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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #964E44 it is the complementary color #69B1BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #964E44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #964E44 shade: #9B4E3F, #AC6052, #BD7265, #CE8478 and #DF968B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #964E44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #964E44 shade: #964E44, #853C31, #742A1E, #63180B and #520600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #964E44 shade: #974E43 and #974343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #964E44 shade: #974E43, #976443, #977B43, #979143 and #869743

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #964E44 shade matches the following richer shades: #974E43, #A94032, #BA3320 and #CC250E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #964E44 shade: #974E43, #855B55, #736867, #627679 and #50838A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #964E44 shade: #974366, #974350, #974D43, #976343 and #977A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #964E44 shade: #5E302A, #7A3F37, #974E43, #B15E52 and #BE796F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #964E44 shade: #964E44, #7C9743 and #435B97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #964E44 shade: #964E44, #43974D and #4D4397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #964E44 shade: #964E44, #7C9743, #438D97 and #5E4397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #964E44 shade: #964E44, #639743, #438D97 and #774397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 55 / 41

HEX #964E44

RGB 150 78 68

HSL 7.32, 0.38%, 0.43%

LAB 41.77, 29.05, 19.51

 

Complementary color

CMYK 44 / 5 / 0 / 27

HEX #69B1BB

RGB 105 177 187

HSL 187.32, 0.38%, 0.57%

LAB 68.05, -19.89, -12.17

 

CMYK 0 / 50 / 59 / 39

HEX #9B4E3F

RGB 155 78 63

HSL 9.78, 0.42%, 0.43%

LAB 42.42, 30.65, 23.52

 

CMYK 0 / 44 / 52 / 33

HEX #AC6052

RGB 172 96 82

HSL 9.33, 0.35%, 0.5%

LAB 49.19, 29.33, 21.53

 

CMYK 0 / 40 / 47 / 26

HEX #BD7265

RGB 189 114 101

HSL 8.86, 0.4%, 0.57%

LAB 55.88, 28.14, 19.82

 

CMYK 0 / 36 / 42 / 19

HEX #CE8478

RGB 206 132 120

HSL 8.37, 0.47%, 0.64%

LAB 62.49, 27.07, 18.34

 

CMYK 0 / 33 / 38 / 13

HEX #DF968B

RGB 223 150 139

HSL 7.86, 0.57%, 0.71%

LAB 69.01, 26.12, 17.02

 

CMYK 0 / 48 / 55 / 41

HEX #964E44

RGB 150 78 68

HSL 7.32, 0.38%, 0.43%

LAB 41.77, 29.05, 19.51

 

CMYK 0 / 55 / 63 / 48

HEX #853C31

RGB 133 60 49

HSL 7.86, 0.46%, 0.36%

LAB 34.88, 30.41, 21.74

 

CMYK 0 / 64 / 74 / 55

HEX #742A1E

RGB 116 42 30

HSL 8.37, 0.59%, 0.29%

LAB 28.01, 31.8, 24.5

 

CMYK 0 / 76 / 89 / 61

HEX #63180B

RGB 99 24 11

HSL 8.86, 0.8%, 0.22%

LAB 21.32, 32.91, 27.21

 

CMYK 0 / 93 / 100 / 68

HEX #520600

RGB 82 6 0

HSL 4.39, 1%, 0.16%

LAB 15.08, 33.07, 23.37

 

CMYK 0 / 48 / 56 / 41

HEX #974E43

RGB 151 78 67

HSL 7.86, 0.39%, 0.43%

LAB 41.9, 29.37, 20.32

 

CMYK 0 / 56 / 56 / 41

HEX #974343

RGB 151 67 67

HSL 0, 0.39%, 0.43%

LAB 39.58, 35.26, 17.26

 

CMYK 0 / 48 / 56 / 41

HEX #974E43

RGB 151 78 67

HSL 7.86, 0.39%, 0.43%

LAB 41.9, 29.37, 20.32

 

CMYK 0 / 34 / 56 / 41

HEX #976443

RGB 151 100 67

HSL 23.57, 0.39%, 0.43%

LAB 47.1, 16.89, 26.99

 

CMYK 0 / 19 / 56 / 41

HEX #977B43

RGB 151 123 67

HSL 40, 0.39%, 0.43%

LAB 53.11, 3.69, 34.38

 

CMYK 0 / 4 / 56 / 41

HEX #979143

RGB 151 145 67

HSL 55.71, 0.39%, 0.43%

LAB 59.19, -8.51, 41.54

 

CMYK 11 / 0 / 56 / 41

HEX #869743

RGB 134 151 67

HSL 72.14, 0.39%, 0.43%

LAB 59.53, -18.99, 41.57

 

CMYK 0 / 48 / 56 / 41

HEX #974E43

RGB 151 78 67

HSL 7.86, 0.39%, 0.43%

LAB 41.9, 29.37, 20.32

 

CMYK 0 / 62 / 70 / 34

HEX #A94032

RGB 169 64 50

HSL 7.06, 0.54%, 0.43%

LAB 41.74, 42.3, 30.87

 

CMYK 0 / 73 / 83 / 27

HEX #BA3320

RGB 186 51 32

HSL 7.4, 0.71%, 0.43%

LAB 42.63, 52.86, 42.65

 

CMYK 0 / 82 / 93 / 20

HEX #CC250E

RGB 204 37 14

HSL 7.26, 0.87%, 0.43%

LAB 44.51, 62.27, 53.34

 

CMYK 0 / 48 / 56 / 41

HEX #974E43

RGB 151 78 67

HSL 7.86, 0.39%, 0.43%

LAB 41.9, 29.37, 20.32

 

CMYK 0 / 32 / 36 / 48

HEX #855B55

RGB 133 91 85

HSL 7.5, 0.22%, 0.43%

LAB 42.95, 16.43, 10.41

 

CMYK 0 / 10 / 10 / 55

HEX #736867

RGB 115 104 103

HSL 5, 0.06%, 0.43%

LAB 44.98, 4.14, 2.13

 

CMYK 19 / 2 / 0 / 53

HEX #627679

RGB 98 118 121

HSL 187.83, 0.11%, 0.43%

LAB 48.18, -6.62, -4.11

 

CMYK 42 / 5 / 0 / 46

HEX #50838A

RGB 80 131 138

HSL 187.24, 0.27%, 0.43%

LAB 51.58, -15.15, -9.16

 

CMYK 0 / 56 / 32 / 41

HEX #974366

RGB 151 67 102

HSL 335, 0.39%, 0.43%

LAB 40.5, 39.12, -3.29

 

CMYK 0 / 56 / 47 / 41

HEX #974350

RGB 151 67 80

HSL 350.71, 0.39%, 0.43%

LAB 39.87, 36.5, 9.56

 

CMYK 0 / 49 / 56 / 41

HEX #974D43

RGB 151 77 67

HSL 7.14, 0.39%, 0.43%

LAB 41.68, 29.92, 20.03

 

CMYK 0 / 34 / 56 / 41

HEX #976343

RGB 151 99 67

HSL 22.86, 0.39%, 0.43%

LAB 46.85, 17.47, 26.68

 

CMYK 0 / 19 / 56 / 41

HEX #977A43

RGB 151 122 67

HSL 39.29, 0.39%, 0.43%

LAB 52.84, 4.25, 34.06

 

CMYK 0 / 49 / 55 / 63

HEX #5E302A

RGB 94 48 42

HSL 6.92, 0.38%, 0.27%

LAB 25.75, 20.15, 13.16

 

CMYK 0 / 48 / 55 / 52

HEX #7A3F37

RGB 122 63 55

HSL 7.16, 0.38%, 0.35%

LAB 33.92, 24.7, 16.41

 

CMYK 0 / 48 / 56 / 41

HEX #974E43

RGB 151 78 67

HSL 7.86, 0.39%, 0.43%

LAB 41.9, 29.37, 20.32

 

CMYK 0 / 47 / 54 / 31

HEX #B15E52

RGB 177 94 82

HSL 7.58, 0.38%, 0.51%

LAB 49.45, 32.41, 22

 

CMYK 0 / 36 / 42 / 25

HEX #BE796F

RGB 190 121 111

HSL 7.59, 0.38%, 0.59%

LAB 57.82, 25.78, 16.73

 

CMYK 0 / 48 / 55 / 41

HEX #964E44

RGB 150 78 68

HSL 7.32, 0.38%, 0.43%

LAB 41.77, 29.05, 19.51

 

CMYK 18 / 0 / 56 / 41

HEX #7C9743

RGB 124 151 67

HSL 79.29, 0.39%, 0.43%

LAB 58.81, -23.13, 40.55

 

CMYK 56 / 40 / 0 / 41

HEX #435B97

RGB 67 91 151

HSL 222.86, 0.39%, 0.43%

LAB 39.43, 9.4, -35.68

 

CMYK 0 / 48 / 55 / 41

HEX #964E44

RGB 150 78 68

HSL 7.32, 0.38%, 0.43%

LAB 41.77, 29.05, 19.51

 

CMYK 56 / 0 / 49 / 41

HEX #43974D

RGB 67 151 77

HSL 127.14, 0.39%, 0.43%

LAB 55.95, -41.61, 31.32

 

CMYK 49 / 56 / 0 / 41

HEX #4D4397

RGB 77 67 151

HSL 247.14, 0.39%, 0.43%

LAB 33.62, 27.2, -44.92

 

CMYK 0 / 48 / 55 / 41

HEX #964E44

RGB 150 78 68

HSL 7.32, 0.38%, 0.43%

LAB 41.77, 29.05, 19.51

 

CMYK 18 / 0 / 56 / 41

HEX #7C9743

RGB 124 151 67

HSL 79.29, 0.39%, 0.43%

LAB 58.81, -23.13, 40.55

 

CMYK 56 / 7 / 0 / 41

HEX #438D97

RGB 67 141 151

HSL 187.14, 0.39%, 0.43%

LAB 54.53, -19.96, -12.33

 

CMYK 38 / 56 / 0 / 41

HEX #5E4397

RGB 94 67 151

HSL 259.29, 0.39%, 0.43%

LAB 35.26, 31.34, -42.2

 

CMYK 0 / 48 / 55 / 41

HEX #964E44

RGB 150 78 68

HSL 7.32, 0.38%, 0.43%

LAB 41.77, 29.05, 19.51

 

CMYK 34 / 0 / 56 / 41

HEX #639743

RGB 99 151 67

HSL 97.14, 0.39%, 0.43%

LAB 57.26, -32.83, 38.35

 

CMYK 56 / 7 / 0 / 41

HEX #438D97

RGB 67 141 151

HSL 187.14, 0.39%, 0.43%

LAB 54.53, -19.96, -12.33

 

CMYK 21 / 56 / 0 / 41

HEX #774397

RGB 119 67 151

HSL 277.14, 0.39%, 0.43%

LAB 38.15, 38.01, -37.42

 

Description

Color code: HEX #964E44 | qconv.com Color code: HEX #964E44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 78 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 78 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 55 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 55% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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