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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9646A9 it is the complementary color #69B956. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9646A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9646A9 shade: #9B46A4, #AC58B7, #BD6ACA, #CE7CDD and #DF8EF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9646A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9646A9 shade: #9646A9, #853496, #742283, #631070 and #52005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9646A9 shade: #9646A8, #A846A1, #A84686, #A8466C and #A84651

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9646A9 shade: #9646A8, #7B46A8, #6146A8 and #4646A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9646A9 shade matches the following richer shades: #9646A8, #A233BC, #AE1FCF and #B90CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9646A9 shade: #9646A8, #8A5A95, #7E6D82, #72806E and #66945B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9646A9 shade: #6046A8, #7B46A8, #9546A8, #A846A2 and #A84688

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9646A9 shade: #622E6E, #7C3A8B, #9646A8, #A95DBB and #B87AC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9646A9 shade: #9646A9, #A84646 and #46A86E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9646A9 shade: #9646A9, #A89546 and #46A895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9646A9 shade: #9646A9, #A84646, #5AA846 and #46A8A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9646A9 shade: #9646A9, #A86446, #5AA846 and #468BA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 59 / 0 / 34

HEX #9646A9

RGB 150 70 169

HSL 288.48, 0.41%, 0.47%

LAB 43.84, 48.73, -38.9

 

Complementary color

CMYK 43 / 0 / 54 / 27

HEX #69B956

RGB 105 185 86

HSL 108.48, 0.41%, 0.53%

LAB 68.29, -43.6, 42.27

 

CMYK 5 / 57 / 0 / 36

HEX #9B46A4

RGB 155 70 164

HSL 294.26, 0.4%, 0.46%

LAB 44.27, 49.08, -35.2

 

CMYK 6 / 52 / 0 / 28

HEX #AC58B7

RGB 172 88 183

HSL 293.05, 0.4%, 0.53%

LAB 50.88, 48.51, -35.8

 

CMYK 6 / 48 / 0 / 21

HEX #BD6ACA

RGB 189 106 202

HSL 291.88, 0.48%, 0.6%

LAB 57.45, 47.81, -36.26

 

CMYK 7 / 44 / 0 / 13

HEX #CE7CDD

RGB 206 124 221

HSL 290.72, 0.59%, 0.68%

LAB 63.96, 47.07, -36.63

 

CMYK 7 / 41 / 0 / 6

HEX #DF8EF0

RGB 223 142 240

HSL 289.59, 0.77%, 0.75%

LAB 70.4, 46.32, -36.95

 

CMYK 11 / 59 / 0 / 34

HEX #9646A9

RGB 150 70 169

HSL 288.48, 0.41%, 0.47%

LAB 43.84, 48.73, -38.9

 

CMYK 11 / 65 / 0 / 41

HEX #853496

RGB 133 52 150

HSL 289.59, 0.49%, 0.4%

LAB 37.2, 49.1, -38.21

 

CMYK 11 / 74 / 0 / 49

HEX #742283

RGB 116 34 131

HSL 290.72, 0.59%, 0.32%

LAB 30.63, 48.94, -37.14

 

CMYK 12 / 86 / 0 / 56

HEX #631070

RGB 99 16 112

HSL 291.88, 0.75%, 0.25%

LAB 24.3, 47.73, -35.4

 

CMYK 12 / 100 / 0 / 64

HEX #52005D

RGB 82 0 93

HSL 292.9, 1%, 0.18%

LAB 18.29, 45.05, -32.78

 

CMYK 11 / 58 / 0 / 34

HEX #9646A8

RGB 150 70 168

HSL 288.98, 0.41%, 0.47%

LAB 43.79, 48.53, -38.39

 

CMYK 0 / 58 / 4 / 34

HEX #A846A1

RGB 168 70 161

HSL 304.29, 0.41%, 0.47%

LAB 46.01, 52.08, -30.55

 

CMYK 0 / 58 / 20 / 34

HEX #A84686

RGB 168 70 134

HSL 320.82, 0.41%, 0.47%

LAB 44.84, 47.72, -16.16

 

CMYK 0 / 58 / 36 / 34

HEX #A8466C

RGB 168 70 108

HSL 336.73, 0.41%, 0.47%

LAB 43.93, 44.18, -1.64

 

CMYK 0 / 58 / 52 / 34

HEX #A84651

RGB 168 70 81

HSL 353.27, 0.41%, 0.47%

LAB 43.21, 41.3, 13.99

 

CMYK 11 / 58 / 0 / 34

HEX #9646A8

RGB 150 70 168

HSL 288.98, 0.41%, 0.47%

LAB 43.79, 48.53, -38.39

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 42 / 58 / 0 / 34

HEX #6146A8

RGB 97 70 168

HSL 256.53, 0.41%, 0.47%

LAB 37.39, 35.11, -48.99

 

CMYK 58 / 58 / 0 / 34

HEX #4646A8

RGB 70 70 168

HSL 240, 0.41%, 0.47%

LAB 35.02, 29.39, -52.92

 

CMYK 11 / 58 / 0 / 34

HEX #9646A8

RGB 150 70 168

HSL 288.98, 0.41%, 0.47%

LAB 43.79, 48.53, -38.39

 

CMYK 14 / 73 / 0 / 26

HEX #A233BC

RGB 162 51 188

HSL 288.61, 0.57%, 0.47%

LAB 43.77, 63.42, -50.1

 

CMYK 16 / 85 / 0 / 19

HEX #AE1FCF

RGB 174 31 207

HSL 288.75, 0.74%, 0.47%

LAB 44.92, 74.83, -59.2

 

CMYK 19 / 95 / 0 / 11

HEX #B90CE3

RGB 185 12 227

HSL 288.28, 0.9%, 0.47%

LAB 47.14, 82.81, -66.98

 

CMYK 11 / 58 / 0 / 34

HEX #9646A8

RGB 150 70 168

HSL 288.98, 0.41%, 0.47%

LAB 43.79, 48.53, -38.39

 

CMYK 7 / 40 / 0 / 42

HEX #8A5A95

RGB 138 90 149

HSL 288.81, 0.25%, 0.47%

LAB 45.48, 30.22, -24.54

 

CMYK 3 / 16 / 0 / 49

HEX #7E6D82

RGB 126 109 130

HSL 288.57, 0.09%, 0.47%

LAB 48.24, 10.77, -9.11

 

CMYK 11 / 0 / 14 / 50

HEX #72806E

RGB 114 128 110

HSL 106.67, 0.08%, 0.47%

LAB 52, -8.79, 8.05

 

CMYK 31 / 0 / 39 / 42

HEX #66945B

RGB 102 148 91

HSL 108.42, 0.24%, 0.47%

LAB 56.84, -27.06, 25.29

 

CMYK 43 / 58 / 0 / 34

HEX #6046A8

RGB 96 70 168

HSL 255.92, 0.41%, 0.47%

LAB 37.29, 34.88, -49.15

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 11 / 58 / 0 / 34

HEX #9546A8

RGB 149 70 168

HSL 288.37, 0.41%, 0.47%

LAB 43.65, 48.26, -38.62

 

CMYK 0 / 58 / 4 / 34

HEX #A846A2

RGB 168 70 162

HSL 303.67, 0.41%, 0.47%

LAB 46.06, 52.26, -31.07

 

CMYK 0 / 58 / 19 / 34

HEX #A84688

RGB 168 70 136

HSL 319.59, 0.41%, 0.47%

LAB 44.92, 48.02, -17.25

 

CMYK 11 / 58 / 0 / 57

HEX #622E6E

RGB 98 46 110

HSL 288.75, 0.41%, 0.31%

LAB 28.58, 34.28, -27.3

 

CMYK 11 / 58 / 0 / 45

HEX #7C3A8B

RGB 124 58 139

HSL 288.89, 0.41%, 0.39%

LAB 36.32, 41.56, -32.97

 

CMYK 11 / 58 / 0 / 34

HEX #9646A8

RGB 150 70 168

HSL 288.98, 0.41%, 0.47%

LAB 43.79, 48.53, -38.39

 

CMYK 10 / 50 / 0 / 27

HEX #A95DBB

RGB 169 93 187

HSL 288.51, 0.41%, 0.55%

LAB 51.67, 45.88, -36.91

 

CMYK 8 / 39 / 0 / 22

HEX #B87AC7

RGB 184 122 199

HSL 288.31, 0.41%, 0.63%

LAB 60.1, 37.19, -30.48

 

CMYK 11 / 59 / 0 / 34

HEX #9646A9

RGB 150 70 169

HSL 288.48, 0.41%, 0.47%

LAB 43.84, 48.73, -38.9

 

CMYK 0 / 58 / 58 / 34

HEX #A84646

RGB 168 70 70

HSL 0, 0.41%, 0.47%

LAB 42.98, 40.37, 20.42

 

CMYK 58 / 0 / 35 / 34

HEX #46A86E

RGB 70 168 110

HSL 144.49, 0.41%, 0.47%

LAB 62.03, -42.22, 21.59

 

CMYK 11 / 59 / 0 / 34

HEX #9646A9

RGB 150 70 169

HSL 288.48, 0.41%, 0.47%

LAB 43.84, 48.73, -38.9

 

CMYK 0 / 11 / 58 / 34

HEX #A89546

RGB 168 149 70

HSL 48.37, 0.41%, 0.47%

LAB 61.88, -2.99, 43.56

 

CMYK 58 / 0 / 11 / 34

HEX #46A895

RGB 70 168 149

HSL 168.37, 0.41%, 0.47%

LAB 62.91, -33.35, 1.23

 

CMYK 11 / 59 / 0 / 34

HEX #9646A9

RGB 150 70 169

HSL 288.48, 0.41%, 0.47%

LAB 43.84, 48.73, -38.9

 

CMYK 0 / 58 / 58 / 34

HEX #A84646

RGB 168 70 70

HSL 0, 0.41%, 0.47%

LAB 42.98, 40.37, 20.42

 

CMYK 46 / 0 / 58 / 34

HEX #5AA846

RGB 90 168 70

HSL 107.76, 0.41%, 0.47%

LAB 62.19, -43, 42.55

 

CMYK 58 / 0 / 0 / 34

HEX #46A8A8

RGB 70 168 168

HSL 180, 0.41%, 0.47%

LAB 63.45, -28.23, -8.6

 

CMYK 11 / 59 / 0 / 34

HEX #9646A9

RGB 150 70 169

HSL 288.48, 0.41%, 0.47%

LAB 43.84, 48.73, -38.9

 

CMYK 0 / 40 / 58 / 34

HEX #A86446

RGB 168 100 70

HSL 18.37, 0.41%, 0.47%

LAB 49.35, 24.42, 28.57

 

CMYK 46 / 0 / 58 / 34

HEX #5AA846

RGB 90 168 70

HSL 107.76, 0.41%, 0.47%

LAB 62.19, -43, 42.55

 

CMYK 58 / 17 / 0 / 34

HEX #468BA8

RGB 70 139 168

HSL 197.76, 0.41%, 0.47%

LAB 54.65, -13.08, -21.92

 

Description

Color code: HEX #9646A9 | qconv.com Color code: HEX #9646A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 70 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 70 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 59 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 59% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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