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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96446B it is the complementary color #69BB94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96446B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96446B shade: #9B4466, #AC5679, #BD688C, #CE7A9F and #DF8CB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96446B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96446B shade: #96446B, #853258, #742045, #630E32 and #52001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96446B shade: #97436B, #974355 and #974343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96446B shade: #97436B, #974382, #964397, #7F4397 and #694397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96446B shade matches the following richer shades: #97436B, #A9326A, #BA2069 and #CC0E69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96446B shade: #97436B, #85556C, #73676D, #62796E and #508A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96446B shade: #954397, #974382, #97436C, #974356 and #974843

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96446B shade: #5E2A43, #7A3757, #97436B, #B1527F and #BE6F94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96446B shade: #96446B, #977F43 and #438D97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96446B shade: #96446B, #6C9743 and #436C97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96446B shade: #96446B, #977F43, #43976F and #435B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96446B shade: #96446B, #959743, #43976F and #454397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 29 / 41

HEX #96446B

RGB 150 68 107

HSL 331.46, 0.38%, 0.43%

LAB 40.7, 38.95, -6.11

 

Complementary color

CMYK 44 / 0 / 21 / 27

HEX #69BB94

RGB 105 187 148

HSL 151.46, 0.38%, 0.57%

LAB 69.95, -34.11, 12.05

 

CMYK 0 / 56 / 34 / 39

HEX #9B4466

RGB 155 68 102

HSL 336.55, 0.39%, 0.44%

LAB 41.31, 40, -2.01

 

CMYK 0 / 50 / 30 / 33

HEX #AC5679

RGB 172 86 121

HSL 335.58, 0.34%, 0.51%

LAB 48.02, 39.19, -3.47

 

CMYK 0 / 45 / 26 / 26

HEX #BD688C

RGB 189 104 140

HSL 334.59, 0.39%, 0.57%

LAB 54.67, 38.33, -4.66

 

CMYK 0 / 41 / 23 / 19

HEX #CE7A9F

RGB 206 122 159

HSL 333.57, 0.46%, 0.64%

LAB 61.26, 37.49, -5.68

 

CMYK 0 / 37 / 20 / 13

HEX #DF8CB2

RGB 223 140 178

HSL 332.53, 0.56%, 0.71%

LAB 67.77, 36.67, -6.58

 

CMYK 0 / 55 / 29 / 41

HEX #96446B

RGB 150 68 107

HSL 331.46, 0.38%, 0.43%

LAB 40.7, 38.95, -6.11

 

CMYK 0 / 62 / 34 / 48

HEX #853258

RGB 133 50 88

HSL 332.53, 0.45%, 0.36%

LAB 33.93, 39.58, -4.48

 

CMYK 0 / 72 / 41 / 55

HEX #742045

RGB 116 32 69

HSL 333.57, 0.57%, 0.29%

LAB 27.23, 39.8, -2.27

 

CMYK 0 / 86 / 49 / 61

HEX #630E32

RGB 99 14 50

HSL 334.59, 0.75%, 0.22%

LAB 20.82, 39.04, 0.96

 

CMYK 0 / 100 / 62 / 68

HEX #52001F

RGB 82 0 31

HSL 337.32, 1%, 0.16%

LAB 14.91, 36.62, 5.73

 

CMYK 0 / 56 / 29 / 41

HEX #97436B

RGB 151 67 107

HSL 331.43, 0.39%, 0.43%

LAB 40.66, 39.8, -6.15

 

CMYK 0 / 56 / 44 / 41

HEX #974355

RGB 151 67 85

HSL 347.14, 0.39%, 0.43%

LAB 40, 37.04, 6.61

 

CMYK 0 / 56 / 56 / 41

HEX #974343

RGB 151 67 67

HSL 0, 0.39%, 0.43%

LAB 39.58, 35.26, 17.26

 

CMYK 0 / 56 / 29 / 41

HEX #97436B

RGB 151 67 107

HSL 331.43, 0.39%, 0.43%

LAB 40.66, 39.8, -6.15

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 1 / 56 / 0 / 41

HEX #964397

RGB 150 67 151

HSL 299.29, 0.39%, 0.43%

LAB 42.36, 46.7, -30.49

 

CMYK 16 / 56 / 0 / 41

HEX #7F4397

RGB 127 67 151

HSL 282.86, 0.39%, 0.43%

LAB 39.17, 40.23, -35.72

 

CMYK 30 / 56 / 0 / 41

HEX #694397

RGB 105 67 151

HSL 267.14, 0.39%, 0.43%

LAB 36.46, 34.21, -40.2

 

CMYK 0 / 56 / 29 / 41

HEX #97436B

RGB 151 67 107

HSL 331.43, 0.39%, 0.43%

LAB 40.66, 39.8, -6.15

 

CMYK 0 / 70 / 37 / 34

HEX #A9326A

RGB 169 50 106

HSL 331.76, 0.54%, 0.43%

LAB 40.83, 52.97, -4.96

 

CMYK 0 / 83 / 44 / 27

HEX #BA2069

RGB 186 32 105

HSL 331.56, 0.71%, 0.43%

LAB 41.99, 63.05, -2.26

 

CMYK 0 / 93 / 49 / 20

HEX #CC0E69

RGB 204 14 105

HSL 331.26, 0.87%, 0.43%

LAB 44.48, 70.46, 1.8

 

CMYK 0 / 56 / 29 / 41

HEX #97436B

RGB 151 67 107

HSL 331.43, 0.39%, 0.43%

LAB 40.66, 39.8, -6.15

 

CMYK 0 / 36 / 19 / 48

HEX #85556C

RGB 133 85 108

HSL 331.25, 0.22%, 0.43%

LAB 42.1, 23.48, -4.9

 

CMYK 0 / 10 / 5 / 55

HEX #73676D

RGB 115 103 109

HSL 330, 0.06%, 0.43%

LAB 44.87, 5.9, -1.64

 

CMYK 19 / 0 / 9 / 53

HEX #62796E

RGB 98 121 110

HSL 151.3, 0.11%, 0.43%

LAB 48.76, -10.8, 3.25

 

CMYK 42 / 0 / 20 / 46

HEX #508A6F

RGB 80 138 111

HSL 152.07, 0.27%, 0.43%

LAB 52.98, -25.55, 8.58

 

CMYK 1 / 56 / 0 / 41

HEX #954397

RGB 149 67 151

HSL 298.57, 0.39%, 0.43%

LAB 42.21, 46.41, -30.73

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 0 / 56 / 28 / 41

HEX #97436C

RGB 151 67 108

HSL 330.71, 0.39%, 0.43%

LAB 40.7, 39.94, -6.72

 

CMYK 0 / 56 / 43 / 41

HEX #974356

RGB 151 67 86

HSL 346.43, 0.39%, 0.43%

LAB 40.02, 37.15, 6.02

 

CMYK 0 / 52 / 56 / 41

HEX #974843

RGB 151 72 67

HSL 3.57, 0.39%, 0.43%

LAB 40.6, 32.63, 18.62

 

CMYK 0 / 55 / 29 / 63

HEX #5E2A43

RGB 94 42 67

HSL 331.15, 0.38%, 0.27%

LAB 25.08, 26.96, -4.54

 

CMYK 0 / 55 / 29 / 52

HEX #7A3757

RGB 122 55 87

HSL 331.34, 0.38%, 0.35%

LAB 33.05, 33.09, -5.34

 

CMYK 0 / 56 / 29 / 41

HEX #97436B

RGB 151 67 107

HSL 331.43, 0.39%, 0.43%

LAB 40.66, 39.8, -6.15

 

CMYK 0 / 54 / 28 / 31

HEX #B1527F

RGB 177 82 127

HSL 331.58, 0.38%, 0.51%

LAB 48.15, 43.76, -6.8

 

CMYK 0 / 42 / 22 / 25

HEX #BE6F94

RGB 190 111 148

HSL 331.9, 0.38%, 0.59%

LAB 56.54, 36.12, -6.56

 

CMYK 0 / 55 / 29 / 41

HEX #96446B

RGB 150 68 107

HSL 331.46, 0.38%, 0.43%

LAB 40.7, 38.95, -6.11

 

CMYK 0 / 16 / 56 / 41

HEX #977F43

RGB 151 127 67

HSL 42.86, 0.39%, 0.43%

LAB 54.2, 1.43, 35.68

 

CMYK 56 / 7 / 0 / 41

HEX #438D97

RGB 67 141 151

HSL 187.14, 0.39%, 0.43%

LAB 54.53, -19.96, -12.33

 

CMYK 0 / 55 / 29 / 41

HEX #96446B

RGB 150 68 107

HSL 331.46, 0.38%, 0.43%

LAB 40.7, 38.95, -6.11

 

CMYK 28 / 0 / 56 / 41

HEX #6C9743

RGB 108 151 67

HSL 90.71, 0.39%, 0.43%

LAB 57.78, -29.47, 39.08

 

CMYK 56 / 28 / 0 / 41

HEX #436C97

RGB 67 108 151

HSL 210.71, 0.39%, 0.43%

LAB 44.45, -1.22, -27.78

 

CMYK 0 / 55 / 29 / 41

HEX #96446B

RGB 150 68 107

HSL 331.46, 0.38%, 0.43%

LAB 40.7, 38.95, -6.11

 

CMYK 0 / 16 / 56 / 41

HEX #977F43

RGB 151 127 67

HSL 42.86, 0.39%, 0.43%

LAB 54.2, 1.43, 35.68

 

CMYK 56 / 0 / 26 / 41

HEX #43976F

RGB 67 151 111

HSL 151.43, 0.39%, 0.43%

LAB 56.56, -35.25, 13.52

 

CMYK 56 / 40 / 0 / 41

HEX #435B97

RGB 67 91 151

HSL 222.86, 0.39%, 0.43%

LAB 39.43, 9.4, -35.68

 

CMYK 0 / 55 / 29 / 41

HEX #96446B

RGB 150 68 107

HSL 331.46, 0.38%, 0.43%

LAB 40.7, 38.95, -6.11

 

CMYK 1 / 0 / 56 / 41

HEX #959743

RGB 149 151 67

HSL 61.43, 0.39%, 0.43%

LAB 60.72, -12.58, 43.24

 

CMYK 56 / 0 / 26 / 41

HEX #43976F

RGB 67 151 111

HSL 151.43, 0.39%, 0.43%

LAB 56.56, -35.25, 13.52

 

CMYK 54 / 56 / 0 / 41

HEX #454397

RGB 69 67 151

HSL 241.43, 0.39%, 0.43%

LAB 32.95, 25.43, -46.03

 

Description

Color code: HEX #96446B | qconv.com Color code: HEX #96446B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 68 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 68 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 29 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 29% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - coneri (こねり)
Link: http://coneri.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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