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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96686E it is the complementary color #699791. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96686E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96686E shade: #9B6869, #AC7A7C, #BD8C8F, #CE9EA2 and #DFB0B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96686E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96686E shade: #96686E, #85565B, #744448, #633235 and #522022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96686E shade: #96686E and #966868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96686E shade: #96686E, #96687A, #966887, #966893 and #8C6896

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96686E shade matches the following richer shades: #96686E, #AB535F, #BF3F50, #D42A40 and #E81631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96686E shade: #96686E, #817D7D, #6D918D, #58A69C and #43BBAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96686E shade: #966887, #96687A, #96686E, #966E68 and #967A68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96686E shade: #65464A, #7E575C, #96686E, #A78085 and #B8999D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96686E shade: #96686E, #939668 and #688196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96686E shade: #96686E, #6E9668 and #686E96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96686E shade: #96686E, #939668, #689690 and #6B6896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96686E shade: #96686E, #859668, #689690 and #796896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

Complementary color

CMYK 30 / 0 / 4 / 41

HEX #699791

RGB 105 151 145

HSL 172.17, 0.18%, 0.5%

LAB 59.14, -16.88, -1.84

 

CMYK 0 / 33 / 32 / 39

HEX #9B6869

RGB 155 104 105

HSL 358.82, 0.2%, 0.51%

LAB 49.36, 20.63, 7.79

 

CMYK 0 / 29 / 28 / 33

HEX #AC7A7C

RGB 172 122 124

HSL 357.6, 0.23%, 0.58%

LAB 56.23, 19.8, 6.69

 

CMYK 0 / 26 / 24 / 26

HEX #BD8C8F

RGB 189 140 143

HSL 356.33, 0.27%, 0.65%

LAB 62.98, 19.07, 5.71

 

CMYK 0 / 23 / 21 / 19

HEX #CE9EA2

RGB 206 158 162

HSL 355, 0.33%, 0.71%

LAB 69.6, 18.41, 4.82

 

CMYK 0 / 21 / 19 / 13

HEX #DFB0B5

RGB 223 176 181

HSL 353.62, 0.42%, 0.78%

LAB 76.12, 17.83, 3.99

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 35 / 32 / 48

HEX #85565B

RGB 133 86 91

HSL 353.62, 0.21%, 0.43%

LAB 41.84, 20.22, 5.17

 

CMYK 0 / 41 / 38 / 55

HEX #744448

RGB 116 68 72

HSL 355, 0.26%, 0.36%

LAB 34.63, 21.21, 6.47

 

CMYK 0 / 49 / 46 / 61

HEX #633235

RGB 99 50 53

HSL 356.33, 0.33%, 0.29%

LAB 27.27, 22.35, 8.09

 

CMYK 0 / 61 / 59 / 68

HEX #522022

RGB 82 32 34

HSL 357.6, 0.44%, 0.22%

LAB 19.81, 23.59, 10.28

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 31 / 31 / 41

HEX #966868

RGB 150 104 104

HSL 0, 0.18%, 0.5%

LAB 48.74, 18.47, 7.43

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 31 / 19 / 41

HEX #96687A

RGB 150 104 122

HSL 336.52, 0.18%, 0.5%

LAB 49.24, 21.26, -2.59

 

CMYK 0 / 31 / 10 / 41

HEX #966887

RGB 150 104 135

HSL 319.57, 0.18%, 0.5%

LAB 49.66, 23.53, -9.7

 

CMYK 0 / 31 / 2 / 41

HEX #966893

RGB 150 104 147

HSL 303.91, 0.18%, 0.5%

LAB 50.09, 25.79, -16.16

 

CMYK 7 / 31 / 0 / 41

HEX #8C6896

RGB 140 104 150

HSL 286.96, 0.18%, 0.5%

LAB 49.1, 22.95, -19.53

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 51 / 44 / 33

HEX #AB535F

RGB 171 83 95

HSL 351.82, 0.35%, 0.5%

LAB 46.54, 37.21, 10.12

 

CMYK 0 / 67 / 58 / 25

HEX #BF3F50

RGB 191 63 80

HSL 352.03, 0.5%, 0.5%

LAB 45.92, 52.22, 18.93

 

CMYK 0 / 80 / 70 / 17

HEX #D42A40

RGB 212 42 64

HSL 352.24, 0.67%, 0.5%

LAB 47, 64.67, 30.79

 

CMYK 0 / 91 / 79 / 9

HEX #E81631

RGB 232 22 49

HSL 352.29, 0.83%, 0.5%

LAB 49.44, 73.3, 43.31

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 3 / 3 / 49

HEX #817D7D

RGB 129 125 125

HSL 0, 0.02%, 0.5%

LAB 52.75, 1.51, 0.53

 

CMYK 25 / 0 / 3 / 43

HEX #6D918D

RGB 109 145 141

HSL 173.33, 0.14%, 0.5%

LAB 57.49, -13.34, -1.96

 

CMYK 47 / 0 / 6 / 35

HEX #58A69C

RGB 88 166 156

HSL 172.31, 0.31%, 0.5%

LAB 63.13, -26.56, -2.28

 

CMYK 64 / 0 / 9 / 27

HEX #43BBAB

RGB 67 187 171

HSL 172, 0.47%, 0.5%

LAB 69.24, -36.96, -1.73

 

CMYK 0 / 31 / 10 / 41

HEX #966887

RGB 150 104 135

HSL 319.57, 0.18%, 0.5%

LAB 49.66, 23.53, -9.7

 

CMYK 0 / 31 / 19 / 41

HEX #96687A

RGB 150 104 122

HSL 336.52, 0.18%, 0.5%

LAB 49.24, 21.26, -2.59

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 27 / 31 / 41

HEX #966E68

RGB 150 110 104

HSL 7.83, 0.18%, 0.5%

LAB 50.26, 15, 9.57

 

CMYK 0 / 19 / 31 / 41

HEX #967A68

RGB 150 122 104

HSL 23.48, 0.18%, 0.5%

LAB 53.39, 8.08, 13.95

 

CMYK 0 / 31 / 27 / 60

HEX #65464A

RGB 101 70 74

HSL 352.26, 0.18%, 0.34%

LAB 33.22, 13.96, 2.92

 

CMYK 0 / 31 / 27 / 51

HEX #7E575C

RGB 126 87 92

HSL 352.31, 0.18%, 0.42%

LAB 41.26, 16.92, 3.6

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 0 / 23 / 20 / 35

HEX #A78085

RGB 167 128 133

HSL 352.31, 0.18%, 0.58%

LAB 57.41, 15.82, 3.11

 

CMYK 0 / 17 / 15 / 28

HEX #B8999D

RGB 184 153 157

HSL 352.26, 0.18%, 0.66%

LAB 66.06, 12.16, 2.22

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 2 / 0 / 31 / 41

HEX #939668

RGB 147 150 104

HSL 63.91, 0.18%, 0.5%

LAB 60.8, -8.8, 23.96

 

CMYK 31 / 14 / 0 / 41

HEX #688196

RGB 104 129 150

HSL 207.39, 0.18%, 0.5%

LAB 52.78, -3.78, -14.21

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 27 / 0 / 31 / 41

HEX #6E9668

RGB 110 150 104

HSL 112.17, 0.18%, 0.5%

LAB 58.16, -23.07, 19.96

 

CMYK 31 / 27 / 0 / 41

HEX #686E96

RGB 104 110 150

HSL 232.17, 0.18%, 0.5%

LAB 47.36, 7.44, -22.49

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 2 / 0 / 31 / 41

HEX #939668

RGB 147 150 104

HSL 63.91, 0.18%, 0.5%

LAB 60.8, -8.8, 23.96

 

CMYK 31 / 0 / 4 / 41

HEX #689690

RGB 104 150 144

HSL 172.17, 0.18%, 0.5%

LAB 58.76, -16.89, -1.84

 

CMYK 29 / 31 / 0 / 41

HEX #6B6896

RGB 107 104 150

HSL 243.91, 0.18%, 0.5%

LAB 45.95, 12.02, -24.66

 

CMYK 0 / 31 / 27 / 41

HEX #96686E

RGB 150 104 110

HSL 352.17, 0.18%, 0.5%

LAB 48.9, 19.36, 4.07

 

CMYK 11 / 0 / 31 / 41

HEX #859668

RGB 133 150 104

HSL 82.17, 0.18%, 0.5%

LAB 59.71, -14.39, 22.32

 

CMYK 31 / 0 / 4 / 41

HEX #689690

RGB 104 150 144

HSL 172.17, 0.18%, 0.5%

LAB 58.76, -16.89, -1.84

 

CMYK 19 / 31 / 0 / 41

HEX #796896

RGB 121 104 150

HSL 262.17, 0.18%, 0.5%

LAB 47.19, 16.54, -22.63

 

Description

Color code: HEX #96686E | qconv.com Color code: HEX #96686E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 104 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 104 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 27 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 27% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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