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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #965DCA it is the complementary color #69A235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #965DCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #965DCA shade: #9B5DC5, #AC6FD8, #BD81EB, #CE93FE and #DFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #965DCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #965DCA shade: #965DCA, #854BB7, #7439A4, #632791 and #52157E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #965DCA shade: #965DCA, #B35DCA, #CA5DC3, #CA5DA6 and #CA5D88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #965DCA shade: #965DCA, #785DCA and #5D5DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #965DCA shade matches the following richer shades: #965DCA, #974BDB, #983AED and #9829FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #965DCA shade: #965DCA, #956EB9, #947FA7, #949196 and #93A285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #965DCA shade: #5D5FCA, #785DCA, #955DCA, #B25DCA and #CA5DC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #965DCA shade: #6D34A1, #823EC0, #965DCA, #AA7CD4 and #BE9BDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #965DCA shade: #965DCA, #CA5D7C and #5DCA6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #965DCA shade: #965DCA, #CA955D and #5DCA95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #965DCA shade: #965DCA, #CA5D7C, #92CA5D and #5DCAAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #965DCA shade: #965DCA, #CA5F5D, #92CA5D and #5DC8CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

Complementary color

CMYK 35 / 0 / 67 / 36

HEX #69A235

RGB 105 162 53

HSL 91.38, 0.51%, 0.42%

LAB 60.87, -37.01, 48.9

 

CMYK 21 / 53 / 0 / 23

HEX #9B5DC5

RGB 155 93 197

HSL 275.77, 0.47%, 0.57%

LAB 50.49, 44.16, -44.66

 

CMYK 20 / 49 / 0 / 15

HEX #AC6FD8

RGB 172 111 216

HSL 274.86, 0.57%, 0.64%

LAB 57.17, 43.31, -44.77

 

CMYK 20 / 45 / 0 / 8

HEX #BD81EB

RGB 189 129 235

HSL 273.96, 0.73%, 0.71%

LAB 63.77, 42.47, -44.85

 

CMYK 19 / 42 / 0 / 0

HEX #CE93FE

RGB 206 147 254

HSL 273.08, 0.98%, 0.79%

LAB 70.28, 41.66, -44.92

 

CMYK 13 / 35 / 0 / 0

HEX #DFA5FF

RGB 223 165 255

HSL 278.67, 1%, 0.82%

LAB 75.96, 37.12, -36.48

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 27 / 59 / 0 / 28

HEX #854BB7

RGB 133 75 183

HSL 272.22, 0.43%, 0.51%

LAB 43.42, 44.9, -47.96

 

CMYK 29 / 65 / 0 / 36

HEX #7439A4

RGB 116 57 164

HSL 273.08, 0.48%, 0.43%

LAB 36.59, 45.69, -47.76

 

CMYK 32 / 73 / 0 / 43

HEX #632791

RGB 99 39 145

HSL 273.96, 0.58%, 0.36%

LAB 29.78, 46.19, -47.33

 

CMYK 35 / 83 / 0 / 51

HEX #52157E

RGB 82 21 126

HSL 274.86, 0.71%, 0.29%

LAB 23.12, 45.95, -46.39

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 11 / 54 / 0 / 21

HEX #B35DCA

RGB 179 93 202

HSL 287.34, 0.51%, 0.58%

LAB 53.68, 51.65, -42.28

 

CMYK 0 / 54 / 3 / 21

HEX #CA5DC3

RGB 202 93 195

HSL 303.85, 0.51%, 0.58%

LAB 56.41, 56.61, -33.77

 

CMYK 0 / 54 / 18 / 21

HEX #CA5DA6

RGB 202 93 166

HSL 319.82, 0.51%, 0.58%

LAB 55.21, 51.95, -18.87

 

CMYK 0 / 54 / 33 / 21

HEX #CA5D88

RGB 202 93 136

HSL 336.33, 0.51%, 0.58%

LAB 54.2, 47.83, -2.8

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 41 / 54 / 0 / 21

HEX #785DCA

RGB 120 93 202

HSL 254.86, 0.51%, 0.58%

LAB 47.09, 36.55, -53.17

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 31 / 66 / 0 / 14

HEX #974BDB

RGB 151 75 219

HSL 271.67, 0.67%, 0.58%

LAB 47.91, 57.46, -61.4

 

CMYK 36 / 76 / 0 / 7

HEX #983AED

RGB 152 58 237

HSL 271.51, 0.83%, 0.58%

LAB 46.73, 69.08, -73.51

 

CMYK 40 / 84 / 0 / 0

HEX #9829FE

RGB 152 41 254

HSL 271.27, 0.99%, 0.58%

LAB 46.2, 78.39, -83.92

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 19 / 41 / 0 / 27

HEX #956EB9

RGB 149 110 185

HSL 271.2, 0.35%, 0.58%

LAB 53, 30.17, -33.83

 

CMYK 11 / 24 / 0 / 35

HEX #947FA7

RGB 148 127 167

HSL 271.5, 0.19%, 0.58%

LAB 56.35, 15.92, -18.29

 

CMYK 1 / 3 / 0 / 41

HEX #949196

RGB 148 145 150

HSL 276, 0.02%, 0.58%

LAB 60.56, 2.07, -2.26

 

CMYK 9 / 0 / 18 / 36

HEX #93A285

RGB 147 162 133

HSL 91.03, 0.13%, 0.58%

LAB 64.75, -10.75, 13.33

 

CMYK 54 / 53 / 0 / 21

HEX #5D5FCA

RGB 93 95 202

HSL 238.9, 0.51%, 0.58%

LAB 45.33, 29.38, -56.12

 

CMYK 41 / 54 / 0 / 21

HEX #785DCA

RGB 120 93 202

HSL 254.86, 0.51%, 0.58%

LAB 47.09, 36.55, -53.17

 

CMYK 26 / 54 / 0 / 21

HEX #955DCA

RGB 149 93 202

HSL 270.83, 0.51%, 0.58%

LAB 50.08, 43.75, -48.22

 

CMYK 12 / 54 / 0 / 21

HEX #B25DCA

RGB 178 93 202

HSL 286.79, 0.51%, 0.58%

LAB 53.55, 51.39, -42.49

 

CMYK 0 / 54 / 2 / 21

HEX #CA5DC5

RGB 202 93 197

HSL 302.75, 0.51%, 0.58%

LAB 56.5, 56.96, -34.77

 

CMYK 32 / 68 / 0 / 37

HEX #6D34A1

RGB 109 52 161

HSL 271.38, 0.51%, 0.42%

LAB 34.56, 45.92, -49.28

 

CMYK 32 / 68 / 0 / 25

HEX #823EC0

RGB 130 62 192

HSL 271.38, 0.51%, 0.5%

LAB 41.21, 52.98, -56.79

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 20 / 42 / 0 / 17

HEX #AA7CD4

RGB 170 124 212

HSL 271.36, 0.51%, 0.66%

LAB 59.63, 34.66, -38.66

 

CMYK 14 / 30 / 0 / 13

HEX #BE9BDE

RGB 190 155 222

HSL 271.34, 0.5%, 0.74%

LAB 69.23, 25.6, -29.16

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 0 / 54 / 39 / 21

HEX #CA5D7C

RGB 202 93 124

HSL 342.94, 0.51%, 0.58%

LAB 53.86, 46.4, 3.8

 

CMYK 54 / 0 / 48 / 21

HEX #5DCA6A

RGB 93 202 106

HSL 127.16, 0.51%, 0.58%

LAB 73.29, -51.25, 38.49

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 0 / 26 / 54 / 21

HEX #CA955D

RGB 202 149 93

HSL 30.83, 0.51%, 0.58%

LAB 65.63, 13.51, 37.15

 

CMYK 54 / 0 / 26 / 21

HEX #5DCA95

RGB 93 202 149

HSL 150.83, 0.51%, 0.58%

LAB 74.02, -43.63, 17.15

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 0 / 54 / 39 / 21

HEX #CA5D7C

RGB 202 93 124

HSL 342.94, 0.51%, 0.58%

LAB 53.86, 46.4, 3.8

 

CMYK 28 / 0 / 54 / 21

HEX #92CA5D

RGB 146 202 93

HSL 90.83, 0.51%, 0.58%

LAB 75.54, -36.36, 48.06

 

CMYK 54 / 0 / 15 / 21

HEX #5DCAAB

RGB 93 202 171

HSL 162.94, 0.51%, 0.58%

LAB 74.51, -38.78, 6.03

 

CMYK 26 / 54 / 0 / 21

HEX #965DCA

RGB 150 93 202

HSL 271.38, 0.51%, 0.58%

LAB 50.19, 44.01, -48.04

 

CMYK 0 / 53 / 54 / 21

HEX #CA5F5D

RGB 202 95 93

HSL 1.1, 0.51%, 0.58%

LAB 53.53, 42.35, 21.62

 

CMYK 28 / 0 / 54 / 21

HEX #92CA5D

RGB 146 202 93

HSL 90.83, 0.51%, 0.58%

LAB 75.54, -36.36, 48.06

 

CMYK 54 / 1 / 0 / 21

HEX #5DC8CA

RGB 93 200 202

HSL 181.1, 0.51%, 0.58%

LAB 74.76, -30.02, -10.38

 

Description

Color code: HEX #965DCA | qconv.com Color code: HEX #965DCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 93 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 93 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 54 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 54% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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