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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968482 it is the complementary color #697B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #968482 shade: #9B847D, #AC9690, #BDA8A3, #CEBAB6 and #DFCCC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #968482 shade: #968482, #85726F, #74605C, #634E49 and #523C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #968482 shade: #968381 and #968181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #968482 shade: #968381, #968981, #968F81, #969481 and #929681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #968482 shade matches the following richer shades: #968381, #A9756F, #BB665C, #CE574A and #E04837

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #968482 shade: #968381, #849294, #71A1A7, #5EB0B9 and #4CBFCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #968482 shade: #96818A, #968185, #968381, #968981 and #968F81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #968482 shade: #6B5B5A, #826F6C, #968381, #A99A98 and #BCB0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #968482 shade: #968482, #909681 and #818896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #968482 shade: #968482, #819683 and #838196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #968482 shade: #968482, #909681, #819496 and #888196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #968482 shade: #968482, #8A9681, #819496 and #8E8196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 13 / 41

HEX #968482

RGB 150 132 130

HSL 6, 0.09%, 0.55%

LAB 56.68, 6.47, 3.57

 

Complementary color

CMYK 16 / 2 / 0 / 51

HEX #697B7D

RGB 105 123 125

HSL 186, 0.09%, 0.45%

LAB 50.27, -6.12, -3.32

 

CMYK 0 / 15 / 19 / 39

HEX #9B847D

RGB 155 132 125

HSL 14, 0.13%, 0.55%

LAB 57.03, 7.58, 7.01

 

CMYK 0 / 13 / 16 / 33

HEX #AC9690

RGB 172 150 144

HSL 12.86, 0.14%, 0.62%

LAB 63.83, 7.15, 6.16

 

CMYK 0 / 11 / 14 / 26

HEX #BDA8A3

RGB 189 168 163

HSL 11.54, 0.16%, 0.69%

LAB 70.5, 6.77, 5.35

 

CMYK 0 / 10 / 12 / 19

HEX #CEBAB6

RGB 206 186 182

HSL 10, 0.2%, 0.76%

LAB 77.05, 6.42, 4.6

 

CMYK 0 / 9 / 10 / 13

HEX #DFCCC9

RGB 223 204 201

HSL 8.18, 0.26%, 0.83%

LAB 83.49, 6.11, 3.88

 

CMYK 0 / 12 / 13 / 41

HEX #968482

RGB 150 132 130

HSL 6, 0.09%, 0.55%

LAB 56.68, 6.47, 3.57

 

CMYK 0 / 14 / 17 / 48

HEX #85726F

RGB 133 114 111

HSL 8.18, 0.09%, 0.48%

LAB 49.7, 6.89, 4.4

 

CMYK 0 / 17 / 21 / 55

HEX #74605C

RGB 116 96 92

HSL 10, 0.12%, 0.41%

LAB 42.54, 7.37, 5.3

 

CMYK 0 / 21 / 26 / 61

HEX #634E49

RGB 99 78 73

HSL 11.54, 0.15%, 0.34%

LAB 35.17, 7.96, 6.3

 

CMYK 0 / 27 / 34 / 68

HEX #523C36

RGB 82 60 54

HSL 12.86, 0.21%, 0.27%

LAB 27.55, 8.69, 7.47

 

CMYK 0 / 13 / 14 / 41

HEX #968381

RGB 150 131 129

HSL 5.71, 0.09%, 0.55%

LAB 56.39, 6.87, 3.73

 

CMYK 0 / 14 / 14 / 41

HEX #968181

RGB 150 129 129

HSL 0, 0.09%, 0.55%

LAB 55.86, 8.01, 2.96

 

CMYK 0 / 13 / 14 / 41

HEX #968381

RGB 150 131 129

HSL 5.71, 0.09%, 0.55%

LAB 56.39, 6.87, 3.73

 

CMYK 0 / 9 / 14 / 41

HEX #968981

RGB 150 137 129

HSL 22.86, 0.09%, 0.55%

LAB 58, 3.46, 6.04

 

CMYK 0 / 5 / 14 / 41

HEX #968F81

RGB 150 143 129

HSL 40, 0.09%, 0.55%

LAB 59.63, 0.09, 8.37

 

CMYK 0 / 1 / 14 / 41

HEX #969481

RGB 150 148 129

HSL 54.29, 0.09%, 0.55%

LAB 61, -2.69, 10.32

 

CMYK 3 / 0 / 14 / 41

HEX #929681

RGB 146 150 129

HSL 71.43, 0.09%, 0.55%

LAB 61.23, -5.32, 10.59

 

CMYK 0 / 13 / 14 / 41

HEX #968381

RGB 150 131 129

HSL 5.71, 0.09%, 0.55%

LAB 56.39, 6.87, 3.73

 

CMYK 0 / 31 / 34 / 34

HEX #A9756F

RGB 169 117 111

HSL 6.21, 0.25%, 0.55%

LAB 54.35, 19.64, 11.54

 

CMYK 0 / 45 / 51 / 27

HEX #BB665C

RGB 187 102 92

HSL 6.32, 0.41%, 0.55%

LAB 52.77, 32.96, 20.82

 

CMYK 0 / 58 / 64 / 19

HEX #CE574A

RGB 206 87 74

HSL 5.91, 0.57%, 0.55%

LAB 52.32, 46.31, 31.21

 

CMYK 0 / 68 / 75 / 12

HEX #E04837

RGB 224 72 55

HSL 6.04, 0.73%, 0.55%

LAB 52.68, 58.01, 42.98

 

CMYK 0 / 13 / 14 / 41

HEX #968381

RGB 150 131 129

HSL 5.71, 0.09%, 0.55%

LAB 56.39, 6.87, 3.73

 

CMYK 11 / 1 / 0 / 42

HEX #849294

RGB 132 146 148

HSL 187.5, 0.07%, 0.55%

LAB 59.53, -4.59, -2.78

 

CMYK 32 / 4 / 0 / 35

HEX #71A1A7

RGB 113 161 167

HSL 186.67, 0.23%, 0.55%

LAB 63.17, -14.48, -8.27

 

CMYK 49 / 5 / 0 / 27

HEX #5EB0B9

RGB 94 176 185

HSL 185.93, 0.39%, 0.55%

LAB 67.23, -22.52, -12.34

 

CMYK 63 / 6 / 0 / 20

HEX #4CBFCC

RGB 76 191 204

HSL 186.09, 0.56%, 0.55%

LAB 71.66, -28.18, -16.17

 

CMYK 0 / 14 / 8 / 41

HEX #96818A

RGB 150 129 138

HSL 334.29, 0.09%, 0.55%

LAB 56.11, 9.62, -1.89

 

CMYK 0 / 14 / 11 / 41

HEX #968185

RGB 150 129 133

HSL 348.57, 0.09%, 0.55%

LAB 55.97, 8.71, 0.8

 

CMYK 0 / 13 / 14 / 41

HEX #968381

RGB 150 131 129

HSL 5.71, 0.09%, 0.55%

LAB 56.39, 6.87, 3.73

 

CMYK 0 / 9 / 14 / 41

HEX #968981

RGB 150 137 129

HSL 22.86, 0.09%, 0.55%

LAB 58, 3.46, 6.04

 

CMYK 0 / 5 / 14 / 41

HEX #968F81

RGB 150 143 129

HSL 40, 0.09%, 0.55%

LAB 59.63, 0.09, 8.37

 

CMYK 0 / 15 / 16 / 58

HEX #6B5B5A

RGB 107 91 90

HSL 3.53, 0.09%, 0.39%

LAB 40.16, 6.31, 2.98

 

CMYK 0 / 15 / 17 / 49

HEX #826F6C

RGB 130 111 108

HSL 8.18, 0.09%, 0.47%

LAB 48.51, 6.92, 4.42

 

CMYK 0 / 13 / 14 / 41

HEX #968381

RGB 150 131 129

HSL 5.71, 0.09%, 0.55%

LAB 56.39, 6.87, 3.73

 

CMYK 0 / 9 / 10 / 34

HEX #A99A98

RGB 169 154 152

HSL 7.06, 0.09%, 0.63%

LAB 64.81, 5.15, 3.04

 

CMYK 0 / 6 / 7 / 26

HEX #BCB0AE

RGB 188 176 174

HSL 8.57, 0.09%, 0.71%

LAB 72.76, 3.93, 2.55

 

CMYK 0 / 12 / 13 / 41

HEX #968482

RGB 150 132 130

HSL 6, 0.09%, 0.55%

LAB 56.68, 6.47, 3.57

 

CMYK 4 / 0 / 14 / 41

HEX #909681

RGB 144 150 129

HSL 77.14, 0.09%, 0.55%

LAB 61.07, -6.09, 10.34

 

CMYK 14 / 9 / 0 / 41

HEX #818896

RGB 129 136 150

HSL 220, 0.09%, 0.55%

LAB 56.56, 0.44, -8.34

 

CMYK 0 / 12 / 13 / 41

HEX #968482

RGB 150 132 130

HSL 6, 0.09%, 0.55%

LAB 56.68, 6.47, 3.57

 

CMYK 14 / 0 / 13 / 41

HEX #819683

RGB 129 150 131

HSL 125.71, 0.09%, 0.55%

LAB 60, -11.29, 7.53

 

CMYK 13 / 14 / 0 / 41

HEX #838196

RGB 131 129 150

HSL 245.71, 0.09%, 0.55%

LAB 54.79, 5.15, -10.98

 

CMYK 0 / 12 / 13 / 41

HEX #968482

RGB 150 132 130

HSL 6, 0.09%, 0.55%

LAB 56.68, 6.47, 3.57

 

CMYK 4 / 0 / 14 / 41

HEX #909681

RGB 144 150 129

HSL 77.14, 0.09%, 0.55%

LAB 61.07, -6.09, 10.34

 

CMYK 14 / 1 / 0 / 41

HEX #819496

RGB 129 148 150

HSL 185.71, 0.09%, 0.55%

LAB 59.93, -6.31, -3.35

 

CMYK 9 / 14 / 0 / 41

HEX #888196

RGB 136 129 150

HSL 260, 0.09%, 0.55%

LAB 55.21, 6.91, -10.3

 

CMYK 0 / 12 / 13 / 41

HEX #968482

RGB 150 132 130

HSL 6, 0.09%, 0.55%

LAB 56.68, 6.47, 3.57

 

CMYK 8 / 0 / 14 / 41

HEX #8A9681

RGB 138 150 129

HSL 94.29, 0.09%, 0.55%

LAB 60.61, -8.35, 9.62

 

CMYK 14 / 1 / 0 / 41

HEX #819496

RGB 129 148 150

HSL 185.71, 0.09%, 0.55%

LAB 59.93, -6.31, -3.35

 

CMYK 5 / 14 / 0 / 41

HEX #8E8196

RGB 142 129 150

HSL 277.14, 0.09%, 0.55%

LAB 55.74, 9.04, -9.46

 

Description

Color code: HEX #968482 | qconv.com Color code: HEX #968482 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 132 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 132 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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