15 119

HSL 298.27, 0.78%, 0.26%

LAB 27.81, 52.62, -34.09

 

CMYK 1 / 100 / 0 / 61

HEX #630064

RGB 99 0 100

HSL 299.4, 1%, 0.2%

LAB 22.21, 49.26, -30.95

 

CMYK 0 / 100 / 1 / 68

HEX #520051

RGB 82 0 81

HSL 300.73, 1%, 0.16%

LAB 17.4, 42.92, -26.12

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 0 / 68 / 13 / 38

HEX #9D3388

RGB 157 51 136

HSL 311.89, 0.51%, 0.41%

LAB 40.1, 53.23, -24.83

 

CMYK 0 / 68 / 32 / 38

HEX #9D336B

RGB 157 51 107

HSL 328.3, 0.51%, 0.41%

LAB 38.89, 49.14, -8.7

 

CMYK 0 / 68 / 50 / 38

HEX #9D334E

RGB 157 51 78

HSL 344.72, 0.51%, 0.41%

LAB 38, 45.98, 8.34

 

CMYK 0 / 68 / 68 / 38

HEX #9D3333

RGB 157 51 51

HSL 0, 0.51%, 0.41%

LAB 37.44, 43.94, 24.6

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 22 / 68 / 0 / 38

HEX #7A339D

RGB 122 51 157

HSL 280.19, 0.51%, 0.41%

LAB 35.87, 48.4, -44.67

 

CMYK 41 / 68 / 0 / 38

HEX #5D339D

RGB 93 51 157

HSL 263.77, 0.51%, 0.41%

LAB 32.1, 41.99, -50.94

 

CMYK 59 / 68 / 0 / 38

HEX #40339D

RGB 64 51 157

HSL 247.36, 0.51%, 0.41%

LAB 29.14, 36.53, -55.89

 

CMYK 68 / 68 / 0 / 38

HEX #33339D

RGB 51 51 157

HSL 240, 0.51%, 0.41%

LAB 28.13, 34.56, -57.58

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 5 / 80 / 0 / 32

HEX #A522AE

RGB 165 34 174

HSL 296.14, 0.67%, 0.41%

LAB 41.53, 66.86, -45.41

 

CMYK 6 / 91 / 0 / 25

HEX #B411BF

RGB 180 17 191

HSL 296.21, 0.84%, 0.41%

LAB 44.04, 75.58, -51.26

 

CMYK 7 / 100 / 0 / 18

HEX #C200D0

RGB 194 0 208

HSL 295.96, 1%, 0.41%

LAB 47.01, 82.08, -56.24

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 3 / 51 / 0 / 45

HEX #88448C

RGB 136 68 140

HSL 296.67, 0.35%, 0.41%

LAB 40.02, 40, -27.64

 

CMYK 2 / 31 / 0 / 51

HEX #79557C

RGB 121 85 124

HSL 295.38, 0.19%, 0.41%

LAB 41.24, 22.09, -16.14

 

CMYK 1 / 6 / 0 / 58

HEX #6A656B

RGB 106 101 107

HSL 290, 0.03%, 0.41%

LAB 43.41, 3.19, -2.68

 

CMYK 22 / 0 / 24 / 54

HEX #5C765A

RGB 92 118 90

HSL 115.71, 0.13%, 0.41%

LAB 46.94, -15.4, 12.4

 

CMYK 41 / 68 / 0 / 38

HEX #5D339D

RGB 93 51 157

HSL 263.77, 0.51%, 0.41%

LAB 32.1, 41.99, -50.94

 

CMYK 22 / 68 / 0 / 38

HEX #7A339D

RGB 122 51 157

HSL 280.19, 0.51%, 0.41%

LAB 35.87, 48.4, -44.67

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 0 / 68 / 13 / 38

HEX #9D3388

RGB 157 51 136

HSL 311.89, 0.51%, 0.41%

LAB 40.1, 53.23, -24.83

 

CMYK 0 / 68 / 31 / 38

HEX #9D336C

RGB 157 51 108

HSL 327.74, 0.51%, 0.41%

LAB 38.93, 49.27, -9.27

 

CMYK 4 / 67 / 0 / 63

HEX #5B1F5F

RGB 91 31 95

HSL 296.25, 0.51%, 0.25%

LAB 23.77, 36.85, -25.26

 

CMYK 4 / 67 / 0 / 51

HEX #79297E

RGB 121 41 126

HSL 296.47, 0.51%, 0.33%

LAB 32.16, 46.29, -31.52

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 5 / 68 / 0 / 26

HEX #B43DBD

RGB 180 61 189

HSL 295.78, 0.51%, 0.49%

LAB 47.9, 63.78, -43.93

 

CMYK 3 / 55 / 0 / 21

HEX #C25AC9

RGB 194 90 201

HSL 296.22, 0.51%, 0.57%

LAB 55.07, 56.91, -39.38

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 0 / 59 / 68 / 38

HEX #9D4133

RGB 157 65 51

HSL 7.92, 0.51%, 0.41%

LAB 39.89, 37.39, 27.6

 

CMYK 68 / 0 / 31 / 38

HEX #339D6C

RGB 51 157 108

HSL 152.26, 0.51%, 0.41%

LAB 57.94, -41.9, 17.04

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 0 / 4 / 68 / 38

HEX #9D9633

RGB 157 150 51

HSL 56.04, 0.51%, 0.41%

LAB 60.98, -9.69, 50.98

 

CMYK 68 / 0 / 4 / 38

HEX #339D96

RGB 51 157 150

HSL 176.04, 0.51%, 0.41%

LAB 58.99, -31.26, -5.14

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 0 / 59 / 68 / 38

HEX #9D4133

RGB 157 65 51

HSL 7.92, 0.51%, 0.41%

LAB 39.89, 37.39, 27.6

 

CMYK 63 / 0 / 68 / 38

HEX #3A9D33

RGB 58 157 51

HSL 116.04, 0.51%, 0.41%

LAB 57.32, -49.49, 45.36

 

CMYK 68 / 9 / 0 / 38

HEX #338F9D

RGB 51 143 157

HSL 187.92, 0.51%, 0.41%

LAB 54.85, -22.16, -15.35

 

CMYK 4 / 68 / 0 / 38

HEX #96339D

RGB 150 51 157

HSL 296.04, 0.51%, 0.41%

LAB 40.06, 55.01, -37.73

 

CMYK 0 / 38 / 68 / 38

HEX #9D6133

RGB 157 97 51

HSL 26.04, 0.51%, 0.41%

LAB 46.92, 20.01, 35.81

 

CMYK 63 / 0 / 68 / 38

HEX #3A9D33

RGB 58 157 51

HSL 116.04, 0.51%, 0.41%

LAB 57.32, -49.49, 45.36

 

CMYK 68 / 29 / 0 / 38

HEX #336F9D

RGB 51 111 157

HSL 206.04, 0.51%, 0.41%

LAB 44.95, -4.21, -30.61

 

Description

Color code: HEX #96339D | qconv.com Color code: HEX #96339D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 51 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 51 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 68 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 68% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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