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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96656E it is the complementary color #699A91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96656E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96656E shade: #9B6569, #AC777C, #BD898F, #CE9BA2 and #DFADB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96656E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96656E shade: #96656E, #85535B, #744148, #632F35 and #521D22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96656E shade: #95636D and #956363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96656E shade: #95636D, #95637A, #956388, #956395 and #886395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96656E shade matches the following richer shades: #95636D, #AA4F60, #BE3B53, #D22746 and #E61339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96656E shade: #95636D, #817879, #6D8C86, #59A093 and #45B4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96656E shade: #956388, #95637B, #95636D, #956763 and #957463

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96656E shade: #644249, #7D535B, #95636D, #A77B83 and #B7949A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96656E shade: #96656E, #959563 and #638195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96656E shade: #96656E, #6D9563 and #636D95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96656E shade: #96656E, #959563, #63958B and #636395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96656E shade: #96656E, #869563, #63958B and #726395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 27 / 41

HEX #96656E

RGB 150 101 110

HSL 348.98, 0.2%, 0.49%

LAB 48.16, 21.09, 3

 

Complementary color

CMYK 32 / 0 / 6 / 40

HEX #699A91

RGB 105 154 145

HSL 168.98, 0.2%, 0.51%

LAB 60.03, -18.46, -0.54

 

CMYK 0 / 35 / 32 / 39

HEX #9B6569

RGB 155 101 105

HSL 355.56, 0.21%, 0.5%

LAB 48.63, 22.35, 6.75

 

CMYK 0 / 31 / 28 / 33

HEX #AC777C

RGB 172 119 124

HSL 354.34, 0.24%, 0.57%

LAB 55.5, 21.49, 5.65

 

CMYK 0 / 28 / 24 / 26

HEX #BD898F

RGB 189 137 143

HSL 353.08, 0.28%, 0.64%

LAB 62.25, 20.73, 4.66

 

CMYK 0 / 25 / 21 / 19

HEX #CE9BA2

RGB 206 155 162

HSL 351.76, 0.34%, 0.71%

LAB 68.88, 20.05, 3.77

 

CMYK 0 / 22 / 19 / 13

HEX #DFADB5

RGB 223 173 181

HSL 350.4, 0.44%, 0.78%

LAB 75.4, 19.44, 2.94

 

CMYK 0 / 33 / 27 / 41

HEX #96656E

RGB 150 101 110

HSL 348.98, 0.2%, 0.49%

LAB 48.16, 21.09, 3

 

CMYK 0 / 38 / 32 / 48

HEX #85535B

RGB 133 83 91

HSL 350.4, 0.23%, 0.42%

LAB 41.1, 21.98, 4.11

 

CMYK 0 / 44 / 38 / 55

HEX #744148

RGB 116 65 72

HSL 351.76, 0.28%, 0.35%

LAB 33.9, 22.99, 5.44

 

CMYK 0 / 53 / 46 / 61

HEX #632F35

RGB 99 47 53

HSL 353.08, 0.36%, 0.29%

LAB 26.57, 24.12, 7.11

 

CMYK 0 / 65 / 59 / 68

HEX #521D22

RGB 82 29 34

HSL 354.34, 0.48%, 0.22%

LAB 19.17, 25.26, 9.42

 

CMYK 0 / 34 / 27 / 42

HEX #95636D

RGB 149 99 109

HSL 348, 0.2%, 0.49%

LAB 47.52, 21.7, 2.66

 

CMYK 0 / 34 / 34 / 42

HEX #956363

RGB 149 99 99

HSL 0, 0.2%, 0.49%

LAB 47.25, 20.26, 8.29

 

CMYK 0 / 34 / 27 / 42

HEX #95636D

RGB 149 99 109

HSL 348, 0.2%, 0.49%

LAB 47.52, 21.7, 2.66

 

CMYK 0 / 34 / 18 / 42

HEX #95637A

RGB 149 99 122

HSL 332.4, 0.2%, 0.49%

LAB 47.9, 23.77, -4.57

 

CMYK 0 / 34 / 9 / 42

HEX #956388

RGB 149 99 136

HSL 315.6, 0.2%, 0.49%

LAB 48.37, 26.23, -12.24

 

CMYK 0 / 34 / 0 / 42

HEX #956395

RGB 149 99 149

HSL 300, 0.2%, 0.49%

LAB 48.86, 28.71, -19.22

 

CMYK 9 / 34 / 0 / 42

HEX #886395

RGB 136 99 149

HSL 284.4, 0.2%, 0.49%

LAB 47.4, 24.31, -21.59

 

CMYK 0 / 34 / 27 / 42

HEX #95636D

RGB 149 99 109

HSL 348, 0.2%, 0.49%

LAB 47.52, 21.7, 2.66

 

CMYK 0 / 54 / 44 / 33

HEX #AA4F60

RGB 170 79 96

HSL 348.79, 0.37%, 0.49%

LAB 45.61, 39.02, 8.18

 

CMYK 0 / 69 / 56 / 25

HEX #BE3B53

RGB 190 59 83

HSL 349.01, 0.53%, 0.49%

LAB 45.22, 53.72, 16.11

 

CMYK 0 / 81 / 67 / 18

HEX #D22746

RGB 210 39 70

HSL 349.12, 0.69%, 0.49%

LAB 46.44, 65.17, 26.38

 

CMYK 0 / 92 / 75 / 10

HEX #E61339

RGB 230 19 57

HSL 349.19, 0.85%, 0.49%

LAB 48.99, 73.43, 38.14

 

CMYK 0 / 34 / 27 / 42

HEX #95636D

RGB 149 99 109

HSL 348, 0.2%, 0.49%

LAB 47.52, 21.7, 2.66

 

CMYK 0 / 7 / 6 / 49

HEX #817879

RGB 129 120 121

HSL 353.33, 0.04%, 0.49%

LAB 51.24, 3.63, 0.69

 

CMYK 22 / 0 / 4 / 45

HEX #6D8C86

RGB 109 140 134

HSL 168.39, 0.12%, 0.49%

LAB 55.82, -12.21, -0.39

 

CMYK 44 / 0 / 8 / 37

HEX #59A093

RGB 89 160 147

HSL 169.01, 0.29%, 0.49%

LAB 61.11, -25.57, -0.19

 

CMYK 62 / 0 / 11 / 29

HEX #45B4A0

RGB 69 180 160

HSL 169.19, 0.45%, 0.49%

LAB 66.86, -36.28, 0.86

 

CMYK 0 / 34 / 9 / 42

HEX #956388

RGB 149 99 136

HSL 315.6, 0.2%, 0.49%

LAB 48.37, 26.23, -12.24

 

CMYK 0 / 34 / 17 / 42

HEX #95637B

RGB 149 99 123

HSL 331.2, 0.2%, 0.49%

LAB 47.93, 23.94, -5.13

 

CMYK 0 / 34 / 27 / 42

HEX #95636D

RGB 149 99 109

HSL 348, 0.2%, 0.49%

LAB 47.52, 21.7, 2.66

 

CMYK 0 / 31 / 34 / 42

HEX #956763

RGB 149 103 99

HSL 4.8, 0.2%, 0.49%

LAB 48.25, 17.95, 9.69

 

CMYK 0 / 22 / 34 / 42

HEX #957463

RGB 149 116 99

HSL 20.4, 0.2%, 0.49%

LAB 51.59, 10.42, 14.35

 

CMYK 0 / 34 / 27 / 61

HEX #644249

RGB 100 66 73

HSL 347.65, 0.2%, 0.33%

LAB 32, 15.86, 1.78

 

CMYK 0 / 34 / 27 / 51

HEX #7D535B

RGB 125 83 91

HSL 348.57, 0.2%, 0.41%

LAB 40.08, 18.74, 2.51

 

CMYK 0 / 34 / 27 / 42

HEX #95636D

RGB 149 99 109

HSL 348, 0.2%, 0.49%

LAB 47.52, 21.7, 2.66

 

CMYK 0 / 26 / 22 / 35

HEX #A77B83

RGB 167 123 131

HSL 349.09, 0.2%, 0.57%

LAB 56.11, 18.34, 2.38

 

CMYK 0 / 19 / 16 / 28

HEX #B7949A

RGB 183 148 154

HSL 349.71, 0.2%, 0.65%

LAB 64.63, 14.07, 1.8

 

CMYK 0 / 33 / 27 / 41

HEX #96656E

RGB 150 101 110

HSL 348.98, 0.2%, 0.49%

LAB 48.16, 21.09, 3

 

CMYK 0 / 0 / 34 / 42

HEX #959563

RGB 149 149 99

HSL 60, 0.2%, 0.49%

LAB 60.59, -8.1, 26.47

 

CMYK 34 / 13 / 0 / 42

HEX #638195

RGB 99 129 149

HSL 204, 0.2%, 0.49%

LAB 52.42, -5.58, -14.2

 

CMYK 0 / 33 / 27 / 41

HEX #96656E

RGB 150 101 110

HSL 348.98, 0.2%, 0.49%

LAB 48.16, 21.09, 3

 

CMYK 27 / 0 / 34 / 42

HEX #6D9563

RGB 109 149 99

HSL 108, 0.2%, 0.49%

LAB 57.7, -23.76, 22.11

 

CMYK 34 / 27 / 0 / 42

HEX #636D95

RGB 99 109 149

HSL 228, 0.2%, 0.49%

LAB 46.66, 6.22, -23.02

 

CMYK 0 / 33 / 27 / 41

HEX #96656E

RGB 150 101 110

HSL 348.98, 0.2%, 0.49%

LAB 48.16, 21.09, 3

 

CMYK 0 / 0 / 34 / 42

HEX #959563

RGB 149 149 99

HSL 60, 0.2%, 0.49%

LAB 60.59, -8.1, 26.47

 

CMYK 34 / 0 / 7 / 42

HEX #63958B

RGB 99 149 139

HSL 168, 0.2%, 0.49%

LAB 58.05, -19.06, -0.06

 

CMYK 34 / 34 / 0 / 42

HEX #636395

RGB 99 99 149

HSL 240, 0.2%, 0.49%

LAB 43.87, 12.35, -27.35

 

CMYK 0 / 33 / 27 / 41

HEX #96656E

RGB 150 101 110

HSL 348.98, 0.2%, 0.49%

LAB 48.16, 21.09, 3

 

CMYK 10 / 0 / 34 / 42

HEX #869563

RGB 134 149 99

HSL 78, 0.2%, 0.49%

LAB 59.4, -14.19, 24.68

 

CMYK 34 / 0 / 7 / 42

HEX #63958B

RGB 99 149 139

HSL 168, 0.2%, 0.49%

LAB 58.05, -19.06, -0.06

 

CMYK 23 / 34 / 0 / 42

HEX #726395

RGB 114 99 149

HSL 258, 0.2%, 0.49%

LAB 45.18, 17.04, -25.2

 

Description

Color code: HEX #96656E | qconv.com Color code: HEX #96656E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 101 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 101 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 27 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 27% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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