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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968516 it is the complementary color #697AE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968516. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #968516 shade: #9B8511, #AC9724, #BDA937, #CEBB4A and #DFCD5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968516. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #968516 shade: #968516, #857303, #746100, #634F00 and #523D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #968516 shade: #968516, #966316, #964016, #961E16 and #961616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #968516 shade: #968516, #859616, #629616, #409616 and #1D9616

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #968516 shade matches the following richer shades: #968516 and #A49008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #968516 shade: #968516, #887B24, #7A7132, #6C6640 and #5E5C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #968516 shade: #964116, #966316, #968516, #859616 and #639616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #968516 shade: #4F460B, #726511, #968516, #BAA51B and #DDC421

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #968516 shade: #968516, #16961F and #521696

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #968516 shade: #968516, #169685 and #851696

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #968516 shade: #968516, #16961F, #162796 and #96168E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #968516 shade: #968516, #169645, #162796 and #961667

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

Complementary color

CMYK 55 / 48 / 0 / 9

HEX #697AE9

RGB 105 122 233

HSL 232.03, 0.74%, 0.66%

LAB 54.87, 25.19, -58.31

 

CMYK 0 / 14 / 89 / 39

HEX #9B8511

RGB 155 133 17

HSL 50.43, 0.8%, 0.34%

LAB 55.87, -2.76, 57.64

 

CMYK 0 / 12 / 79 / 33

HEX #AC9724

RGB 172 151 36

HSL 50.74, 0.65%, 0.41%

LAB 62.53, -4.25, 58.62

 

CMYK 0 / 11 / 71 / 26

HEX #BDA937

RGB 189 169 55

HSL 51.04, 0.55%, 0.48%

LAB 69.09, -5.46, 58.49

 

CMYK 0 / 9 / 64 / 19

HEX #CEBB4A

RGB 206 187 74

HSL 51.36, 0.57%, 0.55%

LAB 75.55, -6.47, 57.81

 

CMYK 0 / 8 / 58 / 13

HEX #DFCD5D

RGB 223 205 93

HSL 51.69, 0.67%, 0.62%

LAB 81.91, -7.32, 56.85

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 0 / 14 / 98 / 48

HEX #857303

RGB 133 115 3

HSL 51.69, 0.96%, 0.27%

LAB 48.58, -3.32, 53.88

 

CMYK 0 / 16 / 100 / 55

HEX #746100

RGB 116 97 0

HSL 50.17, 1%, 0.23%

LAB 41.63, -1.27, 48.77

 

CMYK 0 / 20 / 100 / 61

HEX #634F00

RGB 99 79 0

HSL 47.88, 1%, 0.19%

LAB 34.49, 0.97, 42.88

 

CMYK 0 / 26 / 100 / 68

HEX #523D00

RGB 82 61 0

HSL 44.63, 1%, 0.16%

LAB 27.11, 3.38, 36.45

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 0 / 34 / 85 / 41

HEX #966316

RGB 150 99 22

HSL 36.09, 0.74%, 0.34%

LAB 46.27, 14.34, 48.05

 

CMYK 0 / 57 / 85 / 41

HEX #964016

RGB 150 64 22

HSL 19.69, 0.74%, 0.34%

LAB 38.21, 33.82, 41.04

 

CMYK 0 / 80 / 85 / 41

HEX #961E16

RGB 150 30 22

HSL 3.75, 0.74%, 0.34%

LAB 32.85, 48.26, 36.22

 

CMYK 0 / 85 / 85 / 41

HEX #961616

RGB 150 22 22

HSL 0, 0.74%, 0.34%

LAB 32.07, 50.48, 35.51

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 11 / 0 / 85 / 41

HEX #859616

RGB 133 150 22

HSL 67.97, 0.74%, 0.34%

LAB 58.84, -21.65, 58.14

 

CMYK 35 / 0 / 85 / 41

HEX #629616

RGB 98 150 22

HSL 84.38, 0.74%, 0.34%

LAB 56.55, -36.14, 55.26

 

CMYK 57 / 0 / 85 / 41

HEX #409616

RGB 64 150 22

HSL 100.31, 0.74%, 0.34%

LAB 55.03, -47.47, 53.34

 

CMYK 81 / 0 / 85 / 41

HEX #1D9616

RGB 29 150 22

HSL 116.72, 0.74%, 0.34%

LAB 54.17, -54.73, 52.23

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 0 / 12 / 95 / 36

HEX #A49008

RGB 164 144 8

HSL 52.31, 0.91%, 0.34%

LAB 59.76, -4.8, 62.66

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 0 / 10 / 74 / 47

HEX #887B24

RGB 136 123 36

HSL 52.2, 0.58%, 0.34%

LAB 51.3, -5.34, 46.82

 

CMYK 0 / 7 / 59 / 52

HEX #7A7132

RGB 122 113 50

HSL 52.5, 0.42%, 0.34%

LAB 47.21, -5.24, 35.61

 

CMYK 0 / 6 / 41 / 58

HEX #6C6640

RGB 108 102 64

HSL 51.82, 0.26%, 0.34%

LAB 42.86, -3.82, 22.33

 

CMYK 0 / 2 / 17 / 63

HEX #5E5C4E

RGB 94 92 78

HSL 52.5, 0.09%, 0.34%

LAB 38.87, -1.91, 8.35

 

CMYK 0 / 57 / 85 / 41

HEX #964116

RGB 150 65 22

HSL 20.16, 0.74%, 0.34%

LAB 38.42, 33.31, 41.21

 

CMYK 0 / 34 / 85 / 41

HEX #966316

RGB 150 99 22

HSL 36.09, 0.74%, 0.34%

LAB 46.27, 14.34, 48.05

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 11 / 0 / 85 / 41

HEX #859616

RGB 133 150 22

HSL 67.97, 0.74%, 0.34%

LAB 58.84, -21.65, 58.14

 

CMYK 34 / 0 / 85 / 41

HEX #639616

RGB 99 150 22

HSL 83.91, 0.74%, 0.34%

LAB 56.61, -35.76, 55.33

 

CMYK 0 / 11 / 86 / 69

HEX #4F460B

RGB 79 70 11

HSL 52.06, 0.76%, 0.18%

LAB 29.58, -3.37, 34.09

 

CMYK 0 / 11 / 85 / 55

HEX #726511

RGB 114 101 17

HSL 51.96, 0.74%, 0.26%

LAB 42.65, -4.12, 44.98

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 0 / 11 / 85 / 27

HEX #BAA51B

RGB 186 165 27

HSL 52.08, 0.75%, 0.42%

LAB 67.6, -5.74, 66.07

 

CMYK 0 / 11 / 85 / 13

HEX #DDC421

RGB 221 196 33

HSL 52.02, 0.74%, 0.5%

LAB 79.02, -6.39, 75.37

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 85 / 0 / 79 / 41

HEX #16961F

RGB 22 150 31

HSL 124.22, 0.74%, 0.34%

LAB 54.11, -55.03, 49.49

 

CMYK 45 / 85 / 0 / 41

HEX #521696

RGB 82 22 150

HSL 268.13, 0.74%, 0.34%

LAB 25.47, 51.41, -57.54

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 85 / 0 / 11 / 41

HEX #169685

RGB 22 150 133

HSL 172.03, 0.74%, 0.34%

LAB 55.76, -36.32, -0.26

 

CMYK 11 / 85 / 0 / 41

HEX #851696

RGB 133 22 150

HSL 292.03, 0.74%, 0.34%

LAB 33.48, 59.68, -44.15

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 85 / 0 / 79 / 41

HEX #16961F

RGB 22 150 31

HSL 124.22, 0.74%, 0.34%

LAB 54.11, -55.03, 49.49

 

CMYK 85 / 74 / 0 / 41

HEX #162796

RGB 22 39 150

HSL 232.03, 0.74%, 0.34%

LAB 23.08, 36.67, -61.66

 

CMYK 0 / 85 / 5 / 41

HEX #96168E

RGB 150 22 142

HSL 303.75, 0.74%, 0.34%

LAB 36.01, 61.62, -35.04

 

CMYK 0 / 11 / 85 / 41

HEX #968516

RGB 150 133 22

HSL 52.03, 0.74%, 0.34%

LAB 55.4, -4.95, 55.81

 

CMYK 85 / 0 / 54 / 41

HEX #169645

RGB 22 150 69

HSL 142.03, 0.74%, 0.34%

LAB 54.46, -50.73, 33.38

 

CMYK 85 / 74 / 0 / 41

HEX #162796

RGB 22 39 150

HSL 232.03, 0.74%, 0.34%

LAB 23.08, 36.67, -61.66

 

CMYK 0 / 85 / 31 / 41

HEX #961667

RGB 150 22 103

HSL 322.03, 0.74%, 0.34%

LAB 34.06, 56.29, -13.61

 

Description

Color code: HEX #968516 | qconv.com Color code: HEX #968516 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 133 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 133 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 85 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 85% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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