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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9643B3 it is the complementary color #69BC4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9643B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9643B3 shade: #9B43AE, #AC55C1, #BD67D4, #CE79E7 and #DF8BFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9643B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9643B3 shade: #9643B3, #8531A0, #741F8D, #630D7A and #520067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9643B3 shade: #9542B2, #B242B1, #B24293, #B24274 and #B24256

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9643B3 shade: #9542B2, #7742B2, #5842B2 and #4242B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9643B3 shade matches the following richer shades: #9542B2, #9F2EC6, #A81ADA and #B206EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9643B3 shade: #9542B2, #8B559E, #82698B, #787D77 and #6F9163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9643B3 shade: #5842B2, #7642B2, #9442B2, #B242B2 and #B24294

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9643B3 shade: #632B76, #7C3694, #9542B2, #A75BC2 and #B779CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9643B3 shade: #9643B3, #B24249 and #42B267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9643B3 shade: #9643B3, #B29442 and #42B294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9643B3 shade: #9643B3, #B24249, #60B242 and #42B2AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9643B3 shade: #9643B3, #B25C42, #60B242 and #4298B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 63 / 0 / 30

HEX #9643B3

RGB 150 67 179

HSL 284.46, 0.46%, 0.48%

LAB 43.88, 52.23, -44.75

 

Complementary color

CMYK 44 / 0 / 60 / 26

HEX #69BC4C

RGB 105 188 76

HSL 104.46, 0.46%, 0.52%

LAB 69.11, -45.99, 47.91

 

CMYK 11 / 61 / 0 / 32

HEX #9B43AE

RGB 155 67 174

HSL 289.35, 0.44%, 0.47%

LAB 44.29, 52.46, -41.1

 

CMYK 11 / 56 / 0 / 24

HEX #AC55C1

RGB 172 85 193

HSL 288.33, 0.47%, 0.55%

LAB 50.82, 51.97, -41.68

 

CMYK 11 / 51 / 0 / 17

HEX #BD67D4

RGB 189 103 212

HSL 287.34, 0.56%, 0.62%

LAB 57.34, 51.31, -42.11

 

CMYK 11 / 48 / 0 / 9

HEX #CE79E7

RGB 206 121 231

HSL 286.36, 0.7%, 0.69%

LAB 63.81, 50.59, -42.44

 

CMYK 11 / 44 / 0 / 2

HEX #DF8BFA

RGB 223 139 250

HSL 285.41, 0.92%, 0.76%

LAB 70.21, 49.83, -42.71

 

CMYK 16 / 63 / 0 / 30

HEX #9643B3

RGB 150 67 179

HSL 284.46, 0.46%, 0.48%

LAB 43.88, 52.23, -44.75

 

CMYK 17 / 69 / 0 / 37

HEX #8531A0

RGB 133 49 160

HSL 285.41, 0.53%, 0.41%

LAB 37.34, 52.45, -44.03

 

CMYK 18 / 78 / 0 / 45

HEX #741F8D

RGB 116 31 141

HSL 286.36, 0.64%, 0.34%

LAB 30.92, 52.04, -42.9

 

CMYK 19 / 89 / 0 / 52

HEX #630D7A

RGB 99 13 122

HSL 287.34, 0.81%, 0.26%

LAB 24.78, 50.43, -41.03

 

CMYK 20 / 100 / 0 / 60

HEX #520067

RGB 82 0 103

HSL 287.77, 1%, 0.2%

LAB 19.11, 46.94, -38.08

 

CMYK 16 / 63 / 0 / 30

HEX #9542B2

RGB 149 66 178

HSL 284.46, 0.46%, 0.48%

LAB 43.51, 52.25, -44.75

 

CMYK 0 / 63 / 1 / 30

HEX #B242B1

RGB 178 66 177

HSL 300.54, 0.46%, 0.48%

LAB 47.67, 59.22, -37.3

 

CMYK 0 / 63 / 17 / 30

HEX #B24293

RGB 178 66 147

HSL 316.61, 0.46%, 0.48%

LAB 46.27, 54.4, -21.68

 

CMYK 0 / 63 / 35 / 30

HEX #B24274

RGB 178 66 116

HSL 333.21, 0.46%, 0.48%

LAB 45.11, 50.23, -4.62

 

CMYK 0 / 63 / 52 / 30

HEX #B24256

RGB 178 66 86

HSL 349.29, 0.46%, 0.48%

LAB 44.28, 47.11, 12.64

 

CMYK 16 / 63 / 0 / 30

HEX #9542B2

RGB 149 66 178

HSL 284.46, 0.46%, 0.48%

LAB 43.51, 52.25, -44.75

 

CMYK 33 / 63 / 0 / 30

HEX #7742B2

RGB 119 66 178

HSL 268.39, 0.46%, 0.48%

LAB 39.64, 45.14, -51.18

 

CMYK 51 / 63 / 0 / 30

HEX #5842B2

RGB 88 66 178

HSL 251.79, 0.46%, 0.48%

LAB 36.34, 38.51, -56.67

 

CMYK 63 / 63 / 0 / 30

HEX #4242B2

RGB 66 66 178

HSL 240, 0.46%, 0.48%

LAB 34.54, 34.6, -59.68

 

CMYK 16 / 63 / 0 / 30

HEX #9542B2

RGB 149 66 178

HSL 284.46, 0.46%, 0.48%

LAB 43.51, 52.25, -44.75

 

CMYK 20 / 77 / 0 / 22

HEX #9F2EC6

RGB 159 46 198

HSL 284.61, 0.62%, 0.48%

LAB 43.36, 66.47, -56.61

 

CMYK 23 / 88 / 0 / 15

HEX #A81ADA

RGB 168 26 218

HSL 284.38, 0.79%, 0.48%

LAB 44.41, 76.88, -66.39

 

CMYK 25 / 97 / 0 / 7

HEX #B206EE

RGB 178 6 238

HSL 284.48, 0.95%, 0.48%

LAB 46.67, 84.32, -74.02

 

CMYK 16 / 63 / 0 / 30

HEX #9542B2

RGB 149 66 178

HSL 284.46, 0.46%, 0.48%

LAB 43.51, 52.25, -44.75

 

CMYK 12 / 46 / 0 / 38

HEX #8B559E

RGB 139 85 158

HSL 284.38, 0.3%, 0.48%

LAB 44.88, 35.32, -30.83

 

CMYK 6 / 24 / 0 / 45

HEX #82698B

RGB 130 105 139

HSL 284.12, 0.14%, 0.48%

LAB 47.9, 16.52, -14.95

 

CMYK 4 / 0 / 5 / 51

HEX #787D77

RGB 120 125 119

HSL 110, 0.02%, 0.48%

LAB 51.83, -3.07, 2.61

 

CMYK 23 / 0 / 32 / 43

HEX #6F9163

RGB 111 145 99

HSL 104.35, 0.19%, 0.48%

LAB 56.62, -20.99, 20.68

 

CMYK 51 / 63 / 0 / 30

HEX #5842B2

RGB 88 66 178

HSL 251.79, 0.46%, 0.48%

LAB 36.34, 38.51, -56.67

 

CMYK 34 / 63 / 0 / 30

HEX #7642B2

RGB 118 66 178

HSL 267.86, 0.46%, 0.48%

LAB 39.52, 44.91, -51.37

 

CMYK 17 / 63 / 0 / 30

HEX #9442B2

RGB 148 66 178

HSL 283.93, 0.46%, 0.48%

LAB 43.37, 52, -44.98

 

CMYK 0 / 63 / 0 / 30

HEX #B242B2

RGB 178 66 178

HSL 300, 0.46%, 0.48%

LAB 47.72, 59.39, -37.8

 

CMYK 0 / 63 / 17 / 30

HEX #B24294

RGB 178 66 148

HSL 316.07, 0.46%, 0.48%

LAB 46.31, 54.55, -22.21

 

CMYK 16 / 64 / 0 / 54

HEX #632B76

RGB 99 43 118

HSL 284.8, 0.47%, 0.32%

LAB 28.61, 37.94, -32.33

 

CMYK 16 / 64 / 0 / 42

HEX #7C3694

RGB 124 54 148

HSL 284.68, 0.47%, 0.4%

LAB 36.1, 45.48, -38.81

 

CMYK 16 / 63 / 0 / 30

HEX #9542B2

RGB 149 66 178

HSL 284.46, 0.46%, 0.48%

LAB 43.51, 52.25, -44.75

 

CMYK 14 / 53 / 0 / 24

HEX #A75BC2

RGB 167 91 194

HSL 284.27, 0.46%, 0.56%

LAB 51.37, 47.8, -41.43

 

CMYK 11 / 41 / 0 / 20

HEX #B779CD

RGB 183 121 205

HSL 284.29, 0.46%, 0.64%

LAB 60.02, 38.66, -34

 

CMYK 16 / 63 / 0 / 30

HEX #9643B3

RGB 150 67 179

HSL 284.46, 0.46%, 0.48%

LAB 43.88, 52.23, -44.75

 

CMYK 0 / 63 / 59 / 30

HEX #B24249

RGB 178 66 73

HSL 356.25, 0.46%, 0.48%

LAB 44.01, 46.06, 20.25

 

CMYK 63 / 0 / 42 / 30

HEX #42B267

RGB 66 178 103

HSL 139.82, 0.46%, 0.48%

LAB 64.95, -48.49, 29.18

 

CMYK 16 / 63 / 0 / 30

HEX #9643B3

RGB 150 67 179

HSL 284.46, 0.46%, 0.48%

LAB 43.88, 52.23, -44.75

 

CMYK 0 / 17 / 63 / 30

HEX #B29442

RGB 178 148 66

HSL 43.93, 0.46%, 0.48%

LAB 62.54, 1.65, 46.5

 

CMYK 63 / 0 / 17 / 30

HEX #42B294

RGB 66 178 148

HSL 163.93, 0.46%, 0.48%

LAB 65.86, -38.95, 6.03

 

CMYK 16 / 63 / 0 / 30

HEX #9643B3

RGB 150 67 179

HSL 284.46, 0.46%, 0.48%

LAB 43.88, 52.23, -44.75

 

CMYK 0 / 63 / 59 / 30

HEX #B24249

RGB 178 66 73

HSL 356.25, 0.46%, 0.48%

LAB 44.01, 46.06, 20.25

 

CMYK 46 / 0 / 63 / 30

HEX #60B242

RGB 96 178 66

HSL 103.93, 0.46%, 0.48%

LAB 65.53, -45.7, 48.25

 

CMYK 63 / 0 / 4 / 30

HEX #42B2AB

RGB 66 178 171

HSL 176.25, 0.46%, 0.48%

LAB 66.47, -32.93, -5.8

 

CMYK 16 / 63 / 0 / 30

HEX #9643B3

RGB 150 67 179

HSL 284.46, 0.46%, 0.48%

LAB 43.88, 52.23, -44.75

 

CMYK 0 / 48 / 63 / 30

HEX #B25C42

RGB 178 92 66

HSL 13.93, 0.46%, 0.48%

LAB 48.9, 32.61, 30.6

 

CMYK 46 / 0 / 63 / 30

HEX #60B242

RGB 96 178 66

HSL 103.93, 0.46%, 0.48%

LAB 65.53, -45.7, 48.25

 

CMYK 63 / 15 / 0 / 30

HEX #4298B2

RGB 66 152 178

HSL 193.93, 0.46%, 0.48%

LAB 58.82, -17.78, -21.26

 

Description

Color code: HEX #9643B3 | qconv.com Color code: HEX #9643B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 67 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 67 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 63 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 63% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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