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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #963E51 it is the complementary color #69C1AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #963E51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #963E51 shade: #9B3E4C, #AC505F, #BD6272, #CE7485 and #DF8698

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #963E51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #963E51 shade: #963E51, #852C3E, #741A2B, #630818 and #520005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #963E51 shade: #983E51 and #983E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #963E51 shade: #983E51, #983E69, #983E82, #953E98 and #7D3E98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #963E51 shade matches the following richer shades: #983E51, #A92C47, #BA1B3D and #CC0A33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #963E51 shade: #983E51, #864F5B, #756065, #64726F and #528378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #963E51 shade: #983E81, #983E69, #983E51, #98423E and #985A3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #963E51 shade: #5D2632, #7A3241, #983E51, #B54A61 and #C1677A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #963E51 shade: #963E51, #98963E and #3E7598

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #963E51 shade: #963E51, #51983E and #3E5198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #963E51 shade: #963E51, #98963E, #3E9884 and #3E3F98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #963E51 shade: #963E51, #7E983E, #3E9884 and #573E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 46 / 41

HEX #963E51

RGB 150 62 81

HSL 347.05, 0.42%, 0.42%

LAB 38.77, 38.78, 7.35

 

Complementary color

CMYK 46 / 0 / 10 / 24

HEX #69C1AE

RGB 105 193 174

HSL 167.05, 0.42%, 0.58%

LAB 72.36, -31.1, 1.35

 

CMYK 0 / 60 / 51 / 39

HEX #9B3E4C

RGB 155 62 76

HSL 350.97, 0.43%, 0.43%

LAB 39.47, 40.07, 11.61

 

CMYK 0 / 53 / 45 / 33

HEX #AC505F

RGB 172 80 95

HSL 350.22, 0.37%, 0.49%

LAB 46.09, 39.13, 9.51

 

CMYK 0 / 48 / 40 / 26

HEX #BD6272

RGB 189 98 114

HSL 349.45, 0.41%, 0.56%

LAB 52.7, 38.13, 7.8

 

CMYK 0 / 44 / 35 / 19

HEX #CE7485

RGB 206 116 133

HSL 348.67, 0.48%, 0.63%

LAB 59.26, 37.16, 6.37

 

CMYK 0 / 40 / 32 / 13

HEX #DF8698

RGB 223 134 152

HSL 347.87, 0.58%, 0.7%

LAB 65.75, 36.23, 5.12

 

CMYK 0 / 59 / 46 / 41

HEX #963E51

RGB 150 62 81

HSL 347.05, 0.42%, 0.42%

LAB 38.77, 38.78, 7.35

 

CMYK 0 / 67 / 53 / 48

HEX #852C3E

RGB 133 44 62

HSL 347.87, 0.5%, 0.35%

LAB 32.11, 39.5, 9.79

 

CMYK 0 / 78 / 63 / 55

HEX #741A2B

RGB 116 26 43

HSL 348.67, 0.63%, 0.28%

LAB 25.64, 39.7, 13.07

 

CMYK 0 / 92 / 76 / 61

HEX #630818

RGB 99 8 24

HSL 349.45, 0.85%, 0.21%

LAB 19.61, 38.7, 17.66

 

CMYK 0 / 100 / 94 / 68

HEX #520005

RGB 82 0 5

HSL 356.34, 1%, 0.16%

LAB 14.43, 35.3, 20.48

 

CMYK 0 / 59 / 47 / 40

HEX #983E51

RGB 152 62 81

HSL 347.33, 0.42%, 0.42%

LAB 39.1, 39.49, 7.87

 

CMYK 0 / 59 / 59 / 40

HEX #983E3E

RGB 152 62 62

HSL 0, 0.42%, 0.42%

LAB 38.67, 37.76, 19.19

 

CMYK 0 / 59 / 47 / 40

HEX #983E51

RGB 152 62 81

HSL 347.33, 0.42%, 0.42%

LAB 39.1, 39.49, 7.87

 

CMYK 0 / 59 / 31 / 40

HEX #983E69

RGB 152 62 105

HSL 331.33, 0.42%, 0.42%

LAB 39.82, 42.34, -6.15

 

CMYK 0 / 59 / 14 / 40

HEX #983E82

RGB 152 62 130

HSL 314.67, 0.42%, 0.42%

LAB 40.79, 46.04, -20.15

 

CMYK 2 / 59 / 0 / 40

HEX #953E98

RGB 149 62 152

HSL 298, 0.42%, 0.42%

LAB 41.38, 49.01, -32.64

 

CMYK 18 / 59 / 0 / 40

HEX #7D3E98

RGB 125 62 152

HSL 282, 0.42%, 0.42%

LAB 37.97, 42.56, -38.25

 

CMYK 0 / 59 / 47 / 40

HEX #983E51

RGB 152 62 81

HSL 347.33, 0.42%, 0.42%

LAB 39.1, 39.49, 7.87

 

CMYK 0 / 74 / 58 / 34

HEX #A92C47

RGB 169 44 71

HSL 347.04, 0.59%, 0.42%

LAB 39.06, 51.94, 14.59

 

CMYK 0 / 85 / 67 / 27

HEX #BA1B3D

RGB 186 27 61

HSL 347.17, 0.75%, 0.42%

LAB 40.51, 61.01, 23.43

 

CMYK 0 / 95 / 75 / 20

HEX #CC0A33

RGB 204 10 51

HSL 347.32, 0.91%, 0.42%

LAB 43.2, 67.75, 33.71

 

CMYK 0 / 59 / 47 / 40

HEX #983E51

RGB 152 62 81

HSL 347.33, 0.42%, 0.42%

LAB 39.1, 39.49, 7.87

 

CMYK 0 / 41 / 32 / 47

HEX #864F5B

RGB 134 79 91

HSL 346.91, 0.26%, 0.42%

LAB 40.27, 24.71, 2.93

 

CMYK 0 / 18 / 14 / 54

HEX #756065

RGB 117 96 101

HSL 345.71, 0.1%, 0.42%

LAB 42.89, 9.37, 0.34

 

CMYK 12 / 0 / 3 / 55

HEX #64726F

RGB 100 114 111

HSL 167.14, 0.07%, 0.42%

LAB 46.83, -5.88, -0.12

 

CMYK 37 / 0 / 8 / 49

HEX #528378

RGB 82 131 120

HSL 166.53, 0.23%, 0.42%

LAB 51.13, -19.24, 0.71

 

CMYK 0 / 59 / 15 / 40

HEX #983E81

RGB 152 62 129

HSL 315.33, 0.42%, 0.42%

LAB 40.74, 45.88, -19.61

 

CMYK 0 / 59 / 31 / 40

HEX #983E69

RGB 152 62 105

HSL 331.33, 0.42%, 0.42%

LAB 39.82, 42.34, -6.15

 

CMYK 0 / 59 / 47 / 40

HEX #983E51

RGB 152 62 81

HSL 347.33, 0.42%, 0.42%

LAB 39.1, 39.49, 7.87

 

CMYK 0 / 57 / 59 / 40

HEX #98423E

RGB 152 66 62

HSL 2.67, 0.42%, 0.42%

LAB 39.44, 35.74, 20.19

 

CMYK 0 / 41 / 59 / 40

HEX #985A3E

RGB 152 90 62

HSL 18.67, 0.42%, 0.42%

LAB 44.71, 22.63, 26.9

 

CMYK 0 / 59 / 46 / 64

HEX #5D2632

RGB 93 38 50

HSL 346.91, 0.42%, 0.26%

LAB 23.48, 26.47, 4.64

 

CMYK 0 / 59 / 47 / 52

HEX #7A3241

RGB 122 50 65

HSL 347.5, 0.42%, 0.34%

LAB 31.35, 32.9, 6.47

 

CMYK 0 / 59 / 47 / 40

HEX #983E51

RGB 152 62 81

HSL 347.33, 0.42%, 0.42%

LAB 39.1, 39.49, 7.87

 

CMYK 0 / 59 / 46 / 29

HEX #B54A61

RGB 181 74 97

HSL 347.1, 0.42%, 0.5%

LAB 46.42, 45.47, 8.97

 

CMYK 0 / 47 / 37 / 24

HEX #C1677A

RGB 193 103 122

HSL 347.33, 0.42%, 0.58%

LAB 54.49, 37.92, 5.72

 

CMYK 0 / 59 / 46 / 41

HEX #963E51

RGB 150 62 81

HSL 347.05, 0.42%, 0.42%

LAB 38.77, 38.78, 7.35

 

CMYK 0 / 1 / 59 / 40

HEX #98963E

RGB 152 150 62

HSL 58.67, 0.42%, 0.42%

LAB 60.64, -11.15, 45.59

 

CMYK 59 / 23 / 0 / 40

HEX #3E7598

RGB 62 117 152

HSL 203.33, 0.42%, 0.42%

LAB 46.99, -7.36, -24.44

 

CMYK 0 / 59 / 46 / 41

HEX #963E51

RGB 150 62 81

HSL 347.05, 0.42%, 0.42%

LAB 38.77, 38.78, 7.35

 

CMYK 47 / 0 / 59 / 40

HEX #51983E

RGB 81 152 62

HSL 107.33, 0.42%, 0.42%

LAB 56.64, -39.98, 39.83

 

CMYK 59 / 47 / 0 / 40

HEX #3E5198

RGB 62 81 152

HSL 227.33, 0.42%, 0.42%

LAB 36.32, 15.12, -41.25

 

CMYK 0 / 59 / 46 / 41

HEX #963E51

RGB 150 62 81

HSL 347.05, 0.42%, 0.42%

LAB 38.77, 38.78, 7.35

 

CMYK 0 / 1 / 59 / 40

HEX #98963E

RGB 152 150 62

HSL 58.67, 0.42%, 0.42%

LAB 60.64, -11.15, 45.59

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 59 / 59 / 0 / 40

HEX #3E3F98

RGB 62 63 152

HSL 239.33, 0.42%, 0.42%

LAB 31.45, 26.94, -49.09

 

CMYK 0 / 59 / 46 / 41

HEX #963E51

RGB 150 62 81

HSL 347.05, 0.42%, 0.42%

LAB 38.77, 38.78, 7.35

 

CMYK 17 / 0 / 59 / 40

HEX #7E983E

RGB 126 152 62

HSL 77.33, 0.42%, 0.42%

LAB 59.2, -23.29, 43.43

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 43 / 59 / 0 / 40

HEX #573E98

RGB 87 62 152

HSL 256.67, 0.42%, 0.42%

LAB 33.43, 32.94, -45.78

 

Description

Color code: HEX #963E51 | qconv.com Color code: HEX #963E51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 62 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 62 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 46 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 46% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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