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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9672BA it is the complementary color #698D45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9672BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9672BA shade: #9B72B5, #AC84C8, #BD96DB, #CEA8EE and #DFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9672BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9672BA shade: #9672BA, #8560A7, #744E94, #633C81 and #522A6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9672BA shade: #9672B9, #A972B9, #B972B7, #B972A4 and #B97290

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9672BA shade: #9672B9, #8372B9 and #7272B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9672BA shade matches the following richer shades: #9672B9, #9661CA, #9651DB, #9640EC and #962FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9672BA shade: #9672B9, #9683A9, #969498, #96A587 and #96B676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9672BA shade: #7275B9, #8372B9, #9672B9, #A972B9 and #B972B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9672BA shade: #6D4892, #8157AC, #9672B9, #AB8EC7 and #BFAAD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9672BA shade: #9672BA, #B97288 and #72B97A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9672BA shade: #9672BA, #B99672 and #72B996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9672BA shade: #9672BA, #B97288, #96B972 and #72B9A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9672BA shade: #9672BA, #B97272, #96B972 and #72B9B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 39 / 0 / 27

HEX #9672BA

RGB 150 114 186

HSL 270, 0.34%, 0.59%

LAB 54.09, 28.4, -32.69

 

Complementary color

CMYK 26 / 0 / 51 / 45

HEX #698D45

RGB 105 141 69

HSL 90, 0.34%, 0.41%

LAB 54.54, -25.53, 34.16

 

CMYK 14 / 37 / 0 / 29

HEX #9B72B5

RGB 155 114 181

HSL 276.72, 0.31%, 0.58%

LAB 54.39, 28.81, -29.32

 

CMYK 14 / 34 / 0 / 22

HEX #AC84C8

RGB 172 132 200

HSL 275.29, 0.38%, 0.65%

LAB 61.17, 28.09, -29.49

 

CMYK 14 / 32 / 0 / 14

HEX #BD96DB

RGB 189 150 219

HSL 273.91, 0.49%, 0.72%

LAB 67.83, 27.42, -29.66

 

CMYK 13 / 29 / 0 / 7

HEX #CEA8EE

RGB 206 168 238

HSL 272.57, 0.67%, 0.8%

LAB 74.38, 26.8, -29.85

 

CMYK 13 / 27 / 0 / 0

HEX #DFBAFF

RGB 223 186 255

HSL 272.17, 1%, 0.86%

LAB 80.75, 25.81, -29.09

 

CMYK 19 / 39 / 0 / 27

HEX #9672BA

RGB 150 114 186

HSL 270, 0.34%, 0.59%

LAB 54.09, 28.4, -32.69

 

CMYK 20 / 43 / 0 / 35

HEX #8560A7

RGB 133 96 167

HSL 271.27, 0.29%, 0.52%

LAB 47.16, 29.21, -32.62

 

CMYK 22 / 47 / 0 / 42

HEX #744E94

RGB 116 78 148

HSL 272.57, 0.31%, 0.44%

LAB 40.08, 30.1, -32.57

 

CMYK 23 / 53 / 0 / 49

HEX #633C81

RGB 99 60 129

HSL 273.91, 0.37%, 0.37%

LAB 32.85, 31.04, -32.5

 

CMYK 25 / 62 / 0 / 57

HEX #522A6E

RGB 82 42 110

HSL 275.29, 0.45%, 0.3%

LAB 25.49, 31.96, -32.35

 

CMYK 19 / 38 / 0 / 27

HEX #9672B9

RGB 150 114 185

HSL 270.42, 0.34%, 0.59%

LAB 54.05, 28.17, -32.18

 

CMYK 9 / 38 / 0 / 27

HEX #A972B9

RGB 169 114 185

HSL 286.48, 0.34%, 0.59%

LAB 56.06, 34.07, -28.9

 

CMYK 0 / 38 / 1 / 27

HEX #B972B7

RGB 185 114 183

HSL 301.69, 0.34%, 0.59%

LAB 57.82, 38.74, -24.89

 

CMYK 0 / 38 / 11 / 27

HEX #B972A4

RGB 185 114 164

HSL 317.75, 0.34%, 0.59%

LAB 57.1, 35.34, -15.05

 

CMYK 0 / 38 / 22 / 27

HEX #B97290

RGB 185 114 144

HSL 334.65, 0.34%, 0.59%

LAB 56.45, 32.11, -4.43

 

CMYK 19 / 38 / 0 / 27

HEX #9672B9

RGB 150 114 185

HSL 270.42, 0.34%, 0.59%

LAB 54.05, 28.17, -32.18

 

CMYK 29 / 38 / 0 / 27

HEX #8372B9

RGB 131 114 185

HSL 254.37, 0.34%, 0.59%

LAB 52.24, 22.46, -35.14

 

CMYK 38 / 38 / 0 / 27

HEX #7272B9

RGB 114 114 185

HSL 240, 0.34%, 0.59%

LAB 50.82, 17.63, -37.47

 

CMYK 19 / 38 / 0 / 27

HEX #9672B9

RGB 150 114 185

HSL 270.42, 0.34%, 0.59%

LAB 54.05, 28.17, -32.18

 

CMYK 26 / 52 / 0 / 21

HEX #9661CA

RGB 150 97 202

HSL 270.29, 0.5%, 0.59%

LAB 51.03, 41.81, -46.69

 

CMYK 32 / 63 / 0 / 14

HEX #9651DB

RGB 150 81 219

HSL 270, 0.66%, 0.59%

LAB 48.86, 54.32, -59.87

 

CMYK 36 / 73 / 0 / 7

HEX #9640EC

RGB 150 64 236

HSL 270, 0.82%, 0.59%

LAB 47.24, 66.12, -72.12

 

CMYK 41 / 81 / 0 / 1

HEX #962FFD

RGB 150 47 253

HSL 270, 0.98%, 0.59%

LAB 46.46, 76.16, -82.95

 

CMYK 19 / 38 / 0 / 27

HEX #9672B9

RGB 150 114 185

HSL 270.42, 0.34%, 0.59%

LAB 54.05, 28.17, -32.18

 

CMYK 11 / 22 / 0 / 34

HEX #9683A9

RGB 150 131 169

HSL 270, 0.18%, 0.59%

LAB 57.64, 14.72, -17.47

 

CMYK 1 / 3 / 0 / 40

HEX #969498

RGB 150 148 152

HSL 270, 0.02%, 0.59%

LAB 61.59, 1.51, -1.85

 

CMYK 9 / 0 / 18 / 35

HEX #96A587

RGB 150 165 135

HSL 90, 0.14%, 0.59%

LAB 65.86, -10.88, 13.8

 

CMYK 18 / 0 / 35 / 29

HEX #96B676

RGB 150 182 118

HSL 90, 0.3%, 0.59%

LAB 70.35, -22.29, 29.11

 

CMYK 38 / 37 / 0 / 27

HEX #7275B9

RGB 114 117 185

HSL 237.46, 0.34%, 0.59%

LAB 51.61, 15.83, -36.23

 

CMYK 29 / 38 / 0 / 27

HEX #8372B9

RGB 131 114 185

HSL 254.37, 0.34%, 0.59%

LAB 52.24, 22.46, -35.14

 

CMYK 19 / 38 / 0 / 27

HEX #9672B9

RGB 150 114 185

HSL 270.42, 0.34%, 0.59%

LAB 54.05, 28.17, -32.18

 

CMYK 9 / 38 / 0 / 27

HEX #A972B9

RGB 169 114 185

HSL 286.48, 0.34%, 0.59%

LAB 56.06, 34.07, -28.9

 

CMYK 0 / 38 / 1 / 27

HEX #B972B7

RGB 185 114 183

HSL 301.69, 0.34%, 0.59%

LAB 57.82, 38.74, -24.89

 

CMYK 25 / 51 / 0 / 43

HEX #6D4892

RGB 109 72 146

HSL 270, 0.34%, 0.43%

LAB 37.77, 31.09, -35.06

 

CMYK 25 / 49 / 0 / 33

HEX #8157AC

RGB 129 87 172

HSL 269.65, 0.34%, 0.51%

LAB 44.89, 34.49, -39.18

 

CMYK 19 / 38 / 0 / 27

HEX #9672B9

RGB 150 114 185

HSL 270.42, 0.34%, 0.59%

LAB 54.05, 28.17, -32.18

 

CMYK 14 / 29 / 0 / 22

HEX #AB8EC7

RGB 171 142 199

HSL 270.53, 0.34%, 0.67%

LAB 63.45, 21.9, -25.42

 

CMYK 10 / 20 / 0 / 16

HEX #BFAAD5

RGB 191 170 213

HSL 269.3, 0.34%, 0.75%

LAB 72.65, 15.71, -18.98

 

CMYK 19 / 39 / 0 / 27

HEX #9672BA

RGB 150 114 186

HSL 270, 0.34%, 0.59%

LAB 54.09, 28.4, -32.69

 

CMYK 0 / 38 / 26 / 27

HEX #B97288

RGB 185 114 136

HSL 341.41, 0.34%, 0.59%

LAB 56.21, 30.93, -0.12

 

CMYK 38 / 0 / 34 / 27

HEX #72B97A

RGB 114 185 122

HSL 126.76, 0.34%, 0.59%

LAB 69.24, -35.52, 25.15

 

CMYK 19 / 39 / 0 / 27

HEX #9672BA

RGB 150 114 186

HSL 270, 0.34%, 0.59%

LAB 54.09, 28.4, -32.69

 

CMYK 0 / 19 / 38 / 27

HEX #B99672

RGB 185 150 114

HSL 30.42, 0.34%, 0.59%

LAB 64.44, 8.06, 23.93

 

CMYK 38 / 0 / 19 / 27

HEX #72B996

RGB 114 185 150

HSL 150.42, 0.34%, 0.59%

LAB 69.81, -30.21, 10.82

 

CMYK 19 / 39 / 0 / 27

HEX #9672BA

RGB 150 114 186

HSL 270, 0.34%, 0.59%

LAB 54.09, 28.4, -32.69

 

CMYK 0 / 38 / 26 / 27

HEX #B97288

RGB 185 114 136

HSL 341.41, 0.34%, 0.59%

LAB 56.21, 30.93, -0.12

 

CMYK 19 / 0 / 38 / 27

HEX #96B972

RGB 150 185 114

HSL 89.58, 0.34%, 0.59%

LAB 71.14, -24.33, 32.24

 

CMYK 38 / 0 / 11 / 27

HEX #72B9A4

RGB 114 185 164

HSL 162.25, 0.34%, 0.59%

LAB 70.14, -27.18, 3.64

 

CMYK 19 / 39 / 0 / 27

HEX #9672BA

RGB 150 114 186

HSL 270, 0.34%, 0.59%

LAB 54.09, 28.4, -32.69

 

CMYK 0 / 38 / 38 / 27

HEX #B97272

RGB 185 114 114

HSL 0, 0.34%, 0.59%

LAB 55.65, 28.02, 11.9

 

CMYK 19 / 0 / 38 / 27

HEX #96B972

RGB 150 185 114

HSL 89.58, 0.34%, 0.59%

LAB 71.14, -24.33, 32.24

 

CMYK 38 / 0 / 0 / 27

HEX #72B9B9

RGB 114 185 185

HSL 180, 0.34%, 0.59%

LAB 70.72, -22.2, -7.04

 

Description

Color code: HEX #9672BA | qconv.com Color code: HEX #9672BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 114 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 114 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 39 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 39% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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