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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96887C it is the complementary color #697783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96887C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96887C shade: #9B8877, #AC9A8A, #BDAC9D, #CEBEB0 and #DFD0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96887C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96887C shade: #96887C, #857669, #746456, #635243 and #524030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96887C shade: #96887C, #96817C and #967C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96887C shade: #96887C, #968F7C, #96967C, #8F967C and #88967C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96887C shade matches the following richer shades: #96887C, #A98769, #BC8556, #CF8443 and #E28230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96887C shade: #96887C, #838A8F, #708BA2, #5D8DB5 and #4A8EC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96887C shade: #967C7E, #96817C, #96887C, #968F7C and #96967C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96887C shade: #6B5F55, #817468, #96887C, #A89D93 and #BBB2AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96887C shade: #96887C, #85967C and #7E7C96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96887C shade: #96887C, #7C9688 and #887C96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96887C shade: #96887C, #85967C, #7C8A96 and #8D7C96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96887C shade: #96887C, #7E967C, #7C8A96 and #957C96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

Complementary color

CMYK 20 / 9 / 0 / 49

HEX #697783

RGB 105 119 131

HSL 207.69, 0.11%, 0.46%

LAB 49.3, -2.42, -8.31

 

CMYK 0 / 12 / 23 / 39

HEX #9B8877

RGB 155 136 119

HSL 28.33, 0.15%, 0.54%

LAB 57.95, 4.37, 11.76

 

CMYK 0 / 10 / 20 / 33

HEX #AC9A8A

RGB 172 154 138

HSL 28.24, 0.17%, 0.61%

LAB 64.74, 3.97, 10.81

HEX #AC9A8A

CMYK 0 / 9 / 17 / 26

HEX #BDAC9D

RGB 189 172 157

HSL 28.13, 0.2%, 0.68%

LAB 71.39, 3.62, 9.93

HEX #BDAC9D

CMYK 0 / 8 / 15 / 19

HEX #CEBEB0

RGB 206 190 176

HSL 28, 0.23%, 0.75%

LAB 77.92, 3.31, 9.1

HEX #CEBEB0

CMYK 0 / 7 / 13 / 13

HEX #DFD0C3

RGB 223 208 195

HSL 27.86, 0.3%, 0.82%

LAB 84.35, 3.03, 8.31

HEX #DFD0C3

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 0 / 11 / 21 / 48

HEX #857669

RGB 133 118 105

HSL 27.86, 0.12%, 0.47%

LAB 50.64, 3.55, 9.28

 

CMYK 0 / 14 / 26 / 55

HEX #746456

RGB 116 100 86

HSL 28, 0.15%, 0.4%

LAB 43.51, 3.99, 10.3

 

CMYK 0 / 17 / 32 / 61

HEX #635243

RGB 99 82 67

HSL 28.13, 0.19%, 0.33%

LAB 36.16, 4.54, 11.44

 

CMYK 0 / 22 / 41 / 68

HEX #524030

RGB 82 64 48

HSL 28.24, 0.26%, 0.25%

LAB 28.57, 5.24, 12.76

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 0 / 14 / 17 / 41

HEX #96817C

RGB 150 129 124

HSL 11.54, 0.11%, 0.54%

LAB 55.73, 7.16, 5.66

 

CMYK 0 / 17 / 17 / 41

HEX #967C7C

RGB 150 124 124

HSL 0, 0.11%, 0.54%

LAB 54.4, 10.02, 3.76

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 0 / 5 / 17 / 41

HEX #968F7C

RGB 150 143 124

HSL 43.85, 0.11%, 0.54%

LAB 59.51, -0.75, 11.04

 

CMYK 0 / 0 / 17 / 41

HEX #96967C

RGB 150 150 124

HSL 60, 0.11%, 0.54%

LAB 61.44, -4.61, 13.75

 

CMYK 5 / 0 / 17 / 41

HEX #8F967C

RGB 143 150 124

HSL 76.15, 0.11%, 0.54%

LAB 60.88, -7.32, 12.88

 

CMYK 9 / 0 / 17 / 41

HEX #88967C

RGB 136 150 124

HSL 92.31, 0.11%, 0.54%

LAB 60.34, -9.99, 12.05

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 0 / 20 / 38 / 34

HEX #A98769

RGB 169 135 105

HSL 28.13, 0.27%, 0.54%

LAB 58.77, 8.71, 21.05

 

CMYK 0 / 29 / 54 / 26

HEX #BC8556

RGB 188 133 86

HSL 27.65, 0.43%, 0.54%

LAB 60.01, 15.81, 33.57

 

CMYK 0 / 36 / 68 / 19

HEX #CF8443

RGB 207 132 67

HSL 27.86, 0.59%, 0.54%

LAB 61.8, 23.01, 46.1

 

CMYK 0 / 42 / 79 / 11

HEX #E28230

RGB 226 130 48

HSL 27.64, 0.75%, 0.54%

LAB 63.63, 31.09, 57.41

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 8 / 3 / 0 / 44

HEX #838A8F

RGB 131 138 143

HSL 205, 0.05%, 0.54%

LAB 57.06, -1.52, -3.56

 

CMYK 31 / 14 / 0 / 36

HEX #708BA2

RGB 112 139 162

HSL 207.6, 0.21%, 0.54%

LAB 56.6, -3.93, -15.3

 

CMYK 49 / 22 / 0 / 29

HEX #5D8DB5

RGB 93 141 181

HSL 207.27, 0.37%, 0.54%

LAB 56.79, -5.02, -25.97

 

CMYK 63 / 29 / 0 / 22

HEX #4A8EC8

RGB 74 142 200

HSL 207.62, 0.53%, 0.54%

LAB 57.05, -3.64, -36.42

 

CMYK 0 / 17 / 16 / 41

HEX #967C7E

RGB 150 124 126

HSL 355.38, 0.11%, 0.54%

LAB 54.45, 10.36, 2.67

 

CMYK 0 / 14 / 17 / 41

HEX #96817C

RGB 150 129 124

HSL 11.54, 0.11%, 0.54%

LAB 55.73, 7.16, 5.66

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 0 / 5 / 17 / 41

HEX #968F7C

RGB 150 143 124

HSL 43.85, 0.11%, 0.54%

LAB 59.51, -0.75, 11.04

 

CMYK 0 / 0 / 17 / 41

HEX #96967C

RGB 150 150 124

HSL 60, 0.11%, 0.54%

LAB 61.44, -4.61, 13.75

 

CMYK 0 / 11 / 21 / 58

HEX #6B5F55

RGB 107 95 85

HSL 27.27, 0.11%, 0.38%

LAB 41.16, 3.01, 7.48

 

CMYK 0 / 10 / 19 / 49

HEX #817468

RGB 129 116 104

HSL 28.8, 0.11%, 0.46%

LAB 49.69, 2.92, 8.46

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 0 / 7 / 13 / 34

HEX #A89D93

RGB 168 157 147

HSL 28.57, 0.11%, 0.62%

LAB 65.39, 2.26, 6.66

 

CMYK 0 / 5 / 9 / 27

HEX #BBB2AA

RGB 187 178 170

HSL 28.24, 0.11%, 0.7%

LAB 73.09, 1.79, 5.22

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 11 / 0 / 17 / 41

HEX #85967C

RGB 133 150 124

HSL 99.23, 0.11%, 0.54%

LAB 60.12, -11.11, 11.7

 

CMYK 16 / 17 / 0 / 41

HEX #7E7C96

RGB 126 124 150

HSL 244.62, 0.11%, 0.54%

LAB 53.01, 6.34, -13.71

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 17 / 0 / 9 / 41

HEX #7C9688

RGB 124 150 136

HSL 147.69, 0.11%, 0.54%

LAB 59.78, -12.08, 4.34

 

CMYK 9 / 17 / 0 / 41

HEX #887C96

RGB 136 124 150

HSL 267.69, 0.11%, 0.54%

LAB 53.87, 9.81, -12.32

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 11 / 0 / 17 / 41

HEX #85967C

RGB 133 150 124

HSL 99.23, 0.11%, 0.54%

LAB 60.12, -11.11, 11.7

 

CMYK 17 / 8 / 0 / 41

HEX #7C8A96

RGB 124 138 150

HSL 207.69, 0.11%, 0.54%

LAB 56.75, -2.41, -8.11

 

CMYK 6 / 17 / 0 / 41

HEX #8D7C96

RGB 141 124 150

HSL 279.23, 0.11%, 0.54%

LAB 54.32, 11.58, -11.59

 

CMYK 0 / 9 / 17 / 41

HEX #96887C

RGB 150 136 124

HSL 27.69, 0.11%, 0.54%

LAB 57.61, 3.18, 8.35

 

CMYK 16 / 0 / 17 / 41

HEX #7E967C

RGB 126 150 124

HSL 115.38, 0.11%, 0.54%

LAB 59.62, -13.7, 10.93

 

CMYK 17 / 8 / 0 / 41

HEX #7C8A96

RGB 124 138 150

HSL 207.69, 0.11%, 0.54%

LAB 56.75, -2.41, -8.11

 

CMYK 1 / 17 / 0 / 41

HEX #957C96

RGB 149 124 150

HSL 297.69, 0.11%, 0.54%

LAB 55.08, 14.44, -10.38

 

Description

Color code: HEX #96887C | qconv.com Color code: HEX #96887C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 136 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 136 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 17 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 17% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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