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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #966F5E it is the complementary color #6990A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #966F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #966F5E shade: #9B6F59, #AC816C, #BD937F, #CEA592 and #DFB7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #966F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #966F5E shade: #966F5E, #855D4B, #744B38, #633925 and #522712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #966F5E shade: #966F5E, #96605E and #965E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #966F5E shade: #966F5E, #967E5E, #968D5E, #90965E and #81965E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #966F5E shade matches the following richer shades: #966F5E, #AA674A, #BE5F36, #D15722 and #E5500F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #966F5E shade: #966F5E, #827772, #6E7E85, #5B8699 and #478EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #966F5E shade: #965E6B, #96605E, #966F5E, #967E5E and #968D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #966F5E shade: #63493E, #7D5C4E, #966F5E, #A88475 and #B89B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #966F5E shade: #966F5E, #7A965E and #5E6396

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #966F5E shade: #966F5E, #5E966F and #6F5E96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #966F5E shade: #966F5E, #7A965E, #5E8596 and #7A5E96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #966F5E shade: #966F5E, #69965E, #5E8596 and #8B5E96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

Complementary color

CMYK 35 / 11 / 0 / 37

HEX #6990A1

RGB 105 144 161

HSL 198.21, 0.23%, 0.52%

LAB 57.58, -9.09, -13.29

 

CMYK 0 / 28 / 43 / 39

HEX #9B6F59

RGB 155 111 89

HSL 20, 0.27%, 0.48%

LAB 50.76, 14.56, 19.15

 

CMYK 0 / 25 / 37 / 33

HEX #AC816C

RGB 172 129 108

HSL 19.69, 0.28%, 0.55%

LAB 57.61, 13.69, 17.83

 

CMYK 0 / 22 / 33 / 26

HEX #BD937F

RGB 189 147 127

HSL 19.35, 0.32%, 0.62%

LAB 64.34, 12.95, 16.65

 

CMYK 0 / 20 / 29 / 19

HEX #CEA592

RGB 206 165 146

HSL 19, 0.38%, 0.69%

LAB 70.94, 12.31, 15.57

 

CMYK 0 / 18 / 26 / 13

HEX #DFB7A5

RGB 223 183 165

HSL 18.62, 0.48%, 0.76%

LAB 77.44, 11.74, 14.56

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 30 / 44 / 48

HEX #855D4B

RGB 133 93 75

HSL 18.62, 0.28%, 0.41%

LAB 43.25, 13.97, 16.86

 

CMYK 0 / 35 / 52 / 55

HEX #744B38

RGB 116 75 56

HSL 19, 0.35%, 0.34%

LAB 36.04, 15.07, 18.42

 

CMYK 0 / 42 / 63 / 61

HEX #633925

RGB 99 57 37

HSL 19.35, 0.46%, 0.27%

LAB 28.68, 16.44, 20.28

 

CMYK 0 / 52 / 78 / 68

HEX #522712

RGB 82 39 18

HSL 19.69, 0.64%, 0.2%

LAB 21.16, 18.17, 22.48

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 36 / 37 / 41

HEX #96605E

RGB 150 96 94

HSL 2.14, 0.23%, 0.48%

LAB 46.52, 21.73, 10.28

 

CMYK 0 / 37 / 37 / 41

HEX #965E5E

RGB 150 94 94

HSL 0, 0.23%, 0.48%

LAB 46.04, 22.88, 9.6

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 6 / 37 / 41

HEX #968D5E

RGB 150 141 94

HSL 50.36, 0.23%, 0.48%

LAB 58.36, -3.95, 26.3

 

CMYK 4 / 0 / 37 / 41

HEX #90965E

RGB 144 150 94

HSL 66.43, 0.23%, 0.48%

LAB 60.38, -11.34, 28.83

 

CMYK 14 / 0 / 37 / 41

HEX #81965E

RGB 129 150 94

HSL 82.5, 0.23%, 0.48%

LAB 59.24, -17.41, 27.13

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 39 / 56 / 33

HEX #AA674A

RGB 170 103 74

HSL 18.13, 0.39%, 0.48%

LAB 50.38, 23.92, 27.65

 

CMYK 0 / 50 / 72 / 25

HEX #BE5F36

RGB 190 95 54

HSL 18.09, 0.56%, 0.48%

LAB 51.15, 35.11, 40.25

 

CMYK 0 / 58 / 84 / 18

HEX #D15722

RGB 209 87 34

HSL 18.17, 0.72%, 0.48%

LAB 52.38, 45.64, 52.05

 

CMYK 0 / 65 / 93 / 10

HEX #E5500F

RGB 229 80 15

HSL 18.22, 0.88%, 0.48%

LAB 54.48, 55.5, 61.64

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 8 / 12 / 49

HEX #827772

RGB 130 119 114

HSL 18.75, 0.07%, 0.48%

LAB 50.87, 3.31, 4.27

 

CMYK 17 / 5 / 0 / 48

HEX #6E7E85

RGB 110 126 133

HSL 198.26, 0.09%, 0.48%

LAB 51.76, -4.27, -5.78

 

CMYK 41 / 12 / 0 / 40

HEX #5B8699

RGB 91 134 153

HSL 198.39, 0.25%, 0.48%

LAB 53.57, -9.65, -14.83

 

CMYK 59 / 18 / 0 / 32

HEX #478EAD

RGB 71 142 173

HSL 198.24, 0.42%, 0.48%

LAB 55.79, -12.96, -23.04

 

CMYK 0 / 37 / 29 / 41

HEX #965E6B

RGB 150 94 107

HSL 346.07, 0.23%, 0.48%

LAB 46.38, 24.67, 2.24

 

CMYK 0 / 36 / 37 / 41

HEX #96605E

RGB 150 96 94

HSL 2.14, 0.23%, 0.48%

LAB 46.52, 21.73, 10.28

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 6 / 37 / 41

HEX #968D5E

RGB 150 141 94

HSL 50.36, 0.23%, 0.48%

LAB 58.36, -3.95, 26.3

 

CMYK 0 / 26 / 37 / 61

HEX #63493E

RGB 99 73 62

HSL 17.84, 0.23%, 0.32%

LAB 33.49, 9.38, 10.89

 

CMYK 0 / 26 / 38 / 51

HEX #7D5C4E

RGB 125 92 78

HSL 17.87, 0.23%, 0.4%

LAB 42.1, 11.47, 13.33

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 21 / 30 / 34

HEX #A88475

RGB 168 132 117

HSL 17.65, 0.23%, 0.56%

LAB 58.14, 11.56, 13.36

 

CMYK 0 / 16 / 23 / 28

HEX #B89B8E

RGB 184 155 142

HSL 18.57, 0.23%, 0.64%

LAB 66.2, 8.68, 10.81

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 19 / 0 / 37 / 41

HEX #7A965E

RGB 122 150 94

HSL 90, 0.23%, 0.48%

LAB 58.75, -20.15, 26.39

 

CMYK 37 / 34 / 0 / 41

HEX #5E6396

RGB 94 99 150

HSL 234.64, 0.23%, 0.48%

LAB 43.52, 11.14, -28.52

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 37 / 0 / 26 / 41

HEX #5E966F

RGB 94 150 111

HSL 138.21, 0.23%, 0.48%

LAB 57.41, -27.2, 14.88

 

CMYK 26 / 37 / 0 / 41

HEX #6F5E96

RGB 111 94 150

HSL 258.21, 0.23%, 0.48%

LAB 43.63, 19.39, -28.23

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 19 / 0 / 37 / 41

HEX #7A965E

RGB 122 150 94

HSL 90, 0.23%, 0.48%

LAB 58.75, -20.15, 26.39

 

CMYK 37 / 11 / 0 / 41

HEX #5E8596

RGB 94 133 150

HSL 198.21, 0.23%, 0.48%

LAB 53.34, -9.06, -13.43

 

CMYK 19 / 37 / 0 / 41

HEX #7A5E96

RGB 122 94 150

HSL 270, 0.23%, 0.48%

LAB 44.72, 22.89, -26.45

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 30 / 0 / 37 / 41

HEX #69965E

RGB 105 150 94

HSL 108.21, 0.23%, 0.48%

LAB 57.68, -26.5, 24.79

 

CMYK 37 / 11 / 0 / 41

HEX #5E8596

RGB 94 133 150

HSL 198.21, 0.23%, 0.48%

LAB 53.34, -9.06, -13.43

 

CMYK 7 / 37 / 0 / 41

HEX #8B5E96

RGB 139 94 150

HSL 288.21, 0.23%, 0.48%

LAB 46.57, 28.45, -23.43

 

Description

Color code: HEX #966F5E | qconv.com Color code: HEX #966F5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Home - Madeleine Sha...
Link: http://madeleineshaw.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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