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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968116 it is the complementary color #697EE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #968116 shade: #9B8111, #AC9324, #BDA537, #CEB74A and #DFC95D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #968116 shade: #968116, #856F03, #745D00, #634B00 and #523900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #968116 shade: #968116, #965F16, #963C16, #961A16 and #961616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #968116 shade: #968116, #899616, #669616, #449616 and #219616

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #968116 shade matches the following richer shades: #968116 and #A48B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #968116 shade: #968116, #887824, #7A6E32, #6C6540 and #5E5C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #968116 shade: #963D16, #965F16, #968116, #8A9616 and #679616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #968116 shade: #4F440B, #726211, #968116, #BAA01B and #DDBF21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #968116 shade: #968116, #16961A and #4E1696

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #968116 shade: #968116, #169681 and #811696

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #968116 shade: #968116, #16961A, #162B96 and #961692

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #968116 shade: #968116, #169641, #162B96 and #96166C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

Complementary color

CMYK 55 / 46 / 0 / 9

HEX #697EE9

RGB 105 126 233

HSL 230.16, 0.74%, 0.66%

LAB 55.9, 22.78, -56.67

 

CMYK 0 / 17 / 89 / 39

HEX #9B8111

RGB 155 129 17

HSL 48.7, 0.8%, 0.34%

LAB 54.77, -0.55, 56.76

 

CMYK 0 / 15 / 79 / 33

HEX #AC9324

RGB 172 147 36

HSL 48.97, 0.65%, 0.41%

LAB 61.45, -2.08, 57.64

 

CMYK 0 / 13 / 71 / 26

HEX #BDA537

RGB 189 165 55

HSL 49.25, 0.55%, 0.48%

LAB 68.02, -3.34, 57.43

 

CMYK 0 / 11 / 64 / 19

HEX #CEB74A

RGB 206 183 74

HSL 49.55, 0.57%, 0.55%

LAB 74.5, -4.39, 56.69

 

CMYK 0 / 10 / 58 / 13

HEX #DFC95D

RGB 223 201 93

HSL 49.85, 0.67%, 0.62%

LAB 80.88, -5.28, 55.68

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 0 / 17 / 98 / 48

HEX #856F03

RGB 133 111 3

HSL 49.85, 0.96%, 0.27%

LAB 47.45, -1.05, 53.05

 

CMYK 0 / 20 / 100 / 55

HEX #745D00

RGB 116 93 0

HSL 48.1, 1%, 0.23%

LAB 40.48, 1.08, 47.97

 

CMYK 0 / 24 / 100 / 61

HEX #634B00

RGB 99 75 0

HSL 45.45, 1%, 0.19%

LAB 33.32, 3.41, 42.07

 

CMYK 0 / 30 / 100 / 68

HEX #523900

RGB 82 57 0

HSL 41.71, 1%, 0.16%

LAB 25.92, 5.93, 35.39

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 0 / 37 / 85 / 41

HEX #965F16

RGB 150 95 22

HSL 34.22, 0.74%, 0.34%

LAB 45.26, 16.65, 47.18

 

CMYK 0 / 60 / 85 / 41

HEX #963C16

RGB 150 60 22

HSL 17.81, 0.74%, 0.34%

LAB 37.43, 35.85, 40.34

 

CMYK 0 / 83 / 85 / 41

HEX #961A16

RGB 150 26 22

HSL 1.88, 0.74%, 0.34%

LAB 32.44, 49.44, 35.84

 

CMYK 0 / 85 / 85 / 41

HEX #961616

RGB 150 22 22

HSL 0, 0.74%, 0.34%

LAB 32.07, 50.48, 35.51

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 9 / 0 / 85 / 41

HEX #899616

RGB 137 150 22

HSL 66.09, 0.74%, 0.34%

LAB 59.15, -19.89, 58.52

 

CMYK 32 / 0 / 85 / 41

HEX #669616

RGB 102 150 22

HSL 82.5, 0.74%, 0.34%

LAB 56.78, -34.6, 55.55

 

CMYK 55 / 0 / 85 / 41

HEX #449616

RGB 68 150 22

HSL 98.44, 0.74%, 0.34%

LAB 55.17, -46.33, 53.52

 

CMYK 78 / 0 / 85 / 41

HEX #219616

RGB 33 150 22

HSL 114.84, 0.74%, 0.34%

LAB 54.23, -54.15, 52.32

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 0 / 15 / 95 / 36

HEX #A48B08

RGB 164 139 8

HSL 50.38, 0.91%, 0.34%

LAB 58.39, -2.07, 61.64

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 0 / 12 / 74 / 47

HEX #887824

RGB 136 120 36

HSL 50.4, 0.58%, 0.34%

LAB 50.45, -3.66, 45.98

 

CMYK 0 / 10 / 59 / 52

HEX #7A6E32

RGB 122 110 50

HSL 50, 0.42%, 0.34%

LAB 46.34, -3.53, 34.61

 

CMYK 0 / 6 / 41 / 58

HEX #6C6540

RGB 108 101 64

HSL 50.45, 0.26%, 0.34%

LAB 42.56, -3.24, 21.95

 

CMYK 0 / 2 / 17 / 63

HEX #5E5C4E

RGB 94 92 78

HSL 52.5, 0.09%, 0.34%

LAB 38.87, -1.91, 8.35

 

CMYK 0 / 59 / 85 / 41

HEX #963D16

RGB 150 61 22

HSL 18.28, 0.74%, 0.34%

LAB 37.63, 35.35, 40.51

 

CMYK 0 / 37 / 85 / 41

HEX #965F16

RGB 150 95 22

HSL 34.22, 0.74%, 0.34%

LAB 45.26, 16.65, 47.18

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 8 / 0 / 85 / 41

HEX #8A9616

RGB 138 150 22

HSL 65.63, 0.74%, 0.34%

LAB 59.23, -19.45, 58.62

 

CMYK 31 / 0 / 85 / 41

HEX #679616

RGB 103 150 22

HSL 82.03, 0.74%, 0.34%

LAB 56.84, -34.21, 55.62

 

CMYK 0 / 14 / 86 / 69

HEX #4F440B

RGB 79 68 11

HSL 50.29, 0.76%, 0.18%

LAB 28.96, -2.13, 33.53

 

CMYK 0 / 14 / 85 / 55

HEX #726211

RGB 114 98 17

HSL 50.1, 0.74%, 0.26%

LAB 41.77, -2.38, 44.21

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 0 / 14 / 85 / 27

HEX #BAA01B

RGB 186 160 27

HSL 50.19, 0.75%, 0.42%

LAB 66.26, -3.08, 64.97

 

CMYK 0 / 14 / 85 / 13

HEX #DDBF21

RGB 221 191 33

HSL 50.43, 0.74%, 0.5%

LAB 77.72, -3.82, 74.31

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 85 / 0 / 83 / 41

HEX #16961A

RGB 22 150 26

HSL 121.88, 0.74%, 0.34%

LAB 54.09, -55.35, 51.02

 

CMYK 48 / 85 / 0 / 41

HEX #4E1696

RGB 78 22 150

HSL 266.25, 0.74%, 0.34%

LAB 24.94, 50.88, -58.44

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 85 / 0 / 14 / 41

HEX #169681

RGB 22 150 129

HSL 170.16, 0.74%, 0.34%

LAB 55.65, -37.45, 1.87

 

CMYK 14 / 85 / 0 / 41

HEX #811696

RGB 129 22 150

HSL 290.16, 0.74%, 0.34%

LAB 32.79, 58.95, -45.3

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 85 / 0 / 83 / 41

HEX #16961A

RGB 22 150 26

HSL 121.88, 0.74%, 0.34%

LAB 54.09, -55.35, 51.02

 

CMYK 85 / 71 / 0 / 41

HEX #162B96

RGB 22 43 150

HSL 230.16, 0.74%, 0.34%

LAB 24, 34.13, -60.14

 

CMYK 0 / 85 / 3 / 41

HEX #961692

RGB 150 22 146

HSL 301.88, 0.74%, 0.34%

LAB 36.24, 62.24, -37.12

 

CMYK 0 / 14 / 85 / 41

HEX #968116

RGB 150 129 22

HSL 50.16, 0.74%, 0.34%

LAB 54.28, -2.74, 54.87

 

CMYK 85 / 0 / 57 / 41

HEX #169641

RGB 22 150 65

HSL 140.16, 0.74%, 0.34%

LAB 54.41, -51.34, 35.34

 

CMYK 85 / 71 / 0 / 41

HEX #162B96

RGB 22 43 150

HSL 230.16, 0.74%, 0.34%

LAB 24, 34.13, -60.14

 

CMYK 0 / 85 / 28 / 41

HEX #96166C

RGB 150 22 108

HSL 319.69, 0.74%, 0.34%

LAB 34.27, 56.89, -16.47

 

Description

Color code: HEX #968116 | qconv.com Color code: HEX #968116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 129 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 129 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 85 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 85% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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