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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #964953 it is the complementary color #69B6AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #964953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #964953 shade: #9B494E, #AC5B61, #BD6D74, #CE7F87 and #DF919A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #964953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #964953 shade: #964953, #853740, #74252D, #63131A and #520107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #964953 shade: #974853 and #974848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #964953 shade: #974853, #974868, #97487D, #974892 and #874897

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #964953 shade matches the following richer shades: #974853, #A93645, #BB2438, #CD122A and #E0001D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #964953 shade: #974853, #855B60, #736D6E, #617F7B and #4E9188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #964953 shade: #97487D, #974868, #974853, #975348 and #976848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #964953 shade: #5F2E34, #7B3B43, #974853, #AF5A65 and #BC757F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #964953 shade: #964953, #929748 and #487297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #964953 shade: #964953, #539748 and #485397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #964953 shade: #964953, #929748, #48978C and #4E4897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #964953 shade: #964953, #7A9748, #48978C and #654897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 45 / 41

HEX #964953

RGB 150 73 83

HSL 352.21, 0.35%, 0.44%

LAB 41.01, 33.29, 9.27

 

Complementary color

CMYK 42 / 0 / 5 / 29

HEX #69B6AC

RGB 105 182 172

HSL 172.21, 0.35%, 0.56%

LAB 69.07, -26.24, -2.37

 

CMYK 0 / 53 / 50 / 39

HEX #9B494E

RGB 155 73 78

HSL 356.34, 0.36%, 0.45%

LAB 41.66, 34.68, 13.38

 

CMYK 0 / 47 / 44 / 33

HEX #AC5B61

RGB 172 91 97

HSL 355.56, 0.33%, 0.52%

LAB 48.41, 33.57, 11.55

 

CMYK 0 / 42 / 39 / 26

HEX #BD6D74

RGB 189 109 116

HSL 354.75, 0.38%, 0.58%

LAB 55.09, 32.52, 10.02

 

CMYK 0 / 38 / 34 / 19

HEX #CE7F87

RGB 206 127 135

HSL 353.92, 0.45%, 0.65%

LAB 61.7, 31.54, 8.7

 

CMYK 0 / 35 / 31 / 13

HEX #DF919A

RGB 223 145 154

HSL 353.08, 0.55%, 0.72%

LAB 68.22, 30.65, 7.54

 

CMYK 0 / 51 / 45 / 41

HEX #964953

RGB 150 73 83

HSL 352.21, 0.35%, 0.44%

LAB 41.01, 33.29, 9.27

 

CMYK 0 / 59 / 52 / 48

HEX #853740

RGB 133 55 64

HSL 353.08, 0.41%, 0.37%

LAB 34.17, 34.34, 11.33

 

CMYK 0 / 68 / 61 / 55

HEX #74252D

RGB 116 37 45

HSL 353.92, 0.52%, 0.3%

LAB 27.37, 35.23, 14.02

 

CMYK 0 / 81 / 74 / 61

HEX #63131A

RGB 99 19 26

HSL 354.75, 0.68%, 0.23%

LAB 20.8, 35.53, 17.73

 

CMYK 0 / 99 / 91 / 68

HEX #520107

RGB 82 1 7

HSL 355.56, 0.98%, 0.16%

LAB 14.57, 35.02, 19.86

 

CMYK 0 / 52 / 45 / 41

HEX #974853

RGB 151 72 83

HSL 351.65, 0.35%, 0.44%

LAB 40.96, 34.21, 9.21

 

CMYK 0 / 52 / 52 / 41

HEX #974848

RGB 151 72 72

HSL 0, 0.35%, 0.44%

LAB 40.71, 33.08, 15.68

 

CMYK 0 / 52 / 45 / 41

HEX #974853

RGB 151 72 83

HSL 351.65, 0.35%, 0.44%

LAB 40.96, 34.21, 9.21

 

CMYK 0 / 52 / 31 / 41

HEX #974868

RGB 151 72 104

HSL 335.7, 0.35%, 0.44%

LAB 41.55, 36.8, -2.97

 

CMYK 0 / 52 / 17 / 41

HEX #97487D

RGB 151 72 125

HSL 319.75, 0.35%, 0.44%

LAB 42.3, 39.94, -14.78

 

CMYK 0 / 52 / 3 / 41

HEX #974892

RGB 151 72 146

HSL 303.8, 0.35%, 0.44%

LAB 43.2, 43.56, -26.16

 

CMYK 11 / 52 / 0 / 41

HEX #874897

RGB 135 72 151

HSL 287.85, 0.35%, 0.44%

LAB 41.25, 39.81, -32.38

 

CMYK 0 / 52 / 45 / 41

HEX #974853

RGB 151 72 83

HSL 351.65, 0.35%, 0.44%

LAB 40.96, 34.21, 9.21

 

CMYK 0 / 68 / 59 / 34

HEX #A93645

RGB 169 54 69

HSL 352.17, 0.52%, 0.44%

LAB 40.42, 47.93, 17.68

 

CMYK 0 / 81 / 70 / 27

HEX #BB2438

RGB 187 36 56

HSL 352.05, 0.68%, 0.44%

LAB 41.39, 58.85, 27.68

 

CMYK 0 / 91 / 80 / 20

HEX #CD122A

RGB 205 18 42

HSL 352.3, 0.84%, 0.44%

LAB 43.62, 66.79, 39.5

 

CMYK 0 / 100 / 87 / 12

HEX #E0001D

RGB 224 0 29

HSL 352.23, 1%, 0.44%

LAB 46.89, 72.95, 50.79

 

CMYK 0 / 52 / 45 / 41

HEX #974853

RGB 151 72 83

HSL 351.65, 0.35%, 0.44%

LAB 40.96, 34.21, 9.21

 

CMYK 0 / 32 / 28 / 48

HEX #855B60

RGB 133 91 96

HSL 352.86, 0.19%, 0.44%

LAB 43.23, 18.01, 4.1

 

CMYK 0 / 5 / 4 / 55

HEX #736D6E

RGB 115 109 110

HSL 350, 0.03%, 0.44%

LAB 46.59, 2.53, 0.27

 

CMYK 24 / 0 / 3 / 50

HEX #617F7B

RGB 97 127 123

HSL 172, 0.13%, 0.44%

LAB 50.86, -11.58, -1.34

 

CMYK 46 / 0 / 6 / 43

HEX #4E9188

RGB 78 145 136

HSL 171.94, 0.3%, 0.44%

LAB 55.73, -23.61, -1.85

 

CMYK 0 / 52 / 17 / 41

HEX #97487D

RGB 151 72 125

HSL 319.75, 0.35%, 0.44%

LAB 42.3, 39.94, -14.78

 

CMYK 0 / 52 / 31 / 41

HEX #974868

RGB 151 72 104

HSL 335.7, 0.35%, 0.44%

LAB 41.55, 36.8, -2.97

 

CMYK 0 / 52 / 45 / 41

HEX #974853

RGB 151 72 83

HSL 351.65, 0.35%, 0.44%

LAB 40.96, 34.21, 9.21

 

CMYK 0 / 45 / 52 / 41

HEX #975348

RGB 151 83 72

HSL 8.35, 0.35%, 0.44%

LAB 43.11, 27.05, 18.9

 

CMYK 0 / 31 / 52 / 41

HEX #976848

RGB 151 104 72

HSL 24.3, 0.35%, 0.44%

LAB 48.19, 15.05, 25.52

 

CMYK 0 / 52 / 45 / 63

HEX #5F2E34

RGB 95 46 52

HSL 352.65, 0.35%, 0.28%

LAB 25.67, 22.92, 6.42

 

CMYK 0 / 52 / 46 / 52

HEX #7B3B43

RGB 123 59 67

HSL 352.5, 0.35%, 0.36%

LAB 33.44, 28.65, 8.15

 

CMYK 0 / 52 / 45 / 41

HEX #974853

RGB 151 72 83

HSL 351.65, 0.35%, 0.44%

LAB 40.96, 34.21, 9.21

 

CMYK 0 / 49 / 42 / 31

HEX #AF5A65

RGB 175 90 101

HSL 352.24, 0.35%, 0.52%

LAB 48.72, 35.68, 9.65

 

CMYK 0 / 38 / 32 / 26

HEX #BC757F

RGB 188 117 127

HSL 351.55, 0.35%, 0.6%

LAB 57.02, 29.16, 6.34

 

CMYK 0 / 51 / 45 / 41

HEX #964953

RGB 150 73 83

HSL 352.21, 0.35%, 0.44%

LAB 41.01, 33.29, 9.27

 

CMYK 3 / 0 / 52 / 41

HEX #929748

RGB 146 151 72

HSL 63.8, 0.35%, 0.44%

LAB 60.53, -13.43, 40.51

 

CMYK 52 / 25 / 0 / 41

HEX #487297

RGB 72 114 151

HSL 208.1, 0.35%, 0.44%

LAB 46.51, -3.65, -24.57

 

CMYK 0 / 51 / 45 / 41

HEX #964953

RGB 150 73 83

HSL 352.21, 0.35%, 0.44%

LAB 41.01, 33.29, 9.27

 

CMYK 45 / 0 / 52 / 41

HEX #539748

RGB 83 151 72

HSL 111.65, 0.35%, 0.44%

LAB 56.53, -37.67, 34.76

 

CMYK 52 / 45 / 0 / 41

HEX #485397

RGB 72 83 151

HSL 231.65, 0.35%, 0.44%

LAB 37.48, 15.72, -38.76

 

CMYK 0 / 51 / 45 / 41

HEX #964953

RGB 150 73 83

HSL 352.21, 0.35%, 0.44%

LAB 41.01, 33.29, 9.27

 

CMYK 3 / 0 / 52 / 41

HEX #929748

RGB 146 151 72

HSL 63.8, 0.35%, 0.44%

LAB 60.53, -13.43, 40.51

 

CMYK 52 / 0 / 7 / 41

HEX #48978C

RGB 72 151 140

HSL 171.65, 0.35%, 0.44%

LAB 57.47, -27.05, -1.63

 

CMYK 48 / 52 / 0 / 41

HEX #4E4897

RGB 78 72 151

HSL 244.56, 0.35%, 0.44%

LAB 34.98, 24.25, -42.73

 

CMYK 0 / 51 / 45 / 41

HEX #964953

RGB 150 73 83

HSL 352.21, 0.35%, 0.44%

LAB 41.01, 33.29, 9.27

 

CMYK 19 / 0 / 52 / 41

HEX #7A9748

RGB 122 151 72

HSL 82.03, 0.35%, 0.44%

LAB 58.73, -23.43, 37.94

 

CMYK 52 / 0 / 7 / 41

HEX #48978C

RGB 72 151 140

HSL 171.65, 0.35%, 0.44%

LAB 57.47, -27.05, -1.63

 

CMYK 33 / 52 / 0 / 41

HEX #654897

RGB 101 72 151

HSL 262.03, 0.35%, 0.44%

LAB 37.18, 30.16, -39.08

 

Description

Color code: HEX #964953 | qconv.com Color code: HEX #964953 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 73 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 73 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 45 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 45% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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