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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967734 it is the complementary color #6988CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967734. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967734 shade: #9B772F, #AC8942, #BD9B55, #CEAD68 and #DFBF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967734. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967734 shade: #967734, #856521, #74530E, #634100 and #522F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967734 shade: #977834, #975D34, #974234 and #973434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967734 shade: #977834, #979334, #819734, #669734 and #4B9734

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967734 shade matches the following richer shades: #977834, #A87E23, #B88413 and #C98A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967734 shade: #977834, #877244, #766C55, #666665 and #556076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967734 shade: #974334, #975D34, #977834, #979234 and #829734

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967734 shade: #5A471E, #796029, #977834, #B6903E and #C6A358

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967734 shade: #967734, #3F9734 and #503497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967734 shade: #967734, #349778 and #783497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967734 shade: #967734, #3F9734, #345397 and #8C3497

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967734 shade: #967734, #349746, #345397 and #973485

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 65 / 41

HEX #967734

RGB 150 119 52

HSL 41.02, 0.49%, 0.4%

LAB 51.75, 4.33, 40.49

 

Complementary color

CMYK 48 / 33 / 0 / 20

HEX #6988CB

RGB 105 136 203

HSL 221.02, 0.49%, 0.6%

LAB 57, 7.44, -38.08

 

CMYK 0 / 23 / 70 / 39

HEX #9B772F

RGB 155 119 47

HSL 40, 0.53%, 0.4%

LAB 52.25, 6.29, 43.59

 

CMYK 0 / 20 / 62 / 33

HEX #AC8942

RGB 172 137 66

HSL 40.19, 0.45%, 0.47%

LAB 59.03, 5.06, 42.37

 

CMYK 0 / 18 / 55 / 26

HEX #BD9B55

RGB 189 155 85

HSL 40.38, 0.44%, 0.54%

LAB 65.68, 4.05, 41.05

 

CMYK 0 / 16 / 50 / 19

HEX #CEAD68

RGB 206 173 104

HSL 40.59, 0.51%, 0.61%

LAB 72.23, 3.21, 39.72

 

CMYK 0 / 14 / 45 / 13

HEX #DFBF7B

RGB 223 191 123

HSL 40.8, 0.61%, 0.68%

LAB 78.68, 2.49, 38.44

 

CMYK 0 / 21 / 65 / 41

HEX #967734

RGB 150 119 52

HSL 41.02, 0.49%, 0.4%

LAB 51.75, 4.33, 40.49

 

CMYK 0 / 24 / 75 / 48

HEX #856521

RGB 133 101 33

HSL 40.8, 0.6%, 0.33%

LAB 44.81, 5.69, 41.55

 

CMYK 0 / 28 / 88 / 55

HEX #74530E

RGB 116 83 14

HSL 40.59, 0.78%, 0.25%

LAB 37.72, 7.41, 41.81

 

CMYK 0 / 34 / 100 / 61

HEX #634100

RGB 99 65 0

HSL 39.39, 1%, 0.19%

LAB 30.48, 9.6, 40.1

 

CMYK 0 / 43 / 100 / 68

HEX #522F00

RGB 82 47 0

HSL 34.39, 1%, 0.16%

LAB 23.09, 12.34, 32.64

 

CMYK 0 / 21 / 66 / 41

HEX #977834

RGB 151 120 52

HSL 41.21, 0.49%, 0.4%

LAB 52.13, 4.22, 40.94

 

CMYK 0 / 38 / 66 / 41

HEX #975D34

RGB 151 93 52

HSL 24.85, 0.49%, 0.4%

LAB 45.16, 19.72, 33.04

 

CMYK 0 / 56 / 66 / 41

HEX #974234

RGB 151 66 52

HSL 8.48, 0.49%, 0.4%

LAB 39.11, 34.62, 25.82

 

CMYK 0 / 66 / 66 / 41

HEX #973434

RGB 151 52 52

HSL 0, 0.49%, 0.4%

LAB 36.52, 41.44, 22.61

 

CMYK 0 / 21 / 66 / 41

HEX #977834

RGB 151 120 52

HSL 41.21, 0.49%, 0.4%

LAB 52.13, 4.22, 40.94

 

CMYK 0 / 3 / 66 / 41

HEX #979334

RGB 151 147 52

HSL 57.58, 0.49%, 0.4%

LAB 59.61, -10.69, 48.97

 

CMYK 15 / 0 / 66 / 41

HEX #819734

RGB 129 151 52

HSL 73.33, 0.49%, 0.4%

LAB 59.02, -22.34, 47.81

 

CMYK 32 / 0 / 66 / 41

HEX #669734

RGB 102 151 52

HSL 89.7, 0.49%, 0.4%

LAB 57.28, -33.22, 45.43

 

CMYK 50 / 0 / 66 / 41

HEX #4B9734

RGB 75 151 52

HSL 106.06, 0.49%, 0.4%

LAB 55.96, -42.49, 43.62

 

CMYK 0 / 21 / 66 / 41

HEX #977834

RGB 151 120 52

HSL 41.21, 0.49%, 0.4%

LAB 52.13, 4.22, 40.94

 

CMYK 0 / 25 / 79 / 34

HEX #A87E23

RGB 168 126 35

HSL 41.05, 0.66%, 0.4%

LAB 55.45, 7.67, 52.34

 

CMYK 0 / 28 / 90 / 28

HEX #B88413

RGB 184 132 19

HSL 41.09, 0.81%, 0.4%

LAB 58.73, 11.11, 60.77

 

CMYK 0 / 31 / 99 / 21

HEX #C98A02

RGB 201 138 2

HSL 41.01, 0.98%, 0.4%

LAB 62.17, 15.15, 67.12

 

CMYK 0 / 21 / 66 / 41

HEX #977834

RGB 151 120 52

HSL 41.21, 0.49%, 0.4%

LAB 52.13, 4.22, 40.94

 

CMYK 0 / 16 / 50 / 47

HEX #877244

RGB 135 114 68

HSL 41.19, 0.33%, 0.4%

LAB 49.01, 1.78, 28.43

 

CMYK 0 / 8 / 28 / 54

HEX #766C55

RGB 118 108 85

HSL 41.82, 0.16%, 0.4%

LAB 45.95, -0.03, 14.31

 

CMYK 0 / 0 / 1 / 60

HEX #666665

RGB 102 102 101

HSL 60, 0%, 0.4%

LAB 43.16, -0.2, 0.56

 

CMYK 28 / 19 / 0 / 54

HEX #556076

RGB 85 96 118

HSL 220, 0.16%, 0.4%

LAB 40.58, 1.24, -13.79

 

CMYK 0 / 56 / 66 / 41

HEX #974334

RGB 151 67 52

HSL 9.09, 0.49%, 0.4%

LAB 39.31, 34.1, 26.06

 

CMYK 0 / 38 / 66 / 41

HEX #975D34

RGB 151 93 52

HSL 24.85, 0.49%, 0.4%

LAB 45.16, 19.72, 33.04

 

CMYK 0 / 21 / 66 / 41

HEX #977834

RGB 151 120 52

HSL 41.21, 0.49%, 0.4%

LAB 52.13, 4.22, 40.94

 

CMYK 0 / 3 / 66 / 41

HEX #979234

RGB 151 146 52

HSL 56.97, 0.49%, 0.4%

LAB 59.33, -10.16, 48.67

 

CMYK 14 / 0 / 66 / 41

HEX #829734

RGB 130 151 52

HSL 72.73, 0.49%, 0.4%

LAB 59.09, -21.92, 47.91

 

CMYK 0 / 21 / 67 / 65

HEX #5A471E

RGB 90 71 30

HSL 41, 0.5%, 0.24%

LAB 31.29, 2.77, 27.2

 

CMYK 0 / 21 / 66 / 53

HEX #796029

RGB 121 96 41

HSL 41.25, 0.49%, 0.32%

LAB 42.14, 3.45, 34.48

 

CMYK 0 / 21 / 66 / 41

HEX #977834

RGB 151 120 52

HSL 41.21, 0.49%, 0.4%

LAB 52.13, 4.22, 40.94

 

CMYK 0 / 21 / 66 / 29

HEX #B6903E

RGB 182 144 62

HSL 41, 0.49%, 0.48%

LAB 61.86, 5.33, 47.75

 

CMYK 0 / 18 / 56 / 22

HEX #C6A358

RGB 198 163 88

HSL 40.91, 0.49%, 0.56%

LAB 68.68, 3.81, 43.33

 

CMYK 0 / 21 / 65 / 41

HEX #967734

RGB 150 119 52

HSL 41.02, 0.49%, 0.4%

LAB 51.75, 4.33, 40.49

 

CMYK 58 / 0 / 66 / 41

HEX #3F9734

RGB 63 151 52

HSL 113.33, 0.49%, 0.4%

LAB 55.52, -45.89, 43.01

 

CMYK 47 / 66 / 0 / 41

HEX #503497

RGB 80 52 151

HSL 256.97, 0.49%, 0.4%

LAB 30.39, 37.04, -50.13

 

CMYK 0 / 21 / 65 / 41

HEX #967734

RGB 150 119 52

HSL 41.02, 0.49%, 0.4%

LAB 51.75, 4.33, 40.49

 

CMYK 66 / 0 / 21 / 41

HEX #349778

RGB 52 151 120

HSL 161.21, 0.49%, 0.4%

LAB 56.31, -36.32, 8.01

 

CMYK 21 / 66 / 0 / 41

HEX #783497

RGB 120 52 151

HSL 281.21, 0.49%, 0.4%

LAB 35.37, 46.12, -41.85

 

CMYK 0 / 21 / 65 / 41

HEX #967734

RGB 150 119 52

HSL 41.02, 0.49%, 0.4%

LAB 51.75, 4.33, 40.49

 

CMYK 58 / 0 / 66 / 41

HEX #3F9734

RGB 63 151 52

HSL 113.33, 0.49%, 0.4%

LAB 55.52, -45.89, 43.01

 

CMYK 66 / 45 / 0 / 41

HEX #345397

RGB 52 83 151

HSL 221.21, 0.49%, 0.4%

LAB 36.27, 11.47, -40.75

 

CMYK 7 / 66 / 0 / 41

HEX #8C3497

RGB 140 52 151

HSL 293.33, 0.49%, 0.4%

LAB 38.32, 51.03, -36.97

 

CMYK 0 / 21 / 65 / 41

HEX #967734

RGB 150 119 52

HSL 41.02, 0.49%, 0.4%

LAB 51.75, 4.33, 40.49

 

CMYK 66 / 0 / 54 / 41

HEX #349746

RGB 52 151 70

HSL 130.91, 0.49%, 0.4%

LAB 55.39, -46.25, 34.14

 

CMYK 66 / 45 / 0 / 41

HEX #345397

RGB 52 83 151

HSL 221.21, 0.49%, 0.4%

LAB 36.27, 11.47, -40.75

 

CMYK 0 / 66 / 12 / 41

HEX #973485

RGB 151 52 133

HSL 310.91, 0.49%, 0.4%

LAB 39.12, 50.73, -24.59

 

Description

Color code: HEX #967734 | qconv.com Color code: HEX #967734 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 119 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 119 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 65 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 65% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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