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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #965F0D it is the complementary color #69A0F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #965F0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #965F0D shade: #9B5F08, #AC711B, #BD832E, #CE9541 and #DFA754

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #965F0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #965F0D shade: #965F0D, #854D00, #743B00, #632900 and #521700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #965F0D shade: #965F0D, #963A0D, #96150D and #960D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #965F0D shade: #965F0D, #96840D, #83960D, #5E960D and #39960D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #965F0D shade matches the following richer shades: #965F0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #965F0D shade: #965F0D, #885C1A, #7B5927, #6E5734 and #615441

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #965F0D shade: #96130D, #96380D, #965D0D, #96810D and #86960D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #965F0D shade: #4A2F06, #704709, #965F0D, #BC7710 and #E28F13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #965F0D shade: #965F0D, #2A960D and #260D96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #965F0D shade: #965F0D, #0D965D and #5D0D96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #965F0D shade: #965F0D, #2A960D, #0D4696 and #780D96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #965F0D shade: #965F0D, #0D9618, #0D4696 and #960D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

Complementary color

CMYK 57 / 34 / 0 / 5

HEX #69A0F2

RGB 105 160 242

HSL 215.91, 0.84%, 0.68%

LAB 65.4, 5.54, -46.55

 

CMYK 0 / 39 / 95 / 39

HEX #9B5F08

RGB 155 95 8

HSL 35.51, 0.9%, 0.32%

LAB 45.87, 18.61, 51.97

 

CMYK 0 / 34 / 84 / 33

HEX #AC711B

RGB 172 113 27

HSL 35.59, 0.73%, 0.39%

LAB 52.58, 16.52, 52.84

 

CMYK 0 / 31 / 76 / 26

HEX #BD832E

RGB 189 131 46

HSL 35.66, 0.61%, 0.46%

LAB 59.2, 14.74, 52.37

 

CMYK 0 / 28 / 68 / 19

HEX #CE9541

RGB 206 149 65

HSL 35.74, 0.59%, 0.53%

LAB 65.75, 13.23, 51.32

 

CMYK 0 / 25 / 62 / 13

HEX #DFA754

RGB 223 167 84

HSL 35.83, 0.68%, 0.6%

LAB 72.21, 11.94, 50.05

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 0 / 42 / 100 / 48

HEX #854D00

RGB 133 77 0

HSL 34.74, 1%, 0.26%

LAB 38.37, 18.75, 47.59

 

CMYK 0 / 49 / 100 / 55

HEX #743B00

RGB 116 59 0

HSL 30.52, 1%, 0.23%

LAB 31.44, 21.42, 41.93

 

CMYK 0 / 59 / 100 / 61

HEX #632900

RGB 99 41 0

HSL 24.85, 1%, 0.19%

LAB 24.44, 24.07, 34.92

 

CMYK 0 / 72 / 100 / 68

HEX #521700

RGB 82 23 0

HSL 16.83, 1%, 0.16%

LAB 17.49, 26.4, 26.37

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 0 / 61 / 91 / 41

HEX #963A0D

RGB 150 58 13

HSL 19.71, 0.84%, 0.32%

LAB 37, 36.62, 43.7

 

CMYK 0 / 86 / 91 / 41

HEX #96150D

RGB 150 21 13

HSL 3.5, 0.84%, 0.32%

LAB 31.92, 50.53, 39.91

 

CMYK 0 / 91 / 91 / 41

HEX #960D0D

RGB 150 13 13

HSL 0, 0.84%, 0.32%

LAB 31.35, 52.16, 39.49

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 0 / 12 / 91 / 41

HEX #96840D

RGB 150 132 13

HSL 52.12, 0.84%, 0.32%

LAB 55.09, -4.62, 57.66

 

CMYK 13 / 0 / 91 / 41

HEX #83960D

RGB 131 150 13

HSL 68.32, 0.84%, 0.32%

LAB 58.66, -22.76, 59.81

 

CMYK 37 / 0 / 91 / 41

HEX #5E960D

RGB 94 150 13

HSL 84.53, 0.84%, 0.32%

LAB 56.31, -37.95, 56.91

 

CMYK 62 / 0 / 91 / 41

HEX #39960D

RGB 57 150 13

HSL 100.73, 0.84%, 0.32%

LAB 54.77, -49.67, 55.01

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 0 / 32 / 81 / 47

HEX #885C1A

RGB 136 92 26

HSL 36, 0.68%, 0.32%

LAB 42.71, 12.05, 42.66

 

CMYK 0 / 28 / 68 / 52

HEX #7B5927

RGB 123 89 39

HSL 35.71, 0.52%, 0.32%

LAB 40.41, 8.41, 33.66

 

CMYK 0 / 21 / 53 / 57

HEX #6E5734

RGB 110 87 52

HSL 36.21, 0.36%, 0.32%

LAB 38.51, 4.62, 23.83

 

CMYK 0 / 13 / 33 / 62

HEX #615441

RGB 97 84 65

HSL 35.63, 0.2%, 0.32%

LAB 36.49, 2.12, 13.09

 

CMYK 0 / 87 / 91 / 41

HEX #96130D

RGB 150 19 13

HSL 2.63, 0.84%, 0.32%

LAB 31.76, 50.99, 39.79

 

CMYK 0 / 63 / 91 / 41

HEX #96380D

RGB 150 56 13

HSL 18.83, 0.84%, 0.32%

LAB 36.63, 37.59, 43.42

 

CMYK 0 / 38 / 91 / 41

HEX #965D0D

RGB 150 93 13

HSL 35.04, 0.84%, 0.32%

LAB 44.72, 17.57, 49.6

 

CMYK 0 / 14 / 91 / 41

HEX #96810D

RGB 150 129 13

HSL 50.8, 0.84%, 0.32%

LAB 54.25, -2.96, 57.01

 

CMYK 11 / 0 / 91 / 41

HEX #86960D

RGB 134 150 13

HSL 67.01, 0.84%, 0.32%

LAB 58.89, -21.45, 60.09

 

CMYK 0 / 36 / 92 / 71

HEX #4A2F06

RGB 74 47 6

HSL 36.18, 0.85%, 0.16%

LAB 21.95, 8.48, 28.63

 

CMYK 0 / 37 / 92 / 56

HEX #704709

RGB 112 71 9

HSL 36.12, 0.85%, 0.24%

LAB 33.92, 12.58, 40.09

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 0 / 37 / 91 / 26

HEX #BC7710

RGB 188 119 16

HSL 35.93, 0.84%, 0.4%

LAB 56.01, 20.03, 59.6

 

CMYK 0 / 37 / 92 / 11

HEX #E28F13

RGB 226 143 19

HSL 35.94, 0.84%, 0.48%

LAB 66.41, 23.49, 68.79

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 72 / 0 / 91 / 41

HEX #2A960D

RGB 42 150 13

HSL 107.3, 0.84%, 0.32%

LAB 54.38, -52.99, 54.51

 

CMYK 75 / 91 / 0 / 41

HEX #260D96

RGB 38 13 150

HSL 250.95, 0.84%, 0.32%

LAB 19.65, 50.28, -67.33

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 91 / 0 / 38 / 41

HEX #0D965D

RGB 13 150 93

HSL 155.04, 0.84%, 0.32%

LAB 54.75, -47.02, 20.92

 

CMYK 38 / 91 / 0 / 41

HEX #5D0D96

RGB 93 13 150

HSL 275.04, 0.84%, 0.32%

LAB 26.21, 55.39, -56.28

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 72 / 0 / 91 / 41

HEX #2A960D

RGB 42 150 13

HSL 107.3, 0.84%, 0.32%

LAB 54.38, -52.99, 54.51

 

CMYK 91 / 53 / 0 / 41

HEX #0D4696

RGB 13 70 150

HSL 215.04, 0.84%, 0.32%

LAB 31.04, 15.1, -48.64

 

CMYK 20 / 91 / 0 / 41

HEX #780D96

RGB 120 13 150

HSL 286.86, 0.84%, 0.32%

LAB 30.6, 59.34, -48.92

 

CMYK 0 / 37 / 91 / 41

HEX #965F0D

RGB 150 95 13

HSL 35.91, 0.84%, 0.32%

LAB 45.22, 16.42, 49.98

 

CMYK 91 / 0 / 84 / 41

HEX #0D9618

RGB 13 150 24

HSL 124.82, 0.84%, 0.32%

LAB 53.99, -56.28, 51.46

 

CMYK 91 / 53 / 0 / 41

HEX #0D4696

RGB 13 70 150

HSL 215.04, 0.84%, 0.32%

LAB 31.04, 15.1, -48.64

 

CMYK 0 / 91 / 8 / 41

HEX #960D8A

RGB 150 13 138

HSL 305.26, 0.84%, 0.32%

LAB 35.22, 62.65, -33.83

 

Description

Color code: HEX #965F0D | qconv.com Color code: HEX #965F0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 95 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 95 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 91 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 91% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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