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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967936 it is the complementary color #6986C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967936. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967936 shade: #9B7931, #AC8B44, #BD9D57, #CEAF6A and #DFC17D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967936. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967936 shade: #967936, #856723, #745510, #634300 and #523100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967936 shade: #957836, #955F36, #954536 and #953636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967936 shade: #957836, #959236, #7F9536, #659536 and #4B9536

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967936 shade matches the following richer shades: #957836, #A67F25, #B68615 and #C78C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967936 shade: #957836, #857246, #746B57, #646567 and #535E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967936 shade: #954436, #955E36, #957736, #959136 and #819536

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967936 shade: #594820, #77602B, #957836, #B49140 and #C3A45A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967936 shade: #967936, #419536 and #513695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967936 shade: #967936, #369577 and #773695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967936 shade: #967936, #419536, #365495 and #8A3695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967936 shade: #967936, #369547, #365495 and #953684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

Complementary color

CMYK 48 / 33 / 0 / 21

HEX #6986C9

RGB 105 134 201

HSL 221.88, 0.47%, 0.6%

LAB 56.36, 8.02, -37.96

 

CMYK 0 / 22 / 68 / 39

HEX #9B7931

RGB 155 121 49

HSL 40.75, 0.52%, 0.4%

LAB 52.8, 5.28, 43.24

 

CMYK 0 / 19 / 60 / 33

HEX #AC8B44

RGB 172 139 68

HSL 40.96, 0.43%, 0.47%

LAB 59.57, 4.1, 42.01

 

CMYK 0 / 17 / 54 / 26

HEX #BD9D57

RGB 189 157 87

HSL 41.18, 0.44%, 0.54%

LAB 66.23, 3.14, 40.68

 

CMYK 0 / 15 / 49 / 19

HEX #CEAF6A

RGB 206 175 106

HSL 41.4, 0.51%, 0.61%

LAB 72.77, 2.33, 39.37

 

CMYK 0 / 13 / 44 / 13

HEX #DFC17D

RGB 223 193 125

HSL 41.63, 0.6%, 0.68%

LAB 79.22, 1.64, 38.1

 

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

CMYK 0 / 23 / 74 / 48

HEX #856723

RGB 133 103 35

HSL 41.63, 0.58%, 0.33%

LAB 45.37, 4.63, 41.22

 

CMYK 0 / 27 / 86 / 55

HEX #745510

RGB 116 85 16

HSL 41.4, 0.76%, 0.26%

LAB 38.28, 6.27, 41.6

 

CMYK 0 / 32 / 100 / 61

HEX #634300

RGB 99 67 0

HSL 40.61, 1%, 0.19%

LAB 31.04, 8.35, 40.5

 

CMYK 0 / 40 / 100 / 68

HEX #523100

RGB 82 49 0

HSL 35.85, 1%, 0.16%

LAB 23.64, 11.06, 33.19

 

CMYK 0 / 19 / 64 / 42

HEX #957836

RGB 149 120 54

HSL 41.68, 0.47%, 0.4%

LAB 51.94, 3.45, 39.68

 

CMYK 0 / 36 / 64 / 42

HEX #955F36

RGB 149 95 54

HSL 25.89, 0.47%, 0.4%

LAB 45.41, 17.83, 32.18

 

CMYK 0 / 54 / 64 / 42

HEX #954536

RGB 149 69 54

HSL 9.47, 0.47%, 0.4%

LAB 39.43, 32.4, 24.94

 

CMYK 0 / 64 / 64 / 42

HEX #953636

RGB 149 54 54

HSL 0, 0.47%, 0.4%

LAB 36.54, 39.94, 21.31

 

CMYK 0 / 19 / 64 / 42

HEX #957836

RGB 149 120 54

HSL 41.68, 0.47%, 0.4%

LAB 51.94, 3.45, 39.68

 

CMYK 0 / 2 / 64 / 42

HEX #959236

RGB 149 146 54

HSL 58.11, 0.47%, 0.4%

LAB 59.17, -10.91, 47.58

 

CMYK 15 / 0 / 64 / 42

HEX #7F9536

RGB 127 149 54

HSL 73.89, 0.47%, 0.4%

LAB 58.3, -22.03, 46.12

 

CMYK 32 / 0 / 64 / 42

HEX #659536

RGB 101 149 54

HSL 90.32, 0.47%, 0.4%

LAB 56.61, -32.49, 43.8

 

CMYK 50 / 0 / 64 / 42

HEX #4B9536

RGB 75 149 54

HSL 106.74, 0.47%, 0.4%

LAB 55.34, -41.46, 42.03

 

CMYK 0 / 19 / 64 / 42

HEX #957836

RGB 149 120 54

HSL 41.68, 0.47%, 0.4%

LAB 51.94, 3.45, 39.68

 

CMYK 0 / 23 / 78 / 35

HEX #A67F25

RGB 166 127 37

HSL 41.86, 0.64%, 0.4%

LAB 55.5, 6.29, 51.54

 

CMYK 0 / 26 / 88 / 29

HEX #B68615

RGB 182 134 21

HSL 42.11, 0.79%, 0.4%

LAB 59.02, 9.14, 60.42

 

CMYK 0 / 30 / 98 / 22

HEX #C78C04

RGB 199 140 4

HSL 41.85, 0.96%, 0.4%

LAB 62.43, 13.2, 66.88

 

CMYK 0 / 19 / 64 / 42

HEX #957836

RGB 149 120 54

HSL 41.68, 0.47%, 0.4%

LAB 51.94, 3.45, 39.68

 

CMYK 0 / 14 / 47 / 48

HEX #857246

RGB 133 114 70

HSL 41.9, 0.31%, 0.4%

LAB 48.84, 1.1, 27.06

 

CMYK 0 / 8 / 25 / 55

HEX #746B57

RGB 116 107 87

HSL 41.38, 0.14%, 0.4%

LAB 45.52, 0.02, 12.5

 

CMYK 3 / 2 / 0 / 60

HEX #646567

RGB 100 101 103

HSL 220, 0.01%, 0.4%

LAB 42.76, 0.04, -1.27

 

CMYK 31 / 22 / 0 / 53

HEX #535E78

RGB 83 94 120

HSL 222.16, 0.18%, 0.4%

LAB 39.92, 2.35, -16.04

 

CMYK 0 / 54 / 64 / 42

HEX #954436

RGB 149 68 54

HSL 8.84, 0.47%, 0.4%

LAB 39.22, 32.93, 24.68

 

CMYK 0 / 37 / 64 / 42

HEX #955E36

RGB 149 94 54

HSL 25.26, 0.47%, 0.4%

LAB 45.17, 18.41, 31.89

 

CMYK 0 / 20 / 64 / 42

HEX #957736

RGB 149 119 54

HSL 41.05, 0.47%, 0.4%

LAB 51.67, 4.02, 39.37

 

CMYK 0 / 3 / 64 / 42

HEX #959136

RGB 149 145 54

HSL 57.47, 0.47%, 0.4%

LAB 58.89, -10.38, 47.27

 

CMYK 13 / 0 / 64 / 42

HEX #819536

RGB 129 149 54

HSL 72.63, 0.47%, 0.4%

LAB 58.44, -21.18, 46.32

 

CMYK 0 / 19 / 64 / 65

HEX #594820

RGB 89 72 32

HSL 42.11, 0.47%, 0.24%

LAB 31.49, 1.81, 26.29

 

CMYK 0 / 19 / 64 / 53

HEX #77602B

RGB 119 96 43

HSL 41.84, 0.47%, 0.32%

LAB 41.94, 2.66, 33.16

 

CMYK 0 / 19 / 64 / 42

HEX #957836

RGB 149 120 54

HSL 41.68, 0.47%, 0.4%

LAB 51.94, 3.45, 39.68

 

CMYK 0 / 19 / 64 / 29

HEX #B49140

RGB 180 145 64

HSL 41.9, 0.48%, 0.48%

LAB 61.93, 4.03, 46.83

 

CMYK 0 / 16 / 54 / 24

HEX #C3A45A

RGB 195 164 90

HSL 42.29, 0.47%, 0.56%

LAB 68.67, 2.16, 42.24

 

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

CMYK 56 / 0 / 64 / 42

HEX #419536

RGB 65 149 54

HSL 113.05, 0.47%, 0.4%

LAB 54.95, -44.36, 41.49

 

CMYK 46 / 64 / 0 / 42

HEX #513695

RGB 81 54 149

HSL 257.05, 0.47%, 0.4%

LAB 30.78, 35.49, -48.27

 

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

CMYK 64 / 0 / 20 / 42

HEX #369577

RGB 54 149 119

HSL 161.05, 0.47%, 0.4%

LAB 55.7, -35.29, 7.72

 

CMYK 20 / 64 / 0 / 42

HEX #773695

RGB 119 54 149

HSL 281.05, 0.47%, 0.4%

LAB 35.46, 44.44, -40.49

 

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

CMYK 56 / 0 / 64 / 42

HEX #419536

RGB 65 149 54

HSL 113.05, 0.47%, 0.4%

LAB 54.95, -44.36, 41.49

 

CMYK 64 / 44 / 0 / 42

HEX #365495

RGB 54 84 149

HSL 221.05, 0.47%, 0.4%

LAB 36.55, 10.46, -39.1

 

CMYK 7 / 64 / 0 / 42

HEX #8A3695

RGB 138 54 149

HSL 293.05, 0.47%, 0.4%

LAB 38.22, 49.25, -35.93

 

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

CMYK 64 / 0 / 52 / 42

HEX #369547

RGB 54 149 71

HSL 130.74, 0.47%, 0.4%

LAB 54.8, -44.89, 32.92

 

CMYK 64 / 44 / 0 / 42

HEX #365495

RGB 54 84 149

HSL 221.05, 0.47%, 0.4%

LAB 36.55, 10.46, -39.1

 

CMYK 0 / 64 / 11 / 42

HEX #953684

RGB 149 54 132

HSL 310.74, 0.47%, 0.4%

LAB 39.06, 49.16, -24.1

 

Description

Color code: HEX #967936 | qconv.com Color code: HEX #967936 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 121 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 121 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 64 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 64% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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