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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968043 it is the complementary color #697FBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968043. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #968043 shade: #9B803E, #AC9251, #BDA464, #CEB677 and #DFC88A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968043. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #968043 shade: #968043, #856E30, #745C1D, #634A0A and #523800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #968043 shade: #978143, #976A43, #975443 and #974343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #968043 shade: #978143, #969743, #809743, #699743 and #539743

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #968043 shade matches the following richer shades: #978143, #A98932, #BA9120 and #CC9A0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #968043 shade: #978143, #857855, #737067, #626879 and #505F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #968043 shade: #975443, #976A43, #978143, #979743 and #819743

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #968043 shade: #5E502A, #7A6837, #978143, #B19852 and #BEA96F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #968043 shade: #968043, #499743 and #5F4397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #968043 shade: #968043, #439781 and #814397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #968043 shade: #968043, #499743, #435A97 and #914397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #968043 shade: #968043, #439757, #435A97 and #974383

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 55 / 41

HEX #968043

RGB 150 128 67

HSL 44.1, 0.38%, 0.43%

LAB 54.37, 0.42, 35.87

 

Complementary color

CMYK 44 / 32 / 0 / 26

HEX #697FBC

RGB 105 127 188

HSL 224.1, 0.38%, 0.57%

LAB 53.83, 8.29, -34.52

 

CMYK 0 / 17 / 60 / 39

HEX #9B803E

RGB 155 128 62

HSL 42.58, 0.43%, 0.43%

LAB 54.82, 2.24, 39.09

 

CMYK 0 / 15 / 53 / 33

HEX #AC9251

RGB 172 146 81

HSL 42.86, 0.36%, 0.5%

LAB 61.59, 1.32, 37.77

 

CMYK 0 / 13 / 47 / 26

HEX #BDA464

RGB 189 164 100

HSL 43.15, 0.4%, 0.57%

LAB 68.23, 0.56, 36.45

 

CMYK 0 / 12 / 42 / 19

HEX #CEB677

RGB 206 182 119

HSL 43.45, 0.47%, 0.64%

LAB 74.77, -0.07, 35.18

 

CMYK 0 / 10 / 38 / 13

HEX #DFC88A

RGB 223 200 138

HSL 43.76, 0.57%, 0.71%

LAB 81.2, -0.61, 33.97

 

CMYK 0 / 15 / 55 / 41

HEX #968043

RGB 150 128 67

HSL 44.1, 0.38%, 0.43%

LAB 54.37, 0.42, 35.87

 

CMYK 0 / 17 / 64 / 48

HEX #856E30

RGB 133 110 48

HSL 43.76, 0.47%, 0.35%

LAB 47.43, 1.4, 37.18

 

CMYK 0 / 21 / 75 / 55

HEX #745C1D

RGB 116 92 29

HSL 43.45, 0.6%, 0.28%

LAB 40.34, 2.67, 38.24

 

CMYK 0 / 25 / 90 / 61

HEX #634A0A

RGB 99 74 10

HSL 43.15, 0.82%, 0.21%

LAB 33.08, 4.34, 38.37

 

CMYK 0 / 32 / 100 / 68

HEX #523800

RGB 82 56 0

HSL 40.98, 1%, 0.16%

LAB 25.63, 6.57, 35.12

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 0 / 30 / 56 / 41

HEX #976A43

RGB 151 106 67

HSL 27.86, 0.39%, 0.43%

LAB 48.63, 13.43, 28.9

 

CMYK 0 / 44 / 56 / 41

HEX #975443

RGB 151 84 67

HSL 12.14, 0.39%, 0.43%

LAB 43.25, 26.03, 22.08

 

CMYK 0 / 56 / 56 / 41

HEX #974343

RGB 151 67 67

HSL 0, 0.39%, 0.43%

LAB 39.58, 35.26, 17.26

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 1 / 0 / 56 / 41

HEX #969743

RGB 150 151 67

HSL 60.71, 0.39%, 0.43%

LAB 60.8, -12.15, 43.36

 

CMYK 15 / 0 / 56 / 41

HEX #809743

RGB 128 151 67

HSL 76.43, 0.39%, 0.43%

LAB 59.09, -21.49, 40.95

 

CMYK 30 / 0 / 56 / 41

HEX #699743

RGB 105 151 67

HSL 92.86, 0.39%, 0.43%

LAB 57.6, -30.61, 38.83

 

CMYK 45 / 0 / 56 / 41

HEX #539743

RGB 83 151 67

HSL 108.57, 0.39%, 0.43%

LAB 56.46, -38.31, 37.2

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 0 / 19 / 70 / 34

HEX #A98932

RGB 169 137 50

HSL 43.87, 0.54%, 0.43%

LAB 58.56, 2.7, 49.29

 

CMYK 0 / 22 / 83 / 27

HEX #BA9120

RGB 186 145 32

HSL 44.03, 0.71%, 0.43%

LAB 62.33, 5.18, 60.26

 

CMYK 0 / 25 / 93 / 20

HEX #CC9A0E

RGB 204 154 14

HSL 44.21, 0.87%, 0.43%

LAB 66.5, 7.93, 68.61

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 0 / 10 / 36 / 48

HEX #857855

RGB 133 120 85

HSL 43.75, 0.22%, 0.43%

LAB 50.78, -0.54, 21.07

 

CMYK 0 / 3 / 10 / 55

HEX #737067

RGB 115 112 103

HSL 45, 0.06%, 0.43%

LAB 47.25, -0.57, 5.41

 

CMYK 19 / 14 / 0 / 53

HEX #626879

RGB 98 104 121

HSL 224.35, 0.11%, 0.43%

LAB 44.06, 1.61, -10.26

 

CMYK 42 / 31 / 0 / 46

HEX #505F8A

RGB 80 95 138

HSL 224.48, 0.27%, 0.43%

LAB 40.78, 6.03, -25.67

 

CMYK 0 / 44 / 56 / 41

HEX #975443

RGB 151 84 67

HSL 12.14, 0.39%, 0.43%

LAB 43.25, 26.03, 22.08

 

CMYK 0 / 30 / 56 / 41

HEX #976A43

RGB 151 106 67

HSL 27.86, 0.39%, 0.43%

LAB 48.63, 13.43, 28.9

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 0 / 0 / 56 / 41

HEX #979743

RGB 151 151 67

HSL 60, 0.39%, 0.43%

LAB 60.89, -11.72, 43.48

 

CMYK 15 / 0 / 56 / 41

HEX #819743

RGB 129 151 67

HSL 75.71, 0.39%, 0.43%

LAB 59.16, -21.08, 41.05

 

CMYK 0 / 15 / 55 / 63

HEX #5E502A

RGB 94 80 42

HSL 43.85, 0.38%, 0.27%

LAB 34.57, 0.27, 24.37

 

CMYK 0 / 15 / 55 / 52

HEX #7A6837

RGB 122 104 55

HSL 43.88, 0.38%, 0.35%

LAB 44.68, 0.39, 29.99

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 0 / 14 / 54 / 31

HEX #B19852

RGB 177 152 82

HSL 44.21, 0.38%, 0.51%

LAB 63.68, 0.28, 39.89

 

CMYK 0 / 11 / 42 / 25

HEX #BEA96F

RGB 190 169 111

HSL 44.05, 0.38%, 0.59%

LAB 69.8, -0.56, 32.69

 

CMYK 0 / 15 / 55 / 41

HEX #968043

RGB 150 128 67

HSL 44.1, 0.38%, 0.43%

LAB 54.37, 0.42, 35.87

 

CMYK 52 / 0 / 56 / 41

HEX #499743

RGB 73 151 67

HSL 115.71, 0.39%, 0.43%

LAB 56.04, -41.37, 36.6

 

CMYK 37 / 56 / 0 / 41

HEX #5F4397

RGB 95 67 151

HSL 260, 0.39%, 0.43%

LAB 35.36, 31.59, -42.02

 

CMYK 0 / 15 / 55 / 41

HEX #968043

RGB 150 128 67

HSL 44.1, 0.38%, 0.43%

LAB 54.37, 0.42, 35.87

 

CMYK 56 / 0 / 15 / 41

HEX #439781

RGB 67 151 129

HSL 164.29, 0.39%, 0.43%

LAB 56.99, -31.01, 3.93

 

CMYK 15 / 56 / 0 / 41

HEX #814397

RGB 129 67 151

HSL 284.29, 0.39%, 0.43%

LAB 39.44, 40.79, -35.29

 

CMYK 0 / 15 / 55 / 41

HEX #968043

RGB 150 128 67

HSL 44.1, 0.38%, 0.43%

LAB 54.37, 0.42, 35.87

 

CMYK 52 / 0 / 56 / 41

HEX #499743

RGB 73 151 67

HSL 115.71, 0.39%, 0.43%

LAB 56.04, -41.37, 36.6

 

CMYK 56 / 40 / 0 / 41

HEX #435A97

RGB 67 90 151

HSL 223.57, 0.39%, 0.43%

LAB 39.14, 10.04, -36.14

 

CMYK 4 / 56 / 0 / 41

HEX #914397

RGB 145 67 151

HSL 295.71, 0.39%, 0.43%

LAB 41.64, 45.29, -31.67

 

CMYK 0 / 15 / 55 / 41

HEX #968043

RGB 150 128 67

HSL 44.1, 0.38%, 0.43%

LAB 54.37, 0.42, 35.87

 

CMYK 56 / 0 / 42 / 41

HEX #439757

RGB 67 151 87

HSL 134.29, 0.39%, 0.43%

LAB 56.1, -39.98, 26.2

 

CMYK 56 / 40 / 0 / 41

HEX #435A97

RGB 67 90 151

HSL 223.57, 0.39%, 0.43%

LAB 39.14, 10.04, -36.14

 

CMYK 0 / 56 / 13 / 41

HEX #974383

RGB 151 67 131

HSL 314.29, 0.39%, 0.43%

LAB 41.58, 43.46, -19.55

 

Description

Color code: HEX #968043 | qconv.com Color code: HEX #968043 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 128 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 128 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 55 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 55% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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