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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967E72 it is the complementary color #69818D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967E72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967E72 shade: #9B7E6D, #AC9080, #BDA293, #CEB4A6 and #DFC6B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967E72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967E72 shade: #967E72, #856C5F, #745A4C, #634839 and #523626

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967E72 shade: #967E72, #967472 and #967272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967E72 shade: #967E72, #968872, #969272, #919672 and #879672

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967E72 shade matches the following richer shades: #967E72, #AA775E, #BE714A, #D26A36 and #E66423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967E72 shade: #967E72, #838586, #6F8B99, #5B92AD and #4798C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967E72 shade: #967279, #967472, #967E72, #968872 and #969272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967E72 shade: #69564D, #806A5F, #967E72, #A89489 and #BAA9A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967E72 shade: #967E72, #839672 and #727496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967E72 shade: #967E72, #72967E and #7E7296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967E72 shade: #967E72, #839672, #728A96 and #857296

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967E72 shade: #967E72, #789672, #728A96 and #907296

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

Complementary color

CMYK 26 / 9 / 0 / 45

HEX #69818D

RGB 105 129 141

HSL 200, 0.15%, 0.48%

LAB 52.54, -5.74, -9.32

 

CMYK 0 / 19 / 30 / 39

HEX #9B7E6D

RGB 155 126 109

HSL 22.17, 0.19%, 0.52%

LAB 55.07, 8.56, 13.47

 

CMYK 0 / 16 / 26 / 33

HEX #AC9080

RGB 172 144 128

HSL 21.82, 0.21%, 0.59%

LAB 61.89, 8, 12.42

 

CMYK 0 / 14 / 22 / 26

HEX #BDA293

RGB 189 162 147

HSL 21.43, 0.24%, 0.66%

LAB 68.58, 7.52, 11.46

 

CMYK 0 / 13 / 19 / 19

HEX #CEB4A6

RGB 206 180 166

HSL 21, 0.29%, 0.73%

LAB 75.15, 7.09, 10.56

 

CMYK 0 / 11 / 17 / 13

HEX #DFC6B9

RGB 223 198 185

HSL 20.53, 0.37%, 0.8%

LAB 81.61, 6.71, 9.72

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 0 / 19 / 29 / 48

HEX #856C5F

RGB 133 108 95

HSL 20.53, 0.17%, 0.45%

LAB 47.67, 7.82, 11

 

CMYK 0 / 22 / 34 / 55

HEX #745A4C

RGB 116 90 76

HSL 21, 0.21%, 0.38%

LAB 40.49, 8.49, 12.17

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 0 / 34 / 54 / 68

HEX #523626

RGB 82 54 38

HSL 21.82, 0.37%, 0.24%

LAB 25.48, 10.4, 15.09

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 0 / 23 / 24 / 41

HEX #967472

RGB 150 116 114

HSL 3.33, 0.15%, 0.52%

LAB 52.05, 13.02, 6.23

 

CMYK 0 / 24 / 24 / 41

HEX #967272

RGB 150 114 114

HSL 0, 0.15%, 0.52%

LAB 51.53, 14.18, 5.49

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 0 / 9 / 24 / 41

HEX #968872

RGB 150 136 114

HSL 36.67, 0.15%, 0.52%

LAB 57.37, 1.59, 13.74

 

CMYK 0 / 3 / 24 / 41

HEX #969272

RGB 150 146 114

HSL 53.33, 0.15%, 0.52%

LAB 60.12, -3.97, 17.53

 

CMYK 3 / 0 / 24 / 41

HEX #919672

RGB 145 150 114

HSL 68.33, 0.15%, 0.52%

LAB 60.82, -8.15, 18.43

 

CMYK 10 / 0 / 24 / 41

HEX #879672

RGB 135 150 114

HSL 85, 0.15%, 0.52%

LAB 60.05, -12.06, 17.25

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 0 / 30 / 45 / 33

HEX #AA775E

RGB 170 119 94

HSL 19.74, 0.31%, 0.52%

LAB 54.6, 16.86, 21.72

 

CMYK 0 / 41 / 61 / 25

HEX #BE714A

RGB 190 113 74

HSL 20.17, 0.47%, 0.52%

LAB 55.33, 26.72, 34.37

 

CMYK 0 / 50 / 74 / 18

HEX #D26A36

RGB 210 106 54

HSL 20, 0.63%, 0.52%

LAB 56.36, 37.36, 46.73

 

CMYK 0 / 57 / 85 / 10

HEX #E66423

RGB 230 100 35

HSL 20, 0.8%, 0.52%

LAB 58.09, 47.33, 57.87

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 2 / 1 / 0 / 47

HEX #838586

RGB 131 133 134

HSL 200, 0.01%, 0.52%

LAB 55.4, -0.54, -0.8

 

CMYK 27 / 9 / 0 / 40

HEX #6F8B99

RGB 111 139 153

HSL 200, 0.17%, 0.52%

LAB 56.23, -6.52, -10.7

 

CMYK 47 / 16 / 0 / 32

HEX #5B92AD

RGB 91 146 173

HSL 199.76, 0.33%, 0.52%

LAB 57.85, -10.67, -19.81

 

CMYK 63 / 21 / 0 / 24

HEX #4798C1

RGB 71 152 193

HSL 200.16, 0.5%, 0.52%

LAB 59.57, -12.12, -28.56

 

CMYK 0 / 24 / 19 / 41

HEX #967279

RGB 150 114 121

HSL 348.33, 0.15%, 0.52%

LAB 51.72, 15.3, 1.64

 

CMYK 0 / 23 / 24 / 41

HEX #967472

RGB 150 116 114

HSL 3.33, 0.15%, 0.52%

LAB 52.05, 13.02, 6.23

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 0 / 9 / 24 / 41

HEX #968872

RGB 150 136 114

HSL 36.67, 0.15%, 0.52%

LAB 57.37, 1.59, 13.74

 

CMYK 0 / 3 / 24 / 41

HEX #969272

RGB 150 146 114

HSL 53.33, 0.15%, 0.52%

LAB 60.12, -3.97, 17.53

 

CMYK 0 / 18 / 27 / 59

HEX #69564D

RGB 105 86 77

HSL 19.29, 0.15%, 0.36%

LAB 38.19, 6.28, 8.17

 

CMYK 0 / 17 / 26 / 50

HEX #806A5F

RGB 128 106 95

HSL 20, 0.15%, 0.44%

LAB 46.61, 6.91, 9.44

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 0 / 12 / 18 / 34

HEX #A89489

RGB 168 148 137

HSL 21.29, 0.15%, 0.6%

LAB 62.77, 5.59, 8.53

 

CMYK 0 / 9 / 13 / 27

HEX #BAA9A1

RGB 186 169 161

HSL 19.2, 0.15%, 0.68%

LAB 70.45, 4.78, 6.34

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 13 / 0 / 24 / 41

HEX #839672

RGB 131 150 114

HSL 91.67, 0.15%, 0.52%

LAB 59.76, -13.59, 16.8

 

CMYK 24 / 23 / 0 / 41

HEX #727496

RGB 114 116 150

HSL 236.67, 0.15%, 0.52%

LAB 49.82, 7.04, -18.64

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 24 / 0 / 16 / 41

HEX #72967E

RGB 114 150 126

HSL 140, 0.15%, 0.52%

LAB 58.88, -17.57, 8.64

 

CMYK 16 / 24 / 0 / 41

HEX #7E7296

RGB 126 114 150

HSL 260, 0.15%, 0.52%

LAB 50.3, 12.24, -17.82

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 13 / 0 / 24 / 41

HEX #839672

RGB 131 150 114

HSL 91.67, 0.15%, 0.52%

LAB 59.76, -13.59, 16.8

 

CMYK 24 / 8 / 0 / 41

HEX #728A96

RGB 114 138 150

HSL 200, 0.15%, 0.52%

LAB 56.04, -5.73, -9.23

 

CMYK 11 / 24 / 0 / 41

HEX #857296

RGB 133 114 150

HSL 271.67, 0.15%, 0.52%

LAB 50.95, 14.64, -16.78

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 20 / 0 / 24 / 41

HEX #789672

RGB 120 150 114

HSL 110, 0.15%, 0.52%

LAB 58.99, -17.7, 15.62

 

CMYK 24 / 8 / 0 / 41

HEX #728A96

RGB 114 138 150

HSL 200, 0.15%, 0.52%

LAB 56.04, -5.73, -9.23

 

CMYK 4 / 24 / 0 / 41

HEX #907296

RGB 144 114 150

HSL 290, 0.15%, 0.52%

LAB 52.02, 18.48, -15.04

 

Description

Color code: HEX #967E72 | qconv.com Color code: HEX #967E72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 126 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 126 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 24 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 24% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Omar Prieto | Direct...
Link: http://omar.pixoa.mx

21% - weddingsbymeghan.com
Link: http://weddingsbymeghan.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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