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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968BC9 it is the complementary color #697436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #968BC9 shade: #9B8BC4, #AC9DD7, #BDAFEA, #CEC1FD and #DFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #968BC9 shade: #968BC9, #8579B6, #7467A3, #635590 and #52437D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #968BC9 shade: #978CC9, #A78CC9, #B78CC9, #C88CC9 and #C98CB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #968BC9 shade: #978CC9 and #8C8CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #968BC9 shade matches the following richer shades: #978CC9, #8E7ED6, #8571E4 and #7C63F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #968BC9 shade: #978CC9, #A09ABB, #A8A7AD, #B1B5A0 and #BAC392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #968BC9 shade: #8CA2C9, #8C92C9, #968CC9, #A68CC9 and #B68CC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #968BC9 shade: #6454AE, #7D70BB, #978CC9, #B0A8D6 and #CAC4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #968BC9 shade: #968BC9, #C98CB2 and #9AC98C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #968BC9 shade: #968BC9, #C9968C and #8CC996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #968BC9 shade: #968BC9, #C98CB2, #BFC98C and #8CC9A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #968BC9 shade: #968BC9, #C98CA0, #BFC98C and #8CC9B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 31 / 0 / 21

HEX #968BC9

RGB 150 139 201

HSL 250.65, 0.36%, 0.67%

LAB 60.93, 17.52, -30.59

 

Complementary color

CMYK 9 / 0 / 53 / 55

HEX #697436

RGB 105 116 54

HSL 70.65, 0.36%, 0.33%

LAB 46.66, -14.21, 32.52

 

CMYK 21 / 29 / 0 / 23

HEX #9B8BC4

RGB 155 139 196

HSL 256.84, 0.33%, 0.66%

LAB 61.15, 17.86, -27.39

 

CMYK 20 / 27 / 0 / 16

HEX #AC9DD7

RGB 172 157 215

HSL 255.52, 0.42%, 0.73%

LAB 67.87, 17.33, -27.53

 

CMYK 19 / 25 / 0 / 8

HEX #BDAFEA

RGB 189 175 234

HSL 254.24, 0.58%, 0.8%

LAB 74.46, 16.84, -27.69

 

CMYK 19 / 24 / 0 / 1

HEX #CEC1FD

RGB 206 193 253

HSL 253, 0.94%, 0.87%

LAB 80.93, 16.4, -27.87

 

CMYK 13 / 17 / 0 / 0

HEX #DFD3FF

RGB 223 211 255

HSL 256.36, 1%, 0.91%

LAB 86.75, 12.43, -19.96

 

CMYK 25 / 31 / 0 / 21

HEX #968BC9

RGB 150 139 201

HSL 250.65, 0.36%, 0.67%

LAB 60.93, 17.52, -30.59

 

CMYK 27 / 34 / 0 / 29

HEX #8579B6

RGB 133 121 182

HSL 251.8, 0.29%, 0.59%

LAB 54.07, 18.14, -30.55

 

CMYK 29 / 37 / 0 / 36

HEX #7467A3

RGB 116 103 163

HSL 253, 0.25%, 0.52%

LAB 47.05, 18.85, -30.56

 

CMYK 31 / 41 / 0 / 44

HEX #635590

RGB 99 85 144

HSL 254.24, 0.26%, 0.45%

LAB 39.85, 19.66, -30.63

 

CMYK 34 / 46 / 0 / 51

HEX #52437D

RGB 82 67 125

HSL 255.52, 0.3%, 0.38%

LAB 32.46, 20.62, -30.76

 

CMYK 25 / 30 / 0 / 21

HEX #978CC9

RGB 151 140 201

HSL 250.82, 0.36%, 0.67%

LAB 61.27, 17.25, -30.06

 

CMYK 17 / 30 / 0 / 21

HEX #A78CC9

RGB 167 140 201

HSL 266.56, 0.36%, 0.67%

LAB 62.67, 22.2, -27.78

 

CMYK 9 / 30 / 0 / 21

HEX #B78CC9

RGB 183 140 201

HSL 282.3, 0.36%, 0.67%

LAB 64.19, 27.3, -25.3

 

CMYK 0 / 30 / 0 / 21

HEX #C88CC9

RGB 200 140 201

HSL 299.02, 0.36%, 0.67%

LAB 65.94, 32.82, -22.46

 

CMYK 0 / 30 / 8 / 21

HEX #C98CB9

RGB 201 140 185

HSL 315.74, 0.36%, 0.67%

LAB 65.5, 30.23, -14.17

 

CMYK 25 / 30 / 0 / 21

HEX #978CC9

RGB 151 140 201

HSL 250.82, 0.36%, 0.67%

LAB 61.27, 17.25, -30.06

 

CMYK 30 / 30 / 0 / 21

HEX #8C8CC9

RGB 140 140 201

HSL 240, 0.36%, 0.67%

LAB 60.38, 13.96, -31.5

 

CMYK 25 / 30 / 0 / 21

HEX #978CC9

RGB 151 140 201

HSL 250.82, 0.36%, 0.67%

LAB 61.27, 17.25, -30.06

 

CMYK 34 / 41 / 0 / 16

HEX #8E7ED6

RGB 142 126 214

HSL 250.91, 0.52%, 0.67%

LAB 57.59, 26.08, -43.18

 

CMYK 42 / 50 / 0 / 11

HEX #8571E4

RGB 133 113 228

HSL 250.43, 0.68%, 0.67%

LAB 54.45, 35.19, -56.08

 

CMYK 49 / 59 / 0 / 5

HEX #7C63F1

RGB 124 99 241

HSL 250.56, 0.84%, 0.67%

LAB 51.34, 45.01, -68.41

 

CMYK 25 / 30 / 0 / 21

HEX #978CC9

RGB 151 140 201

HSL 250.82, 0.36%, 0.67%

LAB 61.27, 17.25, -30.06

 

CMYK 14 / 18 / 0 / 27

HEX #A09ABB

RGB 160 154 187

HSL 250.91, 0.2%, 0.67%

LAB 65.1, 8.89, -16.27

 

CMYK 3 / 3 / 0 / 32

HEX #A8A7AD

RGB 168 167 173

HSL 250, 0.04%, 0.67%

LAB 68.74, 1.51, -2.97

 

CMYK 2 / 0 / 12 / 29

HEX #B1B5A0

RGB 177 181 160

HSL 71.43, 0.12%, 0.67%

LAB 72.85, -5.17, 10.22

 

CMYK 5 / 0 / 25 / 24

HEX #BAC392

RGB 186 195 146

HSL 71.02, 0.29%, 0.67%

LAB 77.01, -11.33, 23.65

 

CMYK 30 / 19 / 0 / 21

HEX #8CA2C9

RGB 140 162 201

HSL 218.36, 0.36%, 0.67%

LAB 66.24, 1.42, -22.48

 

CMYK 30 / 27 / 0 / 21

HEX #8C92C9

RGB 140 146 201

HSL 234.1, 0.36%, 0.67%

LAB 61.96, 10.5, -29.06

 

CMYK 25 / 30 / 0 / 21

HEX #968CC9

RGB 150 140 201

HSL 249.84, 0.36%, 0.67%

LAB 61.18, 16.95, -30.19

 

CMYK 17 / 30 / 0 / 21

HEX #A68CC9

RGB 166 140 201

HSL 265.57, 0.36%, 0.67%

LAB 62.58, 21.89, -27.93

 

CMYK 9 / 30 / 0 / 21

HEX #B68CC9

RGB 182 140 201

HSL 281.31, 0.36%, 0.67%

LAB 64.09, 26.98, -25.46

 

CMYK 43 / 52 / 0 / 32

HEX #6454AE

RGB 100 84 174

HSL 250.67, 0.36%, 0.51%

LAB 41.38, 29.11, -46.11

 

CMYK 33 / 40 / 0 / 27

HEX #7D70BB

RGB 125 112 187

HSL 250.4, 0.36%, 0.59%

LAB 51.31, 22.45, -37.8

 

CMYK 25 / 30 / 0 / 21

HEX #978CC9

RGB 151 140 201

HSL 250.82, 0.36%, 0.67%

LAB 61.27, 17.25, -30.06

 

CMYK 18 / 21 / 0 / 16

HEX #B0A8D6

RGB 176 168 214

HSL 250.43, 0.36%, 0.75%

LAB 70.93, 12.21, -22.25

 

CMYK 11 / 14 / 0 / 11

HEX #CAC4E3

RGB 202 196 227

HSL 251.61, 0.36%, 0.83%

LAB 80.51, 8.03, -14.63

 

CMYK 25 / 31 / 0 / 21

HEX #968BC9

RGB 150 139 201

HSL 250.65, 0.36%, 0.67%

LAB 60.93, 17.52, -30.59

 

CMYK 0 / 30 / 11 / 21

HEX #C98CB2

RGB 201 140 178

HSL 322.62, 0.36%, 0.67%

LAB 65.27, 29.03, -10.57

 

CMYK 23 / 0 / 30 / 21

HEX #9AC98C

RGB 154 201 140

HSL 106.23, 0.36%, 0.67%

LAB 76.4, -26.89, 25.63

 

CMYK 25 / 31 / 0 / 21

HEX #968BC9

RGB 150 139 201

HSL 250.65, 0.36%, 0.67%

LAB 60.93, 17.52, -30.59

 

CMYK 0 / 25 / 30 / 21

HEX #C9968C

RGB 201 150 140

HSL 9.84, 0.36%, 0.67%

LAB 66.61, 17.75, 12.75

 

CMYK 30 / 0 / 25 / 21

HEX #8CC996

RGB 140 201 150

HSL 129.84, 0.36%, 0.67%

LAB 75.79, -29.9, 19.38

 

CMYK 25 / 31 / 0 / 21

HEX #968BC9

RGB 150 139 201

HSL 250.65, 0.36%, 0.67%

LAB 60.93, 17.52, -30.59

 

CMYK 0 / 30 / 11 / 21

HEX #C98CB2

RGB 201 140 178

HSL 322.62, 0.36%, 0.67%

LAB 65.27, 29.03, -10.57

 

CMYK 5 / 0 / 30 / 21

HEX #BFC98C

RGB 191 201 140

HSL 69.84, 0.36%, 0.67%

LAB 78.89, -13.34, 29.41

 

CMYK 30 / 0 / 19 / 21

HEX #8CC9A2

RGB 140 201 162

HSL 141.64, 0.36%, 0.67%

LAB 76.04, -27.67, 13.33

 

CMYK 25 / 31 / 0 / 21

HEX #968BC9

RGB 150 139 201

HSL 250.65, 0.36%, 0.67%

LAB 60.93, 17.52, -30.59

 

CMYK 0 / 30 / 20 / 21

HEX #C98CA0

RGB 201 140 160

HSL 340.33, 0.36%, 0.67%

LAB 64.73, 26.11, -1.2

 

CMYK 5 / 0 / 30 / 21

HEX #BFC98C

RGB 191 201 140

HSL 69.84, 0.36%, 0.67%

LAB 78.89, -13.34, 29.41

 

CMYK 30 / 0 / 10 / 21

HEX #8CC9B4

RGB 140 201 180

HSL 159.34, 0.36%, 0.67%

LAB 76.46, -24.04, 4.25

 

Description

Color code: HEX #968BC9 | qconv.com Color code: HEX #968BC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 139 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 139 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 31% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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