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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96843A it is the complementary color #697BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96843A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96843A shade: #9B8435, #AC9648, #BDA85B, #CEBA6E and #DFCC81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96843A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96843A shade: #96843A, #857227, #746014, #634E01 and #523C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96843A shade: #96843A, #966B3A, #96523A and #963A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96843A shade: #96843A, #8F963A, #76963A, #5E963A and #45963A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96843A shade matches the following richer shades: #96843A, #A78E29, #B89918 and #C9A307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96843A shade: #96843A, #857A4B, #746F5C, #63656D and #525B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96843A shade: #96533A, #966B3A, #96843A, #90963A and #77963A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96843A shade: #5B5023, #786A2E, #96843A, #B49E46 and #C1AF61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96843A shade: #96843A, #3A963A and #5F3A96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96843A shade: #96843A, #3A9684 and #843A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96843A shade: #96843A, #3A963A, #3A4C96 and #963A96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96843A shade: #96843A, #3A9656, #3A4C96 and #963A7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

Complementary color

CMYK 47 / 38 / 0 / 23

HEX #697BC5

RGB 105 123 197

HSL 228.26, 0.44%, 0.59%

LAB 53.17, 13.38, -40.7

 

CMYK 0 / 15 / 66 / 39

HEX #9B8435

RGB 155 132 53

HSL 46.47, 0.49%, 0.41%

LAB 55.81, -0.65, 44.6

 

CMYK 0 / 13 / 58 / 33

HEX #AC9648

RGB 172 150 72

HSL 46.8, 0.41%, 0.48%

LAB 62.55, -1.63, 43.45

 

CMYK 0 / 11 / 52 / 26

HEX #BDA85B

RGB 189 168 91

HSL 47.14, 0.43%, 0.55%

LAB 69.17, -2.43, 42.2

 

CMYK 0 / 10 / 47 / 19

HEX #CEBA6E

RGB 206 186 110

HSL 47.5, 0.49%, 0.62%

LAB 75.68, -3.09, 40.95

 

CMYK 0 / 9 / 42 / 13

HEX #DFCC81

RGB 223 204 129

HSL 47.87, 0.59%, 0.69%

LAB 82.09, -3.65, 39.72

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 0 / 14 / 71 / 48

HEX #857227

RGB 133 114 39

HSL 47.87, 0.55%, 0.34%

LAB 48.47, -1.49, 42.59

 

CMYK 0 / 17 / 83 / 55

HEX #746014

RGB 116 96 20

HSL 47.5, 0.71%, 0.27%

LAB 41.42, -0.12, 42.95

 

CMYK 0 / 21 / 99 / 61

HEX #634E01

RGB 99 78 1

HSL 47.14, 0.98%, 0.2%

LAB 34.2, 1.61, 42.32

 

CMYK 0 / 27 / 100 / 68

HEX #523C00

RGB 82 60 0

HSL 43.9, 1%, 0.16%

LAB 26.81, 4.02, 36.19

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 0 / 29 / 61 / 41

HEX #966B3A

RGB 150 107 58

HSL 31.96, 0.44%, 0.41%

LAB 48.64, 11.65, 33.84

 

CMYK 0 / 45 / 61 / 41

HEX #96523A

RGB 150 82 58

HSL 15.65, 0.44%, 0.41%

LAB 42.5, 25.98, 26.41

 

CMYK 0 / 61 / 61 / 41

HEX #963A3A

RGB 150 58 58

HSL 0, 0.44%, 0.41%

LAB 37.51, 38.68, 20.09

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 5 / 0 / 61 / 41

HEX #8F963A

RGB 143 150 58

HSL 64.57, 0.44%, 0.41%

LAB 59.85, -15.37, 46.36

 

CMYK 21 / 0 / 61 / 41

HEX #76963A

RGB 118 150 58

HSL 80.87, 0.44%, 0.41%

LAB 58.01, -25.92, 43.81

 

CMYK 37 / 0 / 61 / 41

HEX #5E963A

RGB 94 150 58

HSL 96.52, 0.44%, 0.41%

LAB 56.58, -35.14, 41.82

 

CMYK 54 / 0 / 61 / 41

HEX #45963A

RGB 69 150 58

HSL 112.83, 0.44%, 0.41%

LAB 55.47, -43.2, 40.25

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 0 / 15 / 75 / 35

HEX #A78E29

RGB 167 142 41

HSL 48.1, 0.61%, 0.41%

LAB 59.64, -1.4, 53.97

 

CMYK 0 / 17 / 87 / 28

HEX #B89918

RGB 184 153 24

HSL 48.38, 0.77%, 0.41%

LAB 64.19, -0.29, 63.93

 

CMYK 0 / 19 / 97 / 21

HEX #C9A307

RGB 201 163 7

HSL 48.25, 0.93%, 0.41%

LAB 68.48, 1.67, 70.86

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 0 / 8 / 44 / 48

HEX #857A4B

RGB 133 122 75

HSL 48.62, 0.28%, 0.41%

LAB 51.17, -2.9, 27.22

 

CMYK 0 / 4 / 21 / 55

HEX #746F5C

RGB 116 111 92

HSL 47.5, 0.12%, 0.41%

LAB 46.78, -1.51, 11.29

 

CMYK 9 / 7 / 0 / 57

HEX #63656D

RGB 99 101 109

HSL 228, 0.05%, 0.41%

LAB 42.86, 0.97, -4.77

 

CMYK 35 / 28 / 0 / 51

HEX #525B7E

RGB 82 91 126

HSL 227.73, 0.21%, 0.41%

LAB 39.21, 5.58, -20.8

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 0 / 29 / 61 / 41

HEX #966B3A

RGB 150 107 58

HSL 31.96, 0.44%, 0.41%

LAB 48.64, 11.65, 33.84

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 4 / 0 / 61 / 41

HEX #90963A

RGB 144 150 58

HSL 63.91, 0.44%, 0.41%

LAB 59.93, -14.94, 46.47

 

CMYK 21 / 0 / 61 / 41

HEX #77963A

RGB 119 150 58

HSL 80.22, 0.44%, 0.41%

LAB 58.08, -25.52, 43.9

 

CMYK 0 / 12 / 62 / 64

HEX #5B5023

RGB 91 80 35

HSL 48.21, 0.44%, 0.25%

LAB 34.15, -1.85, 27.75

 

CMYK 0 / 12 / 62 / 53

HEX #786A2E

RGB 120 106 46

HSL 48.65, 0.45%, 0.33%

LAB 44.94, -2.48, 35.02

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 0 / 12 / 61 / 29

HEX #B49E46

RGB 180 158 70

HSL 48, 0.44%, 0.49%

LAB 65.44, -2.62, 47.89

 

CMYK 0 / 9 / 50 / 24

HEX #C1AF61

RGB 193 175 97

HSL 48.75, 0.44%, 0.57%

LAB 71.46, -3.92, 42.05

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 61 / 0 / 61 / 41

HEX #3A963A

RGB 58 150 58

HSL 120, 0.44%, 0.41%

LAB 55.09, -46.1, 39.72

 

CMYK 37 / 61 / 0 / 41

HEX #5F3A96

RGB 95 58 150

HSL 264.13, 0.44%, 0.41%

LAB 33.27, 36.63, -44.78

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 61 / 0 / 12 / 41

HEX #3A9684

RGB 58 150 132

HSL 168.26, 0.44%, 0.41%

LAB 56.46, -31.65, 1.42

 

CMYK 12 / 61 / 0 / 41

HEX #843A96

RGB 132 58 150

HSL 288.26, 0.44%, 0.41%

LAB 38.08, 46.01, -36.81

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 61 / 0 / 61 / 41

HEX #3A963A

RGB 58 150 58

HSL 120, 0.44%, 0.41%

LAB 55.09, -46.1, 39.72

 

CMYK 61 / 49 / 0 / 41

HEX #3A4C96

RGB 58 76 150

HSL 228.26, 0.44%, 0.41%

LAB 34.54, 16.89, -42.91

 

CMYK 0 / 61 / 0 / 41

HEX #963A96

RGB 150 58 150

HSL 300, 0.44%, 0.41%

LAB 40.75, 50.74, -32.41

 

CMYK 0 / 12 / 61 / 41

HEX #96843A

RGB 150 132 58

HSL 48.26, 0.44%, 0.41%

LAB 55.37, -2.55, 41.58

 

CMYK 61 / 0 / 43 / 41

HEX #3A9656

RGB 58 150 86

HSL 138.26, 0.44%, 0.41%

LAB 55.47, -41.92, 25.85

 

CMYK 61 / 49 / 0 / 41

HEX #3A4C96

RGB 58 76 150

HSL 228.26, 0.44%, 0.41%

LAB 34.54, 16.89, -42.91

 

CMYK 0 / 61 / 19 / 41

HEX #963A7A

RGB 150 58 122

HSL 318.26, 0.44%, 0.41%

LAB 39.44, 46.05, -17.33

 

Description

Color code: HEX #96843A | qconv.com Color code: HEX #96843A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 132 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 132 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 61 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 61% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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